Provenance:  Front pastedown with bookplate and front free endpaper with pencilled inscription of George M. Haverstick, an early proprietor of the company that eventually became the Whitall Tatum glass factory in Millville, New Jersey.

•  ESTC T92500; Sabin 52167. On Mary Peisley Neale, see: Oxford Dictionary of National Biography online.   Contemporary treed calf, spine with gilt-stamped leather title-label and gilt rules, expectably acid-pitted overall; spine chipped, front cover with spots of discoloration and abrasion, edges and extremities rubbed. Occasional scattered light spots, most noticeable on last three pages; some lower outer corners bumped. One pencilled text correction. An interesting item, and not tremendously common in the U.S.  (29674)

Click the images for enlargements.

The frontispiece portrait of Nelson was engraved by George Vertue after a painting by Sir Godfrey Kneller. The volume also includes all publisher's advertisements as well as the rather uncommon Poem in Memory of Robert Nelson Esquire.

This was produced to be a handsome work, printed in large type on good paper with wide margins — the better to appeal to a “quality” audience?

•  ESTC T85360; Goldsmiths’-Kress 5249. Poem: ESTC T25431; Foxon P538.   Contemporary speckled calf, framed and panelled in blind with blind-tooled corner fleurons; rebacked with speckled calf, spine with gilt-stamped leather title-label, raised bands, and blind-tooled foliate compartment decorations. Original leather abraded, front cover with small chip to outer edge and area of faint discoloration from a now-absent label; title-page institutionally rubber-stamped (no other markings). Some signatures browned and foxed, most pages clean.  (25999)

Provenance:  Front pastedown with 1825 bookplate of the Royal Society of Literature.

•  Brunet, IV, 859.   Contemporary mottled calf, covers framed in gilt roll, spine with gilt-stamped leather title-label and gilt-stamped compartment decorations; rubbing overall with small abrasions to sides, back joint starting from foot with hinges (inside) tender and front hinge starting. Front pastedown with bookplate as above; title-page with old, faint inked check mark in upper margin. Original silk bookmark present and attached. Very light waterstaining in margins of several sections and extending across text from pp. 346 to end. A very interesting production.  (29080)

“A new edition, with the citations translated, and notes by P. Borthwick . . . of Downing College, Cambridge.”

•  Publisher's quarter green cloth with paper-covered boards. Rebacked in sympathetic cloth and new paper label (antique style) applied. Boards show age-stains and wear but are solid. Old library pressure-stamp on title-page. In an open back slipcase of green library cloth; spine of box with author, title, and call number in gilt. A nice copy, sound for reading.  (21773)

The text is complete but it is clear that the final blank and the next to the last leaf are missing; the latter would contain the “Tabula” and the colophon.

Nicolaus's text is printed in double-column format in gothic, black-letter type, with guide letters but the initials unaccomplished.

Evidence of readership:  Marginalia throughout; a small area at the beginning of four lines on A6v with early reader's inking over of the lightly printed letters (in a near perfect approximation of the gothic type).

Provenance:  Ownership signature of “G. Lunndro, Woodmansey, 1852”; bookplate of Madison University; later bookplate of Colgate University (i.e., Madison changed names in 1890); later transferred to Colgate Rochester Divinity School. Deaccessioned.

•  Not in VD16; not in Adams.   19th-century plain boards. Ex-library with bookplates of two different institutions; pressure-stamp on title- and other leaves; five-digit acquisition number stamped in lower margin of first leaf of the prologue; residue of a charge pocket on rear pastedown and ink transfer to rear free endpaper.  Final blank and the next to last leaf missing as above and marginalia as above. (26026)

This volume for connoisseurs offers two distinct parts: first, the text printed and all the illustrations present as fully colored, delicately washed in shades of pink, blue, purple, grey, white, and earth tones; and second, a set of the illustrations in proofs uncolored and without text. Most of the illustrations in both suites areinitialed by Caruchet.

