•  Medina, Lima, 4; Medina, Lenguas quechua y aymará, 6; Vargas Ugarte, Impresos peruanos, 5; Viñaza 82; Leclerc 2993; Sabin 67160.   Later limp vellum with remnants of button and loop ties; text block partially loose in binding. Lacking title-page and preliminaries ([paragraph sign]1–8); leaves A1–3, B2, B7, and G3–6 in the Quechua to Spanish vocabulary; leaves H3–6 & H8 in the Spanish to Quechua vocabulary; and Cc8, Dd1, and Dd3–Ee8 of the grammar. (H3–6 text supplied by inserting T2–5 from the 1614 edition.) Some tears, some leaves mounted or tipped in, some repairs; captions often shaved but not taken. Stains. Withal, a very substantial surviving portion of an important work and rare book; a significant discovery.  (28628)

The volume was published at the request of Cardinal Ascanius Columnas in an edition ofonly 750 copies, and was printed at Antwerp at the press of Moretus’ widow and sons with the famous Plantin device appearing in two versions (engraved, to the title, and woodcut, to the final recto).

A full-page engraved funeral portrait of Rubens engraved by Cornelius Galleafter Peter Paul Rubens signals the beginning of the third section, in which Jan Brant records the life of his son-in-law’s brother and transcribes his epitaph. Even Balthasar Moretus contributes an epigram in honor of the deceased.

In the fourth section, Rubens’ own orations and selected letters appear, i.a. his funeral oration to Philip II of Spain. Josse DeRycke contributed the final funerary tribute.

Done up in fully elegant Plantin–Moretus style, the volume has in addition to its careful typography and full-page plate and devices been lavished throughout with two-line block initials and four-line historiated woodcut initials; also, it offers several intricate woodcut tailpieces.

Searches of NUC Pre-1956 and WorldCat locate only eight copies in U.S. institutions, one of which has been deaccessioned; most arenot in obvious places.

•  Graesse, I, 241; Corpus Rubenianum, XXI (1977), 152.   Period-style full brown calf, covers framed in blind double fillets, spine with gilt-stamped red leather title-label, raised bands with blind tooling extending onto covers. With a few odd spots to the text only, this is aremarkably fine, crisp copy. All edges green.  (28878)

•  Publisher's brown cloth, spines with brown paper label; several labels with ssmall brown spots, cracks, and edge chips, not too conspicuous and not affecting printing. Two leaves (pp. 343–346 of vol. X) detached from binding; long tear down center of pp. 283/284 (vol. IV), without loss of text; except for two leaves with some offsetting from laid-in scrap of paper, interiors clean. Outer and lower edges deckle, with a few signatures opened unevenly and some unopened. A very good set.  (24537)

•  Publisher's quarter cream textured cloth with light blue fleur-de-lis printed paper sides, spine with printed paper label; lacking the blue dust-wrapper, small spot of staining at head of spine, otherwise a very nice example.  (28209)

This work is the first listed in all bibliographies under Louis Elzevir’s press at Amsterdam. In fact both the Elzevir edition of 1638 and this have the same colophon: “Lugduni-Batavorum: Typis Georgii Abrahami vander Marse, MDCXXXVIII.” And both collate the same, the only difference being the printer’s device and imprint information on the title-page.

Uncommon: Searches of OCLC, RLIN, & NUC locate fewer than ten copies in U.S. libraries.

Provenance: The Rev. Edward A. Dalrymple (Baltimore collector, mid–19th century); his collection given to the Maryland Diocesan Library; that library sold in 2006.

•  Rahir 1876; Willems 961 note. Contemporary vellum over light boards; spine delicately and lightly tooled in gilt. Ex–Maryland Episcopal Diocesan Library with stamp on front pastedown. One natural paper flaw; occasional early underlining.

The author (1700–83), a Jesuit and a native of Granada, includes 410 pages of the “Obras” of the nun, and his thick volume includes a fine engraved portrait of her by Ortuño.

The Bibliotheca Mexicana was the private press of the great bibliographer, writer, and secular cleric Juan Jose de Eguiara y Eguren.

•  Palau 26854; Medina, Mexico, 4454; DeBacker-Sommervogel, I, 1220.   Contemporary limp vellum with remnants of ties. A copy that has seen more than its share of water: waterstaining variously throughout (though often light); first half of volume cockled; title-leaf repaired and now mounted, with four other leaves repaired along margins. Far from the ideal copy, but a decent and usable one priced for its shortcomings; portrait engraving, lovely.  (29736)

The volume is printed with the original language and spelling preserved, and is illustrated with a woodcut frontispiece of a fisherman taken from de Worde's 1518 edition that is cited as the earliest known depiction of an angler fishing with a rod, as well as with six woodcuts (provided at the back of the volume in the form of four plates) showing types of poles, hooks, etc. As the title-page proclaims, the work was printed with the types of John Baskerville, making it one of the last such printings done in England. A later hand has helpfully added pencilled marginalia clarifying archaic or obscure terms and suggesting subject headers.

