This bears an addedgilt chromolithographic title-page by William Sharp of Boston, who printed the first American chromolithograph there in 1840, and a wood-engraved image of a woman writing at a parlor desk on p. [2].

Binding:  Publisher's green cloth, spine gilt extra; covers blind-embossed in a floral motif, framing a gilt-stamped vignette of a woman writing at a desk on the upper cover (this not the same image as the one mentioned just above). Endpapers white with a green pattern, all edges gilt.

Provenance:  G.W. Emery of Hyde Park, MA (pencil inscription on front fly-leaf).

•  On W. Sharp, see: P. Marzio, The Democratic Art: Pictures for a 19th-century America: Chromolithography, 1840–1900 (Boston, 1979), pp. 17–19 & ff.   Bound as above with remarkably little wear; front cover a bit darkened in upper left corner and another small spot to the back. The interior is very clean, remarkably so, considering this is a practical manual to be used, and carried in the pocket!  (30030)

•  Not in ESTC. Once sewn, now in a Mylar folder. Last leaf with closed tear partially repaired some time ago, costing or or obscuring a few letters to each line of about two paragraphs on either side of leaf. Age-toned, dust-soiled, creased.

•  Not in ESTC. Creased and dust-soiled, with a small hole in lower margin not touching text and a few pinholes within text. Tipped onto a leaf of 19th-century paper, now in a Mylar folder.

•  Creased and slightly dust-soiled but in overall good condition. Tipped onto a leaf of 19th-century paper; now in a Mylar folder.

A “Collection Discount” will be applied should anyone take ALL THREE of the “Pollack Case” Broadsides.

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Provenance: With the printed and folding ex-proemium of J.J.S. van Goltstein van Hoekenburg, Jan. 1819.

•  DeBacker-Sommervogel, VI, 976. Binding as above. All edges marbled. A very good copy; text block very slightly skewed in binding.

François Raymond Joseph de Pons (1751–1812) was archivist for the French Navy. This work also appeared in English, German, and Spanish editions; this is its first edition, and the sole French edition. Provenance: Engraved armorial bookplates of Thomas Munro on front pastedowns. Unattributed note in pencil in top margin of half-title of vol. I (repeated in substance in the other volumes): “This was Talleyrand’s copy.”

•  Sabin 19641; Palau 70507. Treed calf, spines gilt with red leather labels, marbled endpapers; a little rubbed with fine chipping and some cracking along joints, endpapers with some browning from turn-ins, pages with some light waterstaining and brownspotting and a few small holes resulting in loss of individual letters. Closed tear (without loss) into map in vol. I, short closed tear into right border and some soiling and browning in bottom portion of map facing p. 63 in vol. III, light browning in bottom margin and faint waterstaining in top portion of map facing p. 124 in vol. III, and light waterstaining in map facing p. 128 of the same volume. All edges speckled red and blue. Overall quite handsome and intriguing.

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"Porta's system . . . leads him constantly to conclusions of analogies between plants, animals and men. Similar humours are found in various apparently unrelated organisms. Plants and animals that correspond in shape are interrelated. A leaf formed like a stag horn shares the character of the deer. The horse is a noble animal, therefore it is a sign of nobility to walk erect with the head held high. Men who resemble a donkey are like that animal: timid, stupid, nervous. He who looks like an ostrich is akin to it in character: he is timid, elegant, vicious, stolid. A man who reminds us of a swine is a swine, eating greedily and having all the other characteristics, such as rudeness, irascibility, lack of discipline, sordidness, lack of intelligence [and] modesty. In a similar way, men who look like ravens are impudent; those who resemble oxen are stubborn, lazy, irascible; men who have lips shaped like those of a lion are hearty, magnanimous, courageous; others who make us think of a ram are timid, malicious and humble. When practising medicine, Porta had many occasions to observe his patients, and to study their character and complexion; the results of this studious inquiry are laid down in his book." (Seligmann)

Appended to Della fisionomia humana are the Fisionomia naturale of Giovanni Ingegneri († 1600), the Physionomia of Polemon (ca. a.d. 88 – a.d. 145) in an Italian translation, Porta’s Della celeste fisionomia (a repudiation of astrology), and two short related treatises by Livius Agrippa and Luigi Settala (1552–1633). Della celeste fisionomia has a number of interesting woodcuts showing pagan gods and constellations.