Jean Emmanuel Charles Nodier (1780–1844) was a French author and librarian, appointed to the Bibliothèque de l'Arsenal in 1824. His literary stylemuch influenced the Romantics, including Victor Hugo and Alfred de Musset. This legend, first published in La Revue de Paris (1838), is representative of his fantastical oeuvre. It was later adapted into a French opera (Béatrice, 1914) and a film (1923).

Signed Binding: Crushed half milk chocolate morocco over marbled paper boards signed “V. Champs,” gilt author, title, and date to spine; patterned marbled endpapers (different from the covers). Original gilt and hand-colored stiff cream wrappers bound in, showing Béatrix full-figure on the front, her hands extended outward beneath the gilt title.

Provenance:  An initialed ink inscription beneath the Justification du tirage states this copy was “Offert à Madame Conquet” — who must have been related toM.L. Conquet, “the great Paris publisher of works of the romantic school,” whose publications were famous for being very limited editions and for the “high artistic quality of their illustrations” (“Books and Authors,” The New York Times, 26 March 1898).

•  Carteret, V, 141; Vicaire, VI, 179.   Binding as above. One small nick on the front leather near the spine, and board extremities (paper and leather) lightly rubbed. The publisher's authentication embossed stamp below the limitation statement. Text clean, unblemished. Simply, excellent.  (30135)

All 17th-century imprints from Guatemala are extremely rare: Searches of WorldCat, NUC Pre-1956, Catálogo Colectivo del Patrimonio Bibliográfico, COPAC, and MetaBase fail to locate any copies of this one anywhere. We do know, however, of one copy in the Guatemalan national library itself.

Provenance: Marca de fuego on the upper edges of the text block of a Mercedarian convent. The marca does not matches those known to have been used in Mexico, leading one to believe this copy belonged to the Mercedarian convent in Guatemala.

•  Medina, Guatemala, 38. Contemporary limp vellum with remnants of ties; without the final blank leaf (only). A very nice copy of a very scarce early Guatemalan book.  (29425)

•  This ed. not in NSTC. Removed from a nonce volume. Title-page with upper margin trimmed a bit closely, just touching “The” of title. Pages slightly age-toned, otherwise clean. (16780)

The Library of Congress attributed authorship as above; the American Sunday-School Union was located at 146 Chestnut St. from 1827 through 1853.

•  Publisher's off-white wrappers, original price “1 Cent” in old ink along top edge of front cover. Very faint foxing; remarkably clean.  (28394)

with the life of the great poet Ferdusi (i.e., f Abu-'l Kasim Mansur).

Click either image for an enlargement.

•  19th-century German boards covered with black mottled paper; abraded. Paper author/title label on spine, call number label on front cover. Ex-library with bookplate on front pastedown and call number in pencil on verso of title-page. No other markings. (19137)

The volume begins with a most handsome emblematic engraved title-page signed C. De Mallery involving a ship at sea against a sky labeled “Lutetia” (for Paris) surmounting an elaborate architectural frame containing the title and incorporating elegant symbolic ladies and more, followed on the next leaves by a dedication to the esteemed French collector Jacques-Auguste de Thou (Thuanus, 1553–1617). Beautiful floriated woodcut initials, factotum initials, head- and tailpieces decorate the text, which is anexquisite example of printing.

It seems that there were related texts printed at the same time that are sometimes found bound with this in a variety of combinations, but this not universally.

•  Adams S1061; Schweiger, I, 287.   Period-style full dark brown mottled calf tooled in blind, gilt title and tools to spine, red edges. Small hole from natural flaw in upper corner of title-page and one other leaf; oval-shaped spot in lower margin of title-page from an erasure (?), offset onto the front fly-leaf; light age-toning and occasional foxing in some margins, with a few stray ink marks from printing and maybe two or three dots from oxidization of the paper. Accounting for these minor expectable flaws, the present volume isreally very, very nice and the portraits areterrific.  (30177)

The volume opens with an oversized, color-printed map of Ireland on green paper; it is further illustrated with a frontispiece and 31 other plates mostly representing churches and abbeys but also Irish landscapes (“The Shannon above Limerick”), historical moments (“Massacre at Drogheda”), and prominent figures. One split image contrasts a tormented Irish family with the same family happy and prosperous in America; interestingly, that same split plate is reproduced at the back of the volume as two facing plates with new captions — “Ireland As She Is” and “Ireland As She Ought to Be.”

