•  Not in Schweiger. Not in Brunet, but see Supplement, 118, for first edition. Not in Rahir, but see 658 for first edition.   Contemporary mottled calf, round spine, raised bands, gilt spine extra. Front joint (outside) open, cover holding strongly; top and bottom of spine pulled with leather lost to those compartments. Inside, occasional very light foxing only; a nice clean copy now housed in a recent quarter sprinkled leather clamshell box with round spine, raised bands, and gilt lettering on spine.  (15635)

•  BM, STC French, 1601-1700, M1313; Brunet, IV, 396; Graesse, V, 145; Printing & the Mind of Man 140. Contemporary speckled calf, scuffed, leather cracking on joints and chipped at head of gilt-stamped spine; spine gilt heavily rubbed, and spine with later hand-inked paper shelving labels. Hinges tender with back free endpaper and fly-leaves starting to separate; front free endpaper and title-page separated and partially taped into place some time ago. Front pastedown with 19th-century private collector's bookplate and early inked doodle; front free endpaper with early inked annotations regarding the Jesuit response. Light intermittent spotting; a few corners crumpled.

The main text is composed of “In Pindaricam exegesin prolegomena” (pt. 1: fol. 1–5 recto); “Prolegomina de Olympiis” (pt. 1: fol. 5 verso – 12, p. 13–45); “De eidei, strophe, antisrophei [sic], epodoi, kolois, pedibus, & carminibus lyricis” (pt. 1: p. 46–51); “Pindarou Olympionikai” (pt. 1: p. 53–331; caption title p. 53); “Pindari Pythionicae” (pt. 2: p. [1–8], 1–395; half title p. [1]); “Pindari Nemeonicae” (pt. 3: p. [1-8], 1–267; half title p. [1]); “Pindari Isthmionicae” (pt. 4: p. [1–8], 1-–53; half title p. [1]); “ Catalogus victorum, qvibus eide haec scripta sunt” (pt. 4: p. 155–56); “Leipsana seu residua fragmenta scriptorum Pindari, incuria superiorum seculorum amissorum, ex diversis autoribus collecta ab E[rasmo S[chmidtio]” (pt. 4: p. 157–68); “De dithyrambis. Qvaestio in promotione XXXII. Philosophiae candidatorum d. 23. Martii Anno 1607. à M. Joachimo Jaschio proposita” (pt. 4: p. 247–55); and two indices.

•  Alden & Landis 616/94; Sabin 62917; Jantz, German Baroque, 193; Schweiger, I, 235; Dibdin, Greek & Latin Classics, II, 288.   Contemporary vellum. Browned copy; ex-library with bookplate and attractive rubber -stamp in margin of one preliminary leaf; old notes in an elegant hand on front and rear free endpapers. In fact a very good copy. (21201)

•  Wellcome Catalogue, IV, 412; Graesse, Trésor de Livres rares, V, 398; Alden & Landis 725/158; not in Sabin; ESTC T111989; Pritzel 7258n; Junersforgg & Hasenkamp, Coffee, 1177– 1179.   Recent full calf antique-style with gilt concentric panels on covers and gilt corner devices on same; round spine with raised bands, each accented by gilt rules. Some plates closely trimmed at foremargin. A very pleasing copy.  (21774)

"Porta's system . . . leads him constantly to conclusions of analogies between plants, animals and men. Similar humours are found in various apparently unrelated organisms. Plants and animals that correspond in shape are interrelated. A leaf formed like a stag horn shares the character of the deer. The horse is a noble animal, therefore it is a sign of nobility to walk erect with the head held high. Men who resemble a donkey are like that animal: timid, stupid, nervous. He who looks like an ostrich is akin to it in character: he is timid, elegant, vicious, stolid. A man who reminds us of a swine is a swine, eating greedily and having all the other characteristics, such as rudeness, irascibility, lack of discipline, sordidness, lack of intelligence [and] modesty. In a similar way, men who look like ravens are impudent; those who resemble oxen are stubborn, lazy, irascible; men who have lips shaped like those of a lion are hearty, magnanimous, courageous; others who make us think of a ram are timid, malicious and humble. When practising medicine, Porta had many occasions to observe his patients, and to study their character and complexion; the results of this studious inquiry are laid down in his book." (Seligmann)

This work was written in Latin and first published in 1586 under the title De humana physiognomia. It saw 19 editions before 1701, and has been translated into Italian (1598; translation by Salvatore Scarano), German (1651), French (1655), and English (1817). This tenth Italian edition is replete with a large number of intriguing (and humorous) woodcuts. The first is a portrait of Porta, and, while some of the rest show anatomical figures, the vast majority contrast the shapes of faces and bodies of animals and men. The title-page vignette is of Aesculapius, the Greco-Roman god of healing.

