•  Contemporary half black roan with brown cloth-covered sides, leather edges trimmed in gilt, spine with gilt-stamped title and volume number; joints and extremities rubbed, sides and spine with light to moderate scuffing. Lacking pp. 481–84; however, a digitized version of this number suggests that there was a printing “issue” and that nothing is missing. Pages age-toned, with light foxing scattered throughout. One leaf torn across without loss of text.; one pattern portion with a design element excised, apparently for use. Back free endpaper with pattern tracings. A solid, richly various, engrossing volume.  (31989)

Chapters include conversations between daughter Mary and her father on the utmost importance of prayer, sacraments, and charity; the “reciprocal duties of masters and servants”; the “necessity of subordination”; and “caution to female domestics against dancing-meetings,” among many, many other topics large and small.

The text is handsomely printed double-column in roman and italic, withtwo finely engraved frontispieces signed by E. Edwards and J. Hall, one at the beginning of each volume: the first of a father and daughter sitting beneath a tree; the second of Hanway seated on a rock, contemplating a book and skull beneath the motto “Never Despair” — the author's own, which he adopted after a particularly grueling merchant voyage for the Russia Company in 1743. Each volume also has its own title-page, the Manual of Devotion, Consisting of Prayers, Psalms, Hymns, and Lessons that appears between the two having its own as well.

•  ESTC T93949; Goldsmiths-Kress 11624. On Hanway, see: Oxford Dictionary of National Biography online.   Contemporary speckled calf, boards framed in a gilt Greek key pattern, gilt board edges and turn-ins, marbled endpapers; recently rebacked, spine gilt extra preserving original gilt-tooled green morocco label and adding a new red one gilt with author and title. Boards stained and scratched in a few places, corners bumped, chipping leather glued down; marbled endpapers repaired with photocopy segments of the original design. Ex-library: stamps on bottom edge, front endpaper, and rear pastedown (only). Mild to moderate foxing on a handful of leaves in each volume, and one small circular stain affecting eight or so pages in first, while pages mostly clean and bright; short closed tear to bottom margin of one leaf in second volume. Nice.  (31089)

women

Vol. I opens with a steel-engraved portrait of the author, done by Henry Cook after Hervé; vol. III is illustrated with an oversized, folding plate of a water-engine intended for millwork, devised by the author, and a plate of another of his inventions: the automated “chamber fire escape”, which enables anyone to lower him- or herself from a high window. This is the third edition, following the first of 1807.

•  NSTC H625; Sabin 30461.   Contemporary speckled sheep, spines with gilt-stamped leather title-labels; vol. I with joints and extremities refurbished, vols. II and III with spines and edges rubbed, old strips of library tape reinforcing spine heads. Ex–social club library: 19th-century bookplates, call number on endpapers, pressure-stamp on title-pages, vols. II and III with paper shelving labels at top of spines (vol. I showing signs of now-absent label). Vol. I title-page with offsetting from frontispiece; vol. III with pp. 69–72 excised (two leaves of a rather long religious-themed letter from Harriott to his son) and with upper portion of one leaf crumpled, reinforced some time ago. Some light age-toning, intermittent small spots of foxing and ink-staining, pages generally clean. Utterly absorbing.  (30651)

•  NSTC 2B38504.   Removed from a nonce volume. A few traces of very faint spots of foxing, else clean and fresh. (16824)

•  ESTC T1746; NCBEL, II, 658. Marbled paper–covered boards, old-style, front cover and spine with printed paper labels. Lacking half-title. Title-page and a few others faintly stamped by a now-defunct institution. First few leaves lightly foxed, scattered small spots elsewhere, a very nice copy.

Hays notes in her preface that “Women, unsophisticated by the pedantry of the schools, read not for dry information, to load their memories with uninteresting facts, or to make a display of a vain erudition . . . they require pleasure to be mingled with instruction, lively images, the graces of sentiment, and the polish of language” (vol. I, p. iii). These last things, she strives to supply herself!

