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This is the first printing of the first treaty of commerce and navigation between the United States and Russia; the only prior convention between the two nations was the convention of 1824 concerning the Pacific Northwest. This treaty establishes and confirms reciprocal trade, and commercial and navigation rights to vessels of both countries, and also applies the same rights to thekingdom of Poland.

Government document: 23d Congress, 1st Session. Doc. No. 415. Ho. of Reps. Executive.

•  Recent paper wrappers. Title-page with inked numeral in upper margin. Light spotting.

This was long most commonly attributed to Benjamin Franklin, but recently, on the basis of new scholarship, authorship has been ascribed to Richard Jackson, a London barrister and colonial agent with whom Franklin collaborated in other publications. Franklin and his son, William, certainly supplied many of the materials that formed the basis of the book, which was published during Franklin's first mission to England.

Provenance:  Large signature of “Jo. Kirkbride” dated “Septr 30th 1759" on front free endpaper.

Manuscript additions: Under this ownership signature, in a later, much smaller hand, are five lines of speculation as to the work's authorship; a date is corrected on p. 263. Between leaves B3 and B4, a leaf is bound in containing, on its two sides, a handwritten “List of Governors of Pennsylvania — continued”; this, with one addition to the printed list on p. 262, takes the chronology through John W. Geary, inaugurated in 1867.

•  Sabin 25512 (noting that the editor of the second edition (Philadelphia, 1812) “had no doubt as to [Franklin's] authorship” and supplied his name); Sparks, Franklin, III, 109 (affirming that the volume “was prepared under [Franklin's] direction, and doubtless from copious materials furnished by him”); ESTC T117618.   Recent quarter calf, old style, with raised bands accented with gilt beading on each band, a gilt center device in each spine compartment, and a green leather title label. Boards covered with a stone pattern marbled paper. Title-page with two old ink blots; text lightly and uniformly age-toned. Inscriptions/additions as noted.  (25085)

Jacob (1686–1744) was a legal writer known for his Every Man His Own Lawyer. He also dabbled in poetry, drama, and literary criticism; in the same year as the present work's appearance, he published a parody called The Rape of the Smock, and was subsequently immortalized by Pope's unkind remarks regarding both his grammar and his status as “the Blunderbuss of Law.”

•  ESTC T90927; Goldsmiths’ 5344. On Jacob, see: Oxford Dictionary of National Biography online.   Contemporary mottled sheep, framed and panelled in blind, rebacked with very complementary mottled sheep, spine with gilt-stamped title, author, and date; minor scuffing now nicely refurbished and front hinge (inside) unobtrusively reinforced. Pages mildly age-toned and cockled, with a few instances of light staining towards back of volume; one early pencilled correction. Last few leaves with upper outer corners torn away, touching a few page numbers and in one case one letter. Overall a solid and pleasing copy.  (30232)

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•  American Imprints 13113; Allibone 948; Goldsmiths'-Kress 27325.5; NSTC 2J1391; Sabin 35492.   Publisher's quarter brown cloth and plain tan paper–covered sides, spine with printed paper label; edges and extremities rubbed, corners bumped, sides and spine with spots of discoloration, spine label darkened and chipped. Ex–social club library: paper shelving label on spine head, 19th-century bookplate, call number on endpaper, pressure-stamp on title-page, no other markings. Scattered light spots, pages otherwise generally clean, with edges untrimmed.  (27685)

This is an uncommon edition in the U.S. though heavily held in Europe; Goff and ESTC locate only two U.S. copies — this being one of them, deaccessioned.

•  Copinger, II, 6452; ISTC ij00122000; Proctor 618; BMC, I, 138; Goff J122. Deep walnut full calf old style: Round spine with raised bands, accented with gilt rules, fillets extending onto covers from each band to terminate in trefoils and covers framed in blind double fillets; very plain with date and place of publication only gilt on spine. Various waterstaining throughout, with other stray stains; copy missing first two and final two leaves of text, and the leaves at front and back remargined (with some others repaired). Priced according to faults, not pleasures! (12378)

The monograph's originalcolor-painted beaux-arts wrappers are bound in at the front and back here, including the spine in front (rubbed and faded, hinting at original splendor). The title-page is printed in red and black. An extensive index appears at the end.

