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Several bibliographies, including Pilling's Proof-sheets and Ayer, treat this as two distinct works. Indeed, the dictionary and the grammar do each have their own distinct title-pages, pagination, and signature markings. They were issued together, however, though sometimes separated for sale. The publisher’s original paper wrappers are bound into this volume.

•  Pilling, Bibliography of the Algonquian Languages, 283; Newberry Library, Indian Linguistics in the Edward E. Ayer Collection, Cree-93 & Cree-9; Pilling, Proof-Sheets of a Bibliography of the Languages of the North American Indians, 2155 & 2156. Not in Vancil, Cordell Collection. Recent black moiré cloth, spine with gilt-stamped leather title-label. Wrappers (bound in) dust-soiled and with edge chips; front wrapper partially adhered to half-title and back wrapper with Grammaire half-title affixed. Map partially adhered to an additional half-title. Page edges untrimmed; pages very slightly age-toned, else clean. Pagination jumps from 708 to 711 in pt. 1, but as the word listing goes from sagamité to sagamo it seems certain that the text is complete.

The volume is printed in a clear roman face with numerous ornamental woodcut initials and with side- and shouldernotes. The Jean Petit publisher’s device is on the title-page and that of Guy Marchand on the verso of the last. Additionally, there is a full-page woodcut of a scholar in his study opposite the first numbered leaf. A 16th-century reader has added a significant amount of marginal commentary on the text.

•  Moreau 1509:127; Panzer, VIII, 537, no. 324; Adams L13. Not in Schweiger. Recent calf old style, tooled in blind on spine and covers. Faint traces of water and resultant mild arrested mildew in lower outer corners of earliest few pages. Marginalia in some parts affected by a binder’s trimming; in other cases, not. All edges carmine. A very good copy.

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The Abbé Ladvocat, librarian of the Sorbonne and a prominent Hebraist and Biblical exegete, also compiled the Dictionnaire géographique-portatif and a Grammaire Hébraïque à l’usage des Ecoles de la Sorbonne.

Binding:  Contemporary vellum, spines with gilt-stamped leather title and volume labels and gilt-stamped compartment decorations.

•  Quérard, La France littéraire, IV, 387.   Some volumes somewhat sprung and spines slightly darkened, one spine label chipped (refurbished) and one spine with small area of insect damage. Front free endpapers each with inked ownership inscription dated 1833, front pastedowns each with institutional rubber-stamp (no other markings). Occasional small early inked shouldernotes, scattered light to moderate foxing and spotting. Pp. 181–88 of vol. IV bound in upside down and in reverse order. One leaf with closed tear from upper margin, just extending into text. (20682)

This was first printed in 1839, again in 1843, and then only this last edition. We find but two U.S. institutional holdings.

•  Lacking wrappers. Lightly foxed; corners bumped; last leaf a bit creased.  (27855)

true first edition of the unofficial second series

The first series made its first appearance in book form in London, 1823. The authorized second series was not published until 1833, under the title The Last Essays of Elia; the pieces selected for the unauthorized American second series offered here are different from those contained in that volume, and mistakenly include three essays written by other hands.

•  Shoemaker 33813 & 33814; NCBEL, III, 1225; NSTC 2L2346.  Vol. I: Uncut copy. Publisher's quarter once-red cloth and paper sides, covers printed with “Elia” within a simple frame, spine with printed paper label; binding rubbed and lightly soiled, spine sunned to yellow. Repaired tear to one leaf, touching text without loss; remarkably clean and sound. Vol. II: Contemporary speckled sheep, spine with gilt-stamped leather title-label; rubbed, and head of spine chipped with old refurbishing. Ex–social club library: 19th-century bookplate and call number ticket on front pastedown, front free endpaper with inked numerals, title-page pressure-stamped. Author's name inked on title-page; front free endpaper and title-page reinforced at fore-edge (the latter from the back). Both volumes age-toned, with intermittent spots of staining; advertisements absent. The set now housed in a quarter blue morocco and blue cloth–covered clamshell case with marbled paper–covered sides and gilt-stamped spine.  (26434)

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•  Good; spine gently faded with gilt dulled, corners and extremities lightly worn. Front free endpaper with pencilled gift inscription dated 1868. Plates somewhat darkened.  (1916)

Provenance: Charles Spencer, Third Earl of Sunderland, lot 7230 in the Sunderland Library sale (1882).

•  On Lamy, see: New Catholic Encyclopedia, VIII, 354–55. 18th-century vellum over boards with raised bands, lightly soiled; on the covers an ornate mandorla inside a composite frame. Crack in the vellum along front joint, joint itself sound. Ex-library with paper labels on spine; old pressure-stamps, including one on title-page of vol. I. Upper outer corner of title-leaf lost taking part of one letter of title; small tear into printed border of first map in vol. II. All edges speckled blue and red. A stout, substantial volume.

Bound with Lancellotti's work is a summary of titles of chapters of canon law compiled by Thomas Naogeorg (1508–63). Naogeorg's wanderings took him from being a Dominican to being a Lutheran to being a Calvinist. Along the way, during his Lutheran phase, he studied canon law for a year (1551) at Basel, during which time he compiled and published this work, likely as a student's guide. He is better known for his plays, in which he sharply attacks the Papacy.

