
PRINTING IN GREEK
[
]
The Dedication Has
NOT Been Removed — The Folio EXTRA Format
(A BIG BODONI). Longinus. [title in Greek, romanized as] Dionysiou Logginou [sic] peri hypsous. Parmae: In Aedibus Palatinos Typis Bodonianis, 1793. Folio extra (43 cm, 17"). [1] f., xxviii, 113, [1 (blank)] pp.; [1 (blank)] f., [1] f., 89, [1 (blank)] pp. Lacks the initial blank and final blank.
$7500.00
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One of only two Bodoni editions of De Sublimitate, the other being the 1793 printing in quarto format. It is printed on laid paper with a Latin translation following the Greek text, each with a separate title.
Brooks reports “Copie 15 in carta sopraffina e 15 in carta d’Anonnay.” Brunet says the dedication to the pope “a été supprimée dans beaucoup d’exemplaires”; it is present here.
Binding: Contemporary navy morocco, spine with six raised bands — an ornate gilt fleuron decoration in five compartments and gilt lettering in two. The covers are decorated with a gilt center panel of rectilinear and curved tooling that is framed by a thicker blind-tooled and a single-ruled gilt border. The board edges are tooled with a gilt double fillet and the turn-ins with a lacy gilt tulip-like motif. All edges are gilt, endpapers marbled.
A lovely, solid binding.
Provenance: On the front pastedown, the bookplate of Brian Douglas Stilwell.
Searches of NUC and WorldCat locate only four U.S. libraries reporting ownership of this edition (Harvard, Kansas, University of Texas-HRHRC, Princeton Theological).
Brooks 507; Giani 44 (pp. 47–48). Binding as above, rubbing to extremities and to spine/joints; somewhat noticeable scrape to length of front board and bump to bottom edge, very small spot of discoloration to top edge of front board, small scrape to rear board and rubbing to fore-edge. Without the initial and final blanks (i.e., two blank leaves total). Provenance marks as above; occasional light foxing to leaves, interior otherwise in very nice condition. (40159)
For THE BODONI PRESS, click here.
For COLLECTED PRESSES &
TYPOGRAPHY more generally, click here.

Printing for “the Other Side”?
Apostolic canons. [first four words in Greek, transliterated as] Kanones ton agion apostolon. Canones sanctoru[m] apostolorum. Unà cum
latina interpretatione. Parisiis: Apud Andream Wechelum sub Pegaso, in vico Bellouaco, 1556. 4to (23 cm, 9"). 27, [1] pp.
$850.00
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The Apostolic Canons or Ecclesiastical Canons of the Holy Apostles is an important collection of
85 ancient ecclesiastical decrees concerning the government and discipline of the Early Christian Church, here printed by a Reformation supporter. Andreas Wechel also printed the works of French humanists Petrus Ramus and Nicholas Durand de Villegagnon before narrowly avoiding the St. Batholomew’s Day massacre thanks to Hubert Languet. He later moved to Frankfort, and died in 1581.
This offering is printed in single columns, with Greek text and Latin commentary surrounded by mostly Greek shouldernotes; Wechel’s printer’s device appears on the title- and final pages.
Searches of WorldCat, NUC, and COPAC reveal
no copies of this edition in a U.S. institution, and only one internationally in Rome.
Evidence of Readership: An early reader has added eight notes, one of which has been slightly trimmed through rebinding, that reference the Bible or other rule-sources.
Provenance: Early inked note on title-page reads “Ex. Bibl. S. Bern, Fulient. Paris”; institutional rubber-stamps (including a release stamp) of the Bibliothèque Impériale of Paris on title-page and three leaves of text. Most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
On Wechelus, see: Renouard, Imprimeurs parisiens, p. 435. Modern paste paper–covered boards, spine with gilt-lettered brown leather spine label. Moderate age-toning with spotting on first and last few leaves; faint waterstaining darkening to more noticeable towards the end, covering perhaps a third of the page; provenance and readership markings as above, with one rubber-stamp lightly offsetting onto facing leaf. (37909)

Erotic Letters Classic Greek
Aristaenetus. [title-page in Greek, transliterated as] Aristainetou epistolai erotikai. tinà ton palaion heroon epitaphia. E bibliotheca C.V. Ioan. Sambuci. Antuerpiae: Ex officina Christophori Plantini, 1566. 4to (20.5 cm; 8"). 95, [1 (blank)] pp.
$2750.00
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Editio princeps of this late fifth / early sixth century collection of love/erotic letters. Both Voet and Brunet attribute them to Aristaenetus because the first is addressed by him to Philokalos; it is entirely possible, however, that the array are from different authors. Brunet says, “Ce lettres sur les aventures amoureuses racontees quelquefois d'une maniere assez libre.”
The text was edited from a manuscript in his personal collection by János Zsámboki (a.k.a., Johannes Sambucus), the Hungarian humanist scholar (1531–84) whose library formed the basis for the manuscript collection of the Austrian National Library.
Printed at the Plantin Press entirely in Greek (except for the imprint information), using Greek type commissioned from Robert Granjon, this bears one of the variant Plantin printer's devices on the title-page. It was printed with guide letters, although none have been supplied in manuscript by a scribe.
Evidence of readership: Scattered marginalia in Greek and Latin, sometimes correcting a word in text or expanding on same; other times citing a page in a different book.
Provenance: From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
Voet 593; Graesse, Trésor de Livres Rares, I, 204; Brunet, I, 448; Schweiger, I, 44; Index Aurel. 107.600; Adams A1692. Surprisingly not in Legrand, Bibliographie Hellenique. Disbound; now in modern wrappers. A very nice, clean copy with occasional light age-toning. (37768)

Literati of Antwerp Salute One of Their Own — Portrait after Peter Paul Rubens
Woodcut *&* Engraved Versions of the Plantin Device
Asterius, Episcopus Amasenus. S. Asteri Episcopi amaseae homiliae Graecè & Latinè nunc primùm editae Philippo Rubenio interprete. Antverpiae: Ex Officina Plantiniana, apud viduam & filios Ioannis Moreti, 1615. 4to (24.13 cm, 9.5"). [6] ff., 284, pp., [2] ff.
$2000.00
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First edition. A multi-part memorial volume from the Plantin–Moretus press in honor of Philippe Rubens (1574–1611), brother of the famed artist, whose Greek and Latin rendition of the Homilies by Asterius, Bishop of Amasia (ca. 375–405), occupies the first section of the text, here in Greek and Latin printed in double columns. Little is known about Asterius, Bishop of Amasea, and there has been much scholarly debate regarding exactly which homilies should be attributed to his authorship and which to other early Christians, including Asterius the Sophist; the Catholic Encyclopedia online says his works provide “valuable material to the Christian archaeologist.”
The second section here includes verses Rubens composed in the later years prior to his death in 1611 and dedicated to illustrious members of his circle including the humanist Justus Lipsius, Janus Woverius, and Peter Paul Rubens and Isabelle Brant, who married in 1609. Brant’s father, Jan, composed the introductory letter to the reader.
The volume was published at the request of Cardinal Ascanius Columnas in an edition of
only 750 copies, and was printed at Antwerp at the press of Moretus’ widow and sons with the famous Plantin device appearing in two versions (engraved, to the title, and woodcut, to the final recto).
A full-page engraved funeral portrait of Rubens engraved by Cornelius Galle
after Peter Paul Rubens signals the beginning of the third section, in which Jan Brant records the life of his son-in-law’s brother and transcribes his epitaph. Even Balthasar Moretus contributes an epigram in honor of the deceased.
In the fourth section, Rubens’ own orations and selected letters appear, i.a. his funeral oration to Philip II of Spain. Josse DeRycke contributed the final funerary tribute.
Done up in fully elegant Plantin–Moretus style, the volume has in addition to its careful typography and full-page plate and devices been lavished throughout with two-line block initials and four-line historiated woodcut initials; also, it offers several intricate woodcut tailpieces.
Searches of NUC Pre-1956 and WorldCat locate only eight copies in U.S. institutions, one of which has been deaccessioned; most are
not in obvious places.
Graesse, I, 241; Corpus Rubenianum, XXI (1977), 152. Period-style full brown calf, covers framed in blind double fillets, spine with gilt-stamped red leather title-label, raised bands with blind tooling extending onto covers. With a few odd spots to the text only, this is a
remarkably fine, crisp copy. All edges green. (28878)