Binding:  Publisher's pebbled blue cloth, front cover with gilt-stamped title and gilt-stamped vignette of a radiant monolith surrounded by shamrocks; back cover with same vignette in blind, and spine with decorative gilt-stamped author, title, and publisher. All edges gilt.

Provenance:  Back free endpaper with pencilled ownership inscription of Maggie Brennan of Philadelphia; we note, but dare not speculate on the import of, her surname's matching that of one of the authors here.

•  NSTC 0558744 (for 1878 ed.).   Bound as above, front cover and spine aged to dark brownish blue and volume moderately rubbed overall. Folding map with tear from inner margin, extending inside frame (close to but not touching actual image). Pages browned in from edges due to nature of paper, but not brittle; dried plant matter laid in at three spots and an old tassel at another. A very solid copy, with hinges holding (unusual for copies of this hefty volume).  (29569)

•  Contemporary blind-stamped black cloth, covers with central gilt-stamped cross and Virgin-with-Infant vignettes, spine with gilt-stamped title; edges, extremities, and back cover rubbed; cloth wrinkled at spine and split at front joint with small bubbles on covers. Front covers lacking clasp hardware (straps present on back cover), spine with inked shelving number; hinges (inside) tender. Front pastedown with New York bookseller's small ticket. Half-title, title-page, and several others institutionally pressure-stamped. Some mild foxing, most pages clean. All edges speckled red.  (25894)

Click the image at right for an enlargement.

•  Shoemaker 39945; Goldsmiths', Robert Owen, 1771-1858: Catalogue of an exhibition of printed books held in the Library of the University of London, 79a. Uncut copy, in original quarter cloth, with paper spine label. Binding worn, covers detached (such bindings are notoriously delicate), and with the usual amount of foxing to pages. Housed in a cloth clamshell box. A good copy.

Paleario was at once a creation of the Renaissance and of the Reformation.  He carried on a wide correspondence with the intellectuals of his time, he studied the writings of Luther and Erasmus, and he sought to reconcile the old with the new. This edition of his works is chiefly composed of his letters, but also includes “De Immortalitate Animorum libri III,” and “Poematia.”

•  On Paleario, see: Contemporaries of Erasmus, III, 45–46. Contemporary vellum over boards; bit of abrasion and black speckling in lower area of spine. 18th-century armorial bookplate on front pastedown. Occasional light spotting in text. Notes in pencil on rear endpapers. Rear free endpaper torn with loss of paper in the lower outer area.

•  Shaw & Shoemaker 20980.   Contemporary treed sheep, spines with gilt-stamped leather title and volume labels; leather rubbed and volumes pleasantly refurbished. Front and back pastedowns with institutional bookplates; pencilled shelfmarks, etc., with shadows of these visible on title-pages. Occasional spots of light to moderate foxing.  (14453)

Efforts to canonize Maria de Jesus began almost immediately following her death and received the support of numerous well-respected clerics, including Bishop Palafox. Copies of letters to Pope Clement X in support of her sainthood fill the final 16 numbered (in roman) leaves. The efforts continued into the 19th century but failed.

The period 1670 to 1800 saw a dramatic growth among books printed in Mexico in the hagiographical genre and this work was one of the first published in that sub-set of biographical writings.

Binding:  Early 18th-century Mexican sheep, dark brown and mottled; spine gilt extra. Very, very handsome in a most “antiquarian” way!

WorldCat locates only four copies in U.S. libraries, one in Spain, one in Mexico, and one in Chile. The Catálogo Colectivo del Patrimonio Bibliográfico locates two additional copies in Spain.

