•  Brunet, V, 115; De Backer-Sommervogel, VII, 532; Englisch, Der erotischen literatur, 145; Palau 294482. Contemporary alum-tawed pigskin, tooled in blind, spine with inked title; binding darkened and scuffed, with clasps now lacking and with leather torn over head and foot of spine (lacking at foot, with underlying vellum showing). Title-page with inked ownership inscriptions dated 1715, later institutional stamp in lower margin, and faint shadows of pencilled notations; front pastedown and one text page also with institutional stamps. Small spots of worming to lower margins of a number of leaves. Pages age-toned, with some instances of marginalia and underlining in early inked hands and occasionally in pencil (a handful of leaves in part III extensively annotated within text); a few spots of foxing, and one leaf with paper flaws partially obscuring a few letters. A big, solid volume.

This is one of the landmark cases of English constitutional history

Click the images for enlargement.

The volume opens with a copper-engraved portrait of the seven bishops: Sancroft, Thomas Ken, John Lake, William Lloyd, Jonathan Trelawny, Francis Turner, and Thomas White.

•  ESTC T103539.   Contemporary speckled calf, framed and panelled in blind with blind-tooled corner fleurons and contrasting panel of plain calf, edges and corners rubbed; recently rebacked with complementary speckled calf, spine with raised bands. Pages age-toned with some light spotting. Some corners bumped in use and one leaf a bit crumpled in the press; complete with the handsome frontispiece.  (26524)

Click the images for enlargements.

•  Publisher's blue cloth, front cover and spine with gilt-stamped title; edges and extremities lightly worn, spine darkened, evidence of something round once set on cover, scattered small spots of light discoloration. Interior clean and nice. (26682)

The title-page here has a most striking xylographic printer's device depicting a man looking up at the moon. The work is also decorated with a number of handsome, rather unusual woodcut historiated initials and headpieces. The text is in italic and roman with sidenotes.

Provenance: “D.M. Armstrong / Venice 1872.”

•  Not in Adams. Limp vellum with indications of lost ties; soiled, stained, and cockled with some holing (a natural hole in the vellum of the rear cover is repaired by sewing). Front fly-leaves with some holing and chipping, partially repaired with paper. Pages lightly waterstained and cockled with some shallow dog-earing, a little shallow tattering, and some browning and soiling, usually on the edges. Inked ownership inscription on front fly-leaf.

•  Brown, Culinary Americana, 1955 (for 1927 ed.).   Publisher's orange buckram-covered boards inoriginal pictorial dust jacket showing a clearly very fortunate family at table; spine very slightly sunned, front upper edge faintly dust-soiled, jacket with spine sunned and back panel moderately soiled, tear (with some resulting creasing) to upper portion of front panel and small nicks to spine extremities. Pages gently age-toned, otherwise clean.  (30179)

The title-page here is printed in red and black with an ornament signed “FH Inc[isit]”; the volume bears delicate head- and tailpieces and one elaborate initial embellished with ink by an early hand, whilethe engraved frontispiece features a bust of Sappho surrounded by ancient coins carrying her image and others related to Mytilene. The text is in roman and italic, the Greek and Latin appearing on opposing pages with copious notes filling the lower half of most. (A reissue of the Hamburg sheets was printed at London with a new title-page the same year, and issued anew with Wolf's Poetriarum octo the following year.)

Provenance:  Signature of Michael Wodhull (1740–1816), distinguished translator of Euripides and a dedicated book collector, dated 19 Nov. 1764; undated ink inscription to title-page of a Dr. Fernär(?); “Payne's sale” and other bookseller's notes in a 19th-century hand; late 19th-century bookplate of William E. Challinor.

Evidence of readership: “Nov: 7. 1766.” written in ink on p. 225 (the last of the text of the Carmina, before notes and fragments).

•  ESTC T47075 & Schweiger, I, 285 (the London reissue); Graesse, VI, 270 (“Londini” with note “d'autres ex. portent la rubrique Hamburgi”).   18th-century brown calf rebacked in mottled leather with gilt-lettered spine label and corners restored; board extremities rubbed and chipping, the old leather darkened where it meets the new. Paper variously age-toned; otherwise clean save for some minor foxing, some light upper-marginal and cross-corner old dampstaining, and the odd old spot or stain only. Small tear at the outer margin of one leaf and a nick in the top margin of another.  (29827)

A famous work of medical Western Americana.

