BOOKS
IN
ITALIAN!
A-C D-L M-O P-Z
WORLD MYTHOLOGY — 8 Vols. & Thousands of Entries
(An
Italian Joy). Pozzoli, Giovanni; Felice Romani; Antonio
Peracchi, et al. Dizionario storico-mitologico di tutti i popoli
del mondo. Livorno: Stamperia Vignozzi, 1824–28. 8 vols. 8vo (21 cm, 8.25").
I: 580 pp. II: 581–1163, [1] pp. (pp. 1057–64 repeated in place of
pp. 1065–72). III: [1165]–1708 pp. (pagination 1551–52 repeated,
1687–88 skipped). IV: [1709]–2342 pp. V: 2351–3086 pp. (pagination
skips 2519–26). VI: 3087–3855 pp. (pagination skips 3407–08).
VII: 576 pp. VIII: 577–1074 pp.
$2500.00
Click the middle and right hand-images for enlargements.
Second edition of this classic dictionary of comparative mythology, a hefty collection of the deities, heroes, tales, festivals, antiquities, and other folklore of numerous cultures and countries including Mexico, Peru, America, Africa, India, Japan, China, etc, along with Jewish, Greek, and Roman antiquities. The foundation of the work was François Noel's Dictionnaire de la Fable; copious additions and corrections were made by Pozzoli, Romani (the famed poet, scholar, and librettist for La Scala), and Peracchi (another librettist). The resulting encyclopedic endeavor was originally published from 1809–27 under the title Dizionario d'ogni mitologia e antichità incominciato, according to Graesse and Brunet, who both give Pozzoli's first name as Girolamo.
This set includes two volumes of supplemental text, adding a number of entries. The first edition was followed by two volumes of supplemental plates, not present here and not called for: Graesse describes this edition as “sans grav.”
The pagination is erratic in a number of places; there is a numbering gap from 2342 to 2351 between vols. IV and V, but the text and signatures are uninterrupted.
Uncommon: OCLC locates only two U.S. institutional holdings of this second edition.
Provenance: Most volumes with small inked ownership inscription in an outer margin: “G.R.W.” the mark of William Rollinson Whittingham (1805–79), fourth Episcopal Bishop of Maryland and an enthusiastic book collector.
Brunet, IV, 851; Graesse, V, 429. Not in Sabin. Contemporary half binding, recently rebacked with tan paper, spines with printed paper labels; boards rubbed and faded with small chips, one vol. with front cover waterstained. Foxing almost throughout, generally no worse than moderate; light waterstaining in upper margins of vol. I; one leaf in vol. VII with lower outer portion torn away, with loss of words from about 18 lines on each side. Vol. II with printer's error replacing pp. 1065–72 with duplicates of pp. 1057–64; pagination erratic in other places. Most vols. with ownership mark as above; vol. VI with one pencilled and one inked marginal annotation. (25862)
This entry is repeated in the
“PZ” section of this
catalogue . . .



A Man Scorned? Or One Satirizing a Genre?
Boccaccio, Giovanni. Laberinto d'amore. Con una epistola a messer Pino de Rossi confortatoria del medesimo autore e di nuovo corretto. [colophon: Vinegia: per Pietro di Nicolini da Sabio, 1536]. Small 8vo (15.5 cm; 6"). 72 ff.
$1600.00
Click the interior images for enlargements.
A handsome copy of this well-printed Renaissance edition of Boccaccio's problematic work about a man jilted or scorned, written in the 1360s. As to the complicated nature of the content, its relation to Boccaccio's life, and its date of composition, we refer the reader to Brown University's “Decameron Web,” where Dr. Guyda Armstrong writes that in it “Boccaccio demonstrates his familiarity with the canon of classical and medieval antifeminist texts, and succeeds in creating what
is practically an encyclopaedia of the genre.”
The work is now generally better known under the title Il Corbaccio, although all editions use the title found here. As one would expect with a Venetian-printed Renaissance work of literature, the text is in italic type; and this was printed early enough in the 16th century that the title-page offers a charming four-element architectural woodcut border.
Binding: Finely bound in 19th-century English straight-grained red morocco, with ornamental gilt border to covers, gilt-extra panelled spine, and two black leather spine labels. Board edges with a gilt roll; complex gilt inner dentelles and marbled endpapers. All edges gilt.
Graesse, Trésor de Livres rares, I, 455; Brunet, I, 1016.; Index Aurel. 120.267. Not in Adams. Bound as above; spine lightly faded and front cover with two small spots. Some small, light stains in text (only); generally, a very good copy. (25054)
Cagliostro,
Con-Man
(“Cagliostro”).
Barberi, Giovanni. Compendio della vita, e delle gesta di Giuseppe
Balsamo denominato il conte Cagliostro che si è estratto dal processo
contro di lui formato in Roman l'anno 1790. E che può servire di scorta
per conoscere l'indole della setta de' Liberi muratori. Roma: Nella Stamperia
della Reverenda Camera Apostolica, 1791. 8vo. [2], 216 pp.
$575.00