Appended to Della fisionomia humana are the Fisionomia naturale of Giovanni Ingegneri († 1600), the Physionomia of Polemon (ca. a.d. 88 – a.d. 145) in an Italian translation, Porta’s Della celeste fisionomia (a repudiation ofastrology), and two short related treatises by Livius Agrippa and Luigi Settala (1552–1633). Della celeste fisionomia has a number of interesting woodcuts showing pagan gods and constellations.

•  Seligmann, The History of Magic, 319. On physiognomy, see: Thorndike, History of Magic and Experimental Science, VII, 448 & following. On Porta, see: Webster’s New Biographical Dictionary 811. Vellum over paste boards, soiled and cockled with a little chipping and front joint opening. Ex-library: paper labels on spine and rubber-stamps, including one on title-page. Pages cockled with traces of soiling on top edges; a few edges bumped. Plates in very clear, strong impressions.

Edmund Dulac created the book's enchanting illustrations, consisting of 10 full-page and six in-text watercolors, a two-color decorative title-page, and decorative head- and tailpieces, and initials, also in two colors. Ernest Ingham designed the book using a monotype Poliphilus font.

The binding is full Russian-red cloth with apolished brass design of a cockerel set in the front cover and a gilt-lettered title on the spine. This edition is limited to 1500 copies and this offering includes the monthly mailing notice.

•  Limited Editions Club, Bibliography of the Fine Books Published by The Limited Editions Club, 1929–1985, 205.   Binding as above. In a glassine wrapper with shallow edge tears and chips, contained within a chemise covered with Russian-red paper with gilt cockerel design with gilt-lettered spine; spine sunned and paper chipped. The whole in an unevenly sunned slipcase, with slight loss of paper to top edge at mouth and spine. A fine book, in a good+ slipcase.  (22314)

•  Not in Osler. Early 19th-century marbled paper–covered sides, spine with gilt-stamped bands and gilt-stamped title-label; edges and extremities rubbed, spine label faded, paper cracked at spine and chipped at spine extremities. All edges stained red. Pages slightly age-toned, one with small stain obscuring a few letters, else clean. (19643)

A very handsomely printed book in Arabic and Latin.

•  Lambrecht 1129. 19th-century German boards covered with black mottled paper, boards and spine abraded; paper spine-label with hand-lettering. Institutional bookplate on front pastedown. Four-digit number in ink at base of first p. V. Housed in a modern quarter brown morocco tray case with raised bands on spine, each accented above and below with gilt beading (our last image shows the volume lying in its box). One spine compartment with title, another with publication place and dates, all others with gilt center device. A very acceptable copy of a scarce and important work for Arabic studies.

The work is illustrated with a number of wood engravings done after designs by Westall. The front pastedown of this copy bears an early inked inscription reading “Presented to Mary Esther By Imogine.”

•  Publisher’s textured cloth, front cover with gilt-stamped vignette, spine with gilt-stamped title and decorative motifs; cloth rubbed over edges and extremities. Light to moderate foxing throughout.

•  VD16 S1581. Removed from a nonce volume, in later wrappers. Dust-soiled. Library pressure-stamp and private owner's (old) inked signature on title-page. A very good copy. (21113)

Click the interior images for enlargements.

It is a study of the Society of Jesus and its expulsion from Spain and France and the consequences thereof, and it was presented to Joseph of Portugal so that he might anticipate similar consequences following his order of expulsion.

•  DeBacker-Sommervogel, XI, 1205.   Contemporary vellum over paste boards. Blackened area on spine; bookplate. A clean copy. (20462)