

Preceding
the Decachordum Christianum is the De Jesu Christi stigmatibus,
a discussion of the wounds of Christ as found on the shroud of Turin, composed
by Alfonso Paleotti (1531–1610) archbishop of Bologna. His discussion
of the shroud is interspersed with a more forensic analysis of the sufferings
endured by Jesus, by Daniel Mallonius, an Italian Hieronymite priest. This
was first published separately in 1606.
This 1607 edition of the Historia admiranda is apparently
the
first joint publication of these works under this
title, and it was followed by a 1616 edition. In this edition the De
Jesu Christi stigmatibus opens with an engraved title-page and
has
16
full-page engravings illustrating the shroud of
Turin from both front and back, as well as the wounds of Christ
and the instruments of
the Passion. The Decahordum christianum has
10
full-page engravings showing scenes from the life of Christ,
that of the Annunciation being strikingly beautiful. Though continuous
in
pagination, the supplementary De excellentia instrumentorum Dominicae
Passionis
by Vigerio has its own sectional title-page incorporating a striking engraved
vignette of Christ as the man of sorrows. Both volumes are printed with
woodcut
initials, head- and tailpieces, and sidenotes.
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Allison
& Rogers report European holdings of this, but we traced
none
in the U.S.