“Opera quae exstant”
NOT
Basilius Seleucensis. [five lines in Greek, the] B. Basilii
Seleuciae Isauriae Episcopi, qui I. Chrysostomo contubernalis fuit, Opera quae exstant. [Heidelberg]: In bibliopolio H. Commelini, 1596. 8vo (16.5 cm; 6.5"). 8, 408 pp.
$650.00
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One of several editions all printed in 1596, all bearing the same title, and all claiming to be “Opera quae exstant,” but differing in significant ways: Some editions are in Greek and Latin; some have as place of printing “Lugduni” and others have no place. The present edition contains only the homilies and is entirely in Greek.
Provenance: Early 19th-century armorial bookplate of Robert Chambers; manuscript ownership “Ex libris G.R.W.”— William R. Wittingham, fourth Anglican bishop of Baltimore (a Latinophile who used “Guillelmus” for “William”), dated Sept. 22, 1856; later in the diocesan library of Maryland; deaccessioned 2006.
VD16 B 727. Contemporary limp vellum with evidence of ties; slightly yapp edges. Occasional light foxing. 19th-century library stamps on the front free endpaper and title-page. A clean solid copy. (24432)
~ BIBLES ~

Greek Text after ERASMUS & Ceporinus
Illustrations after Graf & HOLBEIN
Bible. N.T. Greek. 1535. [one line in Greek, romanized as] Tes Kaines Diathekes Hapanta [then in Latin] Noui Testamenti omnia. [colophon: Basileae: apvd Io, Bebelium {for Johann Schabler, called Wattenschnee}, 1535. 8vo (16 cm, 6.25"). [8], 367, [1] ff.
$2500.00
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Jakob Ceporinus (1499–1525, born Jakob Wiesendanger), the editor of this Greek Testament, was
a Swiss humanist who attended the universities of Cologne and Vienna and acquired knowledge of Hebrew by studying with the German humanist Johannes Reuchlin in Ingolstadt. He worked in Basel as a proofreader for a printing house, settled in Zurich, and in April of 1525 was appointed as
the first Reader of Greek and Hebrew at Zwingli's school of theology in Zurich. He died unexpectedly in December 1525.
The first edition of his Greek New Testament appeared in 1524 from the same printer as this third edition of 1535 and like that first closely follows the Erasmus third edition, with a few variants and independent readings. Also as with the 1524 edition, the title-page has
four woodcuts after Urs Graf representing the evangelists, and that leaf is followed by Oecolampadius' “In sacrarum literarum lectionem . . . exhortatio” (pi 2–7).
The work was published at the expense of Johann Schabler, called Wattenschnee, whose device with motto “Durum pacientia frango” is on the verso of last leaf. The Testament text is in Greek only and each book begins with a woodcut headpiece and a historiated initial, with some initials after Dance of Death designs by
Hans Holbein.
Reuss lists this among “Editiones Erasmicae.”
Provenance: 19th-century signature on front fly-leaf of W.C.S. Tole (?); most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
VD16 B4180; Adams B1653; Reuss, Bibliotheca Novi Testamenti Graeci, p. 33. Not in Darlow & Moule, but see 4601 for the first editon. 18th-century full calf, no raised bands, round spine gilt extra; spine pulled at head, front joint sometime repaired taking part of the label and some gilt on that side with volume now strong, corners rubbed and some old abrasions.
Interior with a very few instances of old marginalia; type splendidly sharp on very clean pages. (40636)

Greek Psalms from the
Bibliotheca Heberiana
Bible. O.T. Psalms. Greek. 1555. Dolscius. [transliterated from Greek] Davidou prophetper Ioannem Oporinumou kai basileos melos, elegeiois perieilemmenon hypo Paulou tou Dolskiou Plaeos [then in Latin] Psalterium prophetae et regis Dauidis, uersibus elegiacis redditum a Pavlo Dolscio Plauensi. Basileae: per Ioannem Oporinum, [colophon: 1555]. 8vo (15.9 cm, 6.25"). [16], 341, [7] pp.
$1250.00
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Sole edition of these Greek paraphrased psalms, done by Paul Dolscius while he was serving as a rector in Halle. Melanchthon was a great supporter of Dolscius (1526–89), whose translation work was so proficient that at one point his authorial byline on the Greek translation of the Augsburg Confession was assumed to be merely a pseudonym for the great reformer himself.
The text here is simply printed with the Latin preface in roman and the main text in Greek using single columns; a 5-line decorative initial and a 7-line inhabited one (showing two kings in profile) complete the work. This is now an uncommon edition, with searches of Worldcat, COPAC, USTC, and NUC Pre-1956 revealing only three U.S. institutions reporting ownership.
Provenance: An inked ownership stamp of notable 19th-century English bibliomaniac Richard Heber (1774–1833), reading “Bibliotheca Heberiana,” appears on the front free endpaper; Thomas Frognall Dibdin added this stamp to select rare books in Heber's collection following the collector's death. Most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
Bibliotheca Palatina F5048/F5049; VD16 B3122; USTC 626665. Not in Adams; not in Darlow & Moule. On Dolscius, see: Allgemeine Deutsche Biographie (online). 19th-century half calf and paste paper–covered boards, spine with gilt rolls and green leather gilt title-label, all edges stained blue; rubbed, slight loss of leather on front joint (outside) and corners, a few small spots and leather repairs, isolated glue action to endpapers. Light age-toning with occasional slivers of marginal staining (possibly thanks to the blue edge stain?), one interior tear touching letters and two marginal spots. Provenance indicia as above, small round paper shelflabel on spine, a few bibliographical notes pencilled on endpapers.
A skillfully produced work with a pleasing provenance. (39566)

HEAVILY ANNOTATED — The Gospels & Acts in an Important Edition
Bible. N.T. Greek & Latin. 1588. Testamentum Novum, sive novum foedus Iesu Christi, D.N. Cuius Graeco contextui respondent interpretationes duae: vna, vetus altera, Theodori Bezae, nunc quartò diligenter ab eo recognita... [Genevae]: [Henricus Stephanus], 1588. Folio (33 cm; 13"). [6] ff., 555, [1 (blank)] pp., [8] ff. (lacks final blank leaf); lacks vol. II (Epistles, Revelation).
$2500.00
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An interleaved and heavily annotated copy of the Gospels and Acts of “Beza's third major edition [of the Greek New Testament]. The text follows that of the second major edition (1582) with only five exceptions” (Darlow and Moule).
One should note that the title-page proclaims this “quarta editio,” and that this is Estienne's third folio printing of Beza's N.T.
Beza's New Testament Greek text is here accompanied by his Latin and the Vulgate (i.e., Catholic Latin) translations, the trio appearing in parallel columns on each page with
extensive notes that often fill as much as one-third to one-half of a page and with parallel references additionally set in the margins. The volume's title-page is printed in red and black and bears Henri Estienne's printer's device; a different finely wrought woodcut headpiece opens each book, with each column on those pages bearing a woodcut initial at its head, and a few of the books of the N.T. end with woodcut tailpieces.
Evidence of readership: An interleaved copy with
the vast majority of the leaves bearing an early 19th-century reader's notes and annotations. The notes cite references published as late as 1809 and it is clear that the natively German-speaking scholar was comfortable in Greek, Hebrew, Latin, and English.
Provenance: Ownership signature on title-page of Leon St. Vincent. Later in The Howell Bible Collection, Pacific School of Religion (properly released; no markings).
The paper stock used for the interleaving has the classic ProPatria watermark and that and its countermark match Churchill's 151, which has a starting date of 1799.
Darlow & Moule 4650; Adams B1711. On the interleaves' watermarks, see: Churchill, Watermarks in paper in Holland, England, France, etc., in the XVII and XVIII centuries. 19th-century half vellum with German pastepaper over boards, spine with tinted and tooled label, text recased and new endpapers; vol. I (only) of this production, without the Epistles and Revelation. Title-page creased and dust-soiled, all leaves before pp. 9/10 rodent-gnawed in lower outside corner with loss of paper but not of text or manuscript annotation, and a bit of light waterstaining to rearmost leaves only.
An important edition and a singular copy. (37032)

