An early purchaser has recorded the cost of binding the set (60 pence per book) in a pencilled note on the front fly-leaf of vol. I: “Aug. 15th 1864 in 38 vol bound in fine 1/2 moroco [sic] per vol c/60 d.”

The essays and authors here were all once fashionable as well as interesting; they are no longer at all fashionable, but they are interesting in ways that their authors and original readers never imagined.  

Bindings: Contemporary half morocco over attractive marbled paper–covered sides, each spine with gilt-stamped title, volume number, and elegant arabesque decorations. Top edges gilt.

•  On Chalmers, see: The Dictionary of National Biography. Bindings lightly rubbed, a few with leather showing slight cracking over spines. Frontispiece with bookplate of private collector. Pages age-toned, with edges slightly embrittled; some occurrences of staining and pencilled underlining, with the majority of pages clean. An attractive set; many hours’ worth of reading. For anyone who savors slices'o'life, and slices'o'time, very rich fare. (14180)

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for an enlargement.

The third volume includes two plates and one oversized, folding plate reproducing two inscriptions and a frieze, engraved by E. Malpas.

Uncommon outside of Great Britain.

•  ESTC T113913; Brunet, I, 26; Lowndes, I, 5. Contemporary treed calf, spines gilt extra, with gilt-stamped leather title and volume labels; leather worn at edges and moderately rubbed with joints cracking. Front pastedowns with private bookplates and signs that a plate was removed on front free endpaper (one vol. endpaper holed); impressions of old pencilled shelf numbers on title-pages (and one lightly inked old date). First two leaves of vol. III with upper margins stained and final leaf browned; some pages with a few spots of faint foxing, most clean and crisp. (13107)

Binding: Half tan cloth and marbled paper sides; round spines with five gilt-ruled raised bands, compartments gilt extra, oxblood-colored gilt-stamped leather title labels and black gilt-stamped leather volume labels. Endpapers done in same marbled paper as binding sides, with all page edges marbled in the same colors and pattern; red and yellow headbands.

•  NCBEL, II, 1101 (for the first printing of Chalmer’s ed.). Bindings as above, leather showing moderate wear with a few abrasions; upper page edges dust-darkened. Each volume with ownership inscription inked on reverse of front free endpaper. Pages mostly clean with occasional instances of age-toning or light spotting.

For FINE, ATTRACTIVE, & INTERESTING
               BINDINGS,  click here .
For LITERATURE,  click here.

Provenance:  From the collection of 19th-century scholar Dr. Johann August Neander (1789–1850), a convert from Judaism who became a leading scholar of Christian church history.

•  Brunet 18324.   Contemporary calf, spine with raised bands, gilt-stamped compartment decorations at top/bottom, and later black leather gilt-stamped labels; covers blind-tooled in concentric compartments. Rubbed with bits of leather lost at extremities; offsetting from leather along margins of endpapers and title-pages. Marbled endpapers, free ones missing in both volumes; front pastedowns each with library bookplate and both title-page versos with call number in pencil. Initial pages of vol. II toned. A good solid set. (21186)

Uncommon: Only 10 U.S. institutions report holding copies; one guesses that most have had them for quite some time.

•  Checklist American Imprints 11021.   Recent quarter red calf and marbled paper–covered sides, spines with gilt-stamped leather title-labels. Four pages of preliminary advertising lacking (only). Moderate to heavy foxing without apparent weakening to paper or harm to reading; pages clean otherwise. (20926)

•  Publisher's brown cloth, spines with brown paper label; several labels with ssmall brown spots, cracks, and edge chips, not too conspicuous and not affecting printing. Two leaves (pp. 343–346 of vol. X) detached from binding; long tear down center of pp. 283/284 (vol. IV), without loss of text; except for two leaves with some offsetting from laid-in scrap of paper, interiors clean. Outer and lower edges deckle, with a few signatures opened unevenly and some unopened. A very good set.  (24537)

Bindings: Contemporary signed bindings by E.P. Dutton & Co., of red morocco with covers framed in gilt triple fillets; spines with raised bands, gilt-stamped titles, and compartments framed in gilt double fillets. Board edges gilt-ruled, gilt inner dentelles. Upper page edges gilt. Original cloth covers and spines bound in at the back.