The two works here were first published by the firm of Guillaume Rouillé, in 1587 and 1588 respectively, and may have been intended to be bound together, as witnessed by the Library of Congress copy. The title-page transcriptions of the earlier editions (except for the date and "hæredes"), and their signatures, pagination, and arrangement, match those of these present 1614 editions. There are italic shouldernotes, and woodcut headpieces and initials.

•  On Lancellotti, see: New Catholic Encyclopedia, VIII, 356. Contemporary calf, covers framed in gilt double fillets, rebacked with calf, spine with gilt-stamped leather title-label and gilt-stamped compartment decorations; corners and edges rubbed, sides with small cracks and scuffs. All edges speckled brown. Bouquiniste's paper label on front pastedown and front free endpaper lacking. Two words inked long ago in two margins, and one page with old pencilled underlining. (3797)

The elegant frontispiece is a portrait of Mrs. Fitzherbert by J. Broum after Richard Cosway, R.A. (1742–1821), the famous miniaturist who painted her on numerous occasions and whose portraits of her were so admired by her husband the King, that he took one to his grave.

Binding:  Full later brick red calf by Root & Son, double-ruled in gilt with leafy flowers in the board corners and in four of six spine compartments; gilt title, etc., on black morocco lettering pieces in the remaining spine compartments. Gilt-rolled board edges and turn-ins; mottled amethyst and emerald endpapers and a red silk marker.

•  On Mrs. Fitzherbert, see: Oxford Dictionary of National Biography online.   Bound as above, spine a little scratched. Small tear repaired in margin of frontispiece and a bit of paper supplied to repair one lower inner margin; insignificant little nicks to a very few sheets, and a crease in one lower outer corner. Clean, LOVELY.  (30075)

Provenance: Bookplate of Thomas Longley (Hawley).

We find seven copies reported in libraries, ALL between Worcester/Providence and Washington, D.C.

•  Evans 35710; Trumbull, Connecticut, 2313; ESTC W3365. Old calf with remnants of black leather spine label; leather with one gouge to back cover and a bit abraded overall. Tear and chip to front free endpaper; title-page with tiny edge tears. Small wormhole at base of initial three leaves, not touching print. Some leaves extruded with shallow tattering. Bookplate as above on front free endpaper. Offsetting from leather of cover and a brown blot or stain at outer margin of title- and following page; same offsetting to last leaves; some general staining and an ink "x-mark" in margin of one other page. This seems to have been read with enthusiasm! (20994)

•    Later 19th-century half toffee-brown calf over salmon cloth boards; gilt-lettered red leather spine-labels (title, volume, editor); gilt-accented raised bands, date in gilt at base. Slight rubbing to joints and extremities, one label with a streak of discoloration, vol. II with small chip at head of spine and lower corners rubbed. Pages toned. One leaf with edge nicks. Lower outer portion of pp. 211/212 chipped, with loss of outermost letters of bottom four lines and detached piece laid in; aforesaid pages also creased down the middle, brittle, and all but separated in two (still, present). Top edge gilt, others deckle. A pleasing and attractive binding; a volume internally clean. (21256)

•  American Imprints 46-3993; NSTC 2L4514. Recent black moiré silk, spines with gilt-stamped leather title-labels. Vol. II half-title and title-page with faint spots of waterstaining, pages otherwise clean. A very nice example of one of the best-selling scientific works of its time. (30342)

Binding:  Publisher's blue cloth, front cover with gilt-stamped title and train vignette stamped in black and gilt, vignette extending onto spine.

•  Binding as above, extremities very slightly rubbed, spine dimmed. Light waterstaining to inner margins of front fly-leaf and half-title, otherwise clean. A volume “got up,” given its content, with remarkable style and charm!  (29124)

Provenance: Title-page stamped by a private collector: “Thomas Witherell Palmer, Log Cabin Park” (Detroit).

•  Contemporary half calf with marbled paper–covered sides, spine with gilt-stamped leather title-label and ornate gilt-stamped decorations within compartments; binding with light to moderate rubbing overall, with spine leather starting to show some cracking. All edges stained red. Delightful reading and looking, and a delightful copy.

Elizabeth Webb, "an acknowledged minister among the people called Quakers," first encountered Prince George of Denmark's chaplain Boehm while on a visit to Great Britain; the missive with which she opened her subsequent correspondence with him, here, greatly inspired him and a number of his friends.

Provenance: With inscription reading "Miss Hannah Amelia Moore / Book a Present from her worthy / Friend Ruth Patton / 1789."

The title-page is printed in black and red, the text in black only, with one headline in red. The actual printing was accomplished by Robert Hardie and Company, Edinburgh, and is of a high quality, with a scattering of typographic head- and tailpieces and decorative initials.

•  Bound in 20th-century half brown morocco with tan cloth sides; spine with raised bands, one compartment with gilt title and others with gilt center ornaments; multicolored head- and tailbands. Displaying the typical rippling or cockling that vellum is prone to, and in parts showing a bit more of it due apparently to onetime old water exposure (though with little discoloration from that), this was later vulnerable to the entry of soot into its text block, most margins and many printed portions having been affected. A remarkable, still remarkably impressive production; and, given what it apparently has experienced via more than one misadventure, a truly remarkable survivor.  (25671)