•  Shaw & Shoemaker 12742; Sabin 31061.   Period-style quarter tan cloth over blue-grey paper-covered sides, spines with printed paper labels. Title-page of each volume with the blind pressure- (not perforation-) stamp of a social club library. As in all copies we have had, pages age-toned, with a few foxed or spotted; occasional short edge tears, not extending into text. Three leaves in vol. II with tears in margin with loss of paper only and four other leaves in the same volume with loss of paper and either a few letters (pp. 10710) or words (approximately half the words on each of five lines on pp. 15152 and a word or threeon each of five lines on 22930).A good resource and a good “read.”  (28716)

Many of the recipes in the first portion of this book are attributed to such well-known names as Glasse, Raffald, and Mason. Oxford points out that both the extended subtitle and the overall contents of the work as a whole are strikingly similar to Mary Cole's Lady's Complete Guide of 1791, commenting “One wonders who was the real author.” Whatever its origins, the present volume as attributed to Hazlemore is now uncommon: WorldCat, ESTC, and Cagle cite only seven U.S. institutional holdings.

Provenance:  Front free endpaper with ownership inscription and title-page with pressure-stamp of prominent cookbook collector Eloise Schofield; title-page also with early inked inscription of Charlotte Booty; front pastedown with early ticket of J. Rackham, a late 18th-/early 19th-century printer and bookseller in Bury St. Edmunds, Suffolk.

•  ESTC T93869; Cagle, Matter of Taste, 734; Oxford, English Cookery, 122. Not in Bitting.   Incomplete copy. Contemporary treed sheep, spine with gilt-stamped leather title-label, scuffed; spine label and extremities chipped, joints open and volume tender, front cover with spots of insect damage extending through to upper inner margins of first few leaves, touching two letters of title but no other text. Pp. 331/32, 341–44, 357–62, and 365–84 excised with great neatness (and no, we cannot work out any theory of “why”). Scattered instances of early pencilled or inked marginal annotations, including alternate instructions in two cases anda full recipe for dressed spinach inked at the end of the vegetables section, intended to replace the crossed-out printed recipe provided. Pages age-toned, otherwise clean. An incomplete copy, priced accordingly, of a still interesting work.  (29554)

Click the images for enlargements.

Present here is an early U.S. edition of the first series; two series were published, the first in 1847–49 and the second in 1859. Much of the second volume of this series is dedicated to the question of slavery.

•  Allibone 818. On Helps, see: Dictionary of National Biography online.   Publisher's blind-stamped brown cloth, spines with gilt-stamped title; moderate rubbing most noticeable at vol. I spine head, and vol. II with strip of dark cloth tape at head of spine extending onto sides. Ex–social club library: front pastedowns with 19th-century bookplate and call-number sticker, front free endpapers lacking, title-pages pressure-stamped, no other markings. Pages age-toned, with intermittent spots of staining and light pencilled bracketing.  (26412)

•  Library Company, Afro-Americana, 4726.   Publisher's blind-stamped cloth, spine with gilt-stamped title; spine and board edges sunned, cloth torn (repaired) and chipped at spine, spine with call number label. Front pastedown with institutional bookplate, title-page and map each with rubber-stamp, back free endpaper with circulation slip. Map and a few other leaves lightly foxed.  (19500)

This is a fine, extremely early example of Father Hidalgo's signature.

The woman who provided the money for the above mentioned masses was the wife of Antonio de Vivano (also spelled Bibano) Gutiérrez and mother of Antonio Guadalupe de Vivano, the first two Condes de Vivanco. Cambridge scholar David Brading credits Antonio de Vivanco with restoring the mining region of Bolaños to prosperity in the early 1770s, following the region's sharp decline in silver ore production during the first two-thirds of the 18th century — whereby he became very wealthy.

