Signed Binding: Contemporary red straight-grain morocco, covers framed in substantial gilt and blind-tooled rolls with gilt-stamped corner fleurons, surrounding central gilt-stamped medallions of the French imperial eagle. Spines gilt extra in arabesque and foliate motifs with additional blind-tooling; board edges gilt-stamped and turn-ins with wide gilt rolls. All edges gilt. Bindings signed by Charles Hering — one of the most prominent English binders of the early 19th century.

This copy has had a later, very engaging portrait of the saint as a young man (“joven”) added: The copper-engraved plate, done after an original “se conserva en grande estimacion en Milan,” is dated 1784 and signed byMexican artist and engraver Manuel Villavicencio (1730 – ca. 1788), clearly demonstrating this book travelled to Mexico for use there and for minor “grangerizing.” (It also neatly demonstrates that Mexican artists of this era were not benighted backwoodsmen, but worked confidently as citizens of a larger, international artistic world.)

Searches of WorldCat and NUC Pre-1956 locate only one U.S. institutional holding (at Villanova, this country's oldest Augustinian foundation).

•  Palau 266890.   Contemporary vellum, spine with early inked title; vellum wrinkled and moderately dustsoiled, back outer corners damaged with loss, one tie partially intact. Early inked inscription on title-page verso, lined through and illegible and showing through; title-page tipped back in and, like several others, with edge chips or tears from margins; two leaves torn at inner margins with loss of several words, one leaf torn largely across without loss, last leaf with loss of a few words of text at lower outer corner. Small area of worming to upper outer corners of most leaves, touching a very few shouldernotes but not otherwise affecting text; last few leaves with worming in lower inner margins, affecting a few letters on some pages; captions mostly shaved (but not shaved away) by the binder's knife. One signature separated. Portrait torn halfway across, well repaired some time ago, with chips from outer and lower margins just reaching edge of plate (not image). Pages age-toned with mostly-light spotting. A somewhat battered but still respectable survivor, with the plate addition being particularly intriguing.  (29118)

The work was also published in the same year under the title The Romance of American Landscape, and bears that running title here. This copy has an intriguing early pencilled inscription: “The 1st book my Father gave me came out of his book store - C.L.”

Binding:  Publisher's brown sheep in imitation of morocco, covers with embossed grapevine and latticework border stamped in black and with decorative gilt-stamped title (“LANDSCAPE ANNUAL”); spine with same gilt-stamped title and gilt- and black-stamped decorations. All edges gilt.

•  Sabin 70958; Wright, II, 2030. Not in BAL.   Binding as above, light wear to edges and extremities. Hinges (inside) starting. Front fly-leaf with inscription as above; additional engraved title-page with vignette of Mt. Vernon, lacking. Intermittent light to moderate foxing, mostly to margins of plates. Lovely book, lovely copy.  (26679)

Rare: WorldCat locates only two copies in the U.S.

An important source on the social and artistic life of Lima in the decade following the Tupac Amaru rebellion.

•  John Carter Brown Library, Catalogue, 1493-1800, III,324; Medina, Lima, 1697; Sabin 73902; Vargas Ugarte, Impresos peruanos, 2546.   Contemporary limp vellum with late, neatly inked title on spine. Some foxing. Plate lacking lower half and small portion of upper one; a handsome skeleton (memento mori) archer is the focus of what remains. Bookplate sometime removed; rubber-stamps on several pages, including title, reading (yes, in English), “Bought of F. Perez Velasco October 1912.”  (25771)

Beristain describes Paredes as being “outstanding in the Mexican language.” His volume was intended for use by missionaries, by parish priests, and by Indians: Indeed, there is a prologue intended to persuade Indians in particular to read and learn this catechism.

Provenance:  Henry Ward Poole ownership signature in minute pencil on rear free endpaper, dated Mexico 1879; old paper auction label at top of spine with lot number; private ownership stamp and bookplate of John Carter Brown; later in the John Carter Brown Library, Providence; deaccessioned.

