WOMEN 
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Books By, For, & About Women
The
Mining Revival &
The Father of
Mexican
Independence
Hidalgo,
Miguel de, Father of Mexican Independence. Document
Signed (Br. Hidalgo), on paper, in Spanish. No place [mining region of Real
de Bolaños or Aguas Calientes], no date [1780]. Folio, 1 p., bound in
a dossier of documents relating to the execution of the provisions of the will
of
Augustina
Velázquez. [with] A number of other collateral
documents relating to the Condes de Vivanco. On paper, in Spanish. Mexico City,
Real de Bolaños, Aguas Clientes, Valladolid (now Morelia), and elsewhere
in Mexico. Folio (31 cm, 12.25") and smaller.
Approximately
350 ff.
$7500.00
In 1780 Augustina Velázquez died and her will provided,
among other things, for a huge number of masses to be said for her. Subsidy
for the masses was spread among the priests in the mining region where she had
lived Real de Bolaños and Aguas Calientes. Those receiving sums
of money signed receipts, and among the dozens was a newly ordained minister
who signed his receipt "Br. Hidalgo." The young bachiller became famous
in 1810 for initiating the uprising that began the eleven-year struggle for
Mexican Independence.
This
is a fine, extremely early example of Father Hidalgo's signature.
The woman who provided the money for the above mentioned masses was the wife
of Antonio de Vivano (also spelled Bibano) Gutiérrez and mother of
Antonio Guadalupe de Vivano, the first two Condes de Vivanco. Cambridge scholar
David Brading credits Antonio de Vivanco with restoring the mining region
of Bolaños to prosperity in the early 1770s, following the region's
sharp decline in silver ore production during the first two-thirds of the
18th century whereby he became very wealthy.
In addition to payment for masses for her soul, Doña Augustina's will
provides for large sums of money to be spent on construction work on the chapel
of Our Lady of Guadalupe in the bishopric of Guadalajara. The paperwork, including
receipts, associated with the distribution of her largesse is weighty and
detailed.
Among
the collateral documents in this offering are copies of the last wills and
testaments of Antonio de Vivanco Gutiérrez (1796), Augustina Velázquez
(1780), and Antonio Guadalupe de Vivanco (1800); the inventory of the younger
Vivanco's massive estate (1801); and a marvelous
calligraphic
manuscript in which the bishop of Guadalajara grants
a special privilege to Vivanco the elder. All are notarially certified copies
of the originals.
All documents in very good condition, sewn, in contemporary
vellum bindings.
(Hofmaster,
Mary). Dakal, G.M. Two Autograph Notes Signed. No places,
19 September 1835 and 29 June 1836. One sheet 8vo, one 4to with integral address
leaf.
$20.00
On the quarto sheet is a gracefully phrased bill for professional services
rendered by a G.M. Dakal to a Mrs. Mary Hofmaster over a two-year period; on
the octavo sheet is a receipt for partial payment of those services.
Both long folded, the bill apparently into an "envelope" (with direction
to Mrs. Hofmaster); receipt with some tears and tatters not affecting text.

