Provenance: The front free endpaper bears a neatly inked ownership inscription dated 1860 (J.C.W. Kempe) and an additional inked “sold to” inscription dated 1871 (Aden Mc Bowman); Bowman also signed another blank, and the presentation leaf is made out to Kempe as “P.G.J.C.W. Kempe.”

Binding:  Publisher's deep blue/black diced sheep in imitation of morocco, covers with gilt-stamped vignette of Friendship, Love, and Truth personified within an architectural frame; spine gilt extra with column motif. All edges gilt.

•  BAL 6877; Faxon 609.   Binding as above, joints and extremities rubbed, spine gilt slightly dimmed. Inscriptions and presentation leaf as above. Poetry clippings, fabric swatch, and lock of hair laid in. Scattered staining, generally light, throughout; chromo very bright and nice.  (27041)

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Provenance:  Front pastedown with bookplates of prominent Philadelphia collector Robert R. Dearden and Philip Justice Steinmetz, an Episcopal clergyman; the latter design shows a view of St. Paul's Episcopal Church in Elkins Park, PA, of which Dr. Steinmetz was the pastor.

•  BAL 10188.   Publisher's slate-green cloth, covers with blind-stamped rococo frame, front cover with gilt-stamped scenic vignette, spine with gilt-stamped author/title and embossed decorations; binding very slightly cocked, extremities rubbed, cloth somewhat faded overall. Front pastedown with bookplates as above and with affixed slip of old cataloguing. Frontispiece and added title-page with margins lightly stained; pages faintly age-toned, otherwise clean.  (29557)

•  Publisher's tan cloth, front cover stamped in black and white; binding a bit darkened overall, lacking dust wrapper. Top edges gilt.  (16736)

The LEC illustrations consist of 8 full-page and 41 in-text color drawings by Everett Gee Jackson (no relation to the author), who also signed the colophon. Saul Marks designed the book, selecting a monotype Bembo font with the chapter titles printed in red ink, and the printing was done by Saul and Lillian Marks at The Plantin Press, Los Angeles.

Binding:  In an attractive full woven fabric derived from a striated Native American design, with a colorful paper spine label.

This is numbered copy 972 of 1500 printed; the appropriate LEC newsletter is laid in.

•  Bibliography of the Fine Books Published by The Limited Editions Club, 298.   Binding as above in original slipcase, volume spine label slightly darkened, slipcase showing only minimal wear and with a spot or two of darkening to front panel. A very nice copy.  (30117)

Jacob (1686–1744) was a legal writer known for his Every Man His Own Lawyer. He also dabbled in poetry, drama, and literary criticism; in the same year as the present work's appearance, he published a parody called The Rape of the Smock, and was subsequently immortalized by Pope's unkind remarks regarding both his grammar and his status as “the Blunderbuss of Law.”

•  ESTC T90927; Goldsmiths’ 5344. On Jacob, see: Oxford Dictionary of National Biography online.   Contemporary mottled sheep, framed and panelled in blind, rebacked with very complementary mottled sheep, spine with gilt-stamped title, author, and date; minor scuffing now nicely refurbished and front hinge (inside) unobtrusively reinforced. Pages mildly age-toned and cockled, with a few instances of light staining towards back of volume; one early pencilled correction. Last few leaves with upper outer corners torn away, touching a few page numbers and in one case one letter. Overall a solid and pleasing copy.  (30232)

This is an uncommon edition in the U.S. though heavily held in Europe; Goff and ESTC locate only two U.S. copies — this being one of them, deaccessioned.

•  Copinger, II, 6452; ISTC ij00122000; Proctor 618; BMC, I, 138; Goff J122. Deep walnut full calf old style: Round spine with raised bands, accented with gilt rules, fillets extending onto covers from each band to terminate in trefoils and covers framed in blind double fillets; very plain with date and place of publication only gilt on spine. Various waterstaining throughout, with other stray stains; copy missing first two and final two leaves of text, and the leaves at front and back remargined (with some others repaired). Priced according to faults, not pleasures! (12378)

We have, at the moment, an interesting number of such “first American editions.” Please, enquire!