•  Garcia Icazbalceta, Lenguas, 56; Viñaza 341; H. de León-Portilla, Tepuztlahcuilolli, 2286; Palau 269110; Medina, Mexico, 4500; DeBacker-Sommervogel, VI, 210–211; Sabin 71488; Leclerc 2334; Pilling, Proof-sheets, 2891.   19th-century Mexican acid-stained calf, gilt roll of a rope design on boards; gilt spine extra; spine label defective and missing much leather. Title-pages closely cropped at foremargin not costing any letters; small piece torn from the frontispiece. Light to moderate waterstaining and light wear. A rather decent copy of a decidedly important work.  (26388)

14 maps of important battle locations

•  Howes R311; Sabin 71530.   Publisher's ribbed brown cloth, covers with blind-stamped foliate frames surrounding publisher's arabesque cartouche, spines with gilt-stamped title and blind-stamped decorative bands; corners rubbed, spine heads chipped and reinforced with brown cloth tape, lower board edges showing very faint water damage, lower back cover of vol. I and lower front cover of vol. II slightly warped, endpapers stained by bleed-through of binder's glue. Ex–social club library: 19th-century bookplates, call number on endpapers, rubber-stamp on title-pages and a few others, no other markings. Vol. I: Two plates with small spots of light staining; light waterstaining to lower outer corners of a few leaves, including one plate. Vol. II: mild waterstaining to lower portions, extending into text; signatures in latter portion unopened. A slightly rough copy, still solid and readable and decent on shelf.  (29427)

Binding:  Publisher's scarlet morocco, covers framed in blind with blind-tooled corner fleurons surrounding a central gilt-stamped wreath, spine with gilt-stamped title within decorative wreath/cartouche. All edges gilt.

The Fore-edge Paintings: This presents a double fore-edge painting, one view of Dieppe and one of Le Havre, each maritime scene captioned within the image by the artist. The Havre portscape is rendered in particularly pleasing sunset colors.

Provenance:  Front pastedown with bookplate of collector John Train, and with small ticket of binder F. Westley.

•  NSTC 2S36004.   Binding as above, spine slightly darkened, light mottling to sides, joints skillfully repaired, minor leather losses refurbished with toned long-fiber tissue and (reversible) polyvinyl adhesive. In later plain terra-cotta cloth slipcase, case showing light shelf wear. Some plates with foxing offset onto tissue guards and added engraved title-page showing offsetting from frontispiece; pages clean. Evocative both textually and visually.  (30211)

•  NSTC 2R11677; Lowndes 2099; Hugo, The Bewick Collector, 434.   Contemporary half dark green morocco with red marbled paper sides, spine with gilt-stamped title; some rubbing and with a bit of green discoloration to paper of front cover. Minor offsetting to frontispiece and title-page; mild to moderate foxing in first third of volume and to last few pages.  (21934)

The contents of these two volumes appear to be based almost entirely on John Roach's Beauties of the Poets of Great Britain, although Roach is not cited as the editor, the pieces are in a different order than originally presented, and there are a few minor changes: “The Negro Boy” is not included here, while several “runic odes” by Mathias and Penrose have been added. The expected highlights of Pope, Gray, Cowper, Burns, Chatterton, Goldsmith, etc. are present, as well as lesser-known pieces such as Mrs. Carter's “Address to Meditation,” Mary Darby Robinson's “Trumpeter,” and Helen Maria Williams's “Sonnet to Twilight” and “Sonnet to Hope” (the latter memorized by Wordsworth, whose first published poem was “Sonnet, on seeing Miss Helen Maria Williams Weep at a Tale of Distress”).

The volumes are illustrated with 18 wood-engraved plates signed by Sears, Willis, and others — not the 1793 originals.

Provenance:  Ownership note of “Adams Jewett, M.D.” to top of title-page.

•  This ed. not in NSTC, Lowndes, or Allibone. Not in British Library OPAC, not in NUC Pre-1956, not in OCLC, not in COPAC.   Recent marbled paper–covered boards, spines with printed paper labels. Each title-page with early inked ownership inscription in upper margin as above. Some pages with offsetting; spots of light to moderate staining; one page with pencilled annotation.  (25339)

Click the image at right for an enlargement.

•  Shoemaker 40547. Not in Rosenbach, Early American Children's Books.   Publisher's printed yellow paper wrappers, front wrapper lacking, back wrapper stained with edges nicked, spine overstitched at a later date. Moderate spotting and staining to pages; corners bumped. Slightly tattered: first few leaves with short tear from outer margin, not touching text; title-page and subsequent two leaves with short tear from inner margin, extending into text without loss.  (24545)

The book is illustrated with 100 engraved plates and numerous in-text engravings, as well as a frontispiece map of the Holy Land in each volume. The plates are mostly figural illustrations taken from paintings in catacombs and on sarcophagi, illuminated manuscripts, mosaics, ivory figurines, murals, etc. The title-pages are printed in black and red ink, and decorated with an engraved vignette.

