
Preceding
the Decachordum Christianum is the De Jesu Christi stigmatibus,
a discussion of the wounds of Christ as found on the shroud of Turin, composed
by Alfonso Paleotti (1531–1610) archbishop of Bologna. His discussion
of the shroud is interspersed with a more forensic analysis of the sufferings
endured by Jesus, by Daniel Mallonius, an Italian Hieronymite priest. This
was first published separately in 1606.
This 1607 edition of the Historia admiranda is apparently
the
first joint publication of these works under this
title, and it was followed by a 1616 edition. In this edition the De
Jesu Christi stigmatibus opens with an engraved title-page and
has
16
full-page engravings illustrating the shroud of
Turin from both front and back, as well as the wounds of Christ
and the instruments of
the Passion. The Decahordum christianum has
10
full-page engravings showing scenes from the life of Christ,
that of the Annunciation being strikingly beautiful. Though continuous
in
pagination, the supplementary De excellentia instrumentorum Dominicae
Passionis
by Vigerio has its own sectional title-page incorporating a striking engraved
vignette of Christ as the man of sorrows. Both volumes are printed with
woodcut
initials, head- and tailpieces, and sidenotes.
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Allison
& Rogers report European holdings of this, but we traced
none
in the U.S.

The volume begins with a half-title, followed by an added engraved title-page that is printed from one very large plate (signed by Kilian). The main and each of the divisional title-pages has a large printer’s device of a lion with bees and the motto “De forti dulcedo” (Joannis Posuel, the Lyonnaise printer?). There are woodcut head- and tailpieces. The text is printed in double-column format.
DeBacker-Sommervogel, III, 1398; also VI, 130. Contemporary vellum over paste boards, round spine, raised bands; covers ruled in blind with a double-fillet to form concentric compartments; center of each cover with a large blind-stamped medallion of interwoven design. Front joint open along the bottom two spine compartments; some soiling and stains. Title-page of pars I torn and crumpled along inner area of upper margin, tear repaired from verso; area of tear with slight crumpling. Foxing. scattered throughout, sometimes very noticeable; some ink blots; also browning from interaction of printer’s ink with impurities in paper at time of manufacture.
The work was first printed in English in 1657, as Les provinciales: Or the Mysterie of Jesvitisme.
The present edition is illustrated with an oversized, folding plate depicting prominent Jesuits. The second section (the “Additionals”) has a separate title-page.
Our caption is the first title's epigraph.
ESTC R5437; Wing (rev. ed.) P641 & 642; Lowndes 1208; PMM 140 (on the first edition). Period-style mottled calf, covers framed and panelled in gilt rules with gilt-stamped corner fleurons, spine gilt extra with gilt-stamped leather title-label. Frontispiece (Moses delivering the law), a few preliminary leaves, and final advertising leaves lacking; text complete despite skip in pagination and fold-out plate present. Title-page with early inked numerals and institutional rubber-stamp. Light waterstaining to outer and lower page portions; otherwise, the odd spot only. (24874)


Provenance: With the printed and folding ex-proemium of J.J.S. van Goltstein van Hoekenburg, Jan. 1819.
DeBacker-Sommervogel, VI, 976. Binding as above. All edges marbled. A very good copy; text block very slightly skewed in binding.