•  BAL 10549; Edel & Laurence, Bibliography of Henry James (3rd. ed.), A11b; Wright, III, 2913.   Publisher's terra-cotta cloth, spine with gilt-stamped title; extremities rubbed and cloth with areas of discoloration. Ex–social club library: call number on endpaper, rubber-stamp on title-page, no other markings. Pages with scattered light stains, still a very nice copy.  (26637)

•  BAL 10537; Edel & Laurence, Bibliography of Henry James (3rd. ed.), A7b.   Publisher's green finely cross-ribbed cloth, covers framed in blind, spine with gilt-stamped title; corners and spine extremities rubbed, sides with small spots of discoloration, spine darkened with lighter, rubbed patch under title. Ex–social club library; 19th-century call-number inked to a front blank and rubber-stamp to title-page, no other markings.  (26569)

ESTC notes that one institution reports a frontispiece, but most other listings cite a preliminary leaf (not present here) rather than a plate. No, this does NOT photograph well! — but it is very interesting in the hand, under the eye.

•  ESTC T146717; Allibone 328.   19th-century half morocco and pebbled cloth–covered sides, spine with gilt-stamped title; rubbed and sides sunned. Front pastedown with private collector's bookplate. Lacking one preliminary leaf; title-page partially separated, with faint pencilled annotation beneath author's name. Occasional light spotting, confined to inner and outer margins; one early inked annotation in the addenda to the first poem.  (24880)

Binding: 19th-century gold calf with covers framed in double gilt fillets, turn-ins gilt-stamped, marbled endpapers. Spines gilt-tooled and with gilt-stamped title and volume labels. All page edges gilt.

•  NSTC J236. Leather showing moderate acid-spotting, with some cracking over the spine (one label repaired). One leaf with short tear from bottom edge; pages with a very few scattered spots of foxing only. A very handsome set.

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•  This ed. not in NSTC. Removed from a nonce volume. Page edges slightly darkened, otherwise clean. (16757)

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Rare: A search of ESTC locates only one copy ONLY; OCLC adds one additional location. Both locations are in the U.S. (Yale and the NYPL), none in the U.K.

•  ESTC N66391.   Removed from a nonce volume; stitching holes present. Title-leaf repaired; shallow chipping/tearing to first three and final three leaves; one additional tear within text area of pp. 3/4 and 105/106 touching but not costing any text; reading fine throughout. First few leaves detaching. Ink annotations and underlining on p. 70, only. Ex-library, with pressure-stamp on title-page and inked accession number at base and inner margin of p. 3.  (23667)

lectures Napoleon

Signed binding: Publisher's finely ribbed brown cloth, covers blind-stamped with arabesque designs, spine gilt extra in foliate patterns; binding stamped by Colton & Jenkins of New York. All edges gilt.

Provenance: Front free endpaper with early inked ownership inscription of Louise D. Brown.

•  Binding as above, gently cocked, extremities mildly rubbed, front joint with tiny pinhole spots of insect damage, lower back joint with slightly larger spots. Ownership note as above. Foxing to some portions of the volume, never very dark; frontispiece image bright and clean.  (30203)

tantalizing lyrical snippets involving jasmine, wine, nightingales, and fair maidens

•  NSTC J1084 (describing 6th and 7th editions only). On Jones, see: The Dictionary of National Biography, XXX, 174–77. 20th-century half morocco with marbled paper–covered sides, spine with gilt-stamped decorative motifs; binding is clean and all but unworn. Pages foxed, though not nastily so,with occasional pencil and ink marks of emphasis; one leaf with small repair to outer margin.

Uncommon: ESTC, OCLC, and NUC Pre-1956 find only 9 U.S. holdings.

•  ESTC S107911; STC (2nd ed.) 14831.   Period-style calf framed and panelled in gilt fillets with gilt-stamped corner fleurons; spine gilt extra with gilt-stamped leather title and author labels. Lacks initial blank leaf, as is the case with virtually all copies. Two leaves with tattered outer edges, one leaf with small hole affecting a few letters; pages with some moderate offsetting, a few browned.  (25084)

apparently the first printing at The Hague of any Latin Classic(s) in their original Latin.