•  Publisher's red cloth, stamped in gilt on the spines and front covers. Spines sunned and front cover of vol. II slightly sunned along fore-edge also; cloth of spines frayed at extremities and chipped in other places. Hinges (inside) of vol. I a little weak, stitching exposed; corners bumped with cloth damage; pages very shallowly bumped. Ex-library, with shelf labels on spines, institutional bookplates on front pastedowns, pressure-stamp to title-pages and one other page in each volume. Paper very good; pages clean and bright.  (24688)

•  Brunet, IV, 1224; Cohen, Guide de l’amateur de livres à gravures du XVIIIe siecle, 510–11; Lewine, Bibliography of eighteenth century art and illustrated books, 252.   Later quarter oxblood morocco and marbled paper–covered sides, spine with gilt-stamped title, gilt-ruled raised bands, and gilt-stamped compartment decorations; light wear to paper. Frontispiece mounted some time ago, title-page with short tear from lower margin, repaired; pages age-toned, with foxing and soiling/staining in various degrees throughout; despite flaws, a charmer. Uncut copy.  (29322)

•  Sewn; in original printed wrappers. Front cover illustrated with scenes of children playing. Publisher's advertisement on back cover. Foxed. Numerous chips and short tears, limited to margins; one long tear (1.5") to pp.15 and 16, intruding upon text and engraving. One corner of back cover chipped. A child has colored most of the engravings. A somewhat worn copy. (4845)

For more CHILDREN'S BOOKS, many
                    ILLUSTRATED,  click here.

Provenance:  Front pastedown with bookplate and free endpaper with small ticket both of Rachel McMasters Miller Hunt, the famed book collector, founder of the renowned Hunt Botanical Library, and dedicated patron of the Arts and Crafts movement.

•  Peterson A20; NSTC 0651818.   Original cream limp vellum, spine with gilt-stamped author/title; spine very slightly darkened, front silk ties partially lost (one tie laid in), back ties intact. Marks of provenance as above. Almost imperceptible to light/medium evidence of old water exposure along lower page edges of perhaps eight leaves; more obvious but still light to moderate spottings in margins of perhaps half a dozen others; small, discrete spots of foxing to fore- and lower edges generally (only occasionally perceptible on the pages themselves). — in fact, though not pristine, a lovely example of an iconic volume.  (29563)

Chain lines are horizontal!

We trace no copy via NUC, WorldCat, COPAC, Catálogo Colectivo del Patrimonio Bibliográfico, Metabase, or the OPACs of the national libraries of Mexico or Spain. We have failed to find the URL for the OPAC of the Guatemalan National Library.

•  Medina, Guatemala, 1683.   Old folds, left margin irregular. A very clean, bright, crisp, impressive exemplar.  (30336)

•  NSTC 2A17980 (for all years 1855–61).   Removed from a nonce volume. Title-page with small inked numeral in upper outer corner, otherwise clean.  (17033)

Click the interior image for an enlargement.

We find only two U.S. locations and a copy at the British Library.

•  Publisher’s printed paper wrappers; edges nicked, paper split and chipping along spine, text block cracked. Front pastedown with institutional bookplate. Lower margins of title-page and preface waterstained, inner margin of frontispiece waterstained; upper margin of title-page with portion torn away. Some plates lightly foxed or browned, one with waterstaining in lower margin. Pages untrimmed. One’s sense is that this was USED as a guidebook!

•  Shaw & Shoemaker 16129. Contemporary mottled sheep, rubbed, joints on vols. I and II open; spines with heads and gilt-stamped leather title labels chipped, and remnants of paper shelving labels. Front pastedowns with bookplates of a now-defunct institution; front pastedowns and free endpapers with pencilled gift inscriptions. Pages foxed throughout, with some leaves notably browned.

The outer binding is red textured cloth with the front cover stamped in black and gilt, and the interior front cover sample for the children’s version is a different red textured cloth stamped in black. The leaves for subscribers’information are unused.

•  Not in Arbour. Publisher’s cloth as described above, gently worn with corners rubbed and small scrape to front cover. Interior clean.