In addition to payment for masses for her soul, Doña Augustina's will provides for large sums of money to be spent on construction work on the chapel of Our Lady of Guadalupe in the bishopric of Guadalajara. The paperwork, including receipts, associated with the distribution of her largesse is weighty and detailed.

Among the collateral documents in this offering are copies of the last wills and testaments of Antonio de Vivanco Gutiérrez (1796), Augustina Velázquez (1780), and Antonio Guadalupe de Vivanco (1800); the inventory of the younger Vivanco's massive estate (1801); and a marvelouscalligraphic manuscript in which the bishop of Guadalajara grants a special privilege to Vivanco the elder. All are notarially certified copies of the originals.

•  All documents in very good condition, sewn, in contemporary vellum bindings.

privately printed

Provenance: Front pastedown with bookplate of Burton W.F. Trafton, Jr.’s library at Old Fields in South Berwick, ME; pastedown also with binder’s ticket from Crawford & Stockbridge of Concord, NH. Front fly-leaf with inked gift inscription dated Christmas, 1887.

•  Publisher’s brown cloth, front cover with gilt-stamped title and dark brown–stamped decorative bands, bottom band labelled “Christmas 1887"; corners and spine extremities rubbed, binding showing very little wear otherwise. First two signatures with sewing loosening; pages very slightly age-toned but otherwise clean.

•  Binding as above, neatly rebacked with similarly colored cloth; ties lacking, covers showing water-spotting (less noticeable on front cover). Instruction booklet and slipcase lacking; board age-toned, three corners each with a spot of mild staining, some corners and folds split and unobtrusively reinforced. An object sound, charming, and, yes, STILL educational!  (32343)

•  Both long folded, the bill apparently into an "envelope" (with direction to Mrs. Hofmaster); receipt with some tears and tatters not affecting text.

This translation caused a bit of controversy: Tipped in at the front of vol. I is a printed rebuttal by Bohn of accusations made by the publisher of a rival translation by Mrs. Sabine, regarding the accuracy of Otté's work — which Bohn defends, of course.

•  NSTC 2H36378; Sparrow, Milestones of Science, 106 (first ed.).   Publisher's embossed red cloth, spine with gilt-stamped title and series identification; spines sunned with heads and feet pulled (in one instance chipped), corners bumped, cloth with spots of minor discoloration; vol. V with binding darkened overall and cloth starting at heads of joints. Married set: Vols. I–IV each with institutional bookplate on front pastedown; vol. V from another set, with a different bookplate. Vols. I–IV institutionally rubber-stamped on front free endpapers and title-pages. Many signatures unopened in vols. I–IV; sewing starting to loosen in vol. V.  (23913)

Provenance: The front free endpaper bears a neatly inked ownership inscription dated 1860 (J.C.W. Kempe) and an additional inked “sold to” inscription dated 1871 (Aden Mc Bowman); Bowman also signed another blank, and the presentation leaf is made out to Kempe as “P.G.J.C.W. Kempe.”

Binding:  Publisher's deep blue/black diced sheep in imitation of morocco, covers with gilt-stamped vignette of Friendship, Love, and Truth personified within an architectural frame; spine gilt extra with column motif. All edges gilt.

•  BAL 6877; Faxon 609.   Binding as above, joints and extremities rubbed, spine gilt slightly dimmed. Inscriptions and presentation leaf as above. Poetry clippings, fabric swatch, and lock of hair laid in. Scattered staining, generally light, throughout; chromo very bright and nice.  (27041)

On the bottom half is a signed receipt, in Spanish, dated Granada 8 May 1501, wherein Germán de Paris and Jacques acknowledge receiving the above mentioned payment.

•  The usual slash of cancellation (faintly visible above), indicating that this has been entered into the account books. Remnant of stiff paper at top of verso indicating it was once mounted in an album.