Juvenal was a Roman poet of the early second century A.D. His Satires are a standard of the genre, eloquent, humorous, and rhetorically polished, but revealing a very bitter man. Persius (a.d. 34–62), was a gentler soul than Juvenal, and his poems are more Stoic sermons than satires, preaching a moral life during one of Rome's more corrupt periods and doing so, most remarkably, without a hint of self-righteousness. The two Satyrae are often published together, in contrast and comparison.

This is the first printing at the Hague of this edition with Farnaby's notes, originally printed at London in 1612 and then reprinted in Amsterdam in 1630. The emblematic engraved title-page here was done by A. de Blois; the separate title-page for Persius bears the printer's device.

Provenance:  Front fly-leaf with three generations of early, dated, inked ownership inscriptions: Thomas Mansell, first Baron Mansel (1684); Robert Mansel (sic, 1712); and Thomas Mansell (1730–31).

•  Brunet, III, 631; Graesse, III, 520; Morgan, Bibliography of Persius, 298; Schweiger, I, 511.   Recent marbled paper–covered boards, spine with gilt-stamped leather title-label. Front fly-leaf darkened and engraved title a littlevery little tattered at edges, the first with inscriptions “stacked” as above and the second with old repair. Pages gently age-toned and generally clean, with all edges red.  (25952)

•  Schweiger, II, 513; this ed. not in Brunet. Contemporary half vellum over paste paper covers, spine with early inked title; sides and edges lightly scuffed, spine with vellum darkened and chipped. Front pastedown with inked ownership inscription dated 1775, lined through; front free endpaper with 19th-century (?) inked inscription; title-page with early inked inscription reading “Carolus Comes a Wartensleben.” Back free endpaper excised. Title-page torn along inner margin and with short tear from outer edge, just touching one letter. One leaf with small ink blots and several leaves with small nicks to outer edges; scattered light foxing. A few small early inked annotations.

A scarce book: Via OCLC, RLIN, and NUC Pre-1956 we trace only six copies in U.S. institutions!

•  NSTC K23. Recent neat green cloth, spine with gilt-stamped leather title-label. Some pages with very faint foxing. A decidedly nice copy.

•  This ed. not in NSTC. Removed from a nonce volume. Pages age-toned, else clean. (16762)

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•  ESTC T75210. Marbled paper–covered boards, front cover with printed paper label. Half-title lacking. Upper margin of title-page showing small abrasions and traces of affixed paper; title-page and several others stamped by a now-defunct institution.

•  Publisher's plain olive brown cloth, spine with printed paper label; without dust jacket as issued. Crisp and clean.  (29708)

There's some rather wonderful stuff in here.

•  Publisher's printed cream-colored paper wrappers, slightly darkened, wrappers with a few small spots of staining, back wrapper with inked mailing address and postal stamps. Pages clean.  (29813)

•  Publisher's oxblood cloth, front cover and spine with gilt-stamped title. Edges and extremities lightly worn, spine with area of discoloration. Ex–social club library: call number on endpapers, rubber-stamp on title-page, no other markings. Pages clean.  (27184)

Click the images for enlargements.

•  Wright, II, 1003.   Publisher's dark green textured cloth, spine with gilt-stamped title; corners and spine extremities rubbed, spine slightly sunned, sides with spots of lighter discoloration. Front free endpaper with pencilled and inked inscription (partly) dated 1862. Light to moderate foxing throughout.  (25992)

Knight, who was devoted to books and to literature from the time he was a small child, was a much-admired printer and publisher, as well as an author, reformer, and would-be educator: Many of his publishing endeavors were aimed at improving and enlightening the working class.