Neither Medina, nor Palau, nor Garritz, nor the cataloguer for the NUC Pre-1956 entry notes a plate as present. The engraved plate in our copy, which is signed “Araoz M.o,” shows St. Teresa kneeling in prayer in her garden. In the background are a lake or a river and a mountain. Christ is seen off to the right, emerging from a stand of trees near the water. In front of the saint are some flowers and other cultivated plants which are being watered by an irrigation system fed by a well; two symbolic doves and a yearning (or dedicated) heart also appear. Below the engraving is a quotation from Ecclesiastes that the saint used in her writings.

The engraver was Manuel de Aráoz, one of the first students of the Mexican Academy of Painting, a noted engraver, and later subdirector of the Academy's department of engraving.

•  Medina, Mexico, 10812; Palau 293431; Garritz 1569. On the engraver, see: Diccionario Porrúa de historia, biografía y geografía de México (5a ed.), I, 165.   Without the plain wrappers one expects. Three pin-type wormholes affecting some pages, including the plate, not offensively. Discoloration along inner margin of title-page; soiling affecting edges/margins variably; upper outer portions of title-leaf, last two text leaves, and final blank most affected. Ample-margined copy.  (27616)

The front cover's multi-layer diorama features a sailing ship, a curious fish, and an unhappy sailor overboard, all behind a mesh overlay and moveable via a turning “wheel of rocks.” Inside, Alice's head bobs upwards on an extending neck, the fish footman bears a real folded paper invitation, and the Mad Hatter tips his hat; Jim's brightly colored treasure map can be unfolded and perused, the apples in his barrel can be slid aside to reveal his hiding place, and a sack of pirate booty lies in wait for the taking; Rip Van Winkle catches a fish with your aid in pulling the string, flies the American flag, and in the final cutaway diorama, drinks ale with a revolving cast of characters.

All “extras” are present (including the often-absent balloon face), and all moving parts work.

Provenance:  Front pastedown presentation page inscribed to Allen Pitts Wiegand with love from Mom.

•  Publisher's printed paper–covered box-style binding, spine with printed cloth overlay; mild shelfwear overall, edges rubbed with a few small edge chips, front cover with small tear to paper over mesh cutout and one at edge of wheel cutout, back cover with lower inside corner partially pushed in resulting in split along back joint. Pages clean; some of the removable items with light spots of foxing. Small bit of paper overlying wheel edge in final diorama partially detached (but still present). Presentation inscription as above. Despite minor issues listed above, no childish hands ever mauled or discolored this movable treasure, and overall it is in remarkable condition for a piece of this nature.A real box of wonders!  (30233)

illustrated with eight steel-engraved plates

Written by a New Hampshire-born poet and educator and published by subscription, this work was originally printed in 1883 as Our Home; Or the Key to a Nobler Life; it appears here in significantly expanded form with contributions from several ministers and one physician. The wide-ranging volume includes the advice to always send your little child to bed happy (“give the dear child a warm good-night kiss as it goes to its pillow,” p. 67), and to spare the rod and develop the child's conscience and sense of honor instead. It also covers the necessity of education and equality of professional opportunity for girls and women, and offers recommendations to smile often in the home, permit only good reading materials, pursue music, provide guidance in maintaining correspondences and friendships, model Christian values and religious observance, encourage fresh air and exercise, avoid alcohol and tobacco, etc.

Binding: Publisher's dark green cloth, front cover with “silver”-stamped decorative frame and red- and “silver”-stamped “Our Home” heart design in center; spine with decorative red and “silver” title. All edges bright red.

•  “Silver” stamping and extremities showing slight rubbing, front cover with a few small, unobtrusive spots of staining. Front hinge (inside) tender from the weight of this hefty work, but holding. Pages clean; a few leaves with small nick to upper edge. A pleasing example of a tenderly appealing portrayal of domestic joys.  (30304)

Paul Hogarth's eight full-page watercolors and over a dozen black-and-white vignettes vividly illustrate the bomb-churned landscape of no-man's land, the explosions of rifle and gunfire, and the irony of well-fed generals enjoying life behind the lines. Dennis J. Grastorf designed the book using a 12-point Baskerville font with two points leading space in between the lines. The binding is a natural-tone rough linen, stamped in black on each cover with a bugle design. David Daiches wrote the introduction.

This edition is limited to 2,000 copies and this offering includes the monthly newsletter. The colophon is signed by the artist.

•  Limited Editions Club, Bibliography of the Fine Books Published by The Limited Editions Club, 1929–1985, 519.   Binding as above; slipcase with two short scratches on back. Fine, in a fine slipcase.  (22078)

Also present is a printing of his Regulae septem ad omnes religiosos, a brief and strict rule for priests, friars, and brothers wishing to live a proper life.