•  Seligmann, The History of Magic, 319. On physiognomy, see: Thorndike, History of Magic and Experimental Science, VII, 448 & following. On Porta, see: Webster’s New Biographical Dictionary 811. Vellum over paste boards, soiled and cockled with a little chipping; vellum along front joint cracked but joint strongly holding. Ex-library: paper labels on spine and rubber-stamps, including one on title-page. Edges bumped and pages severely cockled (though with no waterstaining); some soiling especially to top edges and margins, with a few edge chips. Plates in very clear, strong impressions. Price reduced for faults, but a volume offering much despite them. (4654)

illustrated with five plates (three of them oversized) showing plans of sugar mills and equipment

•  American Imprints 8805; Goldsmiths'-Kress 26165.18 (for first London ed.). On Porter, see: Oxford Dictionary of National Biography, XLVI, 178.   Publisher's tan paper–covered boards with tan cloth shelfback bearing printed paper label; rubbed, spots of discoloration, spine cloth and label darkened and worn; joints cracked and reinforced at head with cloth tape, text block pulling away from spine with front free endpaper separating, contents leaf separated with inner margin reinforced some time ago. Ex–social club library: paper shelving label at head of spine, bookplate and call number on front pastedown, pressure-stamp on title-page, no other markings. Minor offsetting to plates, otherwise clean. Uncut copy.  (28127)

The presentation ofslavery is also perhaps of particular interest here, the protagonist visiting slave markets and in fact buying and owning “negros” and “negresses” while at the same time apparently proceeding with every sincere intention of acting humanely within the inhuman system (neither justifying slavery and nor intending to, he yet strives to keep families together, he buys two boys with the intention of manumitting them after seven years, and interactions between him and his wife and people of color are notably respectful ”both ways”).

Provenance:  Embossed library stamp of Pennsylvania's Deutsche Gesellschaft Bibliothek on the title-pages.

A classic imaginary voyage and shipwreck.

•  Sabin 64323; American Imprints 8810. On Jane Porter, see: Oxford Dictionary of National Biography online.   Period-style quarter sand colored cloth over blue-green paper boards, printed paper labels to spine. Tears on many leaves, and repairs on some, torn mostly in the lower gutter and outer margins; two or three corners in each volume torn away; old soiling and stains of various sorts. Pressure-stamp as above; pencil notations in a child's (?) hand in the margins of a few pages.  (30134)

There are two issues: in this issue on p. [1], the catchword is “hendidos,” and in the other catchword is “hendi-.”

WorldCat locates only the copy at the John Carter Brown Library.

•  Removed from a volume. Light brown stain in lower margin and an even lighter stain in top one; old foliation number neatly inked in upper outer corner of recto. A good exemplar.  (28246)

No copies found via WorldCat or COPAC.

•  Removed from a bound volume; now in modern wrappers. Old foliation neatly inked in upper outer corners; clean, with wide margins.  (28222)

No copy traced via WorldCat or COPAC.

•  Removed from a volume and laid into modern wrappers. Light stain in outer margin of last leaf with a trace of same showing on a few more inward; old foliation neatly inked in upper outer corners; generally clean, with good margins. One inked, contemporary marginal note.  (28234)

•  Publisher's brown cloth, stamped in black and “silver”; front and spine with decorated with a frontier scene showing Conestoga wagons in a wilderness landscape with rising sun in the background. (We can't seem to get a photograph of this that doesn't "glare out.")  Bright with a few flecks of white (paint?). Spine slightly rubbed on joints and at head and base. Pages toned. Good+. (20739)

•  Publisher’s cloth, spine with gilt-stamped title (attractively oxidized); cloth rubbed at extremities, spine with small spot of faint discoloration from a now-absent label. Front pastedown institutionally rubber-stamped (no other markings). Erratum slip tipped in. A cleaner copy than most seen on the market.

This set includes two volumes of supplemental text, adding a number of entries. The first edition was followed by two volumes of supplemental plates, not present here and not called for: Graesse describes this edition as “sans grav.”

The pagination is erratic in a number of places; there is a numbering gap from 2342 to 2351 between vols. IV and V, but the text and signatures are uninterrupted.

