illustrated with six halftone plates by Edmund Marion Ashe

Signed binding: Publisher's maroon textured cloth, front cover with blind-stamped lion rampant outlined in black, gilt-stamped title, and outlined heart and roundel decorations. Signed by American illustrator and book designer Thomas Maitland Cleland (front cover blind-stamped “C”).

•  Binding as above, mild rubbing at extremities and joints, front cover clean and beautiful. Scattered small smudges, pages predominantly clean. A nice copy.  (28579)

•  Publisher’s red cloth, front cover and spine stamped in black and gilt; binding a bit darkened and faintly spotted, with head of spine chipped. Front free endpaper with inked ownership inscription. A few pages with short edge tears, not touching text.

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Among the public health crises Thomson discusses in this guidebook is an increase inchildbirth mortality rates; he notes that many doctors' techniques and prescriptions endangered the lives of women and infants, and strongly recommends that pregnant women rely on experienced midwives instead of greedy, “ignorant pretenders” (p. 179).

•  American Imprints 14994. Not in Garrison & Morton.   Contemporary treed sheep, spine with later paper, hand-inked label; binding moderately rubbed overall, spine head chipped, front joint cracked and back joint starting from foot. One leaf with small hole, not touching text; one leaf with tear from lower margin, extending into text without loss. Foxing, staining, used and fit for more use.  (28458)

In his sermon, Torres discusses the need for and goodness that comes from schools for girls. The text is printed in roman with side- and shouldernotes in italic, and contains two woodcut initials.

Rare: Medina knew of this only from the Andrade copy. WorldCat finds no copies, nor does COPAC; no copy was found via the OPACs of the Spanish National Library and the Mexican National Library. We must wonder if this IS the Andrade copy that was seen by Medina.

•  Medina, Mexico, 1260; Andrade 763.   Modern full red morocco, gilt extra on covers and spine; gilt roll of a chain design on the turn-ins. Partial, unidentified marca de fuego on top and bottom edges. A two-digit number in ink in margin of title-page; an old waterstain curving across the bottom outside page corners, light in front and heavier towards the back. In a neat cloth slipcase.  (25764)

Is it giving away too much if we reveal that “The Girl Sport” is also known as “The Bonanza Widow”???

•  Publisher's quarter red cloth and printed paper–covered sides; spine sunned, extremities rubbed. The printed spine label is laid in. Pages clean. Swell.  (28247)

•  Shaw & Shoemaker 39609.   Removed from a nonce volume; inner edge a little irregular; remnants of paper adhered in inner margin. First page rubber-stamped by the War Department Library. (13169)

The work was limited to 100 copies, all printed on Japan vellum. It has an engraved vignette on the black and red printed title, small illustrations or vignettes on 50 text pages, 11 vignette borders or headpieces (three of them in color, 10 of them in anextra state), and 10 tipped-in color plates. The illustrations are by Henri Gervex, J.A. Gonzalès, L. Kratké, Albert Lynch, Adrien Moreau, and Félicien Rops.

Binding:  Full red crushed morocco with five raised bands. Covers with a triple-rule gilt border; spine gilt extra with gilt beading on bands. Triple gilt fillet on board edges. Wide turn-ins richly tooled in gilt and with cream and blue leather inlays that are also gilt-tooled. Blue silk pastedowns and free endpapers. Marbled paper fly-leaves. All edges gilt. Binding signed “David.”

Provenance:  Red leather bookplate of Cortlandt Field Bishop, the famed collector of the early 20th century and, at one time, owner of the TWO most important auction galleries in NY/USA.

Original full-color wrappers bound in.

•  Vicaire, VII, 924.   Uncut copy. Bound as above with original wrappers bound in. Light refurbishment of front joint (outside). A fabulous copy.   (26675)

The work is illustrated with a fine full-page engraving by Jose Morales of the biographee kneeling in devotion before an elegant shrine to the Christ Child in her book-graced cell. A woodcut of the Trinity appears at the top of the dedication page, and there are a few nice initials and head- and tailpieces.

Provenance:  Marca de fuego in upper edges of the Convento de San Cosme of the Franciscans of Mexico City, and another marca de fuego in the lower edges.

•  Medina, Mexico, 5022; Puttick & Simpson, Bibl. Mej., 1703.   Contemporary limp vellum with remnants of green silk cord ties, with title, cross, and old red shelfmark inked to spine; text block loose, held by threads. Light waterstain across early leaves and the occasional spot or soiling elsewhere; worming in lower margins, extending into text beginning on p. 355, touching or costing letters but not whole words (some appropriately repaired). A nice book.  (29522)

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•  Palau 236212. Removed from a nonce volume. Title-page with small early inked numeral and shadow of pencilled numeral in upper margin; publication authorization leaf with small hole just touching letters, without loss of sense.

•  Publisher's light blue cloth, front cover and spine stamped in black; spine sunned.  (24484)

The volumes are from the famous press of the widow of José Bernardo de Hogal, the Baskerville of Mexico, and they retain all of the fine characteristics that are associated with the Hogal name, including handsome black and red title-pages, great typography (here in double-column format), and use of good quality paper.

The author was general accountant of the Treasury's office of mercury accounting (the element was important in silver refining) and one of the most illustrious Cosmographers of New Spain. He wrote this treatise at the insistence of the viceroy, who was greatly pleased by it.

•  Sabin 99686; Medina, Mexico, 3802; Tovar de Teresa, Bibliografía novohispana de arte, II, 86/87.   Recent full dark brown calf, round spines, raised bands accented with gilt rules; green and red leather spine labels; gilt center devices. Covers with elaborate gilt roll at edges, concentric center compartments and gilt corner devices. Lacking the engraved title, only. Present are intermittent touches of limited worming and, in vol. II, the occasional old stain to a top margin's edge. This is a clean and indeedBEAUTIFUL SET.  (26378)

women

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This copy with an authorial inscription to a recipient whose name has been gently, but entirely, obliterated!

•  Good quality red cloth, original wrappers bound in; grey spine label. Very good copy.  (21546)

•  Bengesco, Voltaire, 514; Cohen & de Ricci 1035; Graesse 393. Not in Ray, Art of the French Illustrated Book.   Mid-19th-century half dark green morocco and marbled paper–covered sides, leather edges with gilt fillet, spine with gilt-stamped title; spine faintly sunned, minor wear to corners and spine extremities. Top edge gilt. Front pastedown with unidentified dolphin and anchor bookplate. Tissue guard present following frontispiece but not elsewhere. Original ribbon bookmarker present and intact. A very few instances of small, light spots, most pages and certainly the “figures gravèes”) clean and fresh.  (28347)