Binding: Three-quarter evergreen morocco bordered with gilt fillets over bubble gum and mint marbled paper boards; spine with raised bands, gilt-framed compartments containing author, title, date, and appropriate devices in gilt; endpapers matching marbled boards and top edge gilt.

•  For J. Jacquemart, see: The Nineteenth Century, Vol. IX, pp. 681–90.   Leather lightly scuffed at extremities and sunned to a woody green on spine and upper front cover; offsetting from turn-ins onto endpapers. Mild to (occasionally) moderate foxing throughout and old water damage on a few leaves only.  (30132)

We have, at the moment, an interesting number of such “first American editions.” Please, enquire!

•  BAL 10549; Edel & Laurence, Bibliography of Henry James (3rd. ed.), A11b; Wright, III, 2913.   Publisher's terra-cotta cloth, spine with gilt-stamped title; extremities rubbed and cloth with areas of discoloration. Ex–social club library: call number on endpaper, rubber-stamp on title-page, no other markings. Pages with scattered light stains, still a very nice copy.  (26637)

ESTC notes that one institution reports a frontispiece, but most other listings cite a preliminary leaf (not present here) rather than a plate. No, this does NOT photograph well! — but it is very interesting in the hand, under the eye.

•  ESTC T146717; Allibone 328.   19th-century half morocco and pebbled cloth–covered sides, spine with gilt-stamped title; rubbed and sides sunned. Front pastedown with private collector's bookplate. Lacking one preliminary leaf; title-page partially separated, with faint pencilled annotation beneath author's name. Occasional light spotting, confined to inner and outer margins; one early inked annotation in the addenda to the first poem.  (24880)

Binding: 19th-century gold calf with covers framed in double gilt fillets, turn-ins gilt-stamped, marbled endpapers. Spines gilt-tooled and with gilt-stamped title and volume labels. All page edges gilt.

•  NSTC J236. Leather showing moderate acid-spotting, with some cracking over the spine (one label repaired). One leaf with short tear from bottom edge; pages with a very few scattered spots of foxing only. A very handsome set.

Even before it was published, the Augustinus generated controversy. Grace was a forbidden subject, and Jansen, who died in 1638 days after completing his magnum opus and never saw it published, was accused of reiterating Calvin and Baius. Despite heated objections, Henri Calenus and Liber Froidmont, whom Jansen entrusted with his manuscript, published the Augustinus at Louvain in 1640, omitting only the author's dedication to Urban VIII. French editions quickly followed in 1641 (Paris), 1642 and 1643 (Rouen), all with an added treatise by the Franciscan F. Conrius. The Augustinus was condemned by the Jesuits, the Inquisition, and the pope to whom Jansen originally dedicated it.

Each of the three parts has a separate title-page, each featuring a large woodcut ornament; of the third part, this copy has the index only. The text is in Latin, printed in roman and italic, with sidenotes, woodcut initials, and large elaborately woodcut head- and tailpieces — at least two initialed “L.M.” or “D.N.,” and at least two more “R.M.” Strangely, two Jesuit ornaments are used as tailpieces, “I.H.S.” surrounded by intricate borders.