Provenance:  Bookplate (late 19th-, early 20th-century) of “H.P. Engle, M.D.”, probably the Iowan of that name.

•  Sabin 76909; Cushing S73; Heirs of Hippocrates 1321; Cordasco 40-1154.   Publisher's sheep: worn, joints open and boards soon to detach. Foxing as usual. Now with a paper dust wrapper, image of the title-page gracing its front, and housed in a red cloth clamshell case with two neat leather spine labels.  (25101)

The front cover's multi-layer diorama features a sailing ship, a curious fish, and an unhappy sailor overboard, all behind a mesh overlay and moveable via a turning “wheel of rocks.” Inside, Alice's head bobs upwards on an extending neck, the fish footman bears a real folded paper invitation, and the Mad Hatter tips his hat; Jim's brightly colored treasure map can be unfolded and perused, the apples in his barrel can be slid aside to reveal his hiding place, and a sack of pirate booty lies in wait for the taking; Rip Van Winkle catches a fish with your aid in pulling the string, flies the American flag, and in the final cutaway diorama, drinks ale with a revolving cast of characters.

All “extras” are present (including the often-absent balloon face), and all moving parts work.

Provenance:  Front pastedown presentation page inscribed to Allen Pitts Wiegand with love from Mom.

•  Publisher's printed paper–covered box-style binding, spine with printed cloth overlay; mild shelfwear overall, edges rubbed with a few small edge chips, front cover with small tear to paper over mesh cutout and one at edge of wheel cutout, back cover with lower inside corner partially pushed in resulting in split along back joint. Pages clean; some of the removable items with light spots of foxing. Small bit of paper overlying wheel edge in final diorama partially detached (but still present). Presentation inscription as above. Despite minor issues listed above, no childish hands ever mauled or discolored this movable treasure, and overall it is in remarkable condition for a piece of this nature.A real box of wonders!  (30233)

illustrated with eight steel-engraved plates

Written by a New Hampshire-born poet and educator and published by subscription, this work was originally printed in 1883 as Our Home; Or the Key to a Nobler Life; it appears here in significantly expanded form with contributions from several ministers and one physician. The wide-ranging volume includes the advice to always send your little child to bed happy (“give the dear child a warm good-night kiss as it goes to its pillow,” p. 67), and to spare the rod and develop the child's conscience and sense of honor instead. It also covers the necessity of education and equality of professional opportunity for girls and women, and offers recommendations to smile often in the home, permit only good reading materials, pursue music, provide guidance in maintaining correspondences and friendships, model Christian values and religious observance, encourage fresh air and exercise, avoid alcohol and tobacco, etc.

Binding: Publisher's dark green cloth, front cover with “silver”-stamped decorative frame and red- and “silver”-stamped “Our Home” heart design in center; spine with decorative red and “silver” title. All edges bright red.

•  “Silver” stamping and extremities showing slight rubbing, front cover with a few small, unobtrusive spots of staining. Front hinge (inside) tender from the weight of this hefty work, but holding. Pages clean; a few leaves with small nick to upper edge. A pleasing example of a tenderly appealing portrayal of domestic joys.  (30304)

Paul Hogarth's eight full-page watercolors and over a dozen black-and-white vignettes vividly illustrate the bomb-churned landscape of no-man's land, the explosions of rifle and gunfire, and the irony of well-fed generals enjoying life behind the lines. Dennis J. Grastorf designed the book using a 12-point Baskerville font with two points leading space in between the lines. The binding is a natural-tone rough linen, stamped in black on each cover with a bugle design. David Daiches wrote the introduction.

This edition is limited to 2,000 copies and this offering includes the monthly newsletter. The colophon is signed by the artist.

•  Limited Editions Club, Bibliography of the Fine Books Published by The Limited Editions Club, 1929–1985, 519.   Binding as above; slipcase with two short scratches on back. Fine, in a fine slipcase.  (22078)

Provenance: Charles Spencer, Third Earl of Sunderland, lot 8432 in the Sunderland Library sale (1882).

