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GENERAL MISCELLANY
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Printed in GOLD within a Marvelously Elaborate ENGRAVED BORDER
Printed in SILVER
(“A” is for an “A1” AMERICANUM). Washington, George. Broadside. Begins: 
WASHINGTON'S FAREWELL ADDRESS. New York: Pub. by C.C. Wright & Durand, [1834?]. Folio extra (57 x 46 cm; 23" x 18"). 1 p.
Click the image for an enlargement. 
considered, informed, and sage advice to his fellow citizens. FOR EXAMPLE, he warns against “combinations or associations . . . [that] serve to organize faction, to give it an artificial and extraordinary force; to put, in the place of the delegated will of the nation the will of a party, often a small but artful and enterprising minority of the community'; he further foresees that [though] now and then answer[ing] popular ends, [these combinations] are likely, in the course of time and things, to become potent engines, by which cunning, ambitious, and unprincipled men will be enabled to subvert the power of the people and to usurp for themselves the reins of government, destroying afterwards the very engines which have lifted them to unjust dominion.” On the diplomatic side, he urges that “Harmony, liberal intercourse with all nations, are recommended by policy,
humanity, and interest . . . “
This is a stunning printing of Washington's famous message. The text is printed in gold ink in four-column format within an elaborate engraved border printed in silver on bright white calendered paper. The firm of “White & Durand” is listed in the 1834–35 New York city directory as specializing in “specimens of xylographic engraving and printing in colours” and seems to have done a good business in labels for drug store bottles. An earlier incarnation of the firm “A.B.C. Durand, Wright & Co.” had specialized in banknote engraving as early as 1825, and certainly the border here is of that style and quality.
The firm was renamed in the 1835–35 city directory to “Wright & Prentiss.”
Searches of NUC, WorldCat, and the OPACs of the American Antiquarian Society and the Library of Congress
fail to locate any other copies.
• Date attribution based on admiring notice in an 1834 trade journal. Minor indications at some edges of the item having been pinned or tacked for display; faint instances of old staining at edges, in one case slightly into border.
An excellent copy of an important and absolutely lovely production. (33580)
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For BROADSIDES, click here. For COMMERCE / TRADE /For ANGLO-AMERICAN LAW, click here. For CONSTITUTIONS & CONSTITUTIONAL For PHILOSOPHY, click here. For “HOW-TO,” click here!
The Beatus vir . . . Gorgeously Produced, Beautifully Framed(“A” is for “A KNOCK-OUT”). Catholic Church. Liturgy & Ritual. Psalter. Manuscript leaf. Northern Italy: ca. 1490. Folio. [1] f. (56 x 42 cm; 22" x 16").
Click the image for an enlargement. large, magnificent Benedictine Psalter, this is the start of Psalm 1, “Beatus vir . . .” (“Blessed is the man who hath not walked in the counsel of the ungodly, nor stood in the way of sinners, nor sat in the chair of pestilence But his will is in the law of the Lord, and on his law he shall meditate day and night. And he shall be like a tree which is planted near the running waters, which shall bring forth its fruit, in due season. And his leaf shall not fall off: and all [whatsoever he shall do shall prosper]. . . . ”).
The text appears here in sepia ink in a large Renaissance rotunda hand, set forth to the point of our bracket above, illuminated and featuringa large miniature of Kind David filling the center of a large initial B. Along the bottom margin in three medallions are 
Saints Mark, Benedict (center bottom), and Laurence; the right margin has two additional medallion portraits of unidentified female figures. The margins are garnished with gilt and bright-colored flowers, among which hidesthe small image of a deer — “As a deer pants for flowing streams, so pants my soul for you, O God”?
• Matted and under glass in an elegant 20th-century gilt frame, ready for hanging. We have not opened this to discover whether Psalm 1 continues (or Job concludes) on the other side of the leaf, but the suspicion must be, given the beauty and quality of the side showing, that this is a leaf that would benefit from double-glazing showcasing both sides. (33296)
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Snakes
Lost
Civilizations
& anAdventuresome
Artist
(“A”
is for “ADVENTURE”). Catherwood,
Frederick. Views of ancient monuments in Central America, Chiapas
and Yucatan. London: Frederick Catherwood, 1844. Folio extra. 25 colored
plates.
Click the images for enlargements.
This set of images is of the very rare colored issue on card stock. 
handsome beyond easy imagining and fascinating in the detail and care of their coloring. (29366)
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Abbott'sIllustrated Biographies
Abbott, Jacob, & John S.C. Abbott. 