•  Willaert, Bibliotheca Janseniana Belgica, 2227; NCE, I, p. 1076. On Jansenius & Jansenism, see: NCE, VII, pp. 818–26.   Period-style black quarter calf over gray marbled paper boards, spine with gilt rolled bands and tool in each compartment, red morocco gilt spine label. Old institutional pressure-stamp on first title-page. Waterstaining, dampstaining, and splotches, foxing and browning all very variously, none of it having weakened the paper; instances of slim, even “hair-line” worming to lower margin of many leaves, with occasionally another wormhole, natural paper flaw, or other piercing. Lacking text of the third part, its title-page and index pages retained. Affordable for its faults, still substantial and interesting.  (30224)

•  Willems 490; Copinger 5255; Palau 376807–8; DeBacker-Sommervogel, VIII, 1339.   Contemporary vellum, covers framed in blind with blind-tooled central medallion, spine with early hand-inked title; vellum lightly soiled overall, upper outer front corner bumped, splits in spine vellum repaired with Japanese paper and minor (expert) repair to joints. Upper outer corner of title-page with early inked ownership inscription in both Persian and English, possibly by orientalist Henry Pitts Forster (1766–1815); title-page with shadows of other annotations. Pages age-toned, with upper portions darkened; scattered light spotting towards back of volume. Eleven leaves with small spots of worming, affecting a few letters without loss of sense; light to moderate waterstaining to portions of leaves towards back of volume. Last leaf with small tear without loss. One page with pencilled annotations.  (25957)

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•  Cf. Wickersham, 1050, for another title by Jetté with the same imprint. Not in Evans; not in Banks. Original stiff cloth wrappers. Pages very slightly age-toned, otherwise fine.

Binding: Contemporary calf over heavy boards, panelled and framed in blind with floral, geometric, and armorial blind-tooling within panels; a pencilled note on the front free endpaper says, “Richardson binding.” There once were clasps, now lost.

Provenance:  Title-page with small inked inscription, dated 1836, of Charles Nice Davies (1794–1842), a Welsh linguist, librarian at the Congregational Library, and divinity tutor at Brecon College.

•  STC (2nd ed.) 14600.5; ESTC S112182.   Bound as above, rebacked preserving original spine; leather cracked, edges and extremities rubbed, clasps now lost, hinges (inside) reinforced some time ago. Institutionally rubber-stamped on lower closed page edges, front pastedown, and first contents page. Title-page provided in early pen and ink facsimile, with inscription as above; last text page with commentary on the book's age, dated 1724 and 1913. Early inked underlining and marks of emphasis throughout; occasional marginalia, two pages dealing with women and the Church having extensive annotations. Pp. 675/76 lacking. One leaf with tear from upper margin extending into three lines of text, without loss; one leaf with large chip from lower margin, not affecting text. Scattered spots of staining only — a clean, strong volume.  (24511)

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Works of Jewish controversy written by Jews and published in England in the period to 1720 were few in number and are now very uncommon. Those controversial treatises actually in Hebrew were and are particularly rare. Searches via ESTC, RLIN, OCLC, and NUC Pre-1956 locate fewer than a dozen copies of this text in U.S. libraries.

•  Roth, Magna Bibliotheca Anglo-Judaica, 336; Palau 191134; ESTC T210368. 18th-century diced russia. Joints and board edges rubbed with joints tender and starting at tops and bottoms. Some margin pencil marks but a clean, complete copy of a scarce and very important book.

Provenance:  Library of the House of Representatives with spine label to that effect and one rubber-stamp.

•  Sabin 36179.   Publisher's full sheep, lightly rubbed; front joint (outside) just starting. Some browning of the edges of the early and late leaves by chemical transfer from the binding turn-ins.  (30018)

lectures Napoleon

Signed binding: Publisher's finely ribbed brown cloth, covers blind-stamped with arabesque designs, spine gilt extra in foliate patterns; binding stamped by Colton & Jenkins of New York. All edges gilt.

Provenance: Front free endpaper with early inked ownership inscription of Louise D. Brown.