Uncommon: OCLC locates only two U.S. institutional holdings of this second edition.

Provenance: Most volumes with small inked ownership inscription in an outer margin: “G.R.W.” the mark of William Rollinson Whittingham (1805–79), fourth Episcopal Bishop of Maryland and an enthusiastic book collector.

•  Brunet, IV, 851; Graesse, V, 429. Not in Sabin.   Contemporary half binding, recently rebacked with tan paper, spines with printed paper labels; boards rubbed and faded with small chips, one vol. with front cover waterstained. Foxing almost throughout, generally no worse than moderate; light waterstaining in upper margins of vol. I; one leaf in vol. VII with lower outer portion torn away, with loss of words from about 18 lines on each side. Vol. II with printer's error replacing pp. 1065–72 with duplicates of pp. 1057–64; pagination erratic in other places. Most vols. with ownership mark as above; vol. VI with one pencilled and one inked marginal annotation.  (25862)

Click the image for an enlargement.

The writer seems to have been Joseph Prentis (1785–1851), son of a Williamsburg merchant of the same name; it is difficult to identify him with absolute certainty, but Saunders is elsewhere recorded as having assisted in the administration of the estate of Joseph Prentis the elder.

•  Creased, with small spots of discoloration. Portion of upper and upper inner margins lost to hungry rodent, with loss of a number of words; one tear to the final leaf repaired some time ago with tape.

•  BAL 16346; Gardner P-7; Sabin 65272. Publisher’s blind-stamped cloth, spines with gilt-stamped titles; sunned and with small spots of discoloration, spines each showing traces of a now-absent shelving label. Front pastedowns each with private collector’s bookplate, institutional rubber-stamp, and speckled show-through of binder’s glue. Light to moderate foxing throughout.

Uncommon: OCLC and NUC Pre-1956 locate only four holdings, all in the U.S.

•  Publisher's printed paper wrappers, front wrapper with early inked inscription in upper portion; paper just starting at foot of spine. Age-toned, otherwise clean and fresh.  (25501)

The first edition (1811–21) was printed by several different hands, all in Wales, and one was a woman printer: Vol. I was done by George North of Brecknock, vol. II by Henry Hughes of Brecon, and vols. III and IV by Priscilla Hughes, also of Brecon and presumably heir to Henry. This appears to be a new issue, or, at least, the same issue with new title-pages; the preface to the first volume is dated 1811, and a note to the binder at the end of vol. III, part 2, reads, “The amended title pages to be substituted for those at present annexed to this volume” (p. 998). Vol. I has a hand-colored oversized, very large folding map..

In addition to the dedication page, and prefaces to the first, third, and fourth editions, these volumes also include “additional notes and essays, a collection of new tables, a history of the sinking fund, a state of the public debts in January 1783, and a postscript on the population of the kingdom.” First published in 1771.

•  ESTC T12986; Goldsmiths-Kress 12495.   Contemporary speckled sheep, spine with gilt-stamped leather title-label, edges of boards tooled in gilt. Joints cracked and weakly holding. Covers darkened along top and outer edges; leather lost on corners. Light foxing to a few early and later leaves, including title-pages; offsetting from leather affecting only first three and final three leaves, at edges. Each volume pressure-stamped on the title-page and one other page. Title-page rectos marked with small inked initials in upper right corner, versos rubber-stamped with a five-digit number. Penciled notation at bottom margin of p. xxx (vol. I). Now housed in a blue cloth clamshell box with gilt-stamped leather labels.  (24415)

The “Discourse for the Vindicating of Christianity from the Charge of Imposture” has a separate title-page dated 1722, but its pagination is continuous with the first work.

•  ESTC T138493.   Contemporary speckled calf, framed and panelled in blind with panel of contrasting calf decorated with blind roll and blind-tooled corner fleurons, rebacked with sympathetic calf, spine with gilt-dotted raised bands, gilt-stamped leather title-label, and blind-tooled compartment decorations; original leather showing minor acid-pitting with edges worn and rubbed. Ex–social club library: 19th-century bookplate, call number on endpapers, no other markings. Front free endpaper with upper outer corner repaired; browned, with offsetting to margins of first and last few leaves from turn-ins, yet not brittle.  (27101)

The twelve unsigned woodcut plates are full of energy both emblematic and artistic.

