•  Brunet, V, 115; De Backer-Sommervogel, VII, 532; Englisch, Der erotischen literatur, 145; Palau 294482. Contemporary alum-tawed pigskin, tooled in blind, spine with inked title; binding darkened and scuffed, with clasps now lacking and with leather torn over head and foot of spine (lacking at foot, with underlying vellum showing). Title-page with inked ownership inscriptions dated 1715, later institutional stamp in lower margin, and faint shadows of pencilled notations; front pastedown and one text page also with institutional stamps. Small spots of worming to lower margins of a number of leaves. Pages age-toned, with some instances of marginalia and underlining in early inked hands and occasionally in pencil (a handful of leaves in part III extensively annotated within text); a few spots of foxing, and one leaf with paper flaws partially obscuring a few letters. A big, solid volume.

he argues against the Jesuit patrologist Denis Petau

Provenance: Charles Spencer, Third Earl of Sunderland, lot 8432 in the Sunderland Library sale (1882).

•  On Saumaise, see: New Catholic Encyclopedia, XII, 988–89. On Petau, see: New Catholic Encyclopedia, XI, 199–200. Vellum over paste boards. Ex-library with paper labels on spine and pressure-stamps, yet a copy notably clean, bright, and even crisp; perhaps a half-dozen leaves sometime exposed to a small spill(?) lightly marking lower outer corner-tips. All edges speckled red.

Schwarz critiques Protestant authors, such as Grotius, Puffendorf, Heineccius, and Thomasius, and other writers on these subjects, pointing out where they agree with and where they differ from Catholic teaching.

He first published his Institutiones juris in 1741, and, according to DeBacker-Sommervogel, this is the third of six editions. Present here are parts 1 and 2 of 4, in which, however, all the matters above listed are discussed. This edition is printed with the title-page in red and black, a woodcut headpiece and tailpieces, and a plethora of side- and footnotes.

Provenance: Inked inscription on title-page, "Rodriguez de Arellano."

•  DeBacker-Sommervogel, VII, 948. Limp vellum with remnants of ties; spine with inked title. Scattered spots of staining to spine and rear cover. Pp. 41–42 of the first series of pagination has a large chip out of the upper outer corner with loss of page numbers but no text. Pp. 155–56 has a tear in the outer margin, not touching text. Occasional worming in the outer margins, not touching text. Scattered age-spotting; a few occasions of light waterstaining in the outer margins.

Click the interior images for enlargements.

It is a study of the Society of Jesus and its expulsion from Spain and France and the consequences thereof, and it was presented to Joseph of Portugal so that he might anticipate similar consequences following his order of expulsion.

•  DeBacker-Sommervogel, XI, 1205.   Contemporary vellum over paste boards. Blackened area on spine; bookplate. A clean copy. (20462)

A Roman edition also appeared in 1694, the year of the work’s first appearance; the present edition is more uncommon: We trace only one U.S. library copy of it.

•  DeBacker-Sommervogel, VII, 1079. Boards covered in music-printed paper from an 18th-century antiphonal, spine with gilt-stamped leather title-label. Title-page and one other stamped by a now-defunct institution. Light spotting throughout, more pronounced to first and last few leaves; some corners dog-eared.

An interesting work on confession and Christian ethics, this was written for confessors, covering a multitude of topics from the general concept of confession to superstition, sacrilege, adultery, lying during confession, and on to absolution. Tamburini also addresses condemned propositions and speculations.

Searches of NUC Pre-1956 and WorldCat locate fewer than eight copies of this edition in U.S. libraries.

•  Medina, Mexico. 4745; this edition not in DeBacker-Sommervogel.   Contemporary Mexican sheep binding, gilt spine extra, all edges red; covers with wear and abrasions, spine tips pulled with loss of leather and a small area of old, red, transluscent staining at base. Lacks half-title (half-titles are rare in Mexican books of this era). Small worming to lower inner margin throughout, most often only pinhole but occasionally into the text and touching letters. Generally, a nice and clean little book.  (29855)

This Arte is consideredimportant in the history of Mexican colonial poetry and the teaching thereof and isone of the earliest works of the theory of poetics printed in the New World.

