Advertisements on the last page, notably forpatent medicines.

•  Drake 13678.   Uncut copy; later stitching; corners cut. Slight dog-earing, title-page a little tattered. Early inked ownership signature at top of title-page and some marginalia or interlineations.  (9959)

The elegant frontispiece is a portrait of Mrs. Fitzherbert by J. Broum after Richard Cosway, R.A. (1742–1821), the famous miniaturist who painted her on numerous occasions and whose portraits of her were so admired by her husband the King, that he took one to his grave.

Binding:  Full later brick red calf by Root & Son, double-ruled in gilt with leafy flowers in the board corners and in four of six spine compartments; gilt title, etc., on black morocco lettering pieces in the remaining spine compartments. Gilt-rolled board edges and turn-ins; mottled amethyst and emerald endpapers and a red silk marker.

•  On Mrs. Fitzherbert, see: Oxford Dictionary of National Biography online.   Bound as above, spine a little scratched. Small tear repaired in margin of frontispiece and a bit of paper supplied to repair one lower inner margin; insignificant little nicks to a very few sheets, and a crease in one lower outer corner. Clean, LOVELY.  (30075)

•  Original self wrappers [unbound; removed]. There is a small chip out of the inner edges of the leaves and the top corners of the first two leaves are lightly creased. Very good.  (17404)

Click the image for an enlargement.

•  NSTC 2A2513.   Removed from a nonce volume. Closely trimmed with shouldernotes and signature marks variously shaved; clean.  (30249)

Theatrum Terrae Sanctae is famous for its engraved maps, but the work is justly sought for its descriptions of Palestine and the antiquities of Jerusalem. Additionally the work contains a chronology from Adam to 1585, the year of the author's death.

The work begins with an engraved allegorical title-page, has woodcut initials and tailpieces, and bears12 folding or double-page engraved maps. The text is printed in roman type in double-column format.

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for an enlargement.

The title is within a typographic border; text is printed in double-column format, in roman type.

•  Palau 2864. 19th-century half sheep with marbled paper sides; binding shows wear. Lower margin of title-leaf and leaves of the preliminaries with minor worming; repaired with pasted-over paper. Some side- and shouldernotes shaved with loss. Sporadic soiling, not severe.

•  ESTC T88657; Dibdin, I, 232; Schweiger, I, 2. Contemporary vellum-covered boards, covers framed and panelled in blind with central blind-stamped strapwork medallions, spines with gilt-stamped leather title and volume labels; front joints repaired and now strong, vellum soiled. Front free endpapers with early inked owner's name as above; shadow of shelf number once pencilled on title-page, erased. Spotting of various sorts and minor smudging in upper margins of some pages; leaves otherwise clean.

Provenance:  Owner's gilt-stamped initials (E.C.K.) on upper cover.

•  ESTC T84696; Gaskell 14.   Original speckled calf with covers double-ruled in gilt, gilt-stamped “E.C.K.” as above, and gilt board edges; spine with raised bands and red morocco spine label; red edges faded to a dusty pink, and a green silk marker. Joints (outside) a little weak, starting; extremities bumped and worn, at points exposing boards; small scar from repair to rear board leather. Light offsetting from binding onto endpapers and from some of the plates to leaves opposite; mild foxing and a little staining; one marginal annotation in ink.A nice copy, overall, of a book interesting for multiple reasons.  (30066)

All 16th-century editions are scarce. Via NUC, OCLC and RLIN we locate only this copy of this edition (now deaccessioned) and that at Princeton.

Binding: Contemporary alum-tawed sheep over wooden boards with partially bevelled edges. Elaborately blind-embossed with a roll and a center panel ornament. Front cover with initials “H. S.” and date “1597” in gilt. Rear cover with gilt putti in the areas where initials and the date appear on the front.

Evidence of readership: Marginalia in the prefatory index; very scattered early underscoring.

•  VD16 A969; Goedeke, II, 8. Binding as above, lacking clasps and with old paper spine label; ex-library with bookplate and call number in old, faded, white numbering on spine. Title-page browned and tipped in; loss of paper to fore- and bottom margins of same. Some age-toning to paper and several leaves with natural paper flaws, repaired with archival tissue; three other leaves also with natural paper flaws repaired at time of binding or shortly after printing. Approximately 12 leaves with inkstains, sometimes obscuring text. One leaf (178) with a hole costing a significant loss of text. A marginally acceptable copy as regards text, in a good binding.

•  Adams A475; Index Aurel. 102.349.   Contemporary vellum, worn and darkened, lacking ties. Hinges (inside) with insect damage causing partial opening, text block starting to pull away from spine. Front free endpaper with two inked ownership inscriptions, one dated 1620 and one 1898. Small area of worming to upper inner margins of about 40 leaves, minor and not approaching text. Scattered instances of early inked underlining and a very few marginalia, pages otherwise pleasingly clean. Ready for many more years of use!  (26501)

•  Bibliography of the Fine Books Published by the Limited Editions Club, 396.   Binding as above, in original glassine dust wrapper and publisher's slipcase; volume clean and fresh, wrapper with small chips to spine extremities, slipcase gently sunned and with a little soiling, one corner bumped.  (30120)

•  Lipperheide 1341; Abbey, Travel, 244.   Binding overall rubbed and somewhat rough, front joint (outside) starting and back hinge (inside) likewise. Offsetting from plates, instances of light foxing and occasional soiling throughout. Plates 16, 29, and 39 excised some time ago, with faint pencil marks on contents list indicating their absence. An imperfect copy, still offering an array of engaging images and elegantly bound, with its sociologically intriguing text intact.  (28807)

This sole edition is ornamented with a woodcut printer’s device and a woodcut headpiece and initial; the text is referenced with sidenotes.

Rare: Only two copies traced in the U.S. via OCLC, RLIN, and NUC Pre-1956.

Provenance: Bookplate of Virtue & Cahill Library (the library of Portsmouth’s Catholic Cathedral) no. 8783, with a large overlaid rubber-stamp thereon starkly, blackly noting the dispersal and eventual sale of the library “following enemy action”—the cathedral having been bombed by the Germans in 1941.

•  On Allix, see: The Dictionary of National Biography, I, 334–35. 19th- or early 20th-century half calf over marbled paper, spine with gilt title; edges of leather with a dog’s tooth roll in blind. Leather rubbed, especially on joints and edges. Some soiling and waterstaining, mostly light and most notable on early leaves, with some small wormholes in the margins; a little fine chipping and some shallow dog-ears. Old inked ownership inscription on title-page, crossed out but still legible.