•  Sadleir 156b, e, & f; NCBEL, III, 365. Bindings as above, spines and upper board edges darkened with a bit of rubbing; free endpapers with offsetting from turn-ins. One volume with lower part of cover stained and the lower inner margin of the title-page and plates (not the text leaves!) waterstained. One plate evenly age-toned. (12844)

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•  NSTC B758. Contemporary half calf with marbled paper–covered sides, spines with later gilt-stamped leather labels; spines slightly darkened, corners and spine extremities rubbed. Pencilled bracketing and marks of emphasis; some light to moderate foxing. (20026)

Presented here is Berkeley's defense of revealed religion: It ranks as a major example of English literature and of American literature too, for he wrote it while living in America waiting for money for his projected university in Bermuda. “Alciphron, a set of dialogues located notionally in England, but drawing much of the landscape description from Rhode Island,” sold well and aroused controversy after his return to Britain. The New Theory of Vision is “a work of lasting importance in the psychology of perception[; it] was transitional between Berkeley's already informed interests in mathematics and natural philosophy and a growing independence of mind in metaphysics and epistemology” (both quotations from DNB on-line).

Provenance: “A. Thorpe – York” inscribed on title-pages.

•  ESTC T86056; NCBEL, II, 1852. Not in European Americana.   Contemporary sheep, spines with raised bands and gilt-stamped red leather labels; covers framed and paneled in blind-stamped triple fillets with blind-stamped corner fleurons; all edges red. Leather rubbed with some loss to corners, edges, turn-ins; vol. I with pulls at both spine extremities, small gouge to front cover, front joint opening with cover almost off. Old institutional bookplates and rubber-stamp to pastedowns, title-pages, and lower edges of closed volumes; ink ownership signature to title-pages as above and a few additional ink and pencil marks; some very scattered spots or staining with pages generally clean. (21366)

The typography is by the Royal Press and is handsome, employing roman and italic faces in a variety of point sizes. The text is presented in single and double-column format with finely engraved initials, and head- and tailpieces. The title-pages are printed in red and black with an engraved vignette.

Binding:  Contemporary treed sheep, covers framed in double gilt fillets, spines with gilt-stamped red leather label, gilt-ruled raised bands, and elaborately gilt-tooled floral decorations in compartments.   A most pleasing production!

•  Bound as above, covers with some cuts/abrasions, rubbing at corners and joints, surface cracks on spines; spines of vols. I and II with head and foot chipped. Front pastedowns with institutional bookplates; front free endpapers with early inked ownership inscriptions. Ex-library with old shelf labels to spines, and pressure-stamps (not rubber-stamps) including some on title-pages. All edges marbled, and marbled endpapers. Imposing.  (21444)

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The New Advent Catholic Encyclopedia notes that Dominique Bouhours (1632–1702) was best known to English readers as the author of this much-reprinted work and an earlier life of Ignatius of Loyola; for a long time these were “the most widely circulated biographies” of the two saints. Bouhours also achieved prominence for his anti-Jansenist writings.

The pair of volumes were nicely printed, with some nicely engraved head- and tailpieces. The text offers sidenotes.

Rare.  A search of OCLC records only two copies, of which this is one, now deaccessioned.

•  De Backer-Sommervogel, I, 1904–1905; Cordier, Bibliotheca Japonica, 146.   Recent full calf, covers framed and panelled with single gilt fillets and with gilt-stamped corner fleurons; spines gilt extra, with gilt-ruled raised bands, gilt-stamped leather title and volume labels, gilt publication date at foot, and elaborately gilt-tooled floral decorations in compartments; marbled endpapers. Tear in outer margin of pp. 269/270, just barely touching sidenotes; very occasional foxing; offsetting from leather of previous binding affecting first and last leaves at margins, including title-pages. Ex-library, with faint penciled notations on verso of title-page and at base of following page in each volume. Vol. I lacks the frontispiece portrait. Faults noted, still a good copy and in an attractive binding.  (24526)

Provenance:  Each front pastedown with armorial bookplate of William Arthur, sixth Duke of Portland.

•  NSTC 2B46491; Allibone 240; Brunet, II, 1215.   Binding as above, minor shelf wear to lower edges and corners, vol. I with front board expertly reattached and with small dent to outer edge of front cover. Joints delicate, due to size and weight of volumes, but holding. A few pages and plates with faint foxing, otherwise clean.  (24100)

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for an enlargement.

The first London edition appeared in three volumes, but the present edition in two, as stated on the title-page.