•  Palau 212277; Medina, Mexico, 1144; Andrade 672; Sabin 58567.   Bound as above; gilt flaked off here and there; spine a little crumpled. Worming in some margins, occasionally in text and occasionally touching some letters. Expert repairs: leather spine readhered to back of text block; tears in leather at joint, hinges, and panel areas reinforced subtly with toned repair tissue; worming repaired with long-fiber tissue and wheat starch paste. Foxing and old stains, neither dark nor distressing.  (29692)

The poems, stories, and Christian meditations are illustrated with a number of in-text wood engravings, including an image of Marion's Men and one of the two Native American “Children in Exile” of J.T. Fields's poem; the front cover scene of a young boy declaiming to his mother and sister was engraved by John Karst after George White.

Provenance:  Front free endpaper with ownership inscription of a Miss Brewer inked twice, once faintly as Harriet and once a little more darkly as Hattie (dated 1870); title-page same name in upper margin (very faint) and front cover with very very faint fourth signature.

•  Publisher's quarter sheep and printed paper–covered sides, spine with gilt-stamped title and embossed stars within circles, all edges marbled (now faded); spine head chipped, corners bumped, general rubbing and paper darkened. Ownership indicia as above; early hand-coloring to title, probably Hattie's. Intermittent mild to moderate foxing.  (28421)

The volume opens with anoversized, folding map, engraved by M.M. Peabody, which Graff describes as “the earliest map of the Oregon interior with a pretense to accuracy”; includes an account of Parker'svoyage to Hawaii and Tahiti; and closes with avocabulary of Indian languages (Nez Perce, Klicatat, Calapooa, and Chenook). The plate depicts “Basaltic Formations on the Columbia River.”

•  Flake & Draper, Mormon Bibliography, 6100; Graff 3193; Hill, Collection of Pacific Voyages, 1306; Howes P89; Pilling, Proof-sheets, 2907; Sabin 58729; Wagner-Camp, Plains & Rockies, 70:3.   Publisher's charcoal-colored ribbed cloth, covers with blind-stamped arabesque frame, spine with gilt-stamped title; cloth chipped at spine extremities and front joint, corners rubbed. Mild to moderate foxing. Map with faint spotting, a pinpoint hole at one corner, and one very short tear from inner edge; foxing and soiling, never dark/nasty but present throughout. A comfortably solid copy.  (29273)

Once in an institutional collection but with no markings, and now deaccessioned.

•  Recent quarter calf and marbled paper–covered sides, spine with gilt-stamped title. Most outer margins deliberately creased to make section markers. Clean, readable, and attractive.  (25665)

The first three volumes were printed in Amsterdam in 1734, and each opens with an engraved frontispiece; the fourth volume was printed in Cologne in 1739. All four volumes have title-pages printed in red and black, with the fourth specifying that Nicole's notes were translated by Mademoiselle de Joncourt.

Provenance:  All four title-pages with small early inked ownership inscription in upper outer corner of “A. Thorpe, York.”

•  Period-style quarter mottled calf and marbled paper–covered sides, spines with gilt-stamped leather title and volume labels and gilt-stamped compartment decorations. Vols. I and II with frontispiece rectos institutionally rubber-stamped, with bleed-through into images; ownership inscriptions as above. Pages clean.  (27243)

•  Sutro 756 ("19p." being a typographical error for collation given here); not in Steele, Independent Mexico: A Collection of Mexican Pamphlets in the Bodleian Library. Folded and never sewn or bound; as issued.

Click the images for enlargements.

