THEATER/THEATRE A-C   •   D-K   •   L-Z

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CelebratingFAMILY VALUES
      . . . Or anyway, Valuing the Family . . .

•  Shaw & Shoemaker 22657. Sewn as issued; lacking wrappers? Dustsoiled, with the last leaf a bit tattered and dog-eared.

An 1892 YALE Dissertation

•  Doctoral thesis analyzing religious drama.

•  Fair in printed paper wrappers, front cover torn nearly in half.   (438)

“Columbia College”Burlesque

•  Amusing collegiate burlesque, satirizing the 1849 inauguration of President Charles King of Columbia College.

•  Good in printed paper wrappers. Front cover with small holes, light foxing to some pages.

This Magazine’sTypical Variety . . .

•  Collected issues of this monthly “literary journal,” which actually served as a catchall for general news and very various items of interest—including articles on natural history and voyages or travels; wedding, bankruptcy, and death notices; remarks on pictures, or ontheatrical and musical performances; and assorted free-floating anecdotes and witticisms, as well as original poetry and reviews of contemporary publications. among the (indexed) items of interest in this particular volume are an account of the state of theatre in Germany, a review of a treatise on playing the violoncello, a letter to the editor on sowing and transplanting wheat, and a letter from Kentucky which mentions the yellow fever disaster in Philadelphia.

The volume opens with an oversized, folding set of artist’s caricatures designed to illustrate the “Remarks on Beauty of Countenance.”

A preface to another volume in this series notes that “by means of some new literary connexions in america, we shall possess peculiar advantages in presenting to our Readers, accounts of the most interesting circumstances belonging to the United States”—and it was an American reader, in fact, who owned the present example.

Provenance: Front pastedown with inked ownership inscription of Joshua Gilpin, a Quaker from Philadelphia who established the first paper mill in Delaware, in 1787.

•  Disbound, with paper-covered boards separated and spine lost, now contained in a phase box. Sewing almost gone, with leaves loose or separating. Edges untrimmed and in some instances ragged; some signatures uncut. Back free endpaper lacking. Pages generally clean, with occasional spots.

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Proto–Nunsense?

•  Wrappers indicate publisher to be Samuel French of London; tone is suggested by the fact that one character is called "Sister Opportune." From the "Cumberland's British Theatre" series.

•  Pictoral wrappers, chipped and fragile.

ThePlays Complete & in a Signed Binding

•  27 plays by the Nobel laureate and author of the Forsyte Saga.

Signed binding: Contemporary half tan morocco with marbled paper–covered sides, spine with raised bands each accented above and below with single gilt rule and single black rule; gilt-stamped title, spine compartments framed in gilt with gilt dots in each corner and each with gilt center device. Front free endpaper stamped “Bound by Sangorski & Sutcliffe.” Top edge gilt; silk ribbon place marker.

Click the interior image for an enlargement.

•  Binding as above, spine slightly sunned, corners and extremities showing minor rubbing. Front pastedown with private collector’s armorial bookplate. Pages clean.

In Italian & English — New York

•  Early American printing of this historical drama, in which Elizabeth is presented as a willful woman prone to conflicting impulses. The text is given in both Italian and English (in a translation by Thomas Williams), with a cast list.

•  Fair in printed paper wrappers, front cover lacking, sewing starting to go.

Presentation Copy 

•  No. CCCXVII. French's Minor Drama. Original printed wrappers. Inscribed on front cover "Presented by the author to Library Association January 23 - 1873". Author's embossed stamp inside, rubber-stamp ("Newark Library Association") on front.

•  Spine and covers chipped, rear cover separating, lower corner of front cover dog-eared. Title-page chipped at one corner.

An Arts & Crafts–InspiredFine Press Production

•  Dramatic version of the Celtic/Arthurian tale, written by poet and novelist Amory Hare (pseudonym of Mrs. James Pemberton Hutchinson) and illustrated with 10 linoleum block prints by Wharton Esherick, “Dean of American Craftsmen.” 450 copies were printed on Bishopstoke handmade paper with deckle edges, each copy signed by the author and the illustrator; this is number 409. Click the title-page image for an enlargement.

•  Publisher's black cloth, spine with gilt-stamped title; without dust wrapper as issued, boards very slightly sprung and sides with a few spots of light discoloration. Endpapers, half-title, and four pages spotted; faint offsetting from some illustrations.  (23079)

Classically CORRECT . . .

•  Jonson produced this play, focused on a conspiracy organized by Catiline to overthrow the existing Roman government and assassinate Cicero, as an attempt to bring "scholarly accuracy" to the English theater (CCHEL, 299), and he presents the events of the year 63 B.C. in as thorough a fashion as possible. The results of his effort are interesting for a variety of reasons, though the play, first printed and acted in 1611, has never been one of his most popular.

•  Wing J1006; Greg, I, 296 (h). Narrow green cloth spine; black leather label with gilt rule and stamping on front cover. Slight foxing, and pinhole worming through top corner of outer margins; a small hole on p. 241/242 affects text just barely, and there is a clean two-inch tear on p. 245.

(Jonson, Benjamin). We can offer several other individual plays by Jonson, all extracted from the same edition as the above and similarly bound. Among them are Catiline his conspiracy; Poetaster: or, his arraignment . . .

Priced from $175.00 to $255.00:
Click here to view a list of these items.

Characters Noble ButDENSE      

•  Kelly, the son of an Irish tavern-keeper, launched his London literary career by contributing to newspapers while working as a copying-clerk to an attorney. After marrying a needlewoman, he moved to Middle Temple Lane, where the DNB says "he laboured untiringly as literary hack." Next he gained fame as a theater critic, publishing two books criticizing the actors of the Drury Lane Theatre and of Covent Garden; Garrick, whom Kelly had prudently praised in the first book, then encouraged Kelly to write plays himself.

Kelly’s first production, this play enjoyed great success both onstage and in print. Garrick wrote the prologue and epilogue to this rather provoking tale of an entire circle of friends attempting to get themselves successfully paired off, most of them foolishly determined to marry people they don’t love for the sake of nobly sparing everyone else’s feelings, and all of them completely misunderstanding the true natures of the various relationships.

This is almost certainly the first edition; of the four printings in 1768, one identifies itself as the fourth edition and the other two both seem to have been labelled "A new edition."

•  NCBEL 2, 845. On Kelly, see: DNB. Recent wrappers. Lacking half-title. Three pages including title stamped by now-defunct library. Pages with previous sewing-holes and some light foxing towards the end.

“I’ll Mark This Down for anIncident in My Comedy”

Kelly, Hugh.

•  Speaking of himself, the author says "Tho’ he has chosen a title used by Moliere, he has neither borrowed a single circumstance from that great poet, nor, to the best of his recollection, from any other writer"—but certain situations may nevertheless seem somewhat familiar. The elderly soldier woos a young maid who thinks he is pressing the suit of his handsome young son, and the straying husband’s tête-à-tête at the masked ball turns out to be with his own disguised wife. Kelly tweaks these theatrical conventions by adding a saintly wife who smiles and forgives her husband’s capture in the most compromising of circumstances, then assures her best friend that she’d far rather he had twenty distracting dalliances than one serious—plus a spinster authoress, who throughout the play jots down what she considers the best conversational lines and most passionate utterances for use in her own plays!

With an etched frontispiece of Act 4, Scene 4.

•  ESTC T002464; NCBEL 1, 845. In recent wrappers. On Kelly, see: DNB as above. With sewing holes and five pages (including title) stamped by now-defunct library; some pages dog-eared. Frontispiece with a few small discolorations.

For more KELLY, review our
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