MAKERS OF HISTORY. Akron, OH: The Superior Printing Co., [1914]. 12mo (18.8 cm, 7.4"). 20 vols. I: Frontis., [2], 256 pp.; 3 plts. II: Frontis., 229, [1] pp.; 3 plts. III: Frontis., 251, [1] pp.; 3 plts. IV: Frontis., 250 pp.; 2 plts. V: Frontis., 263, [1] pp.; 2 plts. VI: Frontis., 239, [1] pp.; 1 fold. map, 3 plts. VII: Frontis., 264 pp.; 2 plts. VIII: Frontis., 272 pp.; 2 plts. IX: Frontis., 257, [1] pp.; 1 fold. map, 3 plts. X: Frontis., 239, [1] pp.; 3 plts. XI: Frontis., 265, [1] pp.; 3 plts. XII: Frontis., 248 pp.; 3 plts. XIII: Frontis., 303, [1] pp.; 3 plts. XIV: Frontis., 285, [1] pp.; 4 plts. XV: Frontis., 287, [1] pp.; 4 plts. XVI: Frontis., 223, [1] pp.; 3 plts. XVII: Frontis., 233, [1] pp.; 3 plts. XVIII: Frontis., 327, [1] pp.; 4 plts. XIX: Frontis., 263, [1] pp.; 3 plts. XX: Frontis., 285, [1] pp.; 3 plts.
Click the images for enlargements. 
• Publisher's cream paper–covered boards, spines with stamped titles and heraldic rampant lion decorations; spines darkened (uniformly so), some spines chipped or scuffed. Preface and last text page of each volume with pencilled ownership inscription of J.C.B., dated 1923, except vol XV, marked as read in 1959 by J.D. Bowman. Vol. VI with newspaper clippings affixed to free endpapers, offset onto pastedowns. Vol. VIII with frontispiece separated and laid in, first few lower outer corners bumped, small pencilled marks of emphasis. Vol. IX with small scuff to front cover, small pencilled marks of emphasis, newspaper clipping affixed to back pastedown. Vol. XI with lower portion of one leaf torn away, with loss of portions of eight lines. Vol. XIII with front joint cracked and spine paper partially detached, reinforced some time ago with cellophane tape. Vols. XIV and XIX with back endpapers bearing inked and pencilled annotations. An enjoyably readable tour of famous lives in a “period” edition. (33428)
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20th-Century Fine-Press Printing . . . Achilles Tatius. The loves of Clitophon and Leucippe translated from the Greek of Achilles Tatius by William Burton reprinted for the first time from a copy now unique. New York: Bernard Guilbert Guerney, 1923. Folio (30.5 cm, 12"). xxxi, [9], 152, [6] pp.
Click the images for enlargements. This isnumbered copy 459 of a total of 503 printed (394 for sale in Great Britain, 104 for sale in America, and 5 special copies on vellum), signed B.G.G. on the limitation.
• Publisher's quarter tan cloth and brown paper–covered sides, front cover and spine each with printed paper label; corners bumped, spine darkened, spine label chipped. Pages clean; edges deckle with a very few signatures uncut. (33816)
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Famous for Its
Maps of the Holy LandAdrichem (a.k.a. Adrichom), Christiaan van. Theatrum Terrae Sanctae et biblicarum historiarum cum tabulis geographicis aere expressis. [colophon: Coloniae Agrippinae: Officina Birckmannica, sumptibus Hermanni Mylij, 1628]. Folio (37 cm; 14.5"). [6] ff., 256 pp., [15] ff.; 12 fold. or double-page engr. maps.
Theatrum Terrae Sanctae is famous for its engraved maps, but the work is justly sought for its descriptions of Palestine and the antiquities of Jerusalem. Additionally the work contains a chronology from Adam to 1585, the year of the author's death.
The work begins with an engraved allegorical title-page, has woodcut initials and tailpieces, and bears12 folding or double-page engraved maps. The text is printed in roman type in double-column format.
In all, a good+ copy and a very handsome volume. (24104)
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Christian
History’s
ChronicleAdrichem, Christiaan van. Chronicon de Christiano Adricomio Delfo; traducido de latin en español por Don Lorenco Martinez de Marcilla. Madrid: En La Imprenta Imperial, 1679. Small 4to. π4 A–Z4 Aa–Pp4 Qq2; [4] ff., 284 (i.e., 286) pp., [11] ff.
Click the images for enlargements. 
translation into Spanish of Adrichem’s history of Biblical events to the year 109 a.d. An additional “Chronicon Breve” at the end of the volume gives a chronology from Adam and Eve to the year 1585.
The title is within a typographic border; text is printed in double-column format, in roman type.
