•  Richmond, Shaker Literature, I, 1279; MacLean, Shaker Literature, 441; McKinstry, Andrews Shaker Collection, 397.   Publisher's printed paper wrappers, unevenly age-toned; front wrapper with minor offsetting of printed text. Pages clean and crisp.  (27503)

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Binding: Publisher's ribbon-embossed green geometric-patterned cloth of Krupp's style Gt2; original printed paper labels.Do please click to enhance the image of this handsome American binding cloth— it's hard to show, but worth trying to see!

•  American Imprints 49627. On the binding, see: Krupp, Bookcloth in England & America, 1823–1850, Gt2.   Bindings as above, cocked; edges, extremities, labels rubbed, chipped, spotted — far from fresh, but also far from devastated. Ex–social club library: bookplate on each front pastedown, call numbers in a 19th-century hand (lined through) on pastedown and front free endpaper, title-pages and a few others rubber-stamped. No other institutional markings. Front hinge (inside) of vol. I starting, text block pulling away from spine, first few leaves starting to separate. Front fly-leaf with pencilled numeral and pencilled doodle/sketch of a chubby child; occasional faint pencilled annotations. A few scattered spots of staining, pages mostly clean.  (26294)

An appendix of examples of Hottentot and Caffre language is also supplied.

The engraved plates include illustrations of a rhinoceros, a hippopotamus, dwarf mice, and Hottentot weaponry, as well as an oversized folding landscape and a map of the territory covered by the author.

•  ESTC T131019. Recently rebound in quarter calf over marbled paper sides, spines with gilt-stamped title labels. Title-page and two others of vol. I stamped by a now-defunct institution; one page with outer margin reinforced. Small hole to map. Title-page of vol. II with topmost left portion of title repaired and replaced in facsimile; title-page and five others stamped. Pagination skips in vol. II from 136 to 139. A few minor spots of foxing to plates; one plate with short edge tear carefully repaired.

Illustrator Rafaello Busoni created the book's numerous in-text and nine full-page lithographs in two colors, and signed the colophon. Designer George Macy chose a monotype Cochin font to be used at the Printing House of Leo Hart, and decreed a binding of imported cream linen stamped in brown, with French handmade marbled paper sides in various hues of brown.

•  Limited Editions Club, Bibliography of the Fine Books Published by The Limited Editions Club, 1929–1985, 261.   In original slipcase; some soiling and spots generally, with shelf-scrape marks; sturdy and on shelf satisfactory. Of the well-protected book, a near-fine copy, with the newsletter and retained half of the order form laid in.  (29120)

•  Garrison A7.1.a. Publisher’s olive paper–covered boards, front cover and spine stamped in gold; lacking the now seldom-seen dustwrapper, spine very slightly darkened, extremities showing touches of wear. Top edge gilt. Front free endpaper with inked ownership inscription dated 1903. Pages clean. A good-looking copy.

Click the interior image for an enlargement.

•  Contemporary half calf over marbled paper–covered sides, gilt spine extra; sides and edges of paper showing light scuffing, spine leather a bit darkened; attractive. Marbled endpapers; all edges marbled to match endpapers and sides of covers. Front pastedown with small paper adhesions. One signature separated. An attractive edition, a pretty copy.

The portrait of the author was engraved by Pierre Lombard, while the added engraved title-page is unsigned. Each of the four books here (in two volumes) has a separate title-page; the main title-pages are printed in black and ruled in red. The text is in English, Greek, and Latin. A printed addenda slip is affixed to the final text page of vol. II, above the catalogue of books sold by Richard Royston. Leaf L6 in vol. II is a cancel (and separated).

Provenance:  Vol. I added title-page recto with inked ownership inscription dated 1781 (“T. Moore”); vol. II front fly-leaf with inked ownership inscription dated 1696 (“Guilel. Rayner”) and another (of “T. Moore's”) dated 1781.

•  ESTC R20123; Wing (rev.) T324; Allibone 2348. On Taylor, see: Oxford Dictionary of National Biography online.   Recent quarter calf and marbled paper–covered sides, leather edges tooled in blind, spine with gilt-stamped title and volume labels and gilt-stamped decorations between raised bands. Ownership inscriptions as above. First few leaves of vol. I (including regular and added title-pages) with tiny spots of worming; slightly larger sections of same to inner margins of some subsequent leaves; a number of pages in both volumes with scattered spots of worming, touching letters but not affecting sense. Light waterstaining to outer margins of some leaves. One leaf in vol. II separated. Significant and attractive.  (24889)

The book is profusely illustrated with pen drawings by Eric Palmquist, who has signed the colophon; of these, some are full-page, and some are spread across two pages with the text printed beneath. Most are smaller in-text drawings, including an extensive series of decorative tailpieces.

This edition was prepared under the supervision of Ragnar Svanström at the Royal Printing House in Stockholm, Sweden, and is limited to 1500 copies. Designer Karl-Erik Forsberg used a hand-set Berling Roman font which he himself designed; Forsberg also drew uncial letters, printed in red ink, for use on the title-page and for the canto-opening initials.

The binding is half natural Swedish linen stamped on the spine in red and black; the sides are covered with Swedish paper hand-grained to look like wood, and bear a small gold-stamped design of a warship, the Norse drakkar.

This is numbered copy 972 of 1500 printed; it wassigned by the illustrator.  The relevant Club newsletter is laid in.

