BIBLIO-GIFTABLES

Nero Lives!

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•  Henryk Sienkiewicz's novel about the last years of the reign of Nero Caesar appeared in 1896. This work, along with his trilogy on the 17th-century wars between the Russians, Turks, Swedes, and his native Poland, was first translated into English by the multilingual Jeremiah Curtin, who first came across Siekiewicz's writings by peering over the shoulder of a man reading a Polish newspaper in a Washington streetcar; that translation appears here. Sienkiewicz won the Nobel Prize in 1905, and spent the remainder of his life aiding Poles who suffered during the German invasion in World War I. He died in 1916.

Harold Lamb wrote the introduction. Of the author's attention to the minutiae of daily life in the Rome of A.D. 63–66 he writes, “The city itself appears in exact historical detail. Praetorians idling at their posts pass the time with their favorite dice games; girl attendants at Petronius' bath finish their duties punctiliously and break away to their own diversions as soon as the door curtain falls behind the master. Sienkiewicz knows how the dishes, including blackbirds, were prepared for a nobleman's feast; he knows what the oriental dancers wore on their heads and what the priests of Cybele carried in their hands, and what you see when you round a corner of the Vicus Sceleratus.”

Salvatore Fiume created the 35 drawings which were reproduced in three-tone process and mounted by hand. Giovanni Madersteig designed this edition, which is limited to 1500 copies, choosing a monotype Old Face font; the composition and printing of the text and illustrations was done by Madersteing at the Officina Bodoni in Verona.

The binding is full natural linen printed, in grey-blue, with an overall pattern derived from an old wood engraving. The signatures of Salvatore Fiume and Giovanni Madersteig appear on the colophon.

•  Limited Editions Club, Bibliography of the Fine Books Published by The Limited Editions Club, 1929–1985, 302.   In the original slipcase, spine sunned with a long closed crack to paper and paper cracked/chipped; case good overall. Book with spine lightly faded and rear pastedown with small gold bookseller's label; volume in the original dust jacket (spine sunned to darker than sides are); near fine.  (22293)

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Sweet Book forSmall Hands

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•  This little gathering of poems is number eleven in the second series of Redfield's Toy Books, “Four Series of Twelve Books each, beautifully illustrated,” as advertised on the rear wrapper. Of the charming wood-engraved illustrations, one is signed by B.F. Pease and another by W.B. (William Barritt). The book is undated; however the publisher was located at 88 John Street, New York, between 1849 and 1856.

•  Original printed paper wrappers with title-page reproduced on front and publisher's advertisement on rear, as above. Wrappers partially detached, mild foxing.  (31408)

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First Edition — Limited Edition

•  First edition. Copy 232 of 520, signed by the author. Printed at the Windmill Press.

•  Publisher's cloth with marbled cloth sides; without the dust jacket. Top edge gilt.

Simple Title.  Pretty Fascinating Reading.

•  First U.S. edition, from the “International Scientific Series”: scientific examination of the cultivation and properties of a wide variety of foods, including tea, coffee, and wine. The volume, which includes several 14th-century recipes, is illustrated with plates and in-text wood engravings. Click the images for enlargements.

Original edition, not a modern reprint.

•  Publisher's oxblood cloth, covers decoratively stamped in black, spine black- and gilt-stamped; corners and spine extremities rubbed, sides with small areas of minor discoloration, spine sunned with paper shelving label at head, a little cocked. Ex–social club library: call number on endpapers, rubber-stamp on title-page and four others. Final blank leaf excised. Clean, sound for use.  (27367)