•  NSTC 2K7731. On Knight, see: Oxford Dictionary of National Biography online. On binding cloth, see: Krupp, Bookcloth, style Wav3.   Publisher's textured brown cloth, covers blind-stamped with muse motif and title, spines with gilt-stamped title and blind-stamped decorations; lightly worn overall with some fading, vol. II spine head with traces of a strip of cloth tape. Ex–social club library: 19th-century bookplate, call number on endpaper, pressure-stamp on title-page, no other markings. Paper slightly embrittled (more so in second volume), with a few short edge tears. Externally ordinary; internally worthwhile.  (26860)

Provenance:  Front pastedown with armorial bookplate of notable book collector Edward Hubert Litchfield.

•  Howes K217.   Publisher's quarter navy cloth and floral-printed white, red, and blue cloth, spine with printed paper label; spine extremities very slightly rubbed. Front pastedown with bookplate as above. Edges uncut. Map clean.  (29709)

The original author's name appears in innumerable variations according to various transcribers' nationalities; Count Georg Wilhelm von Kniphausen (or Knyphausen) of Nienort (or Nienoort) was also known as George Willem (or Guillaume), Comte van Kniphausen, etc.

•  Shaw & Shoemaker 28892.   Contemporary treed sheep, recently rebacked with complementary mottled calf, spine with gilt-stamped leather title-label; original leather showing expectable rubbing/cracking. Title-page with institutional pressure- and rubber-stamp; no other marks. One leaf with old burn damage (the ash from a pipe??) to lower inner portion, margins repaired, loss of a few letters without obscuring sense; one leaf with closed tear from outer margin and no loss; one leaf with a corner taken, just touching text without loss; upper corners dust-soiled, and pages generally age-toned, with no brittleness or other “issues.”  (27242)

Binding: Also designed by Angelo, this is accomplished in red- and blue-stamped tan cloth and incorporates a “wallet-like flap” following traditional Arabic Qu'ran binding style. Volume housed in publisher's blue cloth-covered clamshell slipcase (with a drop-down front element), box bearing a rectangular stencilled label of gilt applied on the cloth so “The Koran” is left set forth in the underlying blue.

This is numbered copy 972 of 1500 printed by A. Colish, signed at the colophon by Angelo. The appropriate LEC newsletter is laid in.

•  Bibliography of the Fine Books Published by the Limited Editions Club, 284.   Binding and box as above; volume pristine, slipcase showing mild shelfwear with small scuff to gilt title. A lovely copy.  (30158)

true first edition of the unofficial second series

The first series made its first appearance in book form in London, 1823. The authorized second series was not published until 1833, under the title The Last Essays of Elia; the pieces selected for the unauthorized American second series offered here are different from those contained in that volume, and mistakenly include three essays written by other hands.

•  Shoemaker 33813 & 33814; NCBEL, III, 1225; NSTC 2L2346.  Vol. I: Uncut copy. Publisher's quarter once-red cloth and paper sides, covers printed with “Elia” within a simple frame, spine with printed paper label; binding rubbed and lightly soiled, spine sunned to yellow. Repaired tear to one leaf, touching text without loss; remarkably clean and sound. Vol. II: Contemporary speckled sheep, spine with gilt-stamped leather title-label; rubbed, and head of spine chipped with old refurbishing. Ex–social club library: 19th-century bookplate and call number ticket on front pastedown, front free endpaper with inked numerals, title-page pressure-stamped. Author's name inked on title-page; front free endpaper and title-page reinforced at fore-edge (the latter from the back). Both volumes age-toned, with intermittent spots of staining; advertisements absent. The set now housed in a quarter blue morocco and blue cloth–covered clamshell case with marbled paper–covered sides and gilt-stamped spine.  (26434)

Click the image for an enlargement.

•  Good; spine gently faded with gilt dulled, corners and extremities lightly worn. Front free endpaper with pencilled gift inscription dated 1868. Plates somewhat darkened.  (1916)

Provenance: Bookplate of Thomas Longley (Hawley).

We find seven copies reported in libraries, ALL between Worcester/Providence and Washington, D.C.