•  Binding as above, gently cocked, extremities mildly rubbed, front joint with tiny pinhole spots of insect damage, lower back joint with slightly larger spots. Ownership note as above. Foxing to some portions of the volume, never very dark; frontispiece image bright and clean.  (30203)

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•  NSTC 2J9375.   Publisher's textured sage cloth, covers framed in blind, spine with gilt-stamped title; binding cocked, corners bumped, extremities lightly rubbed, spine sunned, cloth with spots of discoloration. Hinges (inside) cracked. Ex–social club library: paper shelving label on spine, call number on endpapers, old circular rubber-stamp on title-page and several others, no other markings. Paper slightly embrittled, some pages with short edge tears, some age-toned; a few corners dog-eared. Three small pencilled annotations. Not a pristine copy, but very readable and enjoyable.  (27403)

A successful novelist and journalist, Jones was wholeheartedly loyal to the Confederacy, and convinced right up until the end that the North would never conquer a united, determined South; he was also notably anti-Semitic, and there are a number of references here to the Jews being largely responsible for the country's economic woes.

•  Howes J220; Nevins I, 115 & II, 173.   Publisher's brown cloth, spines with gilt-stamped title; sunned and with some discolorations; corners rubbed and spine heads pulled/chipped. Ex–social club library: front pastedown with inked numerals in a 19th-century hand (partially obscured), title-page pressure- and rubber-stamped, a few other pages rubber-stamped. Front free endpaper of vol. I lacking. Pages with light waterstaining to upper inner portions in vol. I One leaf in vol. II with tear extending into text, without loss.  (26297)

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Provenance:  Inked inscriptions of James Mack of Windham, VT (1784–1860) on front free endpaper and rear fly-leaf. Although both inscriptions are dated 1840, one gives “Col. James Mack” and the other “Major James Mack.”

•  American Imprints 25154.   Contemporary treed sheep, spine with gilt-stamped leather title-label; joints, edges, and extremities rubbed, spine leather darkened and cracked, boards very slightly sprung. Inscriptions as above. Light to moderate age-toning and foxing, more pronounced to frontispiece and title-page. Now housed in a cloth clamshell case with gilt-stamped leather spine label.  (25116)

The date of printing is based on the fact that the printing firm of Tennery & Stockwell was active at Cambridge, N.Y., in 1804 only.

Provenance:  Ownership signature dated 1806 of M.H. Smith and another undated (i.e., Manassah H. Smith, a lawyer in Warren and Portland, Maine); 20th-century bookplate of Francis Massey O'Brien (Portland, Maine), bibliophile and bookseller.

•  Shaw & Shoemaker 6570.   Publisher's acid-stained sheep, abraded; black leather spine label; front joint (outside) starting. Early and late leaves with discoloration in outer margins from migration of leather oils, otherwise typical age-toning and the occasional stain or spot. Generally a very nice copy.  (29949)

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This is an uncut copy; uncut, however, though it may have been, this was carefully opened. It was read cover to cover!

•  American Imprints 2078; Howes S91; Sabin 36551.   Publisher's quarter brown cloth and light blue paper–covered sides, spine with printed paper label; binding rubbed and moderately stained, with front hinge (inside) reinforced some time ago. Ex–social club library: 19th-century bookplate, call number on endpaper, frontispiece, title-page, and last page rubber-stamped. Inside the occasional spot or blot; page edges uncut.  (27106)

Heavily illustrated; hammer prices pencilled in.

•  Original printed boards, scuffed and stained yet volume sound and pleasant enough with interior clean. As noted, most hammer prices pencilled in.  (26156)

•  NSTC J1084 (describing 6th and 7th editions only). On Jones, see: The Dictionary of National Biography, XXX, 174–77. 20th-century half morocco with marbled paper–covered sides, spine with gilt-stamped decorative motifs; binding is clean and all but unworn. Pages foxed, though not nastily so,with occasional pencil and ink marks of emphasis; one leaf with small repair to outer margin.

Provenance:  Half-title with inked gift inscription: “Emily Dean From Cousin Lou Fall River, Nov. 16th 1869.”