Brunet, V, 115; De Backer-Sommervogel, VII, 532; Englisch, Der erotischen literatur, 145; Palau 294482. Contemporary alum-tawed pigskin, tooled in blind, spine with inked title; binding darkened and scuffed, with clasps now lacking and with leather torn over head and foot of spine (lacking at foot, with underlying vellum showing). Title-page with inked ownership inscriptions dated 1715, later institutional stamp in lower margin, and faint shadows of pencilled notations; front pastedown and one text page also with institutional stamps. Small spots of worming to lower margins of a number of leaves. Pages age-toned, with some instances of marginalia and underlining in early inked hands and occasionally in pencil (a handful of leaves in part III extensively annotated within text); a few spots of foxing, and one leaf with paper flaws partially obscuring a few letters. A big, solid volume.
sole
edition is printed in roman with a goodly amount of Greek,
while the title-page is printed in black and red and ornamented with a woodcut
vignette
of a man digging beneath the motto "Fac et spera." Provenance: Charles Spencer, Third Earl of Sunderland, lot 8432 in the Sunderland Library sale (1882).
On Saumaise, see: New Catholic Encyclopedia, XII, 98889. On Petau, see: New Catholic Encyclopedia, XI, 199200. Vellum over paste boards. Ex-library with paper labels on spine and pressure-stamps, yet a copy notably clean, bright, and even crisp; perhaps a half-dozen leaves sometime exposed to a small spill(?) lightly marking lower outer corner-tips. All edges speckled red.
Schwarz, Ignaz. Institutiones juris universalis, naturæ et gentium, ad normam moralistarum
nostri temporis.... Augustae: Sumptibus Joannis
Antonii Fesenmayr p.m. haeredum bibliopolarum, typis Antonii Maximiliani Heiss,
1743. Folio (32.2 cm, 12.75"). [5]
ff., 195, [1], 204 pp.
He first published his Institutiones juris in 1741, and, according to DeBacker-Sommervogel, this is the third of six editions. Present here are parts 1 and 2 of 4, in which, however, all the matters above listed are discussed. This edition is printed with the title-page in red and black, a woodcut headpiece and tailpieces, and a plethora of side- and footnotes.
Provenance: Inked inscription on title-page, "Rodriguez de Arellano."
DeBacker-Sommervogel, VII, 948. Limp vellum with remnants of ties; spine with inked title. Scattered spots of staining to spine and rear cover. Pp. 4142 of the first series of pagination has a large chip out of the upper outer corner with loss of page numbers but no text. Pp. 15556 has a tear in the outer margin, not touching text. Occasional worming in the outer margins, not touching text. Scattered age-spotting; a few occasions of light waterstaining in the outer margins.
It is a study of the Society of Jesus and its expulsion from Spain and France and the consequences thereof, and it was presented to Joseph of Portugal so that he might anticipate similar consequences following his order of expulsion.
DeBacker-Sommervogel, XI, 1205. Contemporary vellum over paste boards. Blackened area on spine; bookplate. A clean copy. (20462)
A Roman edition also appeared in 1694, the year of the work’s first appearance; the present edition is more uncommon: We trace only one U.S. library copy of it.
DeBacker-Sommervogel, VII, 1079. Boards covered in music-printed paper from an 18th-century antiphonal, spine with gilt-stamped leather title-label. Title-page and one other stamped by a now-defunct institution. Light spotting throughout, more pronounced to first and last few leaves; some corners dog-eared.
The contents include “Primvm ac generale examen iis omnibvs, qvi in Societatem Iesv admitti petent, proponendum”; “Constitvtiones cum declarationibus”; “Formvla votorvm simplicivm, quae professi emittunt post professionem, iuxta constitutiones; extracta ex prima Congregatione generali, & recognita à tertia”; “Index in examen, & constitutiones”; each of those sections starts with a decorative capital. An extensive index is provided.
Much attention was paid overall to the attractive typography of this work, which was printed at the Jesuits' Roman college. A four-element woodcut architectural title-page border, woodcut initials and tailpieces, and carefully laid-out columns of roman and italic text adorn the volume. The text of the Constitutiones is printed in roman type and the “declarationibus” that supplements them is printed in italic, sometimes surrounding the text, other times in a column to the right or left.
Scarce: Only three U.S. institutions report holdings.
DeBacker-Sommervogel, V, 78; Graesse, II, 255. Recent calf, covers ruled in blind in period style: blind rules above and below each band extending onto the covers forming a V with a trefoil at the end of each V; each band with fine gilt rule. Title-page with inked Jesuit ownership inscription dated 1625. Light foxing throughout; waterstaining to lower and outer portions of some early leaves. All edges stained red. A handsome production in a good copy. (23547)
The poem was left unpublished at the time of the author’s death and Francisco Garabito de León Messía saw to its publication.
Palau 347681; Medina, BHA, 1806; European Americana 687/140; DeBacker-Sommervogel, VIII, 376–77. Recased in old vellum. A very good copy.


Goldsmiths’-Kress 7892.2; DeBacker-Sommervogel, VIII, 444. Contemporary speckled calf, spine gilt extra with gilt-stamped leather title-label; binding scuffed and rubbed, with leather cracking over joints and spine extremities chipped. All edges speckled red. Front free endpaper and fly-leaf partially affixed to front pastedown; front pastedown with inked initials. Pages beautifully clean.
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