Binding:  Quarter tan Swedish linen with streaked red paper–covered sides, front cover with gilt-stamped Viking ship, spine with decorative title in black and red, in the original matching slipcase with printed paper spine label.

•  Bibliography of the Fine Books Published by the Limited Editions Club, 232.   Binding as above, spine slightly sunned, slipcase with moderate shelfwear to edges and one edge opening. A solid, attractive copy of a handsome book.  (29946)

This work is rare: A search of ESTC, NUC Pre-1946, RLIN, and OCLC revealed onlyone copy.

•  ESTC T13180. In recent marbled wrappers. Uncut copy: some soiling and deckle edges with some chipping with loss of part of a letter in one place. Paper lightly age-toned. Rubber-stamps from a now-defunct library, including one on title-page.

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In addition to the grammar and dictionary the work includes in Quechua a confessionary, the questions asked during the wedding ceremony, the Litany of Blessed Virgin Mary, and “the hymn and prayer devoted to the taking out of the Holy Scripture that is sung in various of the churches of this diocese every day.”

Provenance:  In an 18th-century hand, “Es de . . . Dn. Mariano Navia de Bolaño. On rear pastedown, “Collated perfect. May 22d / [18]94 J.J.”

•  Medina, Lima, 1068; Medina, Lenguas quechua y aymará, 39; Viñaza 336; Sabin 96271; Leclerc, Bibliotheca Americana, 2409. Not in DeBacker-Sommervogel.   Contemporary limp vellum with remnants of ties, yapp edges. Very limited, rather neat pinhole worming; occasional spots of soil and paper somewhat browned in some sections due to nature of water in manufacture; inscriptions as above and one page of the vocabulary with contemporary annotation. A very nice, crisp copy.  (28399)

•  Publisher's red cloth, spine with title stamped in black, in dust wrapper; binding slightly cocked and dust jacket sunned at fore- and top-edges, with nick to front outer edge. Pages clean. Very good condition.  (22496)

Binding:  Publisher's green calf, done by the Tapley-Rutter Company, with marbled paper–covered sides, spine gilt extra, in original slipcase.

•  Limited Editions Club, Bibliography of the Fine Books Published by The Limited Editions Club, 1929–1985, 502.   Fine, in a near fine slipcase (paper cracked along a small portion of one edge, and carefully laid back down).   (21808)

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•  Not in American Imprints. Binding: Krupp, Bookcloth in England and America, 1823--50, p. 40.   Publisher's brown fine-ribbed cloth of Krupp's style Rib2, covers blind-stamped with foliate and arabesque designs, front cover with gilt-stamped title; spine sunned, edges and extremities worn, sides with spots of light discoloration. Foxed moderately (not worse) throughout; front fly-leaf with pencilled gift inscription dated 1845.  (26633)

The volume was printed by the Haddon Craftsmen and the aquatone illustrations by Edward Stern & Company; there are 20 mounted photographic facsimiles of Van Gogh letters, sketches, and lithographs.

This is numbered copy 383 of 650 printed.

•  Publisher's red cloth, covers and spine with veneers of wood-grain paper, in original slipcase; spine and slipcase sunned. Internally crisp and clean.  (30128)

Many sources, including OCLC, attribute this work to de Jouy himself, but the Monthly Review of May, 1825 admits that the “similarity of title, of decorum, of form, and of manner,” as well as the title-page’s claim that this is a continuation of de Jouy’s work, all misled their reviewer and a number of others into that incorrect and much-perpetuated citation. The travelogue has more recently been attributed to Louet de Chaumont, among others, while Barbier and Quérard suggest that it may have been compiled by de Villemarest from de Chaumont’s notes and manuscripts.

•  NSTC 2H18614. Publisher’s plain paper-covered boards, sometime rebacked with speckled paper and old printed paper labels laid on, the set now in a recent case with sides covered in blue cloth and speckled paper; extremities rubbed, covers with spots of discoloration, retained spine labels chipped and darkened. Front pastedowns each with institutional bookplate (no other markings). Hinges (inside) reinforced some time ago. Vol. II with one signature separated. Pages untrimmed and clean save for scattered small spots of foxing. A strong, agreeable set.

NUC Pre-1956 locates only one copy; RLIN adds no others.

•  Quarter recent leather over marbled boards; spine with gilt-stamped title label and five raised bands, two inscribed lines above and below each gilt band. Edges stained green. A handsome copy. (24884)

•  Publisher's blue cloth, spines with gilt-stamped titles; lacking dust jackets and front free endpaper of vol. I with affixed publisher's blurb clipped from same; spines with inked call numbers. Neat institutional rubber-stamps on front pastedowns, first text pages, and lower and outer page edges of closed books (not title-pages). Pages clean. (20791)

Appended to Xerez's account (fols. [43v] to [55r]) is a translation of Miguel de Estete's account of Pizarro's army's journey from Cajamarca to Pachacamac and then to Jauja. Estete too was present at Cajamarca and is said to have been the first Spaniard to lay hands on Atahuallpa.

•  Sabin 106261; Palau 379641. Contemporary mottled sheep and calf as above, corners and edges worn, all joints cracking, both volumes with minor worming to front covers and pinholes to spines; vol. I with loss of leather over spine head (half of top compartment). Pencilled check marks scattered throughout; front free endpaper and recto of last text page of vol. II with annotations.