Title-page in roman type and with a large woodcut of Savonarola in his cell writing (Savonarola on the left, window without bars). The text is printed in gothic with three large woodcut initials. The printer's large, handsome device appears below the colophon.

“Novissime cum textuu[m] annotationibus omnia diligenter recognita.”

•  Adams S493; Essling 1464; Giovannozzi 120.   20th-century vellum over light paste boards, old style. Top margin of verso of title-page with small paper repair. Brown stain in in lower part of some leaves but not all; into text on most affected leaves but not all. Lacks final blank (only). Good+.  (27052)

In his address to the reader, Gianotti explains he translated the text into volgare out of charity, to accommodate the common reader (“alla moltitudine degli ignoranti che alla paucita de dotti,” f. +v). A note above the colophon acknowledges the assistance of Padre Fra Girolamo Armenino da Faenza, an inquisitor in Lombardy, in bringing the work to light. The whole is dedicated to a Doctor of Law Bartolomeo and the Florentine Francesco Gualterotti, then serving in the Venetian Senate.

A table at the front outlines the sermons, and an epilogue summarizes the contents for the “fatigued” reader.

The text is printed in roman, double-column format, introduced by a famous woodcut of Savonarola seated to the right of a desk in his cell crammed with books and an hourglass, writing, beneath a crucifix and a barred window. The decorative scheme continues with one large woodblock initial of three putti starting the dedication, three large handsome criblé woodcut initials at the beginning of major sections, and small floriated initials and block capitals throughout.

Evidence of readership: Ink manuscript ottava about isolation and redemption in an early, neat hand below the colophon.

•  Adams S513 (also lacking final blank); Brunet, V, 160; Essling, III, 102; Sander 6834; Giovannozzi 156; Ginori Conti n.6 (title-page woodcut reproduced, Tav. I a); Catalogo della collezione Guicciardiniana della Bib. Nazionale Centrale di Firenze, p. 299; EDIT16, CNCE 39132.   20th-century vellum over paste boards, yapp edges and striking marbled endpapers, very clean; spine with black leather label and modest gilt ruling, place and date gilt directly on spine. Lacks final blank; small hole and one tattered corner to title-page, scattered foxing and stains, some from early candle wax. Two old place markers laid in.  (27053)

Very uncommon. OCLC and ESTC report only one holding, at Stanford.

•  Original printed boards, worn, paper almost entirely lost over spine. Without endpapers, apparently as bound. Sewing loosening, with several leaves separated. Scattered spots of mild foxing. Despite faults noted, a charmer.

Different readers will of course have different favorites; one PRB&Mer's is the poem on Van Buren, beginning, “A panic wild has seized our glorious land!” and moving to its denoument with that president couch[ing his] lance anent / Commercial Ruin, who on the field is slain.”

•  Publisher's blue cloth with all edges rose; gilt-stamped title on front cover and spine, blind-stamped American eagle on front cover; spine very slightly darkened, extremities a bit rubbed, back cover with spots of light discoloration. A solid, clean copy, better-looking than above description might imply.  (26694)

A collection of relevant letters and documents in Latin and Dutch (“Tablinum dat is: Brieven ende documenten, dienende tot de Friesche historie”) is appended at the back. The volume is attractively printed in double columns (primarily black-letter), with an engraved title-page, 16 engraved portraits of Classical, medieval, and Renaissance figures, and a striking, full-page engraved coat of arms as well as decorative capitals and head- and tailpieces.

Moderately uncommon in libraries, with OCLC and NUC Pre-1956 locating only ten U.S. holdings (one of which has been deaccessioned), this is quite uncommon on the market.

Provenance:  Bookplate of “I.M.” (Isaac Meulman) on front pastedown, with his device and motto, “Grijpt als 't rijpt.” Meulman, a 19th-century merchant collector in Amsterdam, gathered an extraordinary library of Dutch history and theology, much of which was purchased at his sale by the Evangelisch Luthersch Seminarium of his home city.