•  Howes B-745. Publisher’s charcoal blind-stamped cloth, spines with gilt-stamped title; cloth showing mild wear overall, with spine gilt attractively oxidized. Front free endpapers with pencilled owner’s inscription dated 1869. Pages slightly age-toned, with scattered small spots of staining. Quite a nice set. (15871)

•  NCBEL, III, 865.   Original green cloth, spines with printed paper labels, lacking the dust wrappers (which are scarce and almost never seen); labels darkened, a few starting to peel up at corners. Pages untrimmed, with some signatures unopened. A beautiful, clean example of this set.  (24629)

Vol. I opens with a steel-engraved portrait of the author.

•  Howgego, II, C2.   Period-style quarter tan cloth and light blue paper–covered sides, spines with printed paper labels. Five plates and one map lacking (frontispiece present); two leaves each with tear along inner margin, not touching text; foxed throughout but without embrittlement.  (24387)

The first edition appeared in Seville in 1491. In the 1555 Gregorio López issued his influential edition with commentary, which became the standard edition, reprinted several times in subsequent centuries. According to Palau, López "revisó y corregió escrupulosamente los manuscritos y textos anteriores, en los que el descuido de copistas e impresores había llegado a introducir variantes de importancia y a falsear el espiritú del legislador. De modo que esta edición [i.e., la primera] fue declarada como texto único auténtico y legal en la práctica del foro."

In the years following issuance of the 1555 edition, corruptions began to enter the text yet again, and in 1759 a further revision was ordered to bring the text back to its original wording and sense. This is only the second edition of that revision. Its printer was Monfort, one of Spain's best 18th-century practioners of the black art. The main title-page is printed in black and red, the text in clear and precise roman with some italic in double-column format; López's notes are laid in below the text. A fine engraved headpiece adorns the "Prólogo" in vol. I and a handsome woodcut headpiece of a ship under full sail on the open sea introduces each partida. Additionally there is a modest use of historiated initials.

•  Palau 7007 (Siete partidas) & 7008 (index). Contemporary mottled calf, round spines, raised bands, gilt spines extra. Minor abrasions on some covers. All edges carmine. Silk place markers. A very few instances of worming, holes filled by means of the 18th-century version of leafcasting (i.e., a paper slurry "painted" onto the paper to fill the opening): a few letters lost in some words, but sense not obscured. A very handsome set of a very important book.

•  Not in Weale & Bohatta.   Bindings as above, edges and extremities rubbed, spine leather with tiny cracks, one spine head chipped, one joint starting. Ex-library with bookplates, rubber-stamp on lower edges of pages of the closed volumes. One volume with text block separating from spine and sewing loosening; this with the most leather rubbed away and the darkest instances of the usually-light waterstaining and spots of foxing seen occasionally throughout. Endpapers bear early inked ownership inscriptions and annotations. An elegant quartet.  (12406)

Provenance: Elegant old lozenge-shaped ink-stamp on title-pages: “John Brymer Heir-Loom.”

Each volume commences with a copper-engraved frontispiece and title-page vignette, the former done by Robert White after a painting by Lely, the latter signed M[ichael] Burg[hers]. Burghers also engraved a substantial number of head- and tailpieces for the work, as well as decorative capitals.

•  ESTC N9847, N9850, T147811; Brunet, I, 81; Allibone 385.   Contemporary speckled calf panelled in blind with plain calf, decorated with blind-tooled corner fleurons, spines with gilt-stamped leather title-labels; edges and extremities rubbed, joints cracked or starting, some acid-pitting to speckled portions, spines each with small paper shelving label. Each front pastedown with institutional bookplate over private collector's bookplate, and with early inked gift inscription. Title-pages with small institutional rubber-stamp in lower margin; half-titles lacking. Pages generally clean; occasional minor spotting mostly confined to margins. One instance of early inked marginalia.  (24574)

Thetwo oversized, folding maps were engraved by T. Conder; a genealogical chart in vol. I shows the descent of the Mexican kings from the 13th century, whilenumerous engraved plates depict Mexican artifacts, costumes, activities, flora and fauna, architecture, etc.

•  NSTC 2C42639; Goldsmiths’-Kress 26080; not in Maggs, Bibl. Asiatica. On Crawfurd, see: Dictionary of National Biography. Publisher’s dark green cloth, blind-stamped, spines with gilt-stamped title; spines very slightly sunned and showing faint traces of now-absent paper labels, cloth lightly rubbed at corners and spine extremities. Hinges cracked (inside). Front pastedowns rubber-stamped (no other institutional markings). Title-pages with pencilled owner’s name in upper margins; contents pages with inked owner’s name dated 1865. Frontispiece, plates, and a few pages in proximity to plates lightly to moderately foxed; one plate in vol. II torn from inner margin, tear not touching image. Absorbing reading, evocative images. (19179)