• Palau 2864. 19th-century half sheep with marbled paper sides; binding shows wear. Lower margin of title-leaf and leaves of the preliminaries with minor worming; repaired with pasted-over paper. Some side- and shouldernotes shaved with loss. Sporadic soiling, not severe. (16919)
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Poetic Religious Meditations, forChildrenAdvice and select hymns, for the instruction of little children. Concord, NH: Atwood & Brown, 1837. 16mo (9.8 cm, 3.8"). 16 pp.; illus.
Click the images for enlargements. eight wood-engraved vignettes, some only very loosely related to the text. The elegant and charmingcrab on the front wrapper is at first a bit of a puzzle, but then the crab is sometimes seen as a Christian symbol of resurrection because it sheds its shell; or, perhaps, the printer simply found his crab elegant and charming and wanted to use it!
Provenance: Front inside wrapper with early inked ownership inscription of Sarah J. Gaffield.
• American Imprints 42693. Publisher's tan printed paper wrappers; spine and corners with very minor rubbing. Moderate foxing. A solid example, with neat contemporary inscription but otherwise unmarked by childish hands. (31462)
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Animal Stories — Fly-Fishing, Too!Aelianus, Claudius. [4 lines in Greek, then] Aeliani de natvra animalivm.... Londini: Gulielmus Bowyer, 1744. 4to (26.2 cm, 10.4"). 2 vols. I: xiv, xxvii, [35 (index)], 603, [1] pp. II: [605]–1128, [88 (index and addenda)] pp.
• ESTC T88657; Dibdin, I, 232; Schweiger, I, 2. Contemporary vellum-covered boards, covers framed and panelled in blind with central blind-stamped strapwork medallions, spines with gilt-stamped leather title and volume labels; front joints repaired and now strong, vellum soiled. Front free endpapers with early inked owner's name as above; shadow of shelf number once pencilled on title-page, erased. Spotting of various sorts and minor smudging in upper margins of some pages; leaves otherwise clean. (13557)
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Grabhorn Press Leaf Book — “The Bible of the Revolution”(Aitken Bible). An original leaf from the Bible of the Revolution and an essay concerning it by Robert R. Dearden, Jr. and Douglas S. Watson. San Francisco: Edwin & Robert Grabhorn for John Howell, 1930. Tall 8vo (27 cm; 10.5"). Frontis., 34 pp., 2 ports., 1 illus., 4 facsims. (including a 3-page letter from George Washington), 1 leaf from the Bible.
Click the images for enlargements. 
Provenance: The Howell Bible Collection, Pacific School of Religion (properly released).
• Grabhorn Bibliography 131; Disbound and Dispersed 49. Original quarter red morocco with two raised bands, spine slightly faded. Without the slipcase. Clean. (33611)
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16th-Century Tour of Italy — Venice Is an Island Alberti, Leandro. Descrittione di tutta l'Italia & isole pertinenti ad essa. In Venetia: Appresso Gio. Maria Leni, 1577. 4to (21.7 cm, 8.5"). 2 vols. in 1. [303], 503, [1(blank)], 69 (i.e., 96), [4] ff.
Click the images for enlargements. 
• Adams A475; Index Aurel. 102.349. Contemporary vellum, worn and darkened, lacking ties. Hinges (inside) with insect damage causing partial opening, text block starting to pull away from spine. Front free endpaper with two inked ownership inscriptions, one dated 1620 and one 1898. Small area of worming to upper inner margins of about 40 leaves, minor and not approaching text. Scattered instances of early inked underlining and a very few marginalia, pages otherwise pleasingly clean. Ready for many more years of use! (26501)
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Signed by a Prominent
Spanish Artist-PoetAlberti, Rafael. Poemas de amor con dos puntas secas del autor. Madrid: Ediciones Alfaguara (pr. by Andorra la Vella), 1967. 4to (26.2 cm, 10.25"). [8], 15–137, [5] pp.; 2 plts.
Click the images for enlargements. 
signed by Alberti.
• Publisher's quarter vellum and textured tan cloth–covered sides, spine with gilt-stamped title. One preliminary leaf excised. A very nice copy. (33507)
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One Poem on an “Air Balloon” & a *FUNNY* One Called“A Receipt for Writing a Novel”Alcock, Mary. Poems, &c. &c. by the late Mrs. Mary Alcock. London: C. Dilly, 1799. 8vo. vii, [3], 183, [1] pp. (lacking subscribers list).
Click the images for enlargements. Provenance: Title-page with early inked name “Timothy Tynell” in upper margin and ink smear to inner margin; early inked gift inscription (“J. Sadler given to him by W. Clanton”) between verses on p. 3.