•  On Saumaise, see: New Catholic Encyclopedia, XII, 988–89. On Petau, see: New Catholic Encyclopedia, XI, 199–200. Vellum over paste boards. Ex-library with paper labels on spine and pressure-stamps, yet a copy notably clean, bright, and even crisp; perhaps a half-dozen leaves sometime exposed to a small spill(?) lightly marking lower outer corner-tips. All edges speckled red.

Marks of readership: Sparse underlining, a couple annotations, and manicules, all in early ink.

•  Adams S469; CNCE 23210; Sander 6767; Essling 1465; Giovannozzi no. 27; D. Weinstein, “Il Manuale per confessori del Savonarola,” in Memorie Domenicane, N. 29 (1998), pp. 21–38.   20th-century patterned paper–covered boards, faded blue edges (with a few marginal stains from the blue paint); trimmed close, especially at foot. Repairs to first and final leaves affecting one word in the title and a few letters in the letter to the editor; small tear to one leaf's upper margin crossing headline without loss; final quire with most leaves repaired at gutter and two at the top inner margin; leaves 92 to end with both a very small semicircular area of insect-gnawing to fore-edges and a modest brown stain in the upper outer corners not affecting text. A good, evocative little book.  (27049)

The tense political atmosphere in Florence after Savonarola's death prevented Violi from publishing the collection for nearly a decade (although he did issue five of the sermons individually while Savonarola was still alive). This, the fourth edition, was edited by Giovanni Brasavola, and dedicated to the Duke of Ferrara and Queen Isabella of Aragon.

The text is in Italian with scriptural references in Latin, printed in roman character in single-column format, occasionally narrowing on the page into center-justified conclusions; the volume's good sprinkling of historiated and decorated woodcut initials are more than usually lively, and the woodcut on the title-page fittingly shows Savonarola preaching to a large crowd with one listener writing — being the same woodcut used by B. & O. Scoto in 1539, their device appearing here in the center of the pulpit.

Marks of readership: Occasional marginal annotations and some underlining in early ink.

•  Ginori Conti, I, 65; Giovannozzi, 211; Essling, III, 105; Sander, note to 6829. Not in Adams.   20th-century binding with yapp edges using an 18th-century piece of vellum from an antiphonal (age-toned and lightly rubbed); marginal notes often shaved, sense however generally intact; lacks final blank (only). Occasional slim, short instances of worming, good repairs at one corner of title-page (affecting one letter) and same to following two leaves; one other leaf neatly repaired at gutter; a very few spots and rather neat inkblots. Very good+.  (27054)

This book is “around” in libraries; ISTC locates 12 U.S. copies.But on the market, it is a different story!

•  Goff S222; H 14436; HC(+ Add) 14439; Audin 126; CIBN S-107; IGI 8739; Sallander 2430; Pr 6361; BMC, VI, 684; GKW M40472; ISTC is00222000.   20th-century grey boards, lightly discolored, with caramel-color leather label on front one. Text very clean.  (27042)

In his address to the reader, Gianotti explains he translated the text into volgare out of charity, to accommodate the common reader (“alla moltitudine degli ignoranti che alla paucita de dotti,” f. +v). A note above the colophon acknowledges the assistance of Padre Fra Girolamo Armenino da Faenza, an inquisitor in Lombardy, in bringing the work to light. The whole is dedicated to a Doctor of Law Bartolomeo and the Florentine Francesco Gualterotti, then serving in the Venetian Senate.

A table at the front outlines the sermons, and an epilogue summarizes the contents for the “fatigued” reader.

The text is printed in roman, double-column format, introduced by a famous woodcut of Savonarola seated to the right of a desk in his cell crammed with books and an hourglass, writing, beneath a crucifix and a barred window. The decorative scheme continues with one large woodblock initial of three putti starting the dedication, three large handsome criblé woodcut initials at the beginning of major sections, and small floriated initials and block capitals throughout.

Evidence of readership: Ink manuscript ottava about isolation and redemption in an early, neat hand below the colophon.