Elzevir's Received Text — From the Syston Park Collection
Bible. N.T. Greek. 1633. [in Greek, transliterated as] He Kaine Diatheke. [then in roman] Novum testamentum. Ex regiis aliisque optimis editionibus cum cura expressum. Lugduni Batavorum: Ex officina Elzeviriana, 1633. 12mo (13 cm, 5.125"). [16], 861, [35] pp.
$1650.00
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Syston Park copy of the editio recepta of Beza's text, following the first Elzevir edition of 1624 and largely agreeing with the octavo edition of 1565. Greek New Testaments were a staple of the renowned Elzevir family of printers, and Willems declares that of the three printed by the Leyden Elzevirs, “celle-ci est la plus belle et la plus recherchée.”
It was in the preface to this edition that this text was first labelled “Textus Receptus.”
After the preface, the text is printed entirely in Greek, except for Latin chapter headings in the table of contents; verse numbers are given in the inner margin of each page. The title-page features the printer's woodcut device of a man picking grapes from a vine on a tree and the motto “Non solus.”Binding: 18th-century crimson straight-grain morocco, covers framed in dotted gilt rules, board edges and turn-ins with dotted gilt rule, spine similarly ruled and with gilt-stamped title. All edges gilt and a light blue silk ribbon placemarker still present. Almost certainly done by
Roger Payne, Syston Park's preferred binder.
Provenance: Front pastedown with bookplates of H. Walter Webb and Syston Park (i.e., the famous
Syston Park Library, collected at Lincolnshire by Sir John Hayford Thorold, Bart., and his predecessors); front free endpaper with bookplate of Leila Howard Codman; most recently in the library of American collector Albert A. Howard (sans indicia). The Sotheby's catalogue of the Syston Park sale suggests that the present copy was Sir John's duplicate, this example having marbled endpapers rather than the “silk linings” described in another copy.
Darlow & Moule 4679; Willems 396. Bound as above, spine slightly dimmed. Bookplates as above; front free endpaper and fly-leaf with affixed slips of old cataloguing and pencilled annotations. Pages clean.
A nice copy with pleasing, in fact prestigious, provenance. (37819)

MORE! Than Meets the Eye
Bible. N.T. Greek. 1633. [in Greek, transliterated as] Tēs Kainēs Diathēkēs apanta. [then in roman] Novi Testamenti libri omnes, recens nunc editi: cum notis & animaduersionibus doctissimorum, praesertim vero, Roberti Stephani, Josephi Scaligeri, Isaaci Casauboni. Variae item lectiones ex antiquissimis exemplaribus, & celeberrimis bibliothecis, desumptae. Londini [i.e., Leiden]: Apud [B. and A. Elzevir for] Richardum Whittakerum, bibliopolam, 1633. 8vo (17 cm, 6.625"). [8], 459, [13] pp.
$875.00
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“Surprise” Elzevir New Testament with an interesting production history: Darlow and Moule note that this “London, Whittaker” text was printed by the Elzevir press in Leyden and later sold under their name in 1641, with all but four passages — three of these taken from the 1576 H. Stephanus' edition — matching the second Elzevir edition of 1633. The supplementary notes, indeed by R. Whittaker, come however from the 1622 Greek Testament printed by J. Bill of London. Notes by Robert Estienne, Joseph Juste Scaliger, and Isaac Casaubon follow the New Testament.

The text is pleasingly printed in two columns using Greek type with numbered verses and woodcut initials at the start of each book; the dedication and some notes appear in Latin with woodcut initials and one decorative headpiece. One of the Elzevirs' “Non solus” printer's devices also appears on the title-page, and this is the edition where *4v contains the last line: “tem opportunitatis . . . Vale.”
Binding: 18th-century black morocco, spine gilt with spiky-floral compartment stamps surrounded by frames of rules and dots; covers framed in gilt and blind with roll of scallops, dashes, and fillets and with same spine ornament gilt at corners. Turn-ins with gilt floral roll a little extending onto board edges, double-combed marbled endpapers, all edges gilt.
Provenance: On front free endpaper, 18th-century inked signature of Charles Mays (or Mayo or Mayor) and 19th-century gift inscription “Charles H. Roberts M.A. from Fred Renshaw(e)”; most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
ESTC S90878; Darlow & Moule 4680; STC (rev. ed.) 2798.5; Willems 397. Bound as above, rubbed, hinges (inside) starting to crack, the whole still attractive and the volume strong; text with the occasional spot, very faint waterstaining through perhaps a third of the text, and top edges closely trimmed touching headers on a few leaves. Provenance indicia as above, later pencilled bibliographical citations on front free endpaper, and “1633" on endpaper in ink.
A production both erudite and aesthetically pleasing. (38430)

First
Folio Greek N.T. Printed in England
Bible. N.T. Greek. 1642. Jesu Christi Domini Nostri Novum Testamentum, sive Novum Foedus, cujus Græco contextui respondent interpretationes duæ: una, vetus; altera, Theodori Bezæ.... Cantabrigiae: Ex officina Rogeri Danielis, 1642. Folio (37.5 cm, 14.5"). [8], [10] ff., 766 (i.e., 764) pp., [12] ff., 125, [1 (blank)] pp., [2], [1 (blank)] ff.
$800.00
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In 1565 Theodore Beza (1519–1605, also de Bèsze or Bèze), Calvin's chief assistant and successor as leader of his reform movement, first published his edition of the Greek New Testament with the Vulgate and his own Latin translation. For the edition of 1582, he revised his text based on the discovery of the important Codex Bezae (Codex D), a manuscript of the Gospels and Acts probably written in the 5th century and the principal witness to the Western textual tradition of the New Testament. Beza personally owned this codex and presented it to Cambridge University in 1581.
This is the first folio edition of the Greek New Testament to be printed in England as well as the
first Greek–Latin edition of Beza's New Testament to be printed there. It is also considered by the ODCC to be the best edition of Beza's Latin translation of the New Testament. The text is based on Beza's fourth (and last) edition of 1598 and includes his annotations. Joachim Camerarius's commentary on the New Testament is appended at the end with its own sectional title-page and pagination.
Handsomely printed with an
engraved printer's device on the title-page by Wenceslas Hollar and woodcut initials, head- and tailpieces, this edition has the text in three parallel columns (Greek, Beza's Latin version, and the Vulgate) with a wealth of commentary above and below. The title-page exists in three states: the present one is printed in black only and lists the print-shop of Roger Daniel without “Londini venales prostant.”
Provenance: 1710 ownership signature of “R. Holde[----?].” Later in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
Wing (rev.) 2728A; ESTC R35303; Darlow & Moule 4686; not in Rumball-Petre, Rare Bibles. On Beza, see: Oxford Dictionary of the Christian Church 166–67. On the Western text of the N.T., see: Oxford Dictionary of the Christian Church 1470–71. Contemporary Dutch-style vellum over pasteboards with central blind-stamped medallion on both boards within a blind double-rule frame; vellum split along front joint (outside) and peeling at top and bottom of spine. Evidence of silk ties. Title-leaf with dust-soiling and discoloration at inner margin; dust-soiling and light water- or dampstaining variably elsewhere. Overall a sound, decent copy. (40055)