Original Italian edition of this biography of one of history's most notorious charlatans — Giuseppe Balsamo, a.k.a. Count Cagliostro. It was published anonymously by the Vatican's printing office, but has been attributed to Giovanni Barberi (1748–1821), one of Cagliostro's Inquisitors during the 1791 trial that landed him in confinement at the Castel Sant'Angelo. Cagliostro, a forger, alchemist, and dabbler in the occult, was brought before the Inquisition on the charge of Freemasonry. Translations of the work appeared that same year in German, French, and English.
Click the interior image for an enlargement.
Passano, Dizionario di opere anonime e pseudonime, 77. Recent quarter black morocco and marbled paper-covered sides. Spine with gilt-stamped title and gilt center devices in spine compartments; gilt-stamped place and date of publication at foot; gilt-accented raised bands, with gilt ruling above and below each band; and gilt-tooled border on covers. Some loss of paper in lower margin of two leaves. Inked four-digit number at base of p. 1; no other markings. Small ink smudge within text area of p. 5, blotting out a few letters but not overall sense; pages otherwise clean. A very attractive copy. (24464)
Campailla, Tommaso. L'Adamo ovvero il mondo creato poema filosofico.... Siracusa: Nelle stampe di D. Francesco Maria Pulejo, 1783. Folio (32.4 cm, 12.75"). Frontis., LII, 272 (i.e., 294), XX, 16 pp; 1 plt.
$450.00

L'Adamo by Sicilian poet and philosopher Tommaso Campailla (1668–1740) is a didactic poem that puts into memorable verse the principles of Cartesian philosophy. The engraved frontispiece is a portrait of the author, and the engraved plate is a portrait of the dedicatee, Michele Grimaldi. This work was first published in 1709 and regularly reprinted throughout the century.
Single-click
image at left
for an enlargement.
Rare: Only one copy of this edition traced via NUC Pre-1956, OCLC, and RLIN (at the Bancroft Library).
Quarter vellum with vellum turn-ins. Covers originally covered with gilt or marbled paper, now lost, exposing underlying paste boards—a rather interesting effect. Spine divided into compartments by gilt rolls; a tan leather label, gilt-lettered. Somewhat cockled. Pages untrimmed. Upper outer corner of title-leaf repaired with paper. Two wormholes through frontispiece, plate, and first three printed leaves, with a little loss to illustrations (which yet remain effective) and to parts of individual letters; some additional worming in the margins, not affecting text.

The Dialogues of the
“Seraphic” Virgin — Catharina
Catherine, of Siena, Saint. Dialogo dela seraphica virgine santa Catharina da Siena: el qual profondissimamente tratta de la divina provide[n]tia: de quasi tutti li peccati mortali & de molte altre stupende: & maravigliose cose. [Venetia: Marchio Sessa, 1540]. Small 8vo (16 cm). [32], 224 ff.
[SOLD]
Click the interior images for enlargements.
St. Catherine of Siena (1347-80) at the age of sixteen took the habit of the Dominican Tertiaries and almost immediately mystical experiences became a part of her life, consequently making her a major figure in Mysticism during the late Middle Ages/early Italian Renaissance. Her “Dialogue,” or “Treatise on Divine Providence,” is a major document in Italian literature and is written in the beautiful Tuscan vernacular of the 14th century. It was first printed in 1472, but there were, in fact, few editions between that printing and this one.
This edition was densely printed in roman type at the Sessa Press. It has a large woodcut on the title-page of St. Catherine receiving the Stigmata and a small xylograph on the colophon page of the famous Sessa printer's device of the cat and mouse.
All pre-17th-century editions are scarce if not rare. Of this edition we trace only four library copies in the U.S., and this is one, deaccessioned, of that quartet.
Index Aurel. 134.030; Essling 739; Sander 1819; Shaaber C268. Later vellum. Library bookplate on front pastedown and rubber-stamp on closed bottom edges; shadow of erased pencilled call number on a front blank. Semicircular stain of varying extent (not ink, not water, not wax) to pages of central section and but a very few other stains; pleasantly clean. Early, excellent repair to margin of last leaf. (12228)
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