Provenance:  18th-century ownership inscription on the front free endpaper of Bach. Angel Francisco Valderas.

•  Medina, La imprenta en México, 4124; DeBacker-Sommervogel, VIII, 108; Pimentel, Historia crítica de la poesía en México, 458–59.   Contemporary limp vellum, lacking ties. Fore-edge of front cover and top edge of front free endpaper gnawed by a rodent, though not a very hungry one; vellum of back cover holed near center either by worm action or a natural flaw. Old waterstaining evident diagonally across most leaves, sometimes very faint and sometimes more striking but never offensive, with some corners minimally dog-eared; a neat, good, untattered copy.  (29520)

In addition to the grammar and dictionary the work includes in Quechua a confessionary, the questions asked during the wedding ceremony, the Litany of Blessed Virgin Mary, and “the hymn and prayer devoted to the taking out of the Holy Scripture that is sung in various of the churches of this diocese every day.”

Provenance:  In an 18th-century hand, “Es de . . . Dn. Mariano Navia de Bolaño. On rear pastedown, “Collated perfect. May 22d / [18]94 J.J.”

•  Medina, Lima, 1068; Medina, Lenguas quechua y aymará, 39; Viñaza 336; Sabin 96271; Leclerc, Bibliotheca Americana, 2409. Not in DeBacker-Sommervogel.   Contemporary limp vellum with remnants of ties, yapp edges. Very limited, rather neat pinhole worming; occasional spots of soil and paper somewhat browned in some sections due to nature of water in manufacture; inscriptions as above and one page of the vocabulary with contemporary annotation. A very nice, crisp copy.  (28399)

The poem was left unpublished at the time of the author’s death and Francisco Garabito de León Messía saw to its publication.

•  Palau 347681; Medina, BHA, 1806; European Americana 687/140; DeBacker-Sommervogel, VIII, 376–77. Recased in old vellum. A very good copy.

•  Goldsmiths’-Kress 7892.2; DeBacker-Sommervogel, VIII, 444. Contemporary speckled calf, spine gilt extra with gilt-stamped leather title-label; binding scuffed and rubbed, with leather cracking over joints and spine extremities chipped. All edges speckled red. Front free endpaper and fly-leaf partially affixed to front pastedown; front pastedown with inked initials. Pages beautifully clean.

The text is in Latin printed in roman and italic, decorated with a few woodcut ornaments and one initial at the beginning of the dedication. The engraved title shows Widl holding a lamp and an open a book with the words “Poesis sacra et profana” written across the opening, as he floats above our book's title which appears in an abstract cartouche flanked by four figures standing in an architectural frame supported by portraits of Pindar, Horace Flaccus, Sarbiewski, and Balde.

WorldCat locates only two copies in the U.S.

Provenance:  Albertus Henricus Krussi(?) (his ownership signature in ink, front flyleaf and engraved title).

Evidence of readership: Heavy underlining, occasional annotations, and scribbles on the rear flyleaf verso in early ink.

•  DeBacker-Sommervogel, VIII, 1107; W. Kühlmann, “Neo-Latin Literature in Early Modern Germany,” in Camden House History of German Literature, p. 297.   Period-style calf, boards with single-ruled border; round spine with gilt-stamped red morocco label and blind-stamped devices in “compartments” defined by a gilt roll of a chain pattern; red speckled edges. Trimmed close and bound tightly, often affecting but not taking a few letters at the gutter, with light water- or dampstaining in upper outer corner extending into the middle of many pages; intermittent inkstains from the annotator's pen; one corner tip torn away and other corners creased, visible from the edges. Miniscule wormholes barely visible in upper and outer margins extending from preliminaries to mid-text. A substantial little book in several senses.  (29853)