•  New, in dust jacket.  (29379)

Vol. I opens with a steel-engraved portrait of the author.

•  Howgego, II, C2.   Period-style quarter tan cloth and light blue paper–covered sides, spines with printed paper labels. Five plates and one map lacking (frontispiece present); two leaves each with tear along inner margin, not touching text; foxed throughout but without embrittlement.  (24387)

Some titles include information about when and where plays were originally performed.

Provenance & Evidence of Readership: In each volume, the ink presentation inscription “W.A. Sanford to E.C.A. Sanford” on the front fly-leaf is followed by an index in the same 19th-century hand. Vol. II also has a typed index.

A full list of the plays is available upon request.

•  See Bergman & Szmuk, Comedias Sueltas; McKnight & Jones, Catalogue of Comedias Sueltas; and Sullivan & Bershas, Comedias Sueltas; Don W. Cruickshank, Don Pedro Calderón.   Early 19th-century vellum over boards with binder's sticker on front pastedown and ink title to spines; spine vellum of vol. I significantly torn. Nearly all of the comedias are trimmed close at the margins, many with loss to signature marks and occasionally a bottom line of text; some age-toning, stains, occasional water damage, and foxing. Where colophons are affected, dates have been supplied using the aforementioned references.  (29317)

Single-click the image, for an enlargement.

•  Removed from a nonce volume and now in wrappers. A very good copy.

For more POST-1820 
                            AMERICANA,  click here.

•  Narratio: Adams C436; Brunet, II, 1009; VD16 C480 / VD16 C408. Libellus: Brunet, II, 1009; VD 16 C409; not in Adams. Tertius libellus: Brunet, II, 1009; VD16 C410. Binding as above, spine with later hand-inked paper label; binding much darkened and somewhat rubbed, one clasp intact and the other lacking. First title-page with ownership inscription dated 1559 inked in lower margin; Libellus alter lacking last leaf of preface (with errata on reverse) and Tertius libellus epistolar lacking title-page. Some corners dog-eared; two leaves with outer corners torn away, without loss to text. Early inked underlining and lining through of text, with a few marginalia, mostly in Narratio and occasionally in other two works. Last few leaves of final work with light waterstaining to lower outer corners.

Click the interior image for an enlargement.

Binding:  Contemporary dark green straight-grain morocco, spine with gilt-stamped rules, rolls, and devices. Covers framed with a delicately curly gilt-rolled border; the center panels, within, accented by gilt-stamped corner fleurons. A bit of additional filigree in blind appears both within the rules of the gilt border and within the border on each center panel, to nice subtle effect. Gilt inner dentelles. All edges gilt.

•  NSTC C355.   Binding as above, leather rubbed at edges and joints, spine a bit dimmed. Front pastedown with armorial bookplate of John Allan Powell; front fly-leaf with inked inscription dated 1922. A few spots of foxing, pages otherwise clean. A pretty and very English production for this Portuguese poet.  A charming volume.  (23077)

Scarce: A search of WorldCat and ESTC locates only two U.S. institutional holdings, and only one U.K.

•  ESTC T206417.   Removed from a nonce volume; upper outer corners creased, some leaves with small edge chips and/or dust-soiling, half-title with spots of staining. A very uncommon example of a particular, enduring mindset.  (29928)

•  Graesse, Trésor de livres rares, II, 39; Palau 42732.   Contemporary vellum over paste boards, lacking the ties, with some vellum lost; old ownership stamp eradicated from title-page. A bit of old spotting/staining; generally, though, a good clean volume.  (28583)

This edifying story isillustrated with a maritime vignette on the front cover, a frontispiece, and five rather large in-text engravings, one of which has some early hand coloring (the “nimble” colt pictured is now chestnut).

•  American Imprints 11639. Not in Rosenbach, Children's.   Publisher's printed paper–covered sides with sheep shelfback, spine with gilt-stamped title; binding darkened and rubbed overall, especially at extremities, spine with gilt mostly lost and head chipped. Front free endpaper with early pencilled ownership inscription. Scattered spots of minor foxing and staining. Clearly read and loved, but not abused.  (29987)

Click the image for an enlargement.

The Pennsylvania Society for the Promotion of Internal Improvements in the Commonwealth was established in Philadelphia, in December 1824, to disseminate information on the latest improvements in the development of transportation systems including roads, railways, canals, bridges, etc.; William Strickland, Mathew Carey, Richard Peters, Jr., Joseph Hemphill, Stephen Duncan, and Gerard Ralston were among its members.

•  Shoemaker 15654, 21855, 19953, 19955, & 19949. Light blue paper–covered boards, spine with printed paper title-label. Light age-toning and spotting, more pronounced in last few leaves. Final (blank) leaf with early inked ownership signature; child’s pencilled drawings on one blank page.

      For more PRE-1820 AMERICANA,  click here.

An Englishman through and through, Carr seems sincerely to have liked Ireland and the Irish he met. His book is full of extended and very readable detail — some original, much quoted — on (e.g.) language matters and Irish poetry, Irish agriculture and industry, Irish management of charities, Irish “sights” and ruins, Irish marriage cust marriage customs — and the implications of a potato-based diet.