•  Pirenne, Bibliographie de l'histoire de Belgique, 1232.   19th-century quarter vellum and speckled paper–covered sides, spine with very neatly inked title, author, and date information; joints starting from head, sides rubbed/scuffed with corners bumped, spine with inked call number and light discolored patch from now-absent label at foot. Half-title with small inked numeral in lower margin; lower edges of closed book institutionally rubber-stamped. One leaf with short tear from outer margin, touching shouldernote without loss of text; four leaves with lower outer corners torn away, not affecting text. Some instances of light offsetting; scattered faint spotting confined almost entirely to upper and outer margins. Front pastedown with bookplate as above, speckled with old staining. A strong copy with a pleasing provenance.  (24980)

Provenance:  Private bookplate on pastedowns and ownership stamp of John Carter Brown on first leaf of preliminaries and elsewhere. On his death to his son John Nicholas Brown (1861–1900). On his death deeded to the John Carter Brown Library. Deaccessioned 2008.

•  Howes S200; Library Company, Afro-Americana, 9182; Sabin 77989.   19th-century half brown morocco and marbled paper–covered boards, spines with gilt-stamped titles and bands; moderately rubbed. Front pastedowns each with private bookplate of John Carter Brown as above, subsequently rubber-stamped by the library bearing his name (properly deaccessioned), title-pages each with faded early inked inscription (dated 1752 and 1753), sectional title-page of vol. I and first text page of vol. II each with Brown's red signature rubber-stamp. Lacking four maps and 58 plates. Scattered faint foxing and spotting, vol. II with lower portions of front endpapers and first few leaves waterstained, pages overall generally clean. Priced to reflect plate absences — but this is a worthwhile text, complete, solidly bound, and with an interesting association.  (29149)

The work is illustrated with a frontispiece portrait, a folding map of the coast of Greenland and part of the Arctic Circle, and five plates in color (notably “ice blue”) of snow flakes, ice floes, an atmospheric phenomenon, and two views of different parts of the Greenland coast.

•  Sabin 35452 & 78184.   Publisher's purple textured cloth, boards blind embossed and front one with a gilt center device; spine sunned; lettered in gilt. Top of spine with small loss of cloth and an excellent repair; one plate with a separated sliver of tissue-guard adhered to it. Ex–social club library: call number on endpaper, very light rubber- and pressure-stamp on title-page, pressure-stamp on another page, light rubber stamp on map, no other markings. A good++ copy.  (26822)

•  Publisher's green cloth, front cover with moose vignette stamped in brown, spine with brown- and black-stamped title and additional moose; rubbed, spots of soiling, spine sunned and with inked shelving number. Front pastedown with institutional bookplate (no other library markings); back pastedown with bookseller's small ticket. Pages clean. Still fun and you can still learn stuff.  (27088)

This is numbered copy 146 of 425 printed, signed at the colophon by the author and additionally inscribed by him to “Professor Harry” on the half-title.

•  Publisher's half tan cloth and orange paper–covered sides, front cover with design printed in black, spine with printed paper label; lacking the slipcase, binding with old smudges and areas of discoloration, front cover with small scrape, back outer edge with small dent. Minor offsetting from illustrations, pages otherwise clean.  (28213)

Click the images for enlargements.

Presentation copy:  Front free endpaper inscribed “Compliments of the Author. To Dr. Franklin Feb. 19th 1930.”

•  Starr, Baptist Bibliography, S2241.   Publisher's maroon cloth, front cover and spine with gilt-stamped title; insignificant wear to corners and spine extremities, foot of spine with small area of faint discoloration. Title-page institutionally pressure-stamped, dedication page with inked notation along inner margin and rubber-stamped numeral in lower margin. Back pastedown with traces of now-absent bookplate. Sewing starting to loosen. Pages and plates clean.  (26041)

George Him both illustrated and designed the book, and also signed the colophon. The book is heavily illustrated with a considerable number of black-and-white line-and-wash drawings and 14 full-page color illustrations which were hand-colored by the pochoir process at the studio of Walter Fischer. These drawings are both beautiful and witty. In one color plate, for example, we see a line of picketing Egyptian soldiers carrying placards reading, “Egypt for the Egyptians,” and “Caesar Go Home,” the latter appearing in “Egyptian Hieroglyphs”; in another plate, we are treated to a breathtaking scene of the library at Alexandria being consumed by fire; in yet another drawing, we see an amusing little rendering of Belzanor's description of a seven-armed wife-eating Roman soldier!

Him chose a monotype Plantin font for the text which was printed in Bloomfield, Connecticut, at the Sign of the Stone Book. The binding is full bright red “vellum book-cloth” stamped on the front with a double-eagle (one American, one Roman) design in gold, and stamped on the spine in black and gold leaf with a design of a Roman legionary standard bearing the title and the author's initials. The endpapers are “nugget-gold” Tweedweave.