•  Evans 35710; Trumbull, Connecticut, 2313; ESTC W3365. Old calf with remnants of black leather spine label; leather with one gouge to back cover and a bit abraded overall. Tear and chip to front free endpaper; title-page with tiny edge tears. Small wormhole at base of initial three leaves, not touching print. Some leaves extruded with shallow tattering. Bookplate as above on front free endpaper. Offsetting from leather of cover and a brown blot or stain at outer margin of title- and following page; same offsetting to last leaves; some general staining and an ink "x-mark" in margin of one other page. This seems to have been read with enthusiasm! (20994)

•  Library quarter sheep over marbled paper boards, spine with paper shelving label, covers pressure-stamped by a now-defunct library; rubbed/abraded, chipped, joints starting, title-page and several others rubber-stamped. Fly-leaf and title-leaf among a number of others loose and chipped, one chip barely touching one letter of the title; tears, mostly marginal but occasionally into text not taking any; a few creased corners and occasional light spots and stains. Front pastedown with bookbinder's label, back free endpaper with library charge pocket. Lacks four pages of advertisements at end; pp. 87–90 misbound between pp. 154 and 155! In many respects a “poor soul” of a book; in others, a very good representative of what it is.  (8337)

The volume also has literary and printing history interest: Among the prefatory matter is a sonnet by Bernabe Perez de Turcios, and Maria de Benevides was one of the colonial New World's notable printers, and she produced this with wide margins, some nice typography and initials, and a good woodcut of the Order's emblem.

Provenance:  Marca de fuego of the Jesuit Colegio de San Pedro y San Pablo of Mexico City on the upper edges; ownership-stamp of the Universidad Nacional y Pontificia on folio 1.

Searches of NUC Pre-1956 and WorldCat locate only two copies in U.S. libraries, and searches of the Catálogo Colectivo del Patrimonio Bibliográfico and the OPAC of the Spanish National Library find no copies in Spain. We do find a copy at the National Library of Mexico.

•  Medina, Mexico, 1446; Beristain, II, 153; Palau 134128.   Mid-19th-century quarter brown leather with mottled paper sides and elegant foliate tooling to the spine; all edges speckled blue. Waterstain in lower outside corner of the margins of four leaves in the prefatory matter; a small amount of other spotting/foxing intermittently. A rather nice copy of an uncommon and important work.  (29631)

Binding: Publisher's green cloth, covers framed in blind; front cover with humorous gilt-stamped vignette of an author with caricatured, oversized head presenting a volume to Britannia. Spine with gilt-stamped title and blind-stamped decorated bands.

Provenance:  Front pastedown with private collector's bookplate, front free endpaper with inked ownership inscription of same person (“M.A. Kent”).

•  NSTC 2L10602; Houfe, John Leech and the Victorian Scene, pp. 41–42.   Binding moderately rubbed overall (including gilt vignette), spine sunned. Ownership marks as above. Occasional light smudging and spotting.  (29014)

His surviving unpublished works (some manuscripts were burnt at his death) were gathered in the early 1720s by an admirer — Fernando Monge — who paid to have them published beginning with vol. I in 1722 but with a hiatus before vol. II appeared in 1733. A third volume was promised but precious few copies of it are known. The Spanish National Library writes of vol. III: “El tomo 3o. desconocido de los bibliógrafos, tiene retrato del autor, pero carece de portada, y solo llega á la paga. 184 con interrupcion de las 91 á 94 y 171 á 174.”

Present here is vol. II which contains a full-page woodcut portrait and the author's “poesias sagradas,” including some fine villancicos.

WorldCat locates three U.S. libraries owning only vol. I, one U.S. library owning vols. I and II, and only one claiming ownership of all three. NUC Pre-1956 adds no additional copies.

•  Palau 135687 (knowing only of vol. I & II). On author, see: Archivo biográfico de España, Portugal, e Iberoamérica, fiche 503, frames 12–20.   Contemporary limp vellum, remnants of ties; text block separating from binding at front, but still attached. Text browned (as usual), some gatherings heavily; dog-earing and some staining. Lacks one text leaf (pp. 185–86).An imperfect but worthwhile copy of a rarity.  (29090)

This author enjoyed great success among feminine (and young) audiences with his gothic tales of horror and woe, most notably with his one novel, The Monk, a youthful production that earned him his nickname. Shelley was especially fond of Lewis's work, although Byron mocked the author's “gibb'ring spectres” and “infernal brain” in the poem “English Bards and Scotch Reviewers.”