WITCHES Have Always Been
Popular Choices!
Holt, Ardern. Fancy dresses described; or, what to wear at fancy balls. London: Debenham & Freebody, [1887]. 8vo (20.8 cm, 8.2"). vi, 253, [3] pp.; 16 col. plts.; 16 plts.
$500.00
Click the images for enlargements.
Fifth edition, following the first of 1879. Illustrated with gorgeous chromolithographic and sepia plates (16 of each), this volume is an artifact of an era when “Girl Graduate” was as exotic and amusing a choice of costume as Guinevere, Anne Boleyn, Helen of Troy, or an Incroyable of 1789. The dictionary of appropriate women's roles offers numerous historical, theatrical, and musical
characters alongside ethnic, national, and fairy-tale portrayals, as well as slightly more abstract representations such as Air, Daffodil, Midnight, and Peace. An appendix provides costume suggestions for children, including Fairy, Red Riding Hood, Figaro, Puritan, and Francis I.
NSTC 0349544; Allibone 842 (first two eds.). Publisher's dark blue cloth, front cover and spine with gilt-stamped title; edges and extremities slightly rubbed, small areas of faint discoloration to lower edges. Hinges (inside) tender. Color plates slightly age-toned, a few with virtually invisible small areas of waterstaining to lower margins. (24345)
Homerus; [Patricius, bishop]; Vergilius Maro, Publius; [Proba Falconia]; & Nonnus, of Panopolis. Homerici Centones.... Virgiliani Centones.... Nonni paraphrasis Evangelii Ioannis, graece & latine. [Genevae]: Excvd Henr. Steph., 1578. 16mo (12.2 cm, 4.75"). ¶4 (¶4 blank), a-e8 (e7–8 blank) 2a-2b8 (2b7–8 blank) A-P8 Q4. [3], [1 (blank)] ff.; 73 (i.e., 75), [1 (blank)] pp.; [2 (blank)] ff.; 28 pp.; [2 (blank)] ff.; 247, [1 (blank)] pp.
[SOLD]
Click the interior images for enlargements.
Estienne here gives three collections of Christian poetry, all
from the late classical period. The first, generally known under its Greek name,
Homerokentra, consists of centos patched together from Homer to propound
a series of Christian themes. These are commonly attributed to Patricius, a
5th-century bishop, but were rearranged and expanded into their present form
by Eudocia (ca. 401 – ca. 460), the highly-accomplished wife of the Eastern
Roman Emperor Theodosius II. Proba Falconia’s 4th-century Virgilian centos
on similar themes, including a paraphrase of the New Testament, is also included.
This is followed by a Greek paraphrase of the Gospel of St. John by Nonnus of
Panopolis (a Greek epic poet of the late 4th or early 5h century), with a Latin
translation by Erhardus Hedeneccius on the facing page.
All these works saw previous editions, and Proba’s Virgiliani centones
were apparently very popular in the 16th century; the three are first found
together in a Frankfurt edition of 1541. This is the
sole
Estienne edition of all three, though the Homerokentra
were reprinted in Estienne’s editions of the works of Homer in 1588
and 1604. It is printed in small roman and Greek typefaces with the Estienne
printer’s device on the title-page and a few woodcut headpieces.
Provenance: Handsome
bookplate of American Classical scholar Thomas Day Seymour (1848–1907), best
known for his works on Homer.
Renouard (2nd ed.), Annales de l'imprimerie des Estienne,
147; Adams H810; Schreiber 205; Soltész, Catalogus librorum sedecimo
saeculo . . . in Bibliotheca Nationali Hungariae . . . H468. On Eudocia,
see: Encyclopædia Britannica, 11th ed., IX, 881. On Nonnus of
Panopolis, see: Encyclopædia Britannica, 11th ed., XIX, 737.
Old calf with remnants of gilt barely visible, chipped and abraded especially
on spine. Title-page lacking bottom edge, into imprint, rebacked with paper.
Bookplate as above; two inked ownership inscriptions on title-page, second
inked out. Light foxing and a few shallow dog ears.

An Englishwoman's Translation of
This German Landmark
Humboldt, Alexander von. Cosmos: A sketch of a physical description of the universe. London: Henry G. Bohn, 1849–58. 8vo (18.8 cm, 7.4"). 5 vols. I: Frontis., xvii, [1], ix, [1], 369, [3], 18, 40 (adv.) pp. II: xxi, 370–742, 16 pp. III: [6], 289, [1], 8, 32 (adv.)
pp. IV: xv, [1], 291–601, [1], 7, [1], 32 (adv.) pp. V: viii, 500 pp.
$525.00
Click the interior image for an enlargement.
Early edition of this ambitious translation, done by
Elise C. Otté (with assistance from Benjamin Horatio Paul and William Sweetland Dallas for vols. 4 and 5, respectively) and first published in 1845 through 1848, with this edition being part of the “Bohn's Scientific
Library” series. The work was written by German naturalist, explorer, and diplomat Friedrich Wilhelm Heinrich Alexander Freiherr von Humboldt, famed for his scientific observations of Latin America as well as for the present, groundbreaking overview of natural science. Humboldt's exploits and writings served as an inspiration for countless other scientists (including Charles Darwin), and his encyclopedic approach to describing our world as a whole, in terms of all of its natural phenomena, helped launch science's ongoing search for the unifying principles of the universe.
This translation caused a bit of controversy: Tipped in at the front of vol. I is a printed rebuttal by Bohn of accusations made by the publisher of a rival translation by Mrs. Sabine, regarding the accuracy of Otté's work — which Bohn defends, of course.
NSTC 2H36378; Sparrow, Milestones of Science, 106 (first ed.). Publisher's embossed red cloth, spine with gilt-stamped title and series identification; spines sunned with heads and feet pulled (in one instance chipped), corners bumped, cloth with spots of minor discoloration; vol. V with binding darkened overall and cloth starting at heads of joints. Married set: Vols. I–IV each with institutional bookplate on front pastedown; vol. V from another set, with a different bookplate. Vols. I–IV institutionally rubber-stamped on front free endpapers and title-pages. Many signatures unopened in vols. I–IV; sewing starting to loosen in vol. V. (23913)
For more SETS, click here.
For a little more SCIENCE, click here.
For NATURAL HISTORY, click here.
For more TRANSLATIONS, click here.

48 Plates & an Elegant “Illuminated” Binding
Hurll, Estelle M. The Bible beautiful. Boston: L.C. Page & Co., 1905. 8vo. Frontis., illum. t.-p., xv, [1], 336 (i.e., 350) pp.; 48 plts.
$45.00
First edition: A history of Biblical art written by the author of The Madonna in Art and Child Life in Art, with an illuminated title-page.
Publisher's green cloth, front cover and spine stamped in gilt and red; minor darkening and rubbing with binding overall
very attractive. Front cover beautiful and bright. Pages and plates clean. (22046)
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