Printed in England in 1665 & Bound in
AMERICA in 1829
Bible. O.T. Greek. Septuagint. 1665. [four lines in Greek, then] Vetus testamentum graecum ex versione Septuaginta interpretum, juxta exemplar Vaticanum Romae editum. Cantabrigiae: Excusum per Joannem Field, 1665. 12mo (14 cm; 5.5"). [1] f., 19, [1], 755 [i.e. 767, 1], 516 pp. (without the initial blank).
$1800.00
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The second English edition of the Septuagint. There are different issues: This a copy of the one with the third word of the Greek title readiing “Diathēche” and not “Diathēke” and with the printer's device showing the man holding the sun in his left hand. Thus, this is Darlow and Moule issue “B.”
Thomas Jefferson owned a copy of one of the issues of this edition.
Provenance: Manuscript ownership inscription of John Ray dated 1716 (on retained fly-leaf); ownership signature of Robert L. Wilson, New York, 1818 (on title-page); gilt supra-libros of Barzillai Slosson, dated 1829. Later in the Howell Bible Collection, Pacific School of Religion (properly released).
Binding: American binding of dark blue goat, richly gilt, with wide floral border on covers and spine distinctively gilt using rules and floral roll. Board edges with a gilt roll; turn-ins gilt tooled. Marbled endpapers. All edges gilt. Gilt supra-libros of Barzillai Slosson as above. Unsigned.
Barzillai Slosson may have been related to the lawyer of the same name who was active in Kent, CT, at the end of the 18th century and into the fourth decade of the 19th, whose account books are in the Yale Law Library; perhaps, the Barzillai who graduated from Columbia College in 1818 and later moved to Geneva, NY, where he was active and successful in business and civic affairs.
Wing (rev. ed.) B2719. Darlow & Moule; 4702; ESTC R236848; Sowerby, Catalogue of the library of Thomas Jefferson, 1473. Binding as above, lightly rubbed. Pages closely cropped in the 19th-century rebinding and some initial or final letters touched or lost. Very good. (34786)
BASKERVILLE's OCTAVO GREEK N.T.
Bible. N.T. Greek. 1763. Mill. Novum testamentum. Juxta exemplar Millianum. Typis Joannis Baskerville. Oxoni: E typographeo Clarendoniano, 1763. 8vo in 4s (23.5 cm, 9.25"). [4], 676 pp.
$750.00
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Sole octavo printing of the Greek New Testament using Baskerville type (i.e., Greek type that Baskerville designed and cut himself); and indeed this pleasingly was printed from the only set of Baskerville type that survives to this day, still at Oxford's Clarendon Press. The text was based on the Mill edition of the Greek N.T.; Darlow and Moule notes that while the text “generally reproduces that of Mill . . . Reuss notes seven variations.”
An important example of 18th-century fine printing of the Bible.
This copy retains its half-title.
Provenance: The Howell Bible Collection, Pacific School of Religion (properly released).
Gaskell (enlarged ed.) Add. 2; Darlow & Moule 4756. Contemporary acid-stained calf, rebacked some time ago with morocco, spine with gilt-stamped title and publication information; edges and extremities rubbed, sides and spine with small scuffs. New endpapers with pencilled annotations; back pastedown with California bookseller's small ticket. No library markings. Title-page with tiny nick in upper edge. Pages very slightly age-toned with a very few scattered small spots, otherwise crisp and clean. (34979)
For BIBLES & TESTAMENTS, click here.



JUST the Greek
Callimachus. Callimaco Greco-Italiano ora publicato [then in Greek, romanized as] Hoi tu Kallimachu Kyrenaiu hymnoi te, kai epigrammata. Parma: Nel Regal Palazzo Co' Tipi Bodoniani, 1792. Large 4to (31 cm, 12. 25"). [1] f., 76 pp. (the title-page and Greek text only; lacking all else).
[SOLD]
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One of four printings of Callimachus from the Bodoni press. Of this edition Brooks says: “Edizione esequita con altri caratteri minuscoli.” Lacking L.A. Pagnini’s Italian translation and the preliminaries, etc., this copy presents the Greek text only.
Brooks 443; Weiss 148. Modern vellum shelfback with brown paper-covered boards, spine label with black lettering. Light dust-soiling to title-page, light foxing to leaves, paper flaw with “loss” in bottom margin of one leaf, tiny pinhole in another leaf. As above, this is the title-page and Greek text only, lacking all else; a notably affordable example, therefore, of the press's lovely printing. (40147)
For THE BODONI PRESS, click here.

Anglican Liturgy, in Greek
Church of England. Book of Common Prayer. Greek. 1665. [in Greek, transliterated:] Biblos tes demosias euches kai teleseos mysterion kai ton allon thesmon kai teleton tes ekklesias, kata to eth[os] tes Agglikanes Ekklesias. Pros [de] t[ou]tois typos k[ai] tropos tes katagaseos, cheirotonias, kai kathieroseos episkopon, presbyteron, k[ai] diakonon. En te Kantabrigia: Ioannou Phieldou, 1665. 12mo (14.5 cm, 5.75"). [36], 126, [2 (blank)] pp. [as issued, with the same publisher's] Bible. Psalms. Greek. 1664. Psalterion toy Dabid kata tous Hebdomekonta eis ta tmemata, ta en te tes Agglikanes Ekkesias leitourgia nomizomena, diegemenon. 12mo. 1664. [2], 115, [3], 117–71, [1] pp. [and] Bible. New Testament. Greek. 1665. Tes kaines diathekes apanta. 12mo. [2], 419, [1], pp.
$1800.00
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First edition of this Greek translation of the Book of Common Prayer. The preface is signed “I.D.,” i.e., James Duport, a popular professor of Greek at the University of Cambridge, who had the year before printed a translation of the Psalter (which appears here with the BCP as issued, under a separate title-page) and Ordinal, along with the Greek New Testament and Apocrypha (the title-page of the New Testament being an insert, and the Apocrypha having separate pagination). This is only the second translation of the BCP into Greek, following the first by Elias Petley in 1638. There were apparently two settings of this edition produced by printer John Field in the same year, under the same title and imprint, with priority not established; the present example has line six of the main title-page all in capital letters, and the “Alma mater Cantabrigia” device following the last page of the Psalter — but while the sun is on the left and the cup on the right of the Psalter title-page device, they are reversed on the New Testament title-page, apparently indicating that the New Testament is from a variant post-dating the BCP and Psalter.
Binding: Contemporary mottled calf Cambridge-style, covers framed in double gilt fillets and panelled in triple gilt fillets with gilt-tooled corner fleurons; spine with gilt-stamped leather title-label and gilt-ruled compartments.Provenance: Front free endpaper with early inscription in red pencil: “Gibson's [/] Queens [/] Oxon. [/] 1787[?].” Most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
Biblos: Wing (rev.) B3632; ESTC R204258; Griffiths 45:3. Psalterion: Wing B2720A; ESTC R204259. Tes kaines diathekes: Darlow & Moule 4702; Wing B2733. Bound as above, worn and showing expectable acid-pitting with edges, extremities, and spine rubbed; spine label cracked with loss of central portion of label. Endpapers with early inked annotations in Greek and English. A few leaves with light waterstaining in upper portions; one leaf with tear from outer margin into text, with loss of one letter; one leaf with short tear along paper flaw, without loss of text. Final work with early inked underlining; rear fly-leaf with a few jotted references in Greek.
A scholar's copy of this nice example of early English Greek liturgical/scriptural printing. (37826)

August Neander's Copy
Clement, of Alexandria, Saint. Opera graece et latine quae extant. Lutetiae Parisiorum: Typis Regiis, 1641. Tall folio (32.7 cm, 12.9"). [28], 854, 74 (lacking 75–79 [index]) pp. (some pagination erratic; 823/24 repeated).
$775.00
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Works of the second-century Greek theologian Clement of Alexandria (ca. 150–215), reissued from the 1616 Patius printing and here handsomely printed by the French Royal Press. This edition was apparently also issued with the title-page in a different state, sporting the imprint as “Apud Matthaeum Guillemot, via Iacobaea, sub signo Bibliothecae.”
Set forth is Heinsius's edition of the text, with Greek and Latin in parallel columns, additionally offering the earlier revisions and alternate readings by Friedrich Sylburg; the title-page is printed in red and black, with an impressive sailing ship publisher's device, while the main text pages are ornamented with head- and tailpieces and decorative capitals.
Provenance: Title-page with inked inscription “J.D. Michaeli,” presumably Orientalist, biblical scholar, and Göttingen professor Johann David Michaelis (1717–91). Later manuscript notes as below in the hand of the early 19th-century scholar August Neander; his library sold to the Colgate (Rochester Crozer) Divinity School, properly deaccessioned.
Evidence of readership: Three pages completely covered in Neander's hand with annotations in Greek and Latin, tipped in at the front; pencilled marks of emphasis, inked underlining, and inked marginal annotations in what appear to be two different early hands.
Brunet, II, 93. Period-style quarter speckled calf and marbled paper–covered sides, spine with raised bands and gilt-stamped leather title-label, all edges red; final three index leaves (only) lacking. Trimmed closely, in some instances touching headers and often the marginalia; approximately 30 leaves with a finger's-breadth portion of upper edge chewed, affecting headers but never text; several leaves with repaired tears or reinforced margins; one leaf with flaw in outer margin touching three letters. Markings as above; occasional small areas of light staining or inkblots, one small burn hole, and two pages with dripped red wax.
A solid and very readable copy in an attractive recent binding, with provenance worthy of note. (35424)