Provenance: Contemporary inked inscription reading “Tho.s Wynne.”

•  Shaw & Shoemaker 10096. On Carr, see: The Dictionary of National Biography. Contemporary mottled sheep, spine with gilt-stamped title-label; leather moderately rubbed, joints cracking and spine label dimmed. Title-page with owner's name as described above; title-page and one other stamped. Pages, except for central leaves, with waterstaining in lower margins; two pages with smeared spots of ink. (11960)

Writer Carrera:  From one of the leading families of Chile, José Miguel Carrera led the successful coup de etat of 15 November 1811 that overthrew the Junta de Gobierno that was established in the political void after the capture of the king of Spain. As sole leader of the nation he created the first Chilean constitution, designed the first Chilean flag and coat of arms, and was responsible for bringing the first printing press to Chile. Disagreement with the Lautaro Lodge of the Masons led to his overthrow by Bernardo O’Higgins and the rift never healed, eventually leading to Carrera’s exile in Argentina, the U.S., and later Uruguay. His brothers fell into the hands of O’Higgins who had them executed.

Recipient Didier:  Henry Didier was the godfather of Edgar Allan Poe’s older brother, William Henry; he was to take the boy into his home for some years, though accounts differ as to whether this happened immediately after the death of the Poe children's parents (1811) or after the death of their guardian grandfather (1816). He ran a counting house in Baltimore and William Henry worked there as a young man. Though the Poe brothers' intimacy varied due to circumstances over the years, clearly Edgar knew Didier; he would surely have visited his brother at the Didier house.

On Uruguay:  “Las cosas continuan en el mismo estado. Los Portugueses no han recivido refuerzo despues de los 500 Pernambucanos. Artigas se mantiene firme, esta guarnicion no se mueve. El Rey ha escrito para que el Gobierno de Buenos Ayres se desida.”

On Argentina: “Buenos Ayres continua tranquilo, está entretenido en la eleccion del nuevo cavildo que se verificará a fines del presente.”

On Peru:  “En el Perú no hay novedad considerable. [L]os españoles tienenel aquella costa 11 buques de guerra, inclusas dos de 44, pero esto no estorbó al Berg.n chileno el Aguila. . . . No pasa de 9000 veteranos el Ex[erci]to en aquel pais, aseguran que llegando los buques de guerra de Estados Unidos piensan atacar a Arequipa y seguir a Lima; no lo creo por ahora.”

On O’Higgins: “O’Higgins sigue mandando el Ex[erci]to y Brayer es sus m[ay]or gene]ral. — Pueyrredon ha mandado a esta un comisionado para que alcance de Leon que se me eche de aqui; Leon constante en su amistad y systema se negó despresiando al comisionado.”

On Prisoners: “Mi viejo Padre, 85 años de edad, ha estado incomunicado 17 dias, y ultimamente sigue su arresto en casa. . . . Mis hermanos presos aun, y lo mismo muchos de nuestros compatriotas. . . . Mr. Handle continua en su prision con todos sus oficiales y tripulacion.”

•  Very good condition. Written in a very clear hand.  (24646)

Provenance:  Flourishing old signatures of “J. Lowry” to pastedown and title-page.

A fine example of this delicate American binding.

•  Smith, American Travellers Abroad, C24.   Publisher's embossed cloth, spine with gilt-stamped title; corners slightly rubbed, with spine sunned. First and last several leaves moderately foxed. A very nice copy.  (12939)

•  ESTC R16460; Wing (rev. ed.) C1225; Vancil 46; Lowndes 386; Dibdin, I, 31–35. On Castell, see: Oxford Dictionary of National Biography online.   18th-century speckled calf, covers bordered with a darker calf band blind-rolled and then framed with single gilt fillet; spine with gilt-stamped leather title-label, darker-leather raised bands gilt-stamped/blind-tooled, and compartments gilt- and blind-tooled enclosing gilt-stamped floral decorations. Binding rubbed, with leather significantly lost in top compartment and and lost also at foot. All edges marbled. Front fly-leaf with inked ownership inscription as above dated 1837; title-page with old institutional pressure-stamp. Frontispiece with outer margin reinforced some time ago. One leaf slightly oversized and creased, intermittent soiling in many upper margins, one leaf with text affected but not obscured, small sections with light waterstaining to outer or upper margins; over all, a book both impressive and pleasant. Columns erratically numbered, text complete.  (25792)

The entremeses in vol. I (which volume is not present) were previously published in Castro's 1702 Primera parte de Alegria comica, but those in this volume are by other (unidentified) comics and ardhere for the first time. The entremeses in this volume are: “El Gallego silletero,” “La Rueda y los Cobielos, 2a parte,” “Los locos,” “El Enmendador,” “Pedro Grullo y Anton Pintado,” “La Lámina,” “Las Brujas, 2a parte,” “El duelo del vejete,” “La casa de los linajes,” “La Burla del Herrero,” “El Sacristan niño,” and “El Hombre muger.”