•  NSTC 2P5824; Shoemaker 34652.   Publisher's plain paper-covered boards with rose-colored cloth shelfback and printed paper label; binding rubbed with spots of discoloration, spine sunned. Ex–social club library: paper shelving label on spine, 19th-century bookplate, call number on endpaper, no other markings. Light waterstaining, variously; one leaf with short tear from outer margin, just barely touching text.  (28346)

•  Publisher's half mottled calf and marbled paper–covered sides, spine with gilt-stamped leather title-label and gilt-stamped decorations; very minor rubbing to joints and extremities. Original silk bookmarker intact. Some signatures towards back of volume uncut; pages and plates clean. A lovely copy.  (27191)

•  ESTC N34872; Part IV: ESTC T93310. Recent marbled paper–covered boards, spine with printed paper label. Title-page with traces of now-absent early ownership inscription and with an early inked annotation identifying Pearce, then the Bishop of Bangor, as the author; one page with inked and pencilled annotations. Pages mildly age-toned.

Click the image for an enlargement.

•  Palau 216717. Removed from a nonce volume. Light waterstaining, mostly to inner corners. Trimmed closely, with shouldernotes and first or last few letters shaved in some instances. One leaf with tear from upper margin extending into text, repaired some time ago, obscuring a few words.

This also appears in the HISPANIC
                      MISCELLANY — click here.

Despite this strongly worded treatise against persecution (which argues that all men should be able to make a free and open choice of faith and worship), the statutes remained in place for many years to come.

•  Wing (rev.) P1298A; ESTC R12742. Recent marbled paper–covered boards. Title-page with tiny, unobtrusive numeral inked in upper outer corner, first text page with numeral stamped in lower margin (no other markings). Title-page and first text page with moderate foxing, others clean.

This is a handsome production from the Hogal press, which is considered one of the finest operating in Mexico in the 18th century. It sports a full-page woodcut of the coat of arms of José de Castorena y Urzúa, the bishop of the Yucatan, and a notably strong, lovely one of St. Joseph and the Infant Christ; neither is signed.

Provenance: Marca de fuego of the main Mercedarian convent in Mexico City, in upper and lower edges of the book.

WorldCat and NUC Pre-1956 combine to locate only five copies of this in the U.S., one of which is incomplete.

•  Medina, Mexico, 3086; Palau 218002; DeBacker-Sommervogel, VI, 480.   Contemporary limp vellum with ties. An occasional spot or stain; two short, slim, delicate wormtracks to (in each case) perhaps six leaves, across text but not affecting reading, and a third even shorter, slimmer, entirely marginal.foray in a number of other leaves. A very nice copy.  (29581)

This is the genuine 1817 edition, not a modern reprint.

•  Sabin 1438; Shaw & Shoemaker 41808.   Recent light blue paper–covered boards, front cover with printed paper label. One leaf with short tear from outer margin, not touching text. Pages lightly age-toned, otherwise clean.  (28150)

In addition to a finely engraved frontispiece portrait of Savonarola, there areeight plates, numbering four engraved coats of arms, for the Atestina, Medici, Borgia and Sforza families, and four large foldout letterpress family trees, for the author's family, the Atestina, Medici, and Borgia, who are all related in some way or another to Savonarola's story.

•  BM STC French, P1013. On Pico della Mirandola, see: NCE, XI, 347–48, and C.B. Schmitt, Gianfrancesco Pico della Mirandola ... and his Critique of Aristotle (1967). On Billaine, see: B. Montagnes OP, “Éditions et éditeurs de Savonarole dans la France d'Ancien Régime,” in Archivium fratrum praedicatorum, LXXV, pp. 159–78.   Vellum over boards with yapp edges, ink title to spine and blue speckled edges; vol. II, “Additiones,” not present. Unnoticeable pin-type wormhole to frontispiece, title-page rubbed with loss to part of two words and with small hole to its blank area; small spottings to Medici fold-out plate and a few other leaves; Borgia fold-out plate repaired and with a diamond-shaped waterstain; a few tears in lower margins, two resulting in a bit of loss and one of these given an old repair.  (30276)

The text is in Latin printed in roman and italic, divided into sections for each pope and the additional treatises: De falso & vero bono, dialogi; Contra amores; De vera nobilitate; De optimo cive; Panegyricus in bessarionem doctissimum patriarcham Constantinopolitanum; and Oratio ad Paulum II . . . de bello Turcis inferendo. Woodcut initials in criblé, historiated, and floriated styles decorate the text, which is enhanced by side- and shouldernotes. Two large sections list the popes in chronological order, charting relevant dates with notes. The printer's device, incorporating Psalm 64:12 (Vulgate numbering), adorns the title- and final page.