Decrees of 13 Apostolic & Holy Concilia — From the Press of France's
Short-Lived FIRST Royal Greek Printer
Councils of the Church; Jean Du Tillet, ed. [two lines in Greek, romanized as] Kanones ton apostolon kai ton hagion synodon [then in Latin] Apostolorum et sanctorum conciliorum decreta. Parisiis: Per Conradum Neobarium, regium typographum, 1540. 4to (20 cm, 7.75"). [iv], 115 [i.e., 116] pp.
[SOLD]
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First edition of Du Tillet's compilation of decrees of thirteen apostolic and holy conclia — an interesting and uncommon work in the field of canon law. The text, except for the introduction, is in Greek.
This is one of only a handful of books printed by Conrad Neobar, the first royal Greek printer in France: He began printing ca, 1537, was appointed to the royal post in 1539, and died the next year. His printer's mark (a serpent entwined on a tau) graces the title-page.
Provenance: From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
Searches of NUC and WorldCat locate only three U.S. libraries reporting ownership (Princeton Theological, University of California-Santa Cruz, University of Illinois).
Adams C543. Late 17th- or early 18th-century vellum over pasteboards. Title-leaf and final leaf a little soiled; one leaf towards end with a crescent of old light waterstaining to foremargin; a few pages with faint underlining or faded marginalia. Else very good. (40717)

Editio Princeps — Reconstructing the Pre-Socratic Philosophers
Empedocles, et al. [Two lines in Greek, transliterated as] Poiesis philosophos. Poesis philosophica, vel saltem, Reliquiae poesis philosophicae, Empedoclis, Parmenidis, Xenophanis, Cleanthis, Timonis, Epicharmi. Adiuncta sunt Orphei illius carmina qui à suis appellatus fuit ho theologos. Item, Heracliti et Democriti loci quidam, & eorum epistolae. [Geneva]: Excudebat Henr. Stephanus, 1573. 8vo (17.1 cm; 6.75"). 222, [2 (blank)] pp.
[SOLD]
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First edition of the first published collection of these early Greek philosophical writings, the whole
edited by Henri Estienne and from the Estienne press: An important Humanist gathering of surviving fragments from Empedocles, Parmenides, Xenophon, Cleanthes, Timon of Phlius, Epicharmus, and others, along with the letters of Heraclitus and Democritus — with an emphasis on the aesthetics of their work. The preface is in both Latin and Greek, and the Latin notes are by Joseph Justus Scaliger.
Schreiber calls this uncommon work “a volume of major importance to the history of Western thought, which rightly belongs on the same shelf with the first editions of Plato and Aristotle.”
Provenance: Armorial bookplate of Charles W.G. Howard on front pastedown with typed note that the volume was a gift of Sir David Dundas of Ochtertyre in 1877. Dundas (1799–1877) was a politician who also served as a trustee of the British Museum from 1861 to 1867 (DNB online).
Renouard, Estienne, p. 140, no. 8; Adams P-1682; Schreiber, Estiennes, 187; Brunet, II, 1080; Schweiger, I, 104. Bound in 19th-century red straight-grained morocco with raised band, spine lettered and ruled in gilt, covers single-ruled in gilt, turn-ins with a gilt roll of a Greek key pattern, marbled endpapers, all edges gilt; spine faded and rubbed, a few spots on covers. Marked as above, light age-toning; light pencilling on endpapers.
A handsome copy of an influential, Estienne edition of Greek philosophy. (36156)

PORTABLE STOICISM

Epictetus, & Jean-Baptiste Lefebvre de Villebrune, ed. [two lines in Greek, transliterated as] Epicteti Enchiridion [then] curante J.B. Lefebvre de Villebrune. Parisiis: Typis Philippi-Dionysii Pierres, Regis Typographi Ordinarii, 1782. Sq. 12mo (11.6 cm, 4.6"). [6], 8, 46 pp.
$525.00
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First Villebrune edition, and nicely printed, we must say, by the Printer in Ordinary to the King. While perhaps not the rendition of Epictetus most acclaimed by scholars, Villebrune's was the one that graced Benjamin Franklin's library — the author having sent Franklin several copies. This travel-sized Enchiridion is printed with wide margins in
miniscule yet lovely Greek (with a preface in Latin); the half-title gives “Epicteti Enchiridion, sive totius philosophiae moralis epitome castigatissima.” Brunet notes that there were two issues, one with final notes and one without, this example being of the latter. The work is not widely held in either state, with WorldCat locating
only two U.S. institutional holdings.
Provenance: From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
Brunet, II, 1013; Schweiger, I, 107; Wolf & Hayes, Library of Benjamin Franklin, 1000. 18th-century dark hunter green morocco framed in gilt triple fillets, board edges and turn-ins with gilt rolls, spine with gilt-stamped title, gilt rules, and gilt compartment decorations; moderately worn overall, joints and extremities refurbished, spine rubbed and slightly browned. Red endpapers. All edges gilt. Pages gently age-toned, otherwise clean.
What's technically known as “a sweetheart.” (38265)

The History of Rome — In Greek AND Latin
Eutropius. Eutropii Breviarium Romanae historiae ab vrbe condita usque ad Valentinianum & Valentem Augustos cum metaphrasi Graeca Paeanii. Christophorus Cellarius, Smalcaldiensis, recensuit, notis, atque indicibus locupletauit. Cizae (i.e., Zeitz): Sumtu. Io. Bielckii, bibliopolae Ien. Typis Fridemanni Hetstedii, 1678. 8vo (16.8 cm; 6.625"). [42], 263, 268–74, 42, [26] pp. Lacks printed t-p & two endpapers.
$300.00
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17th-century edition of Eutropius's much-printed history of Rome with commentary from German classical scholar and geographer Christoph Cellarius (1638–1707). The text is printed in double columns, one in Greek (being Paeanius' Greek version) and the other in Latin (Eutropius' original); Eutropius completed the Breviarium romanae by 369 and Paeanius' translation appeared before 380.
While this book lacks the free endpapers and the printed title-page, it offers a
hand-colored engraved title-page, executed by M. Hailler's burin and embellished by a watercolorist in blue and yellow.
Provenance: Unreadable inked ownership signature dated 1752 on pastedown and rubber-stamp of the Rev. Charles Woessner of Berkeley, CA, on back of title-page; later in the Pacific School of Religion (properly released).
Dibdin, Greek and Latin Classics, vol. II, pp. 2–3; Schweiger, Handbuch der classischen Bibliographie, II, 346. Vellum over pasteboards, title inked on spine, all edges speckled red; soiled and scratched, ink spots on edges, joints cracked but textblock firmly attached. Ex-library as above, call number and five-digit accession stamp on front pastedown. Marked and lacking two endpapers and printed title-page as above, with light pencilling, one leaf with small tear to inner margin, a few pages with inked or pencilled marginal notes or dashes, and a few bent corners; moderate to heavy age-toning.
Uncommon place of printing and a nicely hand-colored added engraved title-page. (36600)