•  NCBEL, III, 743 (first ed.).   Later 19th-century half sheep in imitation of morocco over marbled paper sides, worn and abraded; leather chipping over head of spine, covers pressure-stamped by a now-defunct institution, spine with paper shelving label. Title-page and several others stamped; endpaper and final blank separated but present (former with date slip); many pages, not unexpectedly, show light to moderate spots of foxing, and there is some staining. Last leaf torn across outer corner taking top author's name in ads on verso (it was John Beckmann) and most of three words of the last poem's last verse (“herte should breke”).  (5414)

This Stirling printing is rare. There is also a Glasgow printing of which OCLC locates only 6 copies worldwide.

•  Original self wrappers (unbound, removed). The bottom corner of the second leaf is lightly chipped and the pages are somewhat darkened. Good. (17552)

six color-printed plates done by Troy and Margaret West Kinney

The 1928 full-color, silent film “The Viking” (MGM, script by Robert Tonsing) was based on Ms. Liljencrantz's novel!

Signed binding: Publisher's khaki cloth, front cover pictorially stamped in black, cream, and gilt; back cover stamped with a device in black; spine stamped in black and gilt. Front cover signed “K”: Troy and Margaret West Kinney.

•  Binding as above, light wear to extremities. Frontispiece recto with inked ownership inscription. A few scattered faint smudges; almost entirely clean. A nice copy of an attractive production.  (28609)

•  NSTC 2M14137. Removed from a nonce volume. Pages clean. (16756)

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Recent research (Wichlan, Complete Poetry of Jack London, 2007) suggests that this was printed at the Keesling Press in Campbell, California. The number of copies printed is unknown.

•  BAL 11989; Woodbridge, p. 275.   Printed on heavy, textured card stock and folded lengthwise once to form a booklet. Front cover irregularly age-toned; interior facing pages, displaying whole poem, very fresh and nice.  (30148)

Provenance:  Front pastedown with armorial bookplate of John Train; front fly-leaf with inked gift inscription to Dorothea Mary French from F.D., dated 1908.

•  Binding as above, lightly rubbed; joints tender with front one just starting at head. Occasional faint foxing; some lines of print offset. A lovely, quintessentially late-19th century production.  (30136)

Binding:  Publisher's tan cloth, front cover and spine elegantly stamped in gilt, cream, and black, front cover with central medallion bearing ship (surely the Mayflower) vignette.

•  BAL 12122 (for first U.S. ed.).   Binding as above, traces of minimal rubbing. Pages extremely clean. A beautiful, very giftable copy.  (29032)

Provenance:  Front pastedown with simple, nicely lettered bookplate of Broadway producer, printer, publisher, author of a famous mixological work, and collector Crosby Gaige (born Roscoe Conkling Gaige).

•  BAL12788.   Publisher's blue-gray paper–covered sides; spine with (chipped) printed paper label darkened and rubbed at tips, small areas of insect damage to front joint (showing more extensively inside at front hinge), and paper across back hinge (inside) partially cracked. Pastedown with bookplate as above. Uncut pages very faintly age-toned, otherwise clean. The extra spine label tipped to rear free endpaper.  (29723)

Provenance:  Inscription of “Henry M. Pierce / Jersey City / NJ.”