•  VD16 P 3263; Adams P-1420; Graesse, V, 313. On Platina, see: New Catholic Encyclopedia, XI, 430.   20th-century glossy black paper over boards, gilt title to red leather spine label, all edges green. Ex-library: neat 19th-century bookplate and early ink marking, front pastedown, and label to lower spine but no stamps. Light waterstaining on first 20 or so leaves and in top margin of later ones, crossing text over corner in index; hole from re-sewing in lower gutter of about 11 leaves and final quire reinforced at gutter; pin-type wormholes in upper right corner of final two leaves; negligible tear in lower corner of one leaf. Foxing, generally light, and a few stains. Minute manuscript note in ink on title-page; three instances of marginalia (two a bit cropped) on three pages including the last (dated 1677).  (30348)

The text is ornamented with woodcut initials and occasional head- and tailpieces. Panvinio's De ritu sepeliendi mortuos, De stationibus urbis Romae, and Chronicon ecclesiasticum are appended at the back (as issued), and have separate title-pages and pagination.

•  On Platina, see: New Catholic Encyclopedia, XI, 430. Platina: Adams P1422; VD16 P 3264. Panvinio (Chronicon ecclesiasticum): VD16 P 250; not in Adams.   Period-style calf, covers framed in blind, spine with gilt-stamped leather title-label, gilt-stamped compartment decorations, and raised bands ruled in blind with ornaments extending onto covers. A few small early inked marks of emphasis, one pencilled annotation; back fly-leaf with early inked numeral in upper margin now smeared and offset onto opposing page. Pages gently age-toned with occasional light spots or offsetting; waterstaining to margins of first and last few leaves; appearance overall clean and pleasing.  (27568)

No copy traced via WorldCat or COPAC.

•  Removed from a volume and laid into modern wrappers. Light stain in outer margin of last leaf with a trace of same showing on a few more inward; old foliation neatly inked in upper outer corners; generally clean, with good margins. One inked, contemporary marginal note.  (28234)

This set includes two volumes of supplemental text, adding a number of entries. The first edition was followed by two volumes of supplemental plates, not present here and not called for: Graesse describes this edition as “sans grav.”

The pagination is erratic in a number of places; there is a numbering gap from 2342 to 2351 between vols. IV and V, but the text and signatures are uninterrupted.

Uncommon: OCLC locates only two U.S. institutional holdings of this second edition.

Provenance: Most volumes with small inked ownership inscription in an outer margin: “G.R.W.” the mark of William Rollinson Whittingham (1805–79), fourth Episcopal Bishop of Maryland and an enthusiastic book collector.

•  Brunet, IV, 851; Graesse, V, 429. Not in Sabin.   Contemporary half binding, recently rebacked with tan paper, spines with printed paper labels; boards rubbed and faded with small chips, one vol. with front cover waterstained. Foxing almost throughout, generally no worse than moderate; light waterstaining in upper margins of vol. I; one leaf in vol. VII with lower outer portion torn away, with loss of words from about 18 lines on each side. Vol. II with printer's error replacing pp. 1065–72 with duplicates of pp. 1057–64; pagination erratic in other places. Most vols. with ownership mark as above; vol. VI with one pencilled and one inked marginal annotation.  (25862)

The first edition (1811–21) was printed by several different hands, all in Wales, and one was a woman printer: Vol. I was done by George North of Brecknock, vol. II by Henry Hughes of Brecon, and vols. III and IV by Priscilla Hughes, also of Brecon and presumably heir to Henry. This appears to be a new issue, or, at least, the same issue with new title-pages; the preface to the first volume is dated 1811, and a note to the binder at the end of vol. III, part 2, reads, “The amended title pages to be substituted for those at present annexed to this volume” (p. 998). Vol. I has a hand-colored oversized, very large folding map..