This offering does not include the monthly newsletter or the mailing notice.

•  Limited Editions Club, Bibliography of the Fine Books Published by The Limited Editions Club, 1929–1985, 381.   A fine copy with the slipcase, which is covered in “nugget-gold” paper and stamped in black and gold. Slipcase showing traces of rubbing at top and bottom. A great treat for a Shaw-lover!   (21756)

Provenance:  Inside front wrapper with inked inscription reading “Isaac Gara his Book Bought in Lancaster, August the 23rd, 1827 by his Mother” (the recipient likely being the Hon. Isaac B. Gara [1821–95], journalist, philanthropist, and postmaster of Erie, PA).

•  Shoemaker 30586.   Sewn in publisher's printed paper wrappers as issued; spine starting to split from head and foot, front wrapper with minor bleedthrough from inscription. Inscription as above. Foxed, one leaf with short edge tears from upper margin. In fact a pleasing example of such a thing as it is and with a charming inscription.  (30229)

Click the images for enlargements.

Binding:  Publisher's brown cloth, front cover with black-stamped hunting scene and title framed in gilt, spine with gilt-stamped title.

•  Binding as above, corners and spine head lightly rubbed. Ex–social club library: call number on endpaper, rubber-stamp on title-page, no other markings. Pages clean.  (27113)

All images were drawn and etched by the author himself.

Provenance:  Front free endpaper with inked inscription of Fairman R. Furness, of the prominent Furness-Bullitt family. Title-page with earlier signature of “A.G. Findlay.”

•  Hill, Collection of Pacific Voyages, 1563; Howgego, Encyclopedia of Exploration, II, S42; Sabin 80483; NSTC 2S19683.   Contemporary half calf and marbled paper–covered sides, spine with gilt-stamped leather title-label; binding rubbed and abraded overall, spine head and label chipped. Front pastedown with small booklplate bearing no name; ownership inscriptions as above. Lower outer corner of title-page torn away; list of Briton officers with small tear repaired some time ago, tissue now lifting from repair. Pages and plates browned at edges with moderate spotting, staining, and dust-soiling; four pages with ink blurred from press. A fascinating book, an interesting copy.  (28374)

Harold Lamb wrote the introduction. Of the author's attention to the minutiae of daily life in the Rome of A.D. 63–66 he writes, “The city itself appears in exact historical detail. Praetorians idling at their posts pass the time with their favorite dice games; girl attendants at Petronius' bath finish their duties punctiliously and break away to their own diversions as soon as the door curtain falls behind the master. Sienkiewicz knows how the dishes, including blackbirds, were prepared for a nobleman's feast; he knows what the oriental dancers wore on their heads and what the priests of Cybele carried in their hands, and what you see when you round a corner of the Vicus Sceleratus.”

Salvatore Fiume created the 35 drawings which were reproduced in three-tone process and mounted by hand. Giovanni Madersteig designed this edition, which is limited to 1500 copies, choosing a monotype Old Face font; the composition and printing of the text and illustrations was done by Madersteing at the Officina Bodoni in Verona.

The binding is full natural linen printed, in grey-blue, with an overall pattern derived from an old wood engraving. The signatures of Salvatore Fiume and Giovanni Madersteig appear on the colophon.

•  Limited Editions Club, Bibliography of the Fine Books Published by The Limited Editions Club, 1929–1985, 302.   In the original slipcase, spine sunned with a long closed crack to paper and paper cracked/chipped; case good overall. Book with spine lightly faded and rear pastedown with small gold bookseller's label; volume in the original dust jacket (spine sunned to darker than sides are); near fine.  (22293)

ten oversized, folding maps

•  Sabin 81135; Howes S461; American Imprints 44-5635.   Publisher's plain paper–covered boards, recently rebacked with olive green cloth, spine with new antiqued printed paper label; paper rubbed and stained. Hinges (inside) reinforced. Ex–social club library: 19th-century bookplate, call number on endpaper, pressure-stamp on title-page and sectional title, no other markings. All leaves affected by an unusual sort of very light and remarkably even waterstaining that left the upper outer corners (only) untouched and even bright, with a variously wavy line of light to moderate brown marking the “border”; otherwise a few other pages with other soiling or staining; one page with smudge of green ink, touching but not obscuring text; one leaf with short tear from upper margin, not extending into text; and a bit of cockling. An excellent example of a good book that has suffered accidents but also is “better than it sounds.”  (29420)

This copy bears an inked dedication to “Marian” (Marianne Case, also addressed as “Mary”), dated 1853.