•  Publisher's quarter tan cloth with blue paper-covered sides; boards stained and chipped with paper peeling, all extremities rubbed, and paper spine label mostly lost. Front hinge cracked, back hinge starting. Front pastedown with institutional bookplate; title-page with private owner's stamp in upper margin and old cataloguing excerpt affixed to lower margin. Lower outer corners waterstained in first half; pages cockled, with occasional faint spotting; first text page with newsprint blurb about Priest affixed in upper margin. A compromised copy, but an extraordinary production; interesting from a variety of perspectives.  (15630)

The work was printed in Northumberland, Pennsylvania, where Priestley settled in 1782, when his liberal political opinions and defense of the French Revolution (in addition to his status as a nonconforming minister of questionable orthodoxy) obliged him to emigrate from England to the United States.

Provenance: Both title-pages inscribed by N. Irwin.

•  Shaw & Shoemaker 4912 & 7121. Recent quarter calf over marbled paper–covered sides, spines with gilt-stamped leather title and volume labels. Title-pages with faint impression of a once-pencilled shelf number; some leaves lightly foxed.

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Click the image to the left for an enlargement.

This work was printed in Northumberland, Pennsylvania, where Priestley settled in 1782, his liberal political opinions and defense of the French Revolution (in addition to his status as a nonconforming minister of questionable orthodoxy) having obliged him to emigrate from England to the United States.

Provenance: Each title-page inscribed by N. Irwin.

•  Shaw & Shoemaker 2933 & 4913. Recent quarter calf over marbled paper–covered sides, paper darkened at edges and/or turn-ins on some volumes, most notably vol. IV; spines with gilt-stamped leather title and volume labels. Title-pages with faint impression of a once-pencilled shelf number; a few page edges slightly ragged; some instances of small spots of foxing, mostly in margins, and varying degrees of offsetting. Please note these are octavo values — they're substantial, but we think the photo may make them look a bit taller than they actually are.

So many and various are these illustrations that we SIMPLY couldn't decide which to photograph!

Click the images present, for enlargements.

Provenance:  Front free endpaper with inked ownership inscription dated 1943 and with rubber-stamp of Kanter's Magic Shop, a famed but now-defunct emporium in Philadelphia.

•  Publisher's gray-brown cloth without dust-jacket, front cover with black-stamped title and dummy vignette; spine very slightly darkened, edges and extremities with minor shelfwear. Front free endpaper as above. Pages age-toned. A nice copy.  (26622)

Dedicated to Jonathan Belcher, this first volume ends at the year 1630, with a note that the size of the undertaking had exceeded the expectations of both the author and the bookseller. The second volume did not appear until 1755, under the title Annals of New-England.

•  Sabin 65585; Evans 4068; Howes P615; ESTC W30371. On Prince, see: Dictionary of American Biography. Contemporary sheep, spine with gilt-stamped leather title-label; leather rubbed and scraped, with spine label chipped. Front pastedown with institutional stamp; front free endpaper and fly-leaf with pencilled notations. Title-page lacking; first (dedication) leaf with signature “[W?] Nathans” and two early inked inscriptions on text pages reading “Nath[.] Mason his book.” Pages browned, most heavily the first 50 pages; some other staining; a few leaves with short edge tears, in two cases touching text without loss. Sound, and still interesting reading.

•  NSTC 2P27024. On Prinsep, see: DNB. Removed from a nonce volume. Lightly age-toned. Traces of soiling and small inked numeral on title-page. A few instances of pencilled sidelining.

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The "Story of the Country-Mouse and the City-Mouse," Prior's satiric and politically motivated response to Dryden's "Hind and Panther," is not included, but the long pieces "Solomon on the Vanity of the World" and "Alma" are present. The "Life of Mat. Prior" in the first volume commences beneath a small engraved portrait.

Binding:  Later sprinkled calf, covers gilt-ruled with gilt inner dentelles, spines gilt extra with gilt-stamped leather title and volume labels. All edges saffron.

Provenance:  Both volumes with armorial bookplates of Sir Robert D'Arcy Hildyard.