• ESTC T86344. 19th-century half calf over marbled paper, much worn and abraded with covers detached, last few leaves starting to separate, and leather partially lost over spine; an ex-library, reading copy worthy of rebinding — covers pressure-stamped by a now-defunct institution, title-page and several others rubber-stamped, back free endpaper with pocket. Lacking extensive (25 pp.) subscribers' list (only). Pages with light to moderate spotting and a few short edge tears, not touching text. (17696)
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Lovely Production of a Timeless Story Alcott, Louisa May. Little women or Meg, Jo, Beth, and Amy. New York: Limited Editions Club, 1967. 8vo. viii, [6], 428, [4] pp.; 14 plts. (2 double).
Click the images for enlargements. 
• Bibliography of the Fine Books Published by the Limited Editions Club, 396. Binding as above, in original glassine dust wrapper and publisher's slipcase; volume clean and fresh, wrapper with small chips to spine extremities, slipcase gently sunned and with a little soiling, one corner bumped. (30120)
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A Young Duke toHis GovernessAlfred Ernest Albert, Duke of Edinburgh. Autograph Note Signed (“Affie”) to Madame Rollande. No place [London?]: 15 June 1853. 12mo (18 cm; 7"), l p.
Click the image for an enlargement. Provenance: Ex–Allyn K. Ford Collection, Minnesota Historical Society, recently deaccessioned.
• Envelope stained. Letter, a little soiled and stained generally, with a notable stain from the wax seal of the envelope and some very short edge tears, mounted on blue paper. All, evocative! (33771)
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A
Learned HUGUENOT
Discusses theTHRICE-Holy
HymnAllix, Pierre. Dissertatio de Trisagii origine. Rothomagi: Apud Joannem Lucas, 1674. 8vo (18.2 cm, 7.125"). A–I4; 70 pp., [1 (blank)] f. 
Click the interior images for enlargements. This 
sole edition is ornamented with a woodcut printer’s device and a woodcut headpiece and initial; the text is referenced with sidenotes.
Rare: Only two copies traced in the U.S. via OCLC, RLIN, and NUC Pre-1956.
Provenance: Bookplate of Virtue & Cahill Library (the library of Portsmouth’s Catholic Cathedral) no. 8783, with a large overlaid rubber-stamp thereon starkly, blackly noting the dispersal and eventual sale of the library “following enemy action”—the cathedral having been bombed by the Germans in 1941.
• On Allix, see: The Dictionary of National Biography, I, 334–35. 19th- or early 20th-century half calf over marbled paper, spine with gilt title; edges of leather with a dog’s tooth roll in blind. Leather rubbed, especially on joints and edges. Some soiling and waterstaining, mostly light and most notable on early leaves, with some small wormholes in the margins; a little fine chipping and some shallow dog-ears. Old inked ownership inscription on title-page, crossed out but still legible. (10686)
EVERYONE You Need to Know in France — Bright, Fresh, IN THE BOX!
Almanach de la cour, de la ville et des départemens pour l'année 1829. Paris: Louis Janet, [1828]. 12mo (11.2 cm, 4.4"). [34], 254, [2] pp.; 4 plts.
Click the images for enlargements. four steel-engraved plates offer views of the Chateau de Neuilly, Chateau d'Avaray, Chateau de Lucienne, and Chateau de Rosny (with brief descriptions of these noble residences).
Binding: Publisher's apple green paper–covered boards in original matching slipcase with gilt-stamped spine title. All edges gilt.
• Binding as above: lower front and back edges each with tiny bump, extremities showing very slight rubbing, slipcase with edges rubbed and a few small spots of discoloration. Front free endpaper with pencilled annotations in French. Pages and plates clean. Really in quite remarkable condition. (30574)
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Grammars & Language StudiesAlting, Jacob. Jacobi Altingi ... Fundamenta punctationis linguae sanctae, cum necessariis canonum, locorum S. Scripturae & vocum irregularium indicibus. Francofurti ad Moenum: Sumptibus viduae beati Knochii et J.G. Eslingeri, 1746. 8vo (18 cm; 7.25"). 3 parts in 1 vol. I: [8] ff., 385, [1] pp., [3] ff., [1], 7 pp. [30], [24] ff. II: [2] ff., 122 pp. III: [8] ff., 31, [1], 32, 88, 57–176 pp.
Click the images for enlargements. 
• This edition not in VD18. Modern light brown paper-covered boards with paper spine label. Ex-library with faint blind-pressure stamp on title- and one other leaf and librarian's pencil notations on verso of title-page. Scattered foxing, occasional stray stain. Overall a good, solid, clean copy. (33597)
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 TO Part II |
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