GESSNER with a Little Help from His Friends (Melanchthon & Amerotius)
Gesner, Konrad (a.k.a. Gessner, Conrad). Lexicon graecolatinum postremo nunc supra omnes omnium hactenus accessiones, ingenti vocabulorum numero, per viros multa assiduaq[ue] lectione Graeca exercitatos, ita auctum & emendatum, ut uixsit, quod desiderare amplius linguae eius studiosus possit. Una cum indice vocum Latinarum ac phraseon, qui loco Latinograeci dictionarii exhibetur. Praeterea accedit nunc primùm nomenclatura Graecolatina, vocum tàm facultatum maiorum quàm aliarum etiam disciplinarum, omni generi literaturae haud inutilis futura. In super de mensibus & eorum partibus, quibus etiam nominibus variè appellari soleant, paulò quàm antea copiosior exegesis. Ac denique farrago libellorum quorundam Graecam linguam concernentium: quorum elenchum suo loco reperies. Basileae: [colophon: Ex Officina Hieronymi Curionis, impensis Henrichi Petri, 1554]. Folio (32.5 cm; 12.85"). [4 of 18] ff., 1526 columns, [1] p., [92] ff.
$900.00
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Later edition of Conrad Gesner's Greek to Latin dictionary with contributions from Melanchthon and Adrianus Amerotius. Nicelyprinted by Hieronymus Curio for Heinrich Petri.
This copy has
evidence of censorship or post-printing editing, for the “Hadrianus Iunius de anni patribus eiusque principio” in the preliminaries has been completely lined through with iron gall ink and in one blank area is visible the word in an early hand, “deleat.” Also, one wonders why all of the preliminary matter other than the list of sources used and the explanation of Greek arithmetic notation has been removed.
Curio's printer's device (Heitz, Basel, 108) appears on the title-page with another version (Heitz: Basel, 111) on both leaf 2D8v and last leaf verso.
Provenance: 17th-century shelfmark in gilt at base of spine ( “V” over “IX”); 18th-century ownership inscription (name only) of José de Giunta Lobo and late-19th-century inscription of James J. Woolsey on title-page. Woolsey's signature again at head of col. 2 of text. 19th-century stamp of defunct library on title-page.
Via WorldCat we locate only three copies in the U.S.
VD16 G1757. Mid-17th-century plain sheep with early (!!) repairs to head and foot of spine and to fore-edges of covers. Lacking 12 leaves of the preliminaries, we believe by someone's intention. Minor worming (mostly pinhole type) touching some letters; early and late leaves dust-soiled; short tears in some margins of early leaves.
An interesting copy of a scarce edition. (27258)

Turnèbe Tackles Hephaestion
Hephaestion. [title in Greek, transliterated as] Hephaistionos Alexandreos encheiridion peri metron kai poiematon. Eis to auto scholia. Parisiis: Apud Adrianum Turnebum typographum regium [colophon: Excudebatur Lutetiae Parisiorum], 1553. 4to (22.7 cm, 9"). [4], 95, [9] pp.
$1800.00
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First French edition of grammarian Hephaestion's work on Greek poetry as it relates to metrics and rhythmics, following the Florentine edition of 1526. The main text is printed in single columns in Greek using three different fonts, with two full-page diagrams following the text and an index in three columns; Turnèbe's basilisk device appears on the title-page and the text is adorned with a foliated headpiece and two decorative initials. Printer Adrien Turnèbe (1512–65) was chair of Greek at the College Royal in France and Royal Printer for Greek following Robert Estienne.
Evidence of Readership: Faint inky fingerprints appear in the margins and endpapers of a few leaves; a bifolium with one page of Greek notes in an early hand has been laid in at back.
Provenance: From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
Adams H287; Brunet, III, 104; Hoffmann, Bibliographisches Lexicon der gesammten Literatur der Griechen, II, p. 203; Schweiger, I, 133. On Turnèbe, see: Renouard, Imprimeurs parisiens. 18th-century polished calf, spine with raised band and lettered in blind, covers framed in gilt double fillets, board edges with arabesque roll in blind, all edges speckled red; rubbed and scuffed, hinges/joints cracked but boards firmly attached, glue action to first and last few leaves. Light pencilling on endpapers. Light age-toning, small marginal worm tracks not affecting text; marginal waterstaining through perhaps a third of text, two untrimmed edges and a few instances of spotting, dust-soiling, or staining. Provenance and readership indications as above. A well-crafted textbook. (38388)

Homer in Greek, Using Proctor's Type
Homer (Homerus). [one line in Greek, transliterated as] Homēri Odysseia. Oxford: Pr. at the University Press, 1909. Tall 4to (29 cm, 11.5"). [4 (3 blank)], [227], [3 (blank)] ff.
$1100.00
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The aesthetic of the fine press movement of the 19th century influenced many non-small press publishers in the 20th century, and here we have
a university press producing a gorgeous limited edition of the Odyssey. Issued in only 225 copies on handmade paper, printed in black and red with wide side and bottom margins, the text is that of David Binning Monro's Oxford Press, 1896, printing. Horace Hart composed it using the Greek type that Robert Proctor designed based on the Greek type of the Complutem Bible, which was used “by arrangement with the owners of the type” (colophon). Proctor's type was cut in just one size — large — making it, in reality, useable only in fine press work and spectacular there.
Provenance: From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
Publisher's quarter linen, light blue boards, paper label to spine. All edges untrimmed. Without the slipcase. Paper label a little darkened and rubbed, a few spots of discoloration to the linen, boards a little dusty; lower outer corner of front board with a small waterstain. Interior fresh.
A beautiful book. (37861)

H. Estienne's Final
FOLIO Text
Greek, Latin, & Impressive
Isocrates. [two lines in Greek, then] Isocratis Orationes et epistolae cvm Latina interpretatione Hier. VVolfij, ab ipso postremùm regognita. Henr. Steph. in Isocratem Diatribæ VII: quarum van obseruationes Harpocrationis in eundem examinat. Gorgiae et Aristidis quædam, eiusdem cum Isocraticis argumenti. Guil. Cantero interprete. [Geneva]: Excudebat Henricus Stephanus, 1593. Folio.
[fleuron]4*6**4az6aamm6nn4;
AaLl6; AC6D4; ad
4a.4b.6 (-b.6, blank); [14] ff., 427, [1 (blank)], 131, [1 (blank)], xxxiiii pp., [1 (blank)], [4] ff., 31, [1 (blank)] pp., [9] ff. (without the final blank).
$2250.00
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Here is Henri Estienne's last major work and his final folio edition of any classical work. Schreiber considers it an “important edition” as did Dibdin. The text is Hieronymous Wolf's first published in 1551 as revised by Estienne, who also supplied seven Diatribae (Dissertations). These latter are found on pp. 331 at the end of the volume.
The texts of the orations and “letters” of the great Athenian orator (436338 B.C.) are printed in double-column format, with the Greek presented in exquisite Greek type in the inner columns and the Latin translation in roman type in the outer ones. A version of the famous Estienne printer's device graces the title-page.
Adams O219; Renouard (2nd ed.), Annales de l'imprimerie des Estienne, 155.1; Schreiber, Estienne, 225; Schweiger, Handbuch der classischen Bibliographie, I:181; Dibdin (4th ed.), An Introduction to . . . Greek and Latin Classics, II:126. 18th-century plain calf, recently rebacked; round spine, raised bands accented with gilt ruling. Gilt-tooled center devices in spine compartments. Two gilt-lettered spine labels. Title-page dust-soiled; a library's blind pressure-stamps; properly deaccessioned with no additional stamps.
A covetable exemplar. (2129)

The FIRST Work of Systematic Theology in EASTERN CHRISTIANITY
John, of Damascus, Saint (Joannis Damasceni). [five lines in Greek, romanized as] Ioannou tou Damaskenou Ekdosis tes orthodoxou pisteos. Tou autou peri ton en pistei kekoimemenon. [then in Latin] Ioannis Damasceni editio Orthodoxae fidei. Eiusdem de iis, qui in fide dormierunt. Veronae: [Apud Stephanum et fratres Sabios], 1531. 4to in 8s (21.5 cm, 8.375"). [8], 150, [4] ff.
$3000.00
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John, of Damascus (ca. 675–749), is a Doctor of the Church and was a polymath. His contributions were in the fields of law, theology, philosophy, and music; and it is thought that he may well have served as a chief administrator to the Muslim caliph of Damascus before his ordination.
His Exposition of the Orthodox Faith, present here in an edition in the original Greek edited by Bernardino Donato (1483–1543, a Humanist, philologist, Hellenist, and grammarian) is an 8th-century treatise that is
the first work of systematic theology in Eastern Christianity and an important influence on later Scholastic works. Among the numerous topics and concerns it treats are things utterable and things unutterable, things knowable and things unknowable, prescience and predestination. the reason God with foreknowledge created persons who would sin and not repent, natural and innocent passions, and the honor due to the saints and their remains.
The text is in Greek, preface in Latin. The title-page gives the place and date of printing but the other imprint data is from the colophon. The headpiece, caption title, and initial on folio 1 are
printed in red; the initial and headpiece are the only woodcuts in the volume.
Provenance: From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
Adams J274; EDIT16 CNCE 32951. 18th-century vellum over pasteboards, slightly yapp edges; lower 1.5" of title-leaf excised removing “Veronae” and “MCXXXI” and missing paper very neatly replaced long ago. All edges blue. A little dust-soiling, notably to title-page, some leaves browned, occasionally a trivial stain, a marginal note or two in Greek.
In fact, a nice, clean copy. (40719)