•  NSTC 2B20037; Keynes, Pickering, 42.   Later half calf and marbled paper–covered sides, spine with gilt-stamped leather title-label, gilt-decorated raised bands, and gilt-stamped fishing creel devices in compartments; spine label with small edge chips and mild rubbing to paper. Pencilled annotations as above, pages and plates otherwise pleasingly clean.  (28566)

The volume is printed with the original language and spelling preserved, and is illustrated with a woodcut frontispiece of a fisherman taken from de Worde's 1518 edition that is cited as the earliest known depiction of an angler fishing with a rod, as well as with six woodcuts (provided at the back of the volume in the form of four plates) showing types of poles, hooks, etc. As the title-page proclaims, the work was printed with the types of John Baskerville, making it one of the last such printings done in England. A later hand has helpfully added pencilled marginalia clarifying archaic or obscure terms and suggesting subject headers.

This copy uncut and in original boards: RARE THUS.

•  NSTC 2B20037; Keynes, Pickering, 42. Beyond the scope of Gaskell, Baskerville.   Publisher's dun-colored light boards. Uncut copy. Light overall rubbing; spine with minor loss of paper. Old bookseller's description affixed to front free endpaper; small oval stain to corner of half-title and frontispiece, a bit of light offsetting from plates. A very nice copy in a later open-back cardboard slipcase.  (30461)

The typography is exquisite and Hervagius has enhanced the presentation on the page with attractive decorative headpieces, including one that spans the page and depicts a group of six peasants dancing to the tune of a man playing a flute or “pipe.”

Binding:  16th-century calf over wood boards, covers elaborately tooled to produce an interesting embossed binding of concentric panels: Used are a single fillet (repeatedly, usually in triplets) and a roll featuring urns, flowers, and putti.

Provenance:  Late-17th- / early-18th-century ownership signature of “Pet. Wedderburn; 18th-century bookplate of Lord Eliock; later pencilled signature of “[?].T. Coleridge” (not Samuel Taylor Coleridge; possibly, however, Justice John Coleridge). At back, “Ex dono D. Al: Brown, M.D.” and another ownership inscription entirely in Greek.

•  Darlow & Moule 4614; Dibdin (4th ed.), An Introduction to...Greek and Latin Classics, 86; Rumball-Petre, Rare Bibles, 224; VD16 B2576; Adams B978.   Bound as above; rebacked and edges and corners renewed, with remains of brass clasps. Endpaper reattached. Title-page cut down and mounted. There are a very few instances of old marginalia. A very clean, handsome copy.  (2416)

The Latin text here is printed in roman and italic with occasional Hebrew and sparse sidenotes, and decorated with woodcut ornaments and large initials in the prefatory matter and smaller woodcut initials throughout the text. The title-page features thelarge printer's device of Eustache Vignon (fl. 1571–89), son-in-law and successor of Jean Crespin who first published the book at the same shop in Geneva in 1559.

•  Adams C-306; IA 130.185.   19th-century half calf over handsome marbled paper boards, gilt title to red morocco lettering piece, blue speckled edges; front joint starting, back joint cracked, extremities rubbed with some loss to leather at corners and top of spine. Ex-library: bookplate on front pastedown, old-fashioned sticker with shelfmark at base of spine, old pencilling. Waterstained with pinhole worming in text, especially title-page, first 40 and last ten leaves, with minor foxing worsening at end; two small corners torn away and one hole from a natural paper flaw; last leaf mounted. Sparse underlining and two marginal annotations in early ink, and canceled ownership inscription on title-page. Despite its imperfections, desirable for being one of Calvin's rarer works.  (30396)

An important example of 18th-century fine printing of the Bible

The quarto edition was limited to 500 copies.

Binding:  Contemporary red morocco: Covers bordered with triple-fillet rule and round spine with five raised bands, resulting six spine compartments each with a triple-fillet gilt frame; five compartments each with gilt center device and the sixth with title in gilt. Board edges with gilt double-rule, gilt dentelles on turn-ins, marbled endpapers. All edges gilt.

•  Gaskell (enlarged ed.) Add. 1; Darlow & Moule 4755.   Binding as above; front cover with 1.5" scar to front over (from a burn?), otherwise light rubbing only. A clean copy inside with a few pairs of facing leaves showing a narrow and rather odd band of soiling across their top margins; otherwise, only the quite occasional spot or old smudge. A handsome copy.  (29610)

Provenance:  Old inked inscription of John Ebersole, dated 1793, on front free endpaper; later pencilled signatures of Anna Ebersole and another person to pastedown.

•  Evans 9602; Hildeburn, Pennsylvania, 2045; Arndt & Eck, First Century of German Language Printing in the U.S., 296; ESTC W20981.   Contemporary calf with one clasp working and a remnant of the other; moderate rubbing to covers, leather on spine showing flex marks from the tight-back binding. Later spine labels. Faint library pressure-stamp on title-page; signatures as above. Age-toning and some staining; in fact the paper in cleaner condition than is often seen.  (25959)

•  Publisher's printed paper wrappers, showing minor traces of wear. Pages generally clean; one upper outer corner with minor spot of staining, a few samples of page layouts lightly annotated in pencil.  (29712)

The small press movement in America prompted large publishers like Houghton Mifflin to hire smaller presses forcraft printing, like this. The printer's device for The Riverside Press in Cambridge, MA, appears in red on the advertisement and final verso of text, and this isone of the first books printed in Rogers' Montaigne type.

•  WBR 104.   Publisher's quarter Italian parchment over brown paper over boards, gilt title to spine, two pin-pricks to front joint and small “punch” to rear board affecting but not piercing paper or affecting text in last third; housed in remnant of the publisher's gray cardboard slipcase (missing upper and lower panels) with paper label, rubbed. Uncut copy, partially unopened, with attractive deckle. Light brown stains to blank pages of prospectus and sample, possibly from former mounting; text clean except for very minor foxing on four leaves; early owner's inscription in pencil beneath colophon dated Feb. 21 1905.  (30441)

Binding:  Publisher's mauve paper–covered boards, front cover with decorative rose-printed paper label, spine with printed paper label; edges uncut. Present are both the original dust wrapper, plain save for spine note of author, title, and date, and the publisher's box with the same information on its spine and the title repeated on its cover.

•  Box sunned with edges shelfworn, dust wrapper darkened with closed tear from lower front edge. Spine of volume gently sunned with head smudged; book otherwise clean and beautiful, fresh inside.  (29726)

Uncut and unopened copy of a beautifully accomplished volume.

•  Not in Penzer, Annotated Bibliography of Sir Richard Burton.   Publisher's quarter vellum and marbled paper–covered sides, spine with gilt-stamped title; vellum darkened, corners bumped. Pages clean.  (28273)

Rare: The first two titles are sometimes found together, butnot often bound with the third, as here.

•  Pauli ... epistolas: Adams C-318; IA 129.854. Commentarii ... canonicas: Adams C-327; IA 129.894. Acta apostolorum: Adams C-312; IA 129.896.   19th-century half calf over marbled paper boards, gilt title to red morocco lettering piece, blue speckled edges. Ex-library: bookplate on front pastedown and two old paper labels on spine. Title-page mounted, first few leaves repaired in gutter, and lower third of final leaf replaced (this last long ago, as old handwriting continues over the repair); waterstaining in gutter, many margins, and into text, most severe at beginning and end of text; pinhole-type worming throughout text, especially first 50 or so pages. Early ink and later pencil marginalia cut off at outer margins, some ink underlining, and that long manuscript note in early ink on final verso. Two stains from onetime tabs in second work. A compilation of important texts that has suffered from accident and neglect, buta hefty contemporary volume by a leading figure of the Protestant Reformation.  (30398)

•  Publisher's quarter crimson morocco and gilt black cloth, top edge gilt; fine save for one corner bump (sans glassine wrapper). Pictorial endsheets and illustrations, tipped-in facsimile.  (18011)

Not only was the present copy inscribed by the printer to Carl Rollins of the Yale University Press (see below), but laid in are both the prospectus and aheartfelt typed letter signed addressed to Rollins, in which the writer ruefully expresses his chagrin over a controversy regarding his use of a printer's device for the Frankeleyns Tale prospectus that turned out, unbeknownst to him, to have been copied from a Rockwell Kent bookplate. Also present is abeautifully written manuscript letter from Bentley to Rollins; Bentley, who was clearly a calligrapher as well as a printer, thanks him for including his work in an exhibition called “The Work of Four Yale Men in Printing” and describes his current state of mind with regards to printing.

Provenance:  Inscribed by the printer: “To Mr. Carl P. Rollins with the compliments of the printer. Pittsburgh, September 23rd 1931.”

•  Publisher's quarter cream paper and gray-toned striated paper–covered sides, spine with printed paper label; spine slightly darkened, binding otherwise showing little to no wear. Inscription and laid-in items as above. A beautiful book, and one most gratifying in its accompaniments and fine printing associations.  (29653)

The limitation statement asserts that a total of 1250 copies were produced — but the present example is stamped “Exemplaire no. 12392.”

•  Publisher's color-printed ivory wrappers, in glassine jacket and original textured paper–covered slipcase; glassine chipped at extremities and slipcase split along one edge. Wrappers faintly darkened overall and moreso at spine, where they are also a just trifle rubbed/chipped; interior clean and illustrations bright.  (28308)

Provenance: Elegant old lozenge-shaped ink-stamp on title-pages: “John Brymer Heir-Loom.”

•  Publisher's printed paper wrappers, spine and edges lightly sunned, otherwise crisp and clean with prospectus laid in.  (29722)

Other works by Corvinus († ca. 1680) include Iurisprudentiae Romanae Summarium, and Ius Feudale.

•  Willems 1301.   Contemporary vellum, soiled; two small pieces of spine vellum missing. Engraved title-page starting to loosen; pages generally clean.  (30089)