
MANUSCRIPTS
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Sixty Full-Page Full-Color Illustrations
Narkiss, Bezalel, & Cecil Roth. Illuminated Hebrew manuscripts. New York & London: Alpine Fine Arts Collection, Ltd., 1983. Folio. 175, [1] pp.
$40.00
Lengthy introduction followed by descriptions of 60 manuscripts, each description with a full-page, full-color illustration. Work ends with a bibliography.
Publisher's tan cloth and blue d/j printed in white and “gold” with illustration. Corners bumped.
(22344)
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on JEWISH HISTORY & CULTURE,
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Petrus Riga. Aurora. Manuscript on vellum, in Latin. England (Oxford?), ca. 1210? 8vo (23.7 × 12 cm, 9.25" × 4.625"). [1] f.
$2700.00
Peter Riga’s Aurora, a verse paraphrase of the
Bible including commentary composed near the end of the 12th century, served
as a useful memory aid for students of the Scriptures. This leaf is from an
English university text of the Aurora, an early form of it most probably
written early in the 13th century. The text on this leaf is Ruth, Aurora 1.62–I
Kings, Aurora 1.84, including the narrative of the birth of Samuel.


It is written in brown ink in the small compact Gothic textura used
in the 13th century to economize space, which script predates the development
of cursive book hands later used for the same purpose. It is written in the
long narrow format commonly used for English university texts, and was most
likely produced at Oxford, where there grew up a thriving center of manuscript
production. The recto has 1 five-line red initial with pen tracery in blue
and a
five-line
blue and red “puzzle”initial with pen tracery
also in blue and red. (“Puzzle” initials are inked to appear as
if made up of colored “pieces”—like a jigsaw puzzle—and
they are distinctively, if not uniquely, a feature of English and French 13th-century
manuscripts.) The verso has 3 two-line red initials, 1 three-line, and 1 two-line
blue initials—each of these initials has pen flourishes in the contrasting
color (i.e., blue or red).
The text is written in one column of 50
lines on the recto and 51 lines on the verso. The leaf is faintly ruled in
lead on the verso only, the impression of the ruling showing on the recto,
the top line of text being above the top line of ruling; on the right edge
of the page are double rules enclosing the first letter of each line. On
the outer edge are prickings for the ruling. The left edge of the recto has
directions to the rubricator, the explicits of each section being done in
darker ink in a different hand. One line on the verso has been crossed out
with a single thin line of ink. At the bottom of the verso is the quire number
VIII and remnants of a catchword can just be seen at right on the bottom
edge.
English
manuscripts from this period are rare.
Provenance: Ex–Zion Research Foundation (later known as the Endowment for Biblical
Research); very likely to Zion from Ege.
Judith, Manuscripts
Sacred and Secular, 18, f. 9. A small hole in the lower margin.
Parchment a little soiled, especially on the hair side, as is not unusual
with English vellum. Traces of adhesive from mounting on the corners
of the verso.


Prentis, Joseph. Autograph Letter Signed to Robert Saunders. Unnamed place in Virginia, 2 February 1820. Folio (32.8 cm, 13"). [2] ff.
$125.00


Sent to Robert Saunders in Williamsburg, Va., this letter discusses a debt owed to the writer (not by Saunders, but rather by a gentleman with whom Saunders was apparently in communication); a court case in which the writer’s family was involved; the health of “Aunt Susan,” who has been “so much indisposed of late”; and the stagnation of business that followed the War of 1812. The letter bears its integral address leaf with a notations, “mail single, post paid” and “Paid 12½.”
Click the image for an enlargement.
The writer seems to have been Joseph Prentis (1785–1851), son of a Williamsburg merchant of the same name; it is difficult to identify him with absolute certainty, but Saunders is elsewhere recorded as having assisted in the administration of the estate of Joseph Prentis the elder.
Creased, with small spots of discoloration. Portion of upper and upper inner margins lost to hungry rodent, with loss of a number of words; one tear to the final leaf repaired some time ago with tape.
Manuscript
Cookery-Book
Fragments
[THREE LEAVES]
(Receipt Book Leaves). Manuscript on paper, in English.
[U.S.?, late 18th- / early 19th-century?]. 8vo, [3] ff.
$200.00
Two cookbooks or one? The leaves at hand, one a single page and the other
a conjugate two-leaf spread, pose an interesting question of identification.
Both offer recipes for sweets. The former is done throughout in a formal script,
whereas the latter is partly in a similar if not identical hand, partly in
a more casual style—perhaps they represent contributions of two generations
to the same book. Then again, the chipped edges make exact determination of
size difficult; these leaves might have come from the treasured documents
of different families entirely. Whichever interpretation one might prefer,
these leaves provide a thought-provoking glimpse of turn-of-the-century kitchen
life—going on two centuries ago!
In a Mylar folder. Pages darkened, with small discolorations and edges somewhat
tattered. A pleasing gift for anyone exploring women’s or culinary history.
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(Religious Meditations). Manuscript in English, on paper. [New Jersey(?), ca. 1850]. 8vo (18.4 cm, 7.25"). [122] ff.
[SOLD]
Dense, neatly hand-inked volume of exposition and analysis of Biblical quotations. It seems likely that the entries in this book were meant to serve as notes for sermons rather than as reading material; the text includes a number of misspellings such as “Gosple” for Gospel, or “the child as a right” instead of has a right, and offers creative usages such as “qualifycates.” The essays (a few little more than outlines, with most being more detailed) are numbered one through 116. The final piece bears a note at the bottom, in a different hand, reading “By Gustave Lange #537 Livingston St. Elizabethport, N.J.”
Single-click any image where the hand appears on
mouse-over, for an enlargement.
We have not determined whether the sequence of Bible verses quoted conforms to any church’s readings for the year, or whether the expositions reflect particular theological /denominational concerns or biases. These challenges and pleasures will belong to the purchaser!
Contemporary half morocco over marbled paper sides, leather edges tooled in gilt; binding moderately rubbed, most notably over extremities. Pages with a very few small spots, otherwise clean.
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