The LEC illustrations consist of 8 full-page and 41 in-text color drawings by Everett Gee Jackson (no relation to the author), who also signed the colophon. Saul Marks designed the book, selecting a monotype Bembo font with the chapter titles printed in red ink, and the printing was done by Saul and Lillian Marks at The Plantin Press, Los Angeles.

Binding:  In an attractive full woven fabric derived from a striated Native American design, with a colorful paper spine label.

This is numbered copy 972 of 1500 printed; the appropriate LEC newsletter is laid in.

•  Bibliography of the Fine Books Published by The Limited Editions Club, 298.   Binding as above in original slipcase, volume spine label slightly darkened, slipcase showing only minimal wear and with a spot or two of darkening to front panel. A very nice copy.  (30117)

Binding: Publisher's textured green cloth, covers framed in a wide foliate blind roll; front cover with gilt-stamped floral and foliate ring vignette, the same in blind on rear cover. Spine gilt extra, all edges gilt, lovely green patterned endpapers.

•  Faxon 537e (for 1842 ed.).   Bound as above; light wear to corners and extremities, cloth faintly mottled. Front fly-leaf with early pencilled ownership and gift inscriptions, also one not quite readable on free endpaper. Light to moderate foxing throughout; clean.  (30500)

•  Original illustrated wrappers. Ink markings on front cover.

Heavily illustrated; hammer prices pencilled in.

•  Original printed boards, scuffed and stained yet volume sound and pleasant enough with interior clean. As noted, most hammer prices pencilled in.  (26156)

•  ESTC S111817; STC (2nd ed.) 14751; NCBEL, I, 1657.   Green cloth over limp boards, front cover with title and publication information stamped in gilt; spine and extremities lightly rubbed. One page with pencilled annotation in lower margin, partially shaved; two smaller notes elsewhere. Pages lightly age-toned, with occasional small spots of mild staining; title-page and final page gutters reinforced with cloth tape. A very accessible piece of Jonsoniana; a veritable cornucopia of misogynies.  (32709)

•  Schweiger, II, 513; this ed. not in Brunet. Contemporary half vellum over paste paper covers, spine with early inked title; sides and edges lightly scuffed, spine with vellum darkened and chipped. Front pastedown with inked ownership inscription dated 1775, lined through; front free endpaper with 19th-century (?) inked inscription; title-page with early inked inscription reading “Carolus Comes a Wartensleben.” Back free endpaper excised. Title-page torn along inner margin and with short tear from outer edge, just touching one letter. One leaf with small ink blots and several leaves with small nicks to outer edges; scattered light foxing. A few small early inked annotations.

For GREEK & LATIN CLASSICS,  click here.

•  This ed. not in NSTC. Removed from a nonce volume. Pages age-toned, else clean. (16762)

For CHAPBOOKS,  click here.

The authorial juxtaposition here is interesting, given that Kellogg and his former teacher Trall had a bitter falling-out; prior to that, both had been sponsored and supported by Ellen White, one of the founders of the Seventh-day Adventist Church.

•  Brown, Culinary Americana, 1717.   Publisher's textured brown cloth, spine with gilt-stamped title and small fountain vignette; mildly worn and spine lightly sunned, sides with small faint spots of light discoloration. Title-page with partially obscured rule. Occasional light foxing.  (30195)

There's some rather wonderful stuff in here.

•  Publisher's printed cream-colored paper wrappers, slightly darkened, wrappers with a few small spots of staining, back wrapper with inked mailing address and postal stamps. Pages clean.  (29813)

•  Publisher's oxblood cloth, front cover and spine with gilt-stamped title. Edges and extremities lightly worn, spine with area of discoloration. Ex–social club library: call number on endpapers, rubber-stamp on title-page, no other markings. Pages clean.  (27184)

•  Not in Brown, Culinary Americana.   Publisher's printed paper wrappers, slightly age-toned, back upper outer corner minutely chipped. A clean, fresh copy — a fine one.  (26065)