Binding:  Publisher's red pebbled cloth with bevelled edges, covers blind-embossed, front cover with a large gilt-framed, inset chromolithographic rectangular medallion showing a richly tinted, singing robin; spine with gilt-stamped decorative title.

•  NSTC 2J12360.   Binding as above; front cover vignette with unobtrusive small faint scuffs and with two small spots of staining, spine and edges mildly sunned, joints and extremities with a bit of rubbing. Half-title with inscription as above. Pages age-toned with scattered faint spots of foxing, otherwise clean.  (30280)

In the five-part appendix are the Aristeas de LXX Interpretibus in Greek and Latin, translated into the latter by Matthias Garbatius; Ad Epitomen Aristeæ; a variorum of Book VII of the Jewish War and the Maccabean Rebellion based on the MSS. in the Leipzig collection; a Latin version of the Libelli de Maccabæis by Francisco Combesis; and fragments from the p e r i p a n t a V , ascribed to Josephus, edited by David Hoeschel based upon the work of Stephan le Moyne. Sidenotes refer the reader to important historical details and parallel biblical passages. This edition was compiled from MSS. in the Palatine library and is a revised and improved version of the Geneva edition of 1591.

According to Dibdin, Thomas Ittigus, the editor, was “a man sufficiently conversant in Jewish antiquities, and an able reviewer of the MSS. and previous editions of his author.” As far as Dibdin was concerned, this more than made up for imperfections in type and in paper quality (the paper is strong but inclined to browning). The title-page is handsomely printed in red and black, with engraved printer's device; there is a scattering of ornamental initials and head- and tailpieces.

•  Dibdin, Introduction to the Greek and Latin Classics, II, 131; Schweiger, I, 177.   Full vellum over boards. Round spine with author's name and “Opera” in sepia ink at top. Inked personal ownership inscription on front fly-leaf; rather pleasing old library ownership stamp on verso of title-page. Lower corner of one leaf (H6) torn away without loss of text. Paper inclines to brown, as above, and there is the odd spot or underlining. A substantial, significant volume.  (2135)

Uncommon: ESTC, OCLC, and NUC Pre-1956 find only 9 U.S. holdings.

•  ESTC S107911; STC (2nd ed.) 14831.   Period-style calf framed and panelled in gilt fillets with gilt-stamped corner fleurons; spine gilt extra with gilt-stamped leather title and author labels. Lacks initial blank leaf, as is the case with virtually all copies. Two leaves with tattered outer edges, one leaf with small hole affecting a few letters; pages with some moderate offsetting, a few browned.  (25084)

Rare.  No copies were traced in the U.S. via NUC Pre-1956, OCLC, or RLIN.

•  Plain brown wrappers, shallowly chipped; small paper label on front with rubber-stamped numeral thereon. Small hole in title-page without loss of print. Paper repairs in top margins of pp. 10 and 11. Light soiling. Pencilled notations on title-page and front wrapper.

Binding:  Publisher's olive textured cloth, covers exuberantly gilt-stamped with a large central vignette labelled “Washington receiving his commission,” surrounded by portraits of Benjamin Franklin, George Washington, John Adams, and Thomas Jefferson and by foliate decorations. All edges gilt. A marvelous patriotic American production.

•  Binding as above, corners and spine extremities slightly rubbed, spine faintly darkened. Hinges (inside) tender. Light to moderate foxing. COOL.  (27187)

    Some of both the voyages and the maps make their first published appearances here—among them the New England map depicting the Maryland and Virginia coastlines, engraved by R. Michault after one contained in Richard Blome’s Description of the Island of Jamaica, part of which work appears here translated into French. Altogether, a volume notable both for its strong African and North American content and for the aesthetic appeal of its plates and pleasingly ornamented typography.