•  On Prior, see: Dictionary of National Biography, 397–401. Leather cracking over joints with hinges tender; spine tips a little dry and pulled; upper and outer edges of all covers somewhat darkened; light wear to extremities. Light foxing to some pages. In fact a very handsome pair.

Binding/Provenance: Prize binding of contemporary vellum, covers framed and panelled in gilt rolls with gilt-stamped corner fleurons and gilt central vignette with the crest of the city of Amsterdam, spine with gilt-ruled raised bands and gilt-stamped decorations in compartments. The partially printed, partially inscribed, bound-in prize certificate reads “Ingenuo magnaeque spei adolescenti, Henrico Gerteler propter insignes in artibus humanioribus progessus, in classe tertia . . . Quod testor R. v. Ommeren [/] Gymnasii publici Amstelaedamensis Rector,” dated 1791.

•  Brunet, IV, 905; Dibdin, I, 385–86; Graesse, V, 460; Sandys, II, 455; Schweiger, II, 831. Binding as above, vellum slightly darkened, lacking ties; spine with gilt dimmed and traces of a now-absent label and inked call number at foot of spine. Lower edges with institutional rubber-stamp; title-page with shadow of a pencilled numeral. Front free endpaper with paper adhesions from a now-absent bookplate; back pastedown with rubber-stamp and small adhesion. Pages clean save for offsetting to upper margins of a few, from a laid-in slip.

•  Original paper wrappers, spine with hand-lettered paper label. Early inked owner’s inscription on front free endpaper; one early inked shouldernote. Some pages with faint hint of foxing, most clean. A very good copy.

Périon has added scholia and the publisher an index.

•  Index Aurel. 153.994; Baudrier, IX, 394; not in Adams.   Early vellum over boards, evidence of cloth ties and all edges red; author and title in an 18th-century calligraphy hand on spine and spine label of a library removed. A used copy, with front hinge open between front free endpaper and title-page; title-page soiled, old (cancelled) German library stamps on verso of same; lacks final two blank leaves (only). Some light cockling of pages, the odd spot, a very occasional note.  (28870)

Binding:  Later (but not recent) vellum over flexible boards, gilt-ruled round spine with two gilt labels (red and black); blue speckled edges and a green silk marker.

Provenance:  Bookplate of John B. Doukas, front pastedown; undeciphered ownership inscriptions in early ink on the title-page, one dated 1567.

•  Renouard, Alde, 87, 7; Adams P2215 & P1860 (Opera); Isaac 12895; Graesse, V, 498; UCLA, Aldine Press, 183. Not in Schweiger.   Bound as above, somewhat soiled and spotted and lightly rubbed at extremities; vellum pierced at spine corners in association with sewing. Title-page and final three leaves reinforced at gutter to cover wormholes; some other almost-piercings visible in index. A bit of foxing only, some leaves lightly browned, and a faint waterstain to outer margin of perhaps 20 leaves at mid-section. Temoine folded in at f. 22.  (30104)

Edmund Dulac created the book's enchanting illustrations, consisting of 10 full-page and six in-text watercolors, a two-color decorative title-page, and decorative head- and tailpieces, and initials, also in two colors. Ernest Ingham designed the book using a monotype Poliphilus font.

The binding is full Russian-red cloth with apolished brass design of a cockerel set in the front cover and a gilt-lettered title on the spine. This edition is limited to 1500 copies and this offering includes the monthly mailing notice.

•  Limited Editions Club, Bibliography of the Fine Books Published by The Limited Editions Club, 1929–1985, 205.   Binding as above. In a glassine wrapper with shallow edge tears and chips, contained within a chemise covered with Russian-red paper with gilt cockerel design with gilt-lettered spine; spine sunned and paper chipped. The whole in an unevenly sunned slipcase, with slight loss of paper to top edge at mouth and spine. A fine book, in a good+ slipcase.  (22314)

Provenance: The first work's title-page has “Ex dono Autoris” inscribed in the upper margin in an early hand.

•  Pycroft: ESTC T144698; Allibone 1712. Addenbrooke: ESTC T88427.   Recent marbled paper–covered boards, front cover with gilt-stamped leather title-label. Pycroft half-title lacking; title-page with annotation as above. Pages slightly age-toned, with light spotting to final leaves of Enquiry and throughout Essay. (20760)