•  Adams S513 (also lacking final blank); Brunet, V, 160; Essling, III, 102; Sander 6834; Giovannozzi 156; Ginori Conti n.6 (title-page woodcut reproduced, Tav. I a); Catalogo della collezione Guicciardiniana della Bib. Nazionale Centrale di Firenze, p. 299; EDIT16, CNCE 39132.   20th-century vellum over paste boards, yapp edges and striking marbled endpapers, very clean; spine with black leather label and modest gilt ruling, place and date gilt directly on spine. Lacks final blank; small hole and one tattered corner to title-page, scattered foxing and stains, some from early candle wax. Two old place markers laid in.  (27053)

Also present is a printing of his Regulae septem ad omnes religiosos, a brief and strict rule for priests, friars, and brothers wishing to live a proper life.

Title-page in roman type and with a large woodcut of Savonarola in his cell writing (Savonarola on the left, window without bars). The text is printed in gothic with three large woodcut initials. The printer's large, handsome device appears below the colophon.

“Novissime cum textuu[m] annotationibus omnia diligenter recognita.”

•  Adams S493; Essling 1464; Giovannozzi 120.   20th-century vellum over light paste boards, old style. Top margin of verso of title-page with small paper repair. Brown stain in in lower part of some leaves but not all; into text on most affected leaves but not all. Lacks final blank (only). Good+.  (27052)

Savonarola wrote this painful document in prison, completing it on or before 8 May 1498. Significantlyone of the most widely read and reprinted of Savonarola's works, it was in its original Latin version immediately distributed in Florence and quickly translated into Italian, this particularly early version at the instance of “certain devoted women” (our translation, f. [1]r). Indeed Giovannozzi lists a total of 32 printings in four languages from 1498 to 1581, ISTC noting of this one that it is “printed in a later state of the type associated with the Printer of the Caccia di Belfiore, who is identified as Lorenzo Morgiani and Johannes Petri by A. Tura, in La Bibliofilia 101 (1999) pp.1–16.” A neat, handsome incunable production.

Provenance:  Probably from Lathrop C. Harper (its binding style, see below).

ISTC locates 8 copies in libraries in the U.S., 5 in Britain, 15 on the Continent, and 1 in Australia.

•  Goff S216; BMC, VI 695; IGI 8737; ISTC is00216000; HR 14428; HC 14429?; Audin 145; CIBN S-104; GKW M40538; Pr 6305; Giovannozzi 104 (“S.n.t [sec. XV]”); Ridolfi, I, 389, & II, 220.   20th-century grey boards, lightly discolored, with caramel-color leather label on front board. Text very clean.  (27045)

In contrast to Savonarola's formal treatises, “you have here, Reader, [Girolamo's] genuine mirror . . . in which you may observe his countenance and your own” (cataloguer's translation, f. a3v) — a letter to his father on deciding to join the Order, one to the Countess della Mandorla upon her entering a convent, another to the Sisters of Santa Lena, a handful to his brethren at San Marco, and one to a Bolognese woman on communion.

The editor/translator Jacques Quétif (1618–98), a Dominican priest working chez Louis Billaine in Paris, produced a variety of Latin translations from original Tuscan texts. He brought forth this collection of letters hitherto unedited in France as an augmentation to his two-volume Vita . . . Savonarolae (1674), introducing each one with a few contextualizing lines and sometimes giving additional remarks about his Latin translations “ex Ethrusca.” All but the first three epistolae (in Latin only) appear in both languages, with the original (Tuscan) Italian on the verso and Latin (printed in italic) on the recto of each opening.

The privilege, dated 18 December 1673, grants rights to Billaine (d. 1681) and Sebastien Mabre-Cramoisy (1642–87), then director of the Royal Imprimerie.

Scattered woodcut ornaments embellish some pages. A list of errata appears early (a4) and two tables of contents, in Latin and Italian (pp. 275–80), appear at the close.