The “Discourse for the Vindicating of Christianity from the Charge of Imposture” has a separate title-page dated 1722, but its pagination is continuous with the first work.

•  ESTC T138493.   Contemporary speckled calf, framed and panelled in blind with panel of contrasting calf decorated with blind roll and blind-tooled corner fleurons, rebacked with sympathetic calf, spine with gilt-dotted raised bands, gilt-stamped leather title-label, and blind-tooled compartment decorations; original leather showing minor acid-pitting with edges worn and rubbed. Ex–social club library: 19th-century bookplate, call number on endpapers, no other markings. Front free endpaper with upper outer corner repaired; browned, with offsetting to margins of first and last few leaves from turn-ins, yet not brittle.  (27101)

The twelve unsigned woodcut plates are full of energy both emblematic and artistic.

•  Publisher's quarter tan cloth with blue paper-covered sides; boards stained and chipped with paper peeling, all extremities rubbed, and paper spine label mostly lost. Front hinge cracked, back hinge starting. Front pastedown with institutional bookplate; title-page with private owner's stamp in upper margin and old cataloguing excerpt affixed to lower margin. Lower outer corners waterstained in first half; pages cockled, with occasional faint spotting; first text page with newsprint blurb about Priest affixed in upper margin. A compromised copy, but an extraordinary production; interesting from a variety of perspectives.  (15630)

The work was printed in Northumberland, Pennsylvania, where Priestley settled in 1782, when his liberal political opinions and defense of the French Revolution (in addition to his status as a nonconforming minister of questionable orthodoxy) obliged him to emigrate from England to the United States.

Provenance: Both title-pages inscribed by N. Irwin.

•  Shaw & Shoemaker 4912 & 7121. Recent quarter calf over marbled paper–covered sides, spines with gilt-stamped leather title and volume labels. Title-pages with faint impression of a once-pencilled shelf number; some leaves lightly foxed.

Click the image to the left for an enlargement.

This work was printed in Northumberland, Pennsylvania, where Priestley settled in 1782, his liberal political opinions and defense of the French Revolution (in addition to his status as a nonconforming minister of questionable orthodoxy) having obliged him to emigrate from England to the United States.

Provenance: Each title-page inscribed by N. Irwin.

•  Shaw & Shoemaker 2933 & 4913. Recent quarter calf over marbled paper–covered sides, paper darkened at edges and/or turn-ins on some volumes, most notably vol. IV; spines with gilt-stamped leather title and volume labels. Title-pages with faint impression of a once-pencilled shelf number; a few page edges slightly ragged; some instances of small spots of foxing, mostly in margins, and varying degrees of offsetting. Please note these are octavo values — they're substantial, but we think the photo may make them look a bit taller than they actually are.

Périon has added scholia and the publisher an index.

•  Index Aurel. 153.994; Baudrier, IX, 394; not in Adams.   Early vellum over boards, evidence of cloth ties and all edges red; author and title in an 18th-century calligraphy hand on spine and spine label of a library removed. A used copy, with front hinge open between front free endpaper and title-page; title-page soiled, old (cancelled) German library stamps on verso of same; lacks final two blank leaves (only). Some light cockling of pages, the odd spot, a very occasional note.  (28870)

Provenance: The first work's title-page has “Ex dono Autoris” inscribed in the upper margin in an early hand.

•  Pycroft: ESTC T144698; Allibone 1712. Addenbrooke: ESTC T88427.   Recent marbled paper–covered boards, front cover with gilt-stamped leather title-label. Pycroft half-title lacking; title-page with annotation as above. Pages slightly age-toned, with light spotting to final leaves of Enquiry and throughout Essay. (20760)