One of the
First Two Books Printed at ETON
John, Mauropus, Metropolitan of Euchaita (active 11th century). Joannis Metropolitani Euchaitensis versus iambici in principalium festorum pictas in tabulis historias atq[ue] alia varia compositi. Etonae: In Collegio Regali, excudebat [M. Bradwood for] Ioannes Norton, in Gr[a]ecis, &c. regius typographus, 1610. 4to (22.8 cm; 9"). [4] ff., 73, [1] pp., [4] ff.
$3500.00
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One of the first two books printed at Eton, both in Greek and both printed in 1610. The Byzantine poetry here is from the pen of John, Mauropus, an 11th-century teacher, hymnographer, orator, Byzantine Greek poet, and correspondent of scholars.
This, the editio princeps, was edited by and has the notes of Matthew Bust (1543 or 1544–1613), Fellow of Eton College and father of his namesake who was Master of Eton (1611–30). The prefatory matter and notes are printed in Latin in italics and the main text is in a large greek face; the actual printer's name is from STC.
Searches of STC, WorldCat, and ESTC locate many copies in Britain and even Europe, but only five in U.S. libraries.
Provenance: 18th-century ownership inscription at top of title-page: “Petri Bonifantii.” Most recently in the collection of American collector Albert A. Howard (sans indicia).
An amazing early English schoolbook!
STC (rev.) 14622; ESTC S103427. 20th-century quarter red morocco with red cloth sides. Light age-toning and some stray ink spots. In fact, very good. (37309)

“Not Vain Hath Been the Great Endeavour”
Kaklamanos, Demetrios. [title in Greek, transliterated as] Eleutherios Benizelos [i.e. Venizelos], ho heros (eis charakterismos). Oxford: University Press, 1936. Small 8vo (19.5 cm, 7.7"). 49, [1] pp.
$150.00
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Uncommon first edition: Tribute to the eminent Greek statesman Eleftherios Venizelos and his leadership while negotiating the historic Treaty of Lausanne, the peace treaty that settled the Anatolian and East Thracian parts of the partitioning of the Ottoman Empire. The poetic quotations here are given in their original languages (Italian, French, and English), with the text otherwise printed in an aesthetically pleasing Greek type. Kaklamanos (1872–1949) was a diplomat and writer who served as Second Greek Delegate at the peace conference, and signed the treaty alongside Venizelos.
WorldCat locates
only three U.S. libraries reporting ownership ( MH, CSS, OCU).
Provenance: From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
Publisher's blue cloth, front cover with gilt-stamped title and gilt single fillet frame; spine sunned.
A handsomely printed item not often seen on the market. (39417)

Former
PAGAN Defends Christianity
Lactantius (ca. 240 – ca. 320). L. Coelii Lactantii Firmiani opera, quae quidem extant omnia... Basileae: per Henricum Petri, [colophon: 1563]. 4to (29.2 cm, 11.5"). [12] ff., 559, [21] pp.
$1250.00
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North African apologist Lactantius (ca. 240–320) converted to Christianity prior to 303, before settling in Trier to tutor Constantine's son Crispus. Deemed the “Christian Cicero” by Renaissance scholars, Lactantius is better known for his elegant writing style than for his knowledge of Scripture, yet of his works only those concerning Christianity survive — including, in the present copy, his earliest treatise, De opificio dei (303/304); the Institutiones in seven books, which was
the first systematic description of Christianity in Latin (completed 313); the Epitome divinarum institutionum, which synthesizes the Institutions; the supplement De ira dei; the Phoenix poem; and the Carmen de dominica resurrectione.
Basel printer Henricus Petrus (Sebastian Henric Petri, 1546–1627) was responsible for the publication of very important works, including an early edition of Copernicus and Münster's Cosmographia, the first German description of the world. He printed this Latin and Greek, later edition of Lactantius's opera with the main text in roman, single column; the extensive commentary by Birk in italic, double column; the indices triple-column; and the whole text punctuated by handsome historiated and floriated woodcut initials of various sizes, some quite large. There are one
woodcut diagram showing the opposition of Light (God) and Dark levels of the universe and
multiple letterpress charts. The title-page features the printer's device, a variant of which also appears on the final verso.This is the first appearance of this commentary by
Xystus Betuleius (Sixt Birk, 1501–54), a corrector for the Basel printers and a teacher at various schools who composed German and Latin didactic dramas; commentaries on Lactantius (this) and Cicero; and a concordance of the Greek New Testament. An associate of Erasmus, he witnessed Erasmus's first will, in 1527.
Adams L27; VD16 L42; Graesse, IV, 66. Not in Schweiger or Brunet. On Lactantius, see: New Catholic Encyclopedia, VIII, 308–09. On Birk, see: Contemporaries of Erasmus, pp. 150–51. Recent full brown morocco blind-ruled, old style; raised bands on spine accented with gilt ruling, author and title gilt in second compartment and date collector style at spine base, edges lightly speckled brown. Mild foxing on some leaves; limited, very light old waterstaining in latter half, this rising on a few leaves to “moderate” and being virtually all marginal; a few small stains from chemical reactions in paper. One marginal oxidized inkstain, slim but dark, offset onto next neighboring pages (only); two very small tears in last leaf. There is one short paragraph of
contemporary inked marginalia on one leaf, and one instance of underlining on another. (31312)