•  B. Montagnes OP, “Éditions et éditeurs de Savonarole dans la France d'Ancien Régime,” in Archivium fratrum praedicatorum, LXXV, pp. 159-178. On Savonarola's life and works, see: Villari, The History of Girolamo Savonarola (1863), and H. Lucas, Fra Girolamo Savonarola: A Biographical Study, p. xviii.   Contemporary calf, rebacked early on with spine very nicely gilt extra; corners of boards worn through. Title-page restored by leaf-casting and a small tear at the outer margin repaired, f. g3 with tear at outer margin breaking into text without loss, and limited crescent of very light waterstaining to upper margin of some leaves, the interior otherwise clean and very good. All edges speckled red.  (27057)

Of this work there exist two redactions, both published posthumously: One incomplete in three books (Venice 1537), and this, complete in seven. Savonarola probably composed these consolations ca. 1497 (see Giovannozzi) — the year he was excommunicated, and one year prior to his public burning at the stake in Florence.

Printed in roman type, 23 lines in single-column format, with side- and shouldernotes and with woodcut initials at the beginning of each book, this bears on its title-page a woodcut printer's device of a phoenix in flames facing the sun. Errata are printed on the recto of the final leaf.

•  Not in Adams. Giovannozzi 223; Ridolfi, Vita, I, 313, and II, 193; Catalogo della collezione Guicciardiniana della Bib. Nazionale Centrale di Firenze, Suppl. III, p. 41; CNCE 47754.   20th-century vellum, a bit sprung, with remnant of an old paper shelf label at base; lacks final blank (only). Light brown stain in upper part of last two leaves and even lighter old staining elsewhere; otherwise, the odd spot only. Very good.  (27059)

The Vatican Incunabula catalogue notes that this commentary was, “In fact written after Savonarola's death, probably by the Dominican Simone (or Placido) Cinozzi”; ISTC adds, “The Dominicans ordered an enquiry into its authorship and publication on 24 May 1499.” Placido (Lorenzo) Cinozzi (1464–1503) is famous for his Epistola of 1501–03, considered the earliest extant biography of Savonarola; he first heard Savonarola preach at San Lorenzo in 1484 and later knew him at San Marco, where Cinozzi joined the Dominican order in 1496.

Evidence of readership: Early ink manicule in the margin of f. 3v, pointing to a passage beseeching God to free His people, who are in great danger; and some letters finished with the same ink (ff. 3v–4r).

Provenance:  Probably from Lathrop C. Harper (its binding style, see below).

ISTC locates five copies in libraries in the U.S., two in Britain, and ten on the Continent.

•  Adams S485 (“c. 1501”); Goff S203; HCR 14410; H14409?; CIBN S-151 (“about 1500”); IGI, VI, 131 (“after 1500”); Audin 128; Pr 6453; BMC, VII, 1209; GKW M40467; ISTC is00203000; Proctor 6453; Isaac 13494; Bibliothecae Apostolicae Vaticanae, Incunabula, III, S-120 (see above); C. Olschki, “Un codice savonaroliano sconosciuto,” in La Bibliofilia 23 (1921), pp. 154–65, at p. 163; R. Ridolfi, Vita, II, p. 669, n. 22 (“about 15 May 1499”); Walsh 3035e. On Cinozzi, see: Dizionario Biografico degli Italiani online.  20th-century grey boards, lightly discolored, with caramel-color leather label on front board, and blue edges; rectangle of offsetting to paper of back cover, probably from a similar label on a similar book once this one's neighbor! Text very clean.  (27040)

The text here is divided into sections for each letter of the Hebrew alphabet, followed by a guide to Hebrew abbreviations; an index of classical authors; and a comprehensive Latin index to the defined words, which are described in the text in Hebrew and Latin. The whole is printed in Hebrew, roman, and italic type, double-column, with intricate head- and tailpieces, ornaments, and initials in floriated, historiated, and factotum frames.

Provenance:  Early ownership inscription of Gervüin Pûtre ( or Pêctre?), front pastedown.