Sabin 36944; Alden & Landis 674/159; Beinecke Lesser Antilles Collection 68; Baer, 17th-Century Maryland, 78. Recent 17th-century style mottled calf with covers framed in a gilt roll and double-panelled in gilt fillets with gilt-stamped corner fleurons,; spine with gilt-stamped leather title and author labels and gilt-stamped decorative devices. Several pages (not including title) and the versos of a few plates stamped by a now-defunct institution. Paper slightly embrittled. Light waterstaining to a number of leaves and plates, mostly in margins; the first map with two repairs. One leaf (blank?) prior to Colonies Angloises excised; lacking the folding map of the Nile. A good copy, in a handsome binding of recent vintage and contemporaneous style. (8746)

•  Willems 1565.   Contemporary vellum, spine with early hand-inked author, title,and publisher; lightly dust-soiled, three corners bumped. A few light smudges towards back of volume, pages otherwise very clean; one leaf torn from upper margin and repaired, affecting a handful of letters, sense unobstructed. Some lower corners nicked.A nice, one might say “classic” little Elzevir.  (27495)

This copy has interesting, early, but now somewhat faded marginalia in a red or sepia ink. The marginalia is scattered and is at times heavy, other times light; in some sections, it is non-existent.

A rare edition: No copy traced via OCLC; VD16 locates only three copies in Europe.

•  VD16 T2056.   Full rich brown calf old style: Round spine with raised bands, accented in gilt rule; author and title lettered on cream-colored spine label; fillets in blind extending onto covers from each band to terminate in trefoils with blind double fillets beyond. Small rent in upper inner area of title-page with a very old and good repair on verso. Library name stamped on lower edge of closed book.  (24808)

Provenance:  19th-century engraved bookplate of Joannes Thomae Aubry, “Doct. Theol. Soc. Sorb., Rector S. Ludovici in insula.”

Binding:  18th-century crushed red morocco, gilt spine extra; triple fillet gilt border on covers; single gilt rule on board edges; gilt dentelles on turn-ins; French combed pattern endpapers. All edges gilt. Green silk placemarker.

•  Not in Schweiger.   Binding as above. A very good copy.  (22246)

apparently the first printing at The Hague of any Latin Classic(s) in their original Latin.

Juvenal was a Roman poet of the early second century A.D. His Satires are a standard of the genre, eloquent, humorous, and rhetorically polished, but revealing a very bitter man. Persius (a.d. 34–62), was a gentler soul than Juvenal, and his poems are more Stoic sermons than satires, preaching a moral life during one of Rome's more corrupt periods and doing so, most remarkably, without a hint of self-righteousness. The two Satyrae are often published together, in contrast and comparison.

This is the first printing at the Hague of this edition with Farnaby's notes, originally printed at London in 1612 and then reprinted in Amsterdam in 1630. The emblematic engraved title-page here was done by A. de Blois; the separate title-page for Persius bears the printer's device.

Provenance:  Front fly-leaf with three generations of early, dated, inked ownership inscriptions: Thomas Mansell, first Baron Mansel (1684); Robert Mansel (sic, 1712); and Thomas Mansell (1730–31).

•  Brunet, III, 631; Graesse, III, 520; Morgan, Bibliography of Persius, 298; Schweiger, I, 511.   Recent marbled paper–covered boards, spine with gilt-stamped leather title-label. Front fly-leaf darkened and engraved title a littlevery little tattered at edges, the first with inscriptions “stacked” as above and the second with old repair. Pages gently age-toned and generally clean, with all edges red.  (25952)

•  Schweiger, II, 513; this ed. not in Brunet. Contemporary half vellum over paste paper covers, spine with early inked title; sides and edges lightly scuffed, spine with vellum darkened and chipped. Front pastedown with inked ownership inscription dated 1775, lined through; front free endpaper with 19th-century (?) inked inscription; title-page with early inked inscription reading “Carolus Comes a Wartensleben.” Back free endpaper excised. Title-page torn along inner margin and with short tear from outer edge, just touching one letter. One leaf with small ink blots and several leaves with small nicks to outer edges; scattered light foxing. A few small early inked annotations.