•  Shaw & Shoemaker 44628; Drake, Almanacs, 3826.   Recent limp navy cloth, front cover with gilt-stamped title and date; extremities very slightly rubbed, otherwise very clean and fresh. Front free endpaper with inked ownership inscription as above. Pages age-toned with a few scattered spots; some pages trimmed closely, with headers occasionally touched but not taken. Nice!  (29641)

•  ESTC T113648.   Recent quarter calf, old style; raised bands, gilt ruling above and below the bands as accents, gilt center devices in spine compartments. Deep red spine labels lettered in gilt; marbled paper sides, with dark wedge of soil crossing bottom 3/4-inch of front cover’s paper and line of same soil also to turn-ins of back cover. Faint off-setting to top and bottom margins of early leaves from old binding; medium-light waterstains in margins of index (i.e., last 6 leaves), and the odd spot or bit of soil elsewhere. Generally, a very nice clean book.  (25318)

In the present volume, this great epic poem in May’s translation is accompanied by its translator’s English rendition of his own sequel, originally written in Latin verse. This Continuation advances the action through Cleopatra’s seduction of Caesar (May depicts the Egyptian queen with “snowie necke” and “golden tresses”), the death of Cato, and various additional battles before arriving at Caesar’s death. At the time, May’s work was thought highly enough of that Charles I allowed the Continuation’s dedication to bear his name.

•  Pharsalia: STC 16888; Schweiger, II, 567; ESTC S108868. Continuation: STC 17712; ESTC S108892. 20th-century black morocco in imitation of early, severe style, with raised bands from which blind-tooling extends onto covers; spine with gilt-stamped title and date, and turn-ins elaborately tooled in blind. Moderately worn, spine faded not unattractively, and leather rubbed over joints. Front pastedown with bookplate, inked date of 1986; front free endpaper with inked gift inscription dated 1944. T1-2 trimmed differently and possibly surviving from another copy; A3 of the continuation also possibly supplied. Occasional instances of very minor staining; mostly clean. Pleasant on shelf and in hand. (7101)

•  ESTC S108867; STC (2nd ed.) 16889. Continuation: ESTC S108892; STC (2nd ed.) 17712. Both: Lowndes, III, 1408. Period-style calf by Grace (signed “GB” on lower back turn-in), framed and panelled in gilt rolls, spine with gilt-stamped leather title and author labels and gilt-stamped decorations in compartments. Outer and lower edges of the engraved title-page of second work shaved, touching design. Light waterstaining to upper portions of approx. 25 ff. of Continuation; small area of worming to lower inner margins of a few leaves, touching the occasional catchword but not main text.

Binding / Provenance: Contemporary calf, framed in gilt triple fillets and panelled in gilt quadruple fillets with gilt-stamped corner fleurons and gilt-stamped central coat of arms of the Wilder family, with the motto “Virtuti moenia cedant.”

•  Schweiger, II, 565; Dibdin, II, 186–87. Binding as above, rebacked making use of most of the original spine, spine with gilt-stamped compartments and gilt-stamped leather title-label; edges worn and rubbed, portions of original spine leather cracked and chipped. Front pastedown with small abraded area; front fly-leaf with inked inscriptions dated 1834 and 1938. Some leaves with faint waterstaining in upper margins and lower outer corners. Attractive.

Text entirely in elegant Greek and with but one woodcut initial. The printer's device of a Pegasus is on the title-page.

Rare: We find no copy in WorldCat or COPAC. Moreau locates one copy in the Anglo world, at the Morgan Library.

•  Moreau, V, 228.   Full dark modern calf old style, absolutely plain without labels; spine with raised bands accented with blind rules extending onto covers to terminate in trefoils, and simple blind double fillets to covers. One old numeral inked to title-page; text unmarked with paper clean and even bright, throughout.  (25728)

•  Palau 144343.   Contemporary limp vellum, lacking the ties; fore- and top edges of vellum rodent gnawed, top corner of all leaves slightly rodent gnawed, some staining to early fore-edges and a few others. Text almost throughout browned from iron in water used in paper manufacture, sometimes heavily enough to make this a good example of the extreme of the phenomenon, sometimes lightly enough to be called just “foxing and spotting”; paper absolutely unweakened and volume fine for use.  (28390)

•  Plain quarter cloth and paper-covered sides, worn and water-stained, corners bumped. Front free endpaper with pencilled inscription. Page edges untrimmed; pages with foxing ranging from mild to severe. This copy with the full complement of advertising pages. (5813)