Searches of WorldCat and NUC Pre-1956 locate only one U.S. library reporting ownership of this work and it has both volumes. Searches of the Catálogo Colectivo del Patrimonio Bibliográfico and the OPAC of the BNE find only three libraries in Spain owning both volumes and only three other libraries owning either volume alone. Palau says “Los dos tomos completos y en buen estado son raros.”

An important and clearly rare compilation of post–Golden Age theater.

•  Palau 48691; Aguilar 2362. On Castro, see: Archivo biográfico de España, Portugal, e Iberoamérica, fiche 198, frames 417–24.   Modern medium brown morocco, gilt double-rule border on both covers, gilt spine extra, single gilt rule on board edges. Gilt inner dentelles, gilt pattern endpapers, top edge gilt, blue silk place marker. Light age-toning in some sections, by nature of paper; a few pages with small natural paper flaws; some leaves lightened across their lower outer corners; and otherwise the stray stain only. This is a very nice copy.  (29144)

Books of Hours are prayer books with eight sections corresponding to different times of day, more or less personalized depending on each owner's taste and social class; illuminated Books of Hours signaled the owner's status — the more sophisticated the decoration, the more devout the patron (and the more money spent). Although contents vary, all Books of Hours contain the Hours of the Virgin, as well as a calendar and selection of psalms.

•  Fine, soft, white vellum housed in a cardboard and mylar folder; teeny nicks (as usual) on one edge of the leaf where it was sometime detached from previous sewing, preserving margin. Although the ink is a little rubbed on the hair side, this leaf isbeautiful and rich with color.  (30221)

•  Not in Weale & Bohatta.   Bindings as above, edges and extremities rubbed, spine leather with tiny cracks, one spine head chipped, one joint starting. Ex-library with bookplates, rubber-stamp on lower edges of pages of the closed volumes. One volume with text block separating from spine and sewing loosening; this with the most leather rubbed away and the darkest instances of the usually-light waterstaining and spots of foxing seen occasionally throughout. Endpapers bear early inked ownership inscriptions and annotations. An elegant quartet.  (12406)

This is the first edition of the issue/state of the texts in two volumes.

The highly developed system of characters used in these books was invented by Fr. Chrestien Le Clercq (b. 1641) and was used beginning in the late 17th century by the Micmac for both religious and nonreligious texts, written on birch bark. In this production, the Micmac characters are printed on blue-green paper.

Provenance: Owned by H.W. Longfellow with “Micmac Language” in his hand on the recto of the frontispiece of the Gesangbuch and “Micmac Language New Brunswick” in his hand on the recto of the frontispiece of the other volume.

•  Pilling, Algonquian, 275; Pilling, Proof-sheets, 2058 & 2059. The set not Evans, Masinahikan; not in Banks (rev. ed.), Books in Native Languages; not in Newberry Library, Ayer Indians.   Each volume bound in black oilcloth wallet-style with a natural cloth tie; some adhesion of old paper to the exteriors of the bindings. Internally very attractive clean, and with awonderful provenance.  (29261)

•  Publisher’s printed paper wrappers, detached and darkened, front wrapper with tear from inner margin, paper split and chipped along spine, front wrapper with paper shelving label. Title-page with institutional stamp (no other markings). A few plates with very light spots of foxing. Very interesting!

•  Sabin 80996; Pilling, Algonquian, 462; Pilling, Proof-sheets, 3601a. Not in Banks; not in Evans. Original buckram, showing minor water damage; upper page margins waterstained, obviously to very lightly. Title-page with library stamps and some rough old pen-markings; first two leaves a bit torn at binding.

This is printed in Latin with a Spanish translation in the facing column, sidenotes, and a woodcut initial. A search of NUC Pre-1956, RLIN, and OCLC revealed only two copies of the constitution in addition to the one given in Palau.

•  Palau 27260. On Benedict XIV, see New Catholic Encyclopedia, II, 278. Removed from a nonce volume. Paper generally clean and crisp with a few small spots of foxing and waterstaining. Paper closely trimmed by binder, shaving some sidenotes.

We foundjust one similar example, at Yale; this has 40 plates. (The 1857 Philadelphia edition had 41.)

Binding:  Publisher's black leather, covers with blind-embossed rococo frame and central cartouche; smooth spine, marbled endpapers. Alternate, less expensive cloth binding sample for the same title, featuring asplendid gilt-stamped vignette of a native American in battle dress on horseback, on front pastedown.

Evidence of readership: Old pencil scribbles and a few instances of handwriting practice to a leaf or so of text and to the backs (never the fronts) of a number of plates.

•  This sample book not in Arbour. For the 1860 edition of Catlin, see: Field 261; Howes C-241; Wagner-Camp 84:20.   Binding as above, leather rubbed and faded overall. Quires and plates loose, detached completely from binding and each other; clearly lacking at least one plate, title-leaf, and pp. 7–10. Text and plates both soiled and stained though differently, the former most affected in gutters and with darker stains (and typically longer tears) than seen elsewhere; the plates are affected more towards outer edges, usually apparently more by “moisture” than “water,” with some chipped at corners, one tattered and this “stabilized” with old cello tape from rear, one with a long tear just skirting image, and others with the odd small rip at an edge. Some tissue guards present or partly so. Artwork vibrant, often stunning.  (30076)