JESUITANA
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Hervás y Panduro, Lorenzo. Escuela española de sordomudos, ó arte para enseñarles á escribir y hablar el idioma española. Madrid: Imprenta Real (vol. I) & Impr. De Fermin Villalpando (vol. II), 1795. 8vo. 2 vols. I: [3] ff., viii pp., [2] ff., 335, [1] p. II: [4] ff., 376 pp., 1 fold. plt., 4 fold. tables.
$1500.00
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any image where the hand appears on
mouse-over, for an enlargement.
One of the earliest works in Spanish on educating those suffering
full or partial loss of hearing and/or speech. The author was a Jesuit and a
prolific writer on topics of language, education, and even travel. This treatise
is extensive, comprehensive for its day, and illustrated with
a
plate of the Spanish hand alphabet in
use at the time. The work was translated into French in 1870s but apparently
this is the sole edition in the original Spanish.
Provenance: Spidery
signature of signature at rear of volume I of Henry Ward Poole, Mexico City,
1876. Later New York City Catholic library stamp on verso of half-title of
vol. I and verso of front free endpaper of vol. II.
Palau 114450; DeBacker-Sommervogel IV, 322. Contemporary treed
sheep (pasta española), spines darkened, covers with small abrasions.
Old library stamps as above.
Very
nice set.
Lanzi, Luigi. Saggio di lingua Etrusca e di altre antiche d’Italia per servire alla storia de’popoli, delle lingue e delle belle arti ... edizione seconda. Firenze: Tipografia di Attilio Tofani, 1824. 8vo (21.5 cm, 8.5"). 3 vols. I: Frontis., xxviii, [2], 357, [1] pp.; 4 plts. II: xv, [1], 496 pp.; 10 plts. III: xi, [497]–772, xliv, [4], 94, [2] pp.; 4 plts.
[SOLD]
Second edition, following the first of 1789, of what Brunet calls an “ouvrage savant et curieux,” written by a Jesuit-educated archeologist known for his excellent Storia pittorica della Italia. The Catholic Encyclopedia (online) praises Lanzi as being “remarkable for his widespread learning, his masterful grasp of his subject, his sound judgment, and the classic simplicity of his beautiful diction”; although many of Lanzi’s conclusions regarding the Etruscan language have since been dismissed, the value of his work on Etruscan arts and antiquities is unchallenged even today.
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The three volumes are illustrated with
18 copper-etched plates, some signed by Tommaso Nasi, depicting inscriptions, coins and medallions, and other antiquities.
Binding: Contemporary vellum, spines gilt extra with gilt-stamped leather title and volume labels.
Brunet, III, 827; Cicognara 2595; DeBacker-Sommervogel, IV, 1501. Bindings show only very minor signs of wear overall, some light speckling to spines and small spots of discoloration to two front covers, two volumes with lower corners bumped, two spine labels with small scuffs. Front pastedowns each with private collector’s bookplate and institutional rubber-stamp (no other markings), vol. I with small early inked name on front pastedown. One leaf with small hole affecting five letters. A few leaves very lightly age-toned, some plates in vol. II and first and last few leaves of each volume faintly foxed, otherwise clean.
An attractive set.
Muratori, Lodovico Antonio. Della pubblica felicita oggetto de' buoni principi.... Lucca, 1749. 8vo (18.8 cm, 7.375"). [6] ff., 236 pp.
$400.00

Ludovico Antonio Muratori (1672–1750) was a priest active in parish ministry, librarian to the Duke of Modena, and a brilliant scholar in many fields, best noted for his discovery of the oldest known canon, or list of books, of the New Testament (now known as the Muratorian Canon). In this work on the public good and the role of rulers in achieving it, he covers all aspects of human society, from politics to agriculture, exhibiting the combination of deep orthodox Christian faith and respect for freedom of science and scholarship that made him the chief representative of 18th-century “enlightened Catholicism.” First published 1749, this is the second edition.
Click the interior image for an enlargement.
Goldsmith’s Kress 8390. On Muratori, see: New Catholic Encyclopedia, X, 81. Contemporary vellum over paste boards with remnants of gilt label on spine; soiled, stained, and chipped with loss of top layer of vellum on rear cover and part of spine. Interior with light foxing, water- and other staining. Far from splendid, far from dead. (11592)
Muret, Marc Antoine. Orationes, et epistolae...ad usum scolarum selectae.... Venetiis: Apud Josephum Orlandelli, 1791. 8vo (19 cm, 7.5"). 2 vols. I: xv, 359, [1] pp. II: 328 pp.
$600.00

Marc Antoine Muret (1526–85), better known by the Latin form of his name, Muretus, started his literary career in Paris as a member of the circle of young poets that also included Dorat and Ronsard, and in 1553 he published a French commentary on Ronsard’s Amours. He later moved to Italy, where he became one of the leading classicists of his day. He has long been recognized as the best Latin prose stylist of the Renaissance, and his works were used, as this textbook exemplifies, as a model for students. Vol. I of this work contains selections from his speeches, while vol. II contains letters. This particular collection of Muretus for students was apparently first published in 1739 and regularly republished during the 18th century. An engraved portrait of Muretus serves as the frontispiece for vol. I. 
Rare. No copies traced via NUC Pre-1956, OCLC or RLIN.
On Muretus, see: Sandys, History of Classical Scholarship, II, 148–52. Contemporary half vellum over stencilled paper, spine with inked title; stained and paper torn with much chipping, especially on edges of covers. Ex-library with white-lettered call number on spines and, on title-pages, two different Catholic institutions’ rubber-stamps, plus the old inked ownership inscription of a Jesuit novitiate (Maryland). Ink scratches to frontispiece portrait (intentional?), and some inkstains in margins elsewhere. Lightly foxed. All edges speckled red.
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