Greek Galore from the
Giunta Press
Musaeus, Grammaticus, Homerus, & others. [first seven lines in Greek, then in Latin] Musaei opusculum de Herone & Leandro. Orphei argonautica. Eiusdem hymni. Orpheus de lapidibus. Sententiae ex uarijs poetis. Homeri batrachomyomachia. [colophon: Florentiae: per haeredes Philippi Iuntae, 1519]. 8vo (16.5 cm, 6.5"). 104 ff.; illus.
[SOLD]
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First Giunta edition of this compendium of Greek poetry: Based on the 1517 Aldine, it contains a letter from editor Francini to students; two Musaeus works and another poem printed in the original Greek with a Latin translation — one by Markos Mousuros — printed below or facing it; the Argonautica; Orpheus' Hymni and De lapidibus; two short Demetrios Moschos pieces; Homer's Batrachomyomachia; and the Sententiae. The Greek and Latin text is printed in italic and greek using Kallierges' typefont, with unaccomplished guide letters and a Giunta device on the final page; two in-text
woodcuts depict Hero watching Leandro swim to her and also her discovery of Leandro's dead body.
Evidence of Readership: Added extensive notes, underlines, a manicule, and some doodles on ten leaves of text and three pages of endpapers in early ink of two different shades and possibly in two different hands. Another hand has marked out two headers and added a few notes in pencil.
Provenance: From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
EDIT16 CNCE 55270; Pettas, The Giunti of Florence, 138; Adams M1992; Schweiger, I, p. 208; Graesse, Trésor de Livres Rares, IV, p. 633; Brunet, I, 1957. 18th-century calf over wooden boards, spine compartments blind-stamped in a star pattern, covers elaborately blind-stamped with a double frame of triple fillets and flowers at corners around a floral roll and arabesque panel, brass clasps, title inked along top edge, all edges stained red; rebacked and refurbished, new endpapers. Mostly light but some moderate marginal spotting or waterstaining through perhaps a third of the book, small wormhole affecting single words through title-page and first two gatherings, and one leaf partially detached; provenance and readership indicia as above.
Pleasantly printed and portable classic poetry with notable evidence of engaged readership. (38930)
Turning-Point in the Ignatian Controvery: The Rejection of the Longer Greek Recension
Polycarp, Saint, Bp. of Smyrna; & Ignatius, Saint, Bp. of Antioch. Polycarpi et Ignatii epistolae: una cum vetere vulgata interpretatione Latina, ex trium manuscriptorum codicum collatione, integritati suae restituta. Accessit & Ignatianarum epistolarum versio antiqua alia, ex duobus manuscriptis in Anglia repertis, nunc primum in lucem edita. Quibus praefixa est, non de Ignatii solum & Polycarpi scriptis, sed etiam de apostolicis constitutionibus & canonibus Clementi Romano tributis. Oxoniae: Excudebat Leonardus Lichfield Academiae Typographus, 1644. 4to (21.5 cm; 8.5"). cxlvi, [1], 243, [2], 53 pp.
$1000.00
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Controversies have stages and the Ignatian Controversy had three. In the period from the first printing of the Ignatian letters (1495) till 1644, the Longer Greek recension was all that was known and it was accepted despite early awareness of some spurious aspects.
The second stage began with the publication of the present work in which Bishop Ussher printed the letters based on the Shorter Greek recension as found in Latin manuscripts in Gonville and Caius College, Cambridge, and in the private collection of Robert Montagu — the Greek text for which was soon found and published two years later. The final stage came in 1845 with the discovery of the Syrian “extract.”
The texts of the Epistles of Polycarp and Ignatius are here presented in parallel columns, in the Greek of the Longer recension and in Robert Grosseteste's mid-13th-century Latin translation. Ignatius' Greek text is printed in red and black; red for words and passages not appearing in the Latin version reproduced on pp. 195–238, and, in the “Emendanda,” for words and passages not appearing in the Greek text on pp. 239–41.
Besides editing the letters, Irish-born Ussher provides notes and an essay, “De Ignatii Martyris Epistolis, indeque . . . de Polycarpi quoque scriptis, atque Apostolicis Constitutionibus et Canonibus Clementi Romano tributis,” at the end of the volume.
The ESTC record indicates that a portion of this work was salvaged from an edition of Ignatii, Polycarpi, et Barnabæ, epistolae atq[ue], martyria quibus praefixa est de Polycarpi & Ignatii scriptis Jacobi Usserii archiepiscopi armachani dissertatio: quae in hoc volumine continentur alia, operi praefixa synopsis indicabit that was accidentally burnt while being printed by Lichfield in 1642.
Provenance: 17th- or 18th-century ownership signatures of “Will. Young” and of “John Dearle.” In early 19th century given to Kenyon College by John Foster of Hertfordshire; in the 20th century in the library of Colgate Rochester Crozer Divinity School (properly deaccessioned).
Wing (2nd ed.) P2789; Wing (rev. ed.) U185; Madan, II, 1739–1744; ESTC R203207. Contemporary sprinkled calf, modestly tooled in blind with a double rule on covers; rebacked, original spine label reattached, new front free endpaper. Library bookplates and one-line rubber-stamps on pastedowns but not title-page; one leaf with small loss of paper in lower margin, not affecting text. Edges of title-leaf and leaf following darkened from offset of the turn-ins.
Solid, handsomely printed, interesting. (34456)

Prayers & Catechism in Latin & Greek for the
Boys of St. Paul's School
St. Paul's School (London, England). Preces catechismus et hymni Graecè et Latinè in usum antiquae et celebris scholae juxtà S. Pauli templum apud Londinates fundatore ... Johanne Coleto ... Londini: Ex officinâ Johannis Nichols et Sociorum, 1814. Small 8vo (18.5cm, 7.25"). Frontis. port., [1] f., 62 pp.
$675.00
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John Colet (1467?–1519), Dean of St. Paul's, seems in 1508 to have begun to think about “apply[ing] his patrimony to education by the reconstitution of St Paul's Cathedral school in new premises, reflecting a preoccupation with education as prerequisite for spiritual regeneration” (DNB online). He “opened the doors to St Paul’s School in 1509 to educate boys 'from all nacions and countres indifferently'” (St. Paul's School website).
Elegantly bound and handsomely printed, this is the first edition of this collection for use of the boys of the school and is comprised of “Preces quotidianae ut celebrantur in scholâ Paulina” and “Catechismus, cum ordine Confirmationis.” The prayers were first published in 1642 and are in Latin, while the catechism is in Greek (on versos of leaves) and Latin opposite (on rectos). The engraved frontispiece portrait of Colet is by J[ohn] T[aylor] Wedgwood (1783–1856), a cousin of Josiah Wedgwood.
Provenance: Late 19th-century bookplate of the Rev. George H. Culshaw; most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
Binding: Contemporary green straight-grain goat, spine gilt extra; both boards with a gilt double-rule outer border and an inner center frame of single gilt rule with large gilt corner devices. Board edges with a gilt roll; narrow turn-ins with a different gilt roll. All edges gilt.
Searches of WorldCat locate only six U.S. libraries (IU, NjNbT, PPiT, IEN, NNC, NNG) reporting ownership.
Binding as above; spine sunned to olive, front cover with scuff sometime well disguised, boards showing signs of having been bent some time ago. Bookplate and label as above. A very few light spots of foxing, pages overall clean and crisp. Very good condition.
A very attractive book. (39223)

Editio Princeps Chapters XXIX & XXX
“A Very Splendid Edition” (Dibdin)
Theophrastus. Characterum ethicorum Theophrasti Eresii capita dvo hactenvs anecdota quae ex cod. ms. Vaticano saecvli XI Graece edidit Latine vertit. Parmae: Ex Regio Typographeo, 1786. Large 4to (31 cm, 12.125"). Frontis., [4] ff., 122 pp., [4] ff.
[SOLD]
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Editio princeps of chapters 29 and 30 of the Characteres, this is also the first Bodoni printing of any writings of Theophrastus. The edition consists of
118 copies, all printed on paper but with 18 (not this one) on special paper.
The “Praefatione et adnotationibvs illvstravit Iohannes Christophorvs Amadvtivs” are entirely in Latin; the Greek text’s title-page reads “Theophrasti Eresii Capita dvo hactenus anecdota Charactervm Ethicorvm nempe XXIX et XXX,” with each of those two texts being followed by a Latin translation.
Brooks 315. Giani 29 (p. 91). 19th-century half brown morocco with textured brown cloth sides and stone pattern endpapers; leather abraded at board edges. Paper a little age-toned and with several paper flaws observable; in fact very good. (40133)

On the Estiennes & Their Peers — Bound by Bernard Middleton
(Addendum)! Greswell, William Parr. A view of the early Parisian Greek press; including the lives of the Stephani; notices of other contemporary Greek printers of Paris; and various particulars of the literary and ecclesiastical history of their times. Oxford: Pr. by S. Collingwood for D.A. Talboys, 1833. 8vo (23 cm, 9.1"). 2 vols. I: xix, [1], 412 pp. II: vii, [1], 413, [1] pp.
$750.00
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First edition of this account of the Estiennes and other important printers of their milieu, including much information on, excerpts from, and commentary on classical literature (many quotations being supplied in English translation in addition to the original languages) as well as details of political, cultural, and religious history of the time. The preface is signed by the Rev. William Parr Greswell, known as a scholar of Parisian typography, and the title-page attributes the editing to his son Edward Greswell. While Brunet was not wholly convinced regarding the Greswells' exactitude, he nevertheless concluded that this work made for an interesting read.
Bindings: 20th-century speckled calf framed and panelled 17th century–style in double blind fillets with blind-tooled corner fleurons, middle panels in plain calf, innermost panels framed with blind roll; spines with gilt-stamped leather title-labels, raised bands, and blind-tooled composite motifs in compartments
done by a modern master. Back pastedown of vol. I with pencilled note reading “Bound by Bernard Middleton [/] Feb. '62.”
Provenance: From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
Brunet, II, 1735; Lowndes, IV, 943; NSTC 2G21923. Bindings as above; joints and edges rubbed, spines evenly sunned, minor scuffing to sides. Front pastedown of vol. I with pencilled annotation of old purchase price. Page edges untrimmed; a few leaves in vol. II with very short tears from outer margins, not touching text; faint age-toning and intermittent instances of light spotting, mostly but not entirely in upper outer corners. Vol. I with one 20th-century pencilled marginal annotation, vol. II with one pencilled date correction.
A good example of 19th-century scholarship on printing and literary history, here in a lovely demonstration of 20th-century binding technique. (37968)
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