•  Not in Faxon.   Publisher's red sheep in imitation of morocco, covers framed in gilt double fillets surrounding a blind roll inner border incorporating blind-tooled corner fleurons; central title gilt-stamped on front cover and blind-stamped on back; worn and rubbed overall, with spine leather lost and hinges (inside) tender. Back free endpaper lacking; one guard leaf mostly torn away. Some colored leaves faded; incidents of foxing varying from mild to moderate.  (26148)

This copy matches the copy described in the catalogue of the American Antiquarian Society that is dated as having been printed in 1867.

•  Series not in Sternick.   Publisher's red paper wrappers adhered to oiled linen. Front cover printed in black andgilt with series, publisher, and title information composed to complement a vignette and within a frame; back cover with publisher's list. Spine rubbed, back wrapper with short edge tear to paper (apparently done before the paper was affixed to the final cloth leaf); top line of front wrapper (“INDESTRUCTIBLE”) shaved but readable (and is it just us or is that funny?). Pages slightly darkened, otherwise clean.  (29587)

Click the images for enlargements.

Original edition, not a modern reprint.

•  Publisher's oxblood cloth, covers decoratively stamped in black, spine black- and gilt-stamped; corners and spine extremities rubbed, sides with small areas of minor discoloration, spine sunned with paper shelving label at head, a little cocked. Ex–social club library: call number on endpapers, rubber-stamp on title-page and four others. Final blank leaf excised. Clean, sound for use.  (27367)

An appendix of examples of Hottentot and Caffre language is also supplied.

The engraved plates include illustrations of a rhinoceros, a hippopotamus, dwarf mice, and Hottentot weaponry, as well as an oversized folding landscape and a map of the territory covered by the author.

•  ESTC T131019. Recently rebound in quarter calf over marbled paper sides, spines with gilt-stamped title labels. Title-page and two others of vol. I stamped by a now-defunct institution; one page with outer margin reinforced. Small hole to map. Title-page of vol. II with topmost left portion of title repaired and replaced in facsimile; title-page and five others stamped. Pagination skips in vol. II from 136 to 139. A few minor spots of foxing to plates; one plate with short edge tear carefully repaired.

An epitome of the “antiquarian” both in form and content, this is a marvelous compendium of royal history and lore.

•  Richmond, Shaker Literature, I, 236; Western Reserve Historical Society Shaker Collection no. 200.   Original fold visible but pamphlet now housed opened flat, in a mylar sleeve; one corner faintly discolored, one page with a small faint spot.  (27509)

•  Evans 27743; Howes S-999; Sabin 91742; Trumbull, Connecticut, 1425.   Period-style quarter calf with marbled paper–covered sides, spine with gilt-stamped leather title and author labels and blind-tooled floral decorations in compartments. Previous owner's signature on the title-page. Rubber-stamps of the Mercantile Library, and inked marks and underlining inside, with scattered marginalia. Frontispiece portrait lacking, with eight plates (three of which are fold-out) present; each of the three folding plates with a split along one fold. Occasional marginal tears and small chips to corners; waterstaining and foxing, yet paper strong and reading easy.  (3996)

The two volumes are illustrated with six steel-engraved portraits, an oversized representation of the “Talk with the Indians at Buffalo Creek in 1793,” and an oversized, folding map.

Brant had famously translated the Book of Common Prayer into Mohawk; in 1784, he led his tribe into Canada to live by the Grand River north of Lake Erie.

•  American Imprints 53125; Howes S1040; Sabin 92139.   Olive-brown cloth, covers framed in blind, spines with gilt-stamped title; vol. II in publisher's original binding and vol. I in recent reproduction of same (vol. I shorter than vol. II; vol. II with extremities rubbed, back cover discolored, back joint repaired and front joint starting). Ex–social club library: 19th-century bookplates, rubber-stamp on each engraved title-page, pressure-stamp on each printed title-page, no other markings. Vol. I: Several early and a few subsequent pages with faint spotting; ten leaves with inner margins waterstained and subsequently slightly fragile, one with resulting tear extending into text without loss. Vol. II: some early outer margins waterstained. Folding plate with short tear from inner margin, touching image without loss. A more than serviceable copy of an essential work of American history, priced to reflect its previous service.  (29415)