•  VD17 1:051625M; Vancil, Cordell Collection, 216; Zaunmüller 345 & Graesse, VI, 305 (Hanover issue). On Semitic-language dictionaries, see S. Segert, “The Use of Comparative Semitic Material in Hebrew Lexicography,” in Semitic Studies in Honor of Wolf Leslau, vol. II, ed. A.S. Kaye.   Contemporary speckled calf, spine gilt extra with raised bands, gilt morocco and manuscript paper labels, red speckled edges; joints cracking, free endpapers gone with early and late leaves creased and attachment of first ones affected, corners bumped and leather scuffed with some loss (sewing exposed at spine top).. Ex-library with old seminary pressure-stamp to title-leaf, this mostly detached and with print along that edge touched on both sides. Variously, waterstaining and browning; very mild worming, eye-catching on perhaps six leaves only; small marginal tears; a few ink and other splotches.  (30286)

Schlichtingius left his opus in the care of his sons and two friends, John Preussis and Stanislaüs Lubieniecius: In the preface to this volume, the latter discusses his life and work including his exile from Warsaw in 1647 and imprisonment in 1660. Three copious indices to scriptural sources and references within the text close the collection. Woodcut devices grace the sectional titles; refined tailpieces and large initials against a floriated background decorate the volume throughout. There is scattered Greek type.

Provenance:  Early inscription “Middeldorpf” on front flyleaf; bookplate and stamp of Rochester Theological Seminary (later the Colgate Rochester Crozer Divinity School). Deaccessioned 2005.

Evidence of readership: Sparse contemporary ink annotations; underlining throughout, heavy in quires A–C, K, M, Eee, et alibi.

First edition: Published as the seventh and eighth volumes in a series of nine, comprising the Bibliotheca fratrum polonorum (1665–68, and a supplement in 1692).

•  Knijff & Visser, Bibliographia sociniana, 2003 (for Bib. fratrum polonorum, see 2001–2011); STCN Bock I: 770, 823; Wallace, Antitrinitarian Biography, 209.   Contemporary northern-European style vellum over boards ruled in blind, panels with blind-stamped central cartouches, blue speckled edges and evidence of ties; old spotting and soiling with joints (outside) partially open but binding sound. Ex-library as above: Bookplate on front pastedown, stamp to title-page (only), old library sticker to spine. Some dust-soiling and foxing, small tears, and small holes, plus a few natural paper flaws; contemporary inkstains on three or four leaves (one causing a hole at R4). A strong, interesting copy.  (29296)

Very uncommon. OCLC and ESTC report only one holding, at Stanford.

•  Original printed boards, worn, paper almost entirely lost over spine. Without endpapers, apparently as bound. Sewing loosening, with several leaves separated. Scattered spots of mild foxing. Despite faults noted, a charmer.

Different readers will of course have different favorites; one PRB&Mer's is the poem on Van Buren, beginning, “A panic wild has seized our glorious land!” and moving to its denoument with that president couch[ing his] lance anent / Commercial Ruin, who on the field is slain.”

•  Publisher's blue cloth with all edges rose; gilt-stamped title on front cover and spine, blind-stamped American eagle on front cover; spine very slightly darkened, extremities a bit rubbed, back cover with spots of light discoloration. A solid, clean copy, better-looking than above description might imply.  (26694)

A collection of relevant letters and documents in Latin and Dutch (“Tablinum dat is: Brieven ende documenten, dienende tot de Friesche historie”) is appended at the back. The volume is attractively printed in double columns (primarily black-letter), with an engraved title-page, 16 engraved portraits of Classical, medieval, and Renaissance figures, and a striking, full-page engraved coat of arms as well as decorative capitals and head- and tailpieces.

Moderately uncommon in libraries, with OCLC and NUC Pre-1956 locating only ten U.S. holdings (one of which has been deaccessioned), this is quite uncommon on the market.

Provenance:  Bookplate of “I.M.” (Isaac Meulman) on front pastedown, with his device and motto, “Grijpt als 't rijpt.” Meulman, a 19th-century merchant collector in Amsterdam, gathered an extraordinary library of Dutch history and theology, much of which was purchased at his sale by the Evangelisch Luthersch Seminarium of his home city.

•  Pirenne, Bibliographie de l'histoire de Belgique, 1232.   19th-century quarter vellum and speckled paper–covered sides, spine with very neatly inked title, author, and date information; joints starting from head, sides rubbed/scuffed with corners bumped, spine with inked call number and light discolored patch from now-absent label at foot. Half-title with small inked numeral in lower margin; lower edges of closed book institutionally rubber-stamped. One leaf with short tear from outer margin, touching shouldernote without loss of text; four leaves with lower outer corners torn away, not affecting text. Some instances of light offsetting; scattered faint spotting confined almost entirely to upper and outer margins. Front pastedown with bookplate as above, speckled with old staining. A strong copy with a pleasing provenance.  (24980)

Uncommon.  OCLC locates only five copies in the U.S., of which one has been deaccessioned.

•  Recent boards covered with German-style brown paper specked with black; paper label on front cover. Paper a little cockled on back cover. Old shelving numbers on verso of title-page and a four-digit number inked in lower margin of leaf A1; few dog-ears and one pencilled note.  (24768)

Uncommon.  Searches of OCLC, RLIN, and NUC Pre-1956 locate only three copies in U.S. libraries.

•  Goedeke, Grundriss zur Geschichte der deutschen Dichtung (for first ed.). 19th-century quarter morocco (refurbished) over paper-covered sides, spine with gilt-stamped title; edges of paper sides rubbed. Front pastedown with bookseller’s ticket from B. Westermann & Co. of New York, private collector’s 19th-century bookplate, and institutional stamp (no other markings). Small repaired hole to title-page, with four letters unobtrusively replaced. Foxed, with a few corners crumpled or dog-eared. One engraved plate from another work laid in. A pleasant, we would say “atmospheric” little volume.

Provenance:  Private bookplate on pastedowns and ownership stamp of John Carter Brown on first leaf of preliminaries and elsewhere. On his death to his son John Nicholas Brown (1861–1900). On his death deeded to the John Carter Brown Library. Deaccessioned 2008.

•  Howes S200; Library Company, Afro-Americana, 9182; Sabin 77989.   19th-century half brown morocco and marbled paper–covered boards, spines with gilt-stamped titles and bands; moderately rubbed. Front pastedowns each with private bookplate of John Carter Brown as above, subsequently rubber-stamped by the library bearing his name (properly deaccessioned), title-pages each with faded early inked inscription (dated 1752 and 1753), sectional title-page of vol. I and first text page of vol. II each with Brown's red signature rubber-stamp. Lacking four maps and 58 plates. Scattered faint foxing and spotting, vol. II with lower portions of front endpapers and first few leaves waterstained, pages overall generally clean. Priced to reflect plate absences — but this is a worthwhile text, complete, solidly bound, and with an interesting association.  (29149)

Binding:  Full speckled sheep, four raised bands; tooled in blind using rules and a rope-design roll. Binding attributed to Philadelphia-area binder Christopher Hoffman, who was both a Schwenckfelder minister and a binder!

Provenance:  “To Isaac Jeackle in Herreford 1791" on front fly-leaf. Hereford is in Berks County, Pennsylvania.

•  On Hoffman as a binder with an illustration of a nearly identical binding, see: Maser, Bookbinding in America, 15.   Binding as above, chip to bottom of front joint; old library rubber-stamp on front pastedown and to title-page verso, with a bit of old pencilling. Without the half-title and pp. 465–68; title-page with short closed tear along gutter. Paper with the usual age-toning/foxing, but untattered. All edges heavily sprinkled red.  (28536)

Schwarz critiques Protestant authors, such as Grotius, Puffendorf, Heineccius, and Thomasius, and other writers on these subjects, pointing out where they agree with and where they differ from Catholic teaching.

He first published his Institutiones juris in 1741, and, according to DeBacker-Sommervogel, this is the third of six editions. Present here are parts 1 and 2 of 4, in which, however, all the matters above listed are discussed. This edition is printed with the title-page in red and black, a woodcut headpiece and tailpieces, and a plethora of side- and footnotes.

Provenance: Inked inscription on title-page, "Rodriguez de Arellano."

•  DeBacker-Sommervogel, VII, 948. Limp vellum with remnants of ties; spine with inked title. Scattered spots of staining to spine and rear cover. Pp. 41–42 of the first series of pagination has a large chip out of the upper outer corner with loss of page numbers but no text. Pp. 155–56 has a tear in the outer margin, not touching text. Occasional worming in the outer margins, not touching text. Scattered age-spotting; a few occasions of light waterstaining in the outer margins. (3439)

The correspondence was printed in roman type with some italic, in this Zweibrücken imprint. Heinrich's life of his father, which occupies the first 16 leaves following the main text, is entirely in italic type.

Provenance:  Ownership inscription on title-page of “D. Fr. Gothold Dürr 1773.”

Rare outside of Germany: We locate only one copy in a U.S. library.

•  VD16 S4757.   Full dark walnut modern calf old style: Spine with raised bands accented with gilt beading and blind rules, the latter extending onto covers to terminate in trefoils; title in gilt in one spine compartment and date in gilt at base of spine. Blind double fillets framing covers and with blind-tooled devices in the corners of the covers; a center panel on each cover with a cross-hatched diamond pattern in blind. 18th- century ownership note and a few other marks to title-page, with extended old note on front free endpaper opposite. Uniform age-toning, and all edges red.  (25822)

the author

Provenance:  Ownership inscription in ink of J.F. Vandevelde(?), verso of front fly-leaf; signature of Howard Osgood on title-page.

•  VD16 S 4832; Adams S-746. On the Schwenckfelders, see: NCE, XII, 1189.   19th-century speckled boards, old hand-lettered paper spine label, red speckled edges; joints repaired, boards bumped and rubbed at extremities. Text block trimmed close, with mild stains including light foxing, age-toning, and occasional waterstains; pressure-stamp of a seminary to title-page; inscriptions as above, with annotations and underlining in early ink.  (29590)

The work is illustrated with a frontispiece portrait, a folding map of the coast of Greenland and part of the Arctic Circle, and five plates in color (notably “ice blue”) of snow flakes, ice floes, an atmospheric phenomenon, and two views of different parts of the Greenland coast.

•  Sabin 35452 & 78184.   Publisher's purple textured cloth, boards blind embossed and front one with a gilt center device; spine sunned; lettered in gilt. Top of spine with small loss of cloth and an excellent repair; one plate with a separated sliver of tissue-guard adhered to it. Ex–social club library: call number on endpaper, very light rubber- and pressure-stamp on title-page, pressure-stamp on another page, light rubber stamp on map, no other markings. A good++ copy.  (26822)

•  Blue Lights: Wegelin 1132; Shaw & Shoemaker 42070. Vision: Shaw & Shoemaker 23893. Patriotic Effusions: Wegelin 1045; Shaw & Shoemaker 48509. Waterloo: Shaw & Shoemaker 35871. Letters: Shaw & Shoemaker 23699. Contemporary sheep, covers framed in single gilt roll, spine with gilt-stamped leather title-label and gilt-stamped decorative bands; binding a little rubbed at joints and extremities. Front pastedown with early inked ownership inscription; free endpapers excised. Trimmed closely, in occasional instances just touching outermost letters. Some age-toning and spotting; one leaf with ink stain not obscuring text, two leaves with tears from outer margins extending into text. Intermittent pencilled underlining and small marks. Pp. 49–56 of Letters bound in at end.

NO U.S. editions in NCBEL.

•  Shoemaker 26032; NSTC 2S9985. No U.S. editions in NCBEL.   Period-style quarter tan cloth and light blue paper–covered sides, spine with printed paper label. Ex–social club library: pressure-stamp on title-pages and one other page, no other markings. One leaf with short tear from lower margin, not touching text; one leaf with tear from outer margin extending into text, without loss; two leaves with lower outer corners torn away. Occasional small spots of staining; minor offsetting in vol. II.  (28743)

Provenance:  Front pastedown with armorial bookplate of John Train.

Binding:  Contemporary maroon straight-grain morocco framed in wide gilt border and panelled in gilt single fillet, spine with gilt-stamped title and decorations, board edges (at corners) and turn-ins with gilt roll. All edges gilt.

•  NSTC 2S9246.   Binding as above, moderately rubbed; hinges (inside) slightly tender. Front free endpaper verso with inked ownership inscription.  Light to moderate foxing throughout, pages otherwise clean.  (30141)

Binding: Contemporary half red morocco with rose cloth–covered sides, spine with gilt-stamped title, raised bands with dotted gilt rules, spine compartments framed in triple gilt fillets with gilt dots in each corner. Top edge gilt; silk ribbon place marker.

•  Binding as above, front cover with one small spot of discoloration, leather showing minor scuffing. Front pastedown with private collector’s armorial bookplate. Pages clean.