Each volume commences with a copper-engraved frontispiece and title-page vignette, the former done by Robert White after a painting by Lely, the latter signed M[ichael] Burg[hers]. Burghers also engraved a substantial number of head- and tailpieces for the work, as well as decorative capitals.

•  ESTC N9847, N9850, T147811; Brunet, I, 81; Allibone 385.   Contemporary speckled calf panelled in blind with plain calf, decorated with blind-tooled corner fleurons, spines with gilt-stamped leather title-labels; edges and extremities rubbed, joints cracked or starting, some acid-pitting to speckled portions, spines each with small paper shelving label. Each front pastedown with institutional bookplate over private collector's bookplate, and with early inked gift inscription. Title-pages with small institutional rubber-stamp in lower margin; half-titles lacking. Pages generally clean; occasional minor spotting mostly confined to margins. One instance of early inked marginalia.  (24574)

An important example of 18th-century fine printing of the Bible

The quarto edition was limited to 500 copies.

Binding:  Contemporary red morocco: Covers bordered with triple-fillet rule and round spine with five raised bands, resulting six spine compartments each with a triple-fillet gilt frame; five compartments each with gilt center device and the sixth with title in gilt. Board edges with gilt double-rule, gilt dentelles on turn-ins, marbled endpapers. All edges gilt.

•  Gaskell (enlarged ed.) Add. 1; Darlow & Moule 4755.   Binding as above; front cover with 1.5" scar to front over (from a burn?), otherwise light rubbing only. A clean copy inside with a few pairs of facing leaves showing a narrow and rather odd band of soiling across their top margins; otherwise, only the quite occasional spot or old smudge. A handsome copy.  (29610)

In Latin and Syriac, the text is printed with the Syriac version at the top of each page and the Latin translation below, with footnotes and sparse sidenotes mostly in Greek.

A very nice complete set, each of the two volumes conveniently containing its title's two volumes.

•  Gospels: ESTC T152600; Darlow & Moule 8973. Acts & Epistles: ESTC T149316; Darlow & Moule 8976.   Recent half calf over marbled boards, spines gilt-ruled, titles gilt on black spine labels; library-style numbers in ink on each second leaf and no other markings. Gospels: Early inked initials on title-page and occasional pencil marginalia. Mild to moderate foxing on 20 or so leaves and occasional light marginal stains. Acts & Epistles: Small hole from natural flaw on a few leaves, and a tiny pin-type wormhole in one outer margin for about 200 pages; one small marginal tear near upper gutter of one leaf and a few leaves with some crumpling and no tearing; very minor foxing in some margins, and light browning on maybe ten leaves.  (30992)

The complete Oxford editions are generally seen bound as seven volumes, but the work appears here as one very large volume, in an attractive contemporary binding.

•  NSTC 2H39552. Contemporary diced dark blue/black calf, covers framed in blind rolls and single gilt fillet, gilt spine extra; slight wear to corners and extremities, joints just starting at top and bottom. Front pastedown with private collector’s bookplate and with institutional bookplate. Pages clean. All edges marbled. Handsome!

The second work is Peter Martyr's commentaries on Corinthians, here in the second edition. It has a full-page woodcut portrait of him on the recto of leaf aa6. The printer's woodcut device is on the title-page and there are numerous woodcut initials. The sidenotes are printed in italic while the text proper is in roman.

Peter Martyr (8 September 1499 – 12 November 1562), was an Italian theologian who began his religious life as an Augustinian friar, converted to the Protestant cause, was closely associated on the continent with Ochino, Bucer, and some prominent Lutherans, and, while in England where he held the Regius Chair of Divinity at Oxford, was an intimate of Thomas Cranmer and Bishop Jewel.

Both works are uncommon in these editions in the U.S.: We locate four copies of the first title and two of the Vermigli, but one copy of each title has been deaccessioned, meaning current holdings are three and one only.

Binding:  Contemporary alum-tawed pig over wooden boards with bevelled edges and metal and leather clasps; one clasp perished. Leather tooled elaborately in blind using a variety of rolls and fillets, including one roll incorporating the date 1546, a medallion of David and his harp, and another medallion depicting John the Baptist with the words below the image, “Ecce Agnus Dei.”

•  Clement: VD16 C4070; Index Aurel. 104.903; Adams C2106. Vermigli: VD16 B5054; Adams M788.   Bound as above. Ex-library with bookplate on front pastedown, small blind pressure- (not perf-.) stamp on title-page and remnant of charge pocket at rear; six-digit number stamped in lower margin of one leaf. Early inked ownership indicia on title-page and old private ownership stamp on front free endpaper; a little old marginalia and underlining. A very little foxing and the odd spot only. Excellent copies of both works in a handsome contemporary binding.  (24827)

•  ESTC T22250; Foxon E519; NCBEL, II, 547. Recent marbled-paper wrappers, front wrapper with paper label. One page stamped by a now-defunct institution. Some early inked marginalia, one page with first few letters of each line hand-supplied where the printer erred. First and last pages with extremely light foxing.

Elaine Kerrigan selected and wrote the introduction to this group of Graves's poems, illustrated witheight double-page plates by Paul Hogarth reproduced by Meriden Gravure Company from original watercolors. This is copy number 1496 of 2000 designed by Freeman Keith in monotype Bembo and Arrighi, and printed on Curtis cream-toned paper at The Stinehour Press in Lunenberg, VT. BothKeith and Hogarth signed the colophon.

A. Horowitz & Sons designed the binding in quarter brown buckram over black and red patterned tan boards, with author and title gilt on spine and gilt top edge. The appropriate LEC prospectus is laid in.

•  Bibliography of the Fine Books Published by the Limited Editions Club, 517 (200 pp., in error). On Graves, see: ODNB online.   Binding as above, in a matching slipcase with cloth at top and bottom edges and printed spine. Very minor shelfwear on box, else like new.  (31259)

•  ESTC T113648.   Recent quarter calf, old style; raised bands, gilt ruling above and below the bands as accents, gilt center devices in spine compartments. Deep red spine labels lettered in gilt; marbled paper sides, with dark wedge of soil crossing bottom 3/4-inch of front cover’s paper and line of same soil also to turn-ins of back cover. Faint off-setting to top and bottom margins of early leaves from old binding; medium-light waterstains in margins of index (i.e., last 6 leaves), and the odd spot or bit of soil elsewhere. Generally, a very nice clean book.  (25318)

Provenance:  Each front fly-leaf with early inked inscription of Henry Moore, Worcester College, OXFORD; front pastedowns with bookplate of H.M., presumably also Moore.

Binding:  Publisher's mottled crimson calf, covers framed in gilt beaded roll, spines with gilt-stamped title and compartment decorations, board edges with gilt roll.

•  ESTC T134377; Brunet, IV, 660; Dibden, II, 290; Gaskell 274; Schweiger, I, 236.   Bindings as above, edges and extremities rubbed, spine leather darkened and showing small cracks. Vol. I with occasional instances of early inked marginalia in Greek. Vol. II with paper flaw to one leaf that has torn slightly, affecting about three letters. Pages gently age-toned with a very few scattered light spots, otherwise clean. A nicely printed text in a pleasing small format.  (30208)

The title-page offers a handsome vignette of the Theatre, not one of the commonest ones.

•  ESTC T118673; Madan, Oxford Books, 17.   Period-style calf, framed and panelled in blind with blind-tooled corner fleurons and rather elaborate additional decorations in blind; spine with gilt-stamped title and publication information and different blind-tooled decorations. Endpapers a little smudged and title-page mounted, with edges darkened. Early inked ownership inscription in upper margin of first text page mostly torn away, with loss of a few words. Pp. 227–30 lacking, being the last bit of the printing of the Church of England's 39 Articles and the first part of the section, “De Eligendis Publicis Lectoribus.” Pages faintly age-toned, with occasional light spotting; mostly clean.  (25553)

•  Cordeaux, Printed Works Relating to the University of Oxford, 1318; Lipperheide, II, 2029. On binding cloth, see: Krupp, Bookcloth in England and America, 1823–50, Rip 1.   Binding as above, boards slightly sprung, otherwise showing very little wear. Contents clean and crisp.  (31411)

•  This ed. not in NSTC. Removed from a nonce volume. Pages age-toned; one leaf with outer margin cropped closely. (16768)

Oxford

•  Shaw & Shoemaker 39807; Smith, Americans Abroad, W66. Contemporary paper-covered boards, spines with printed paper labels; darkened and worn, vol. I with covers detached and paper cracked over spine, vol. II with front joint open though presently holding Front pastedowns with bookplates of the Salem Library Company; vol. I with early inked inscriptions to endpapers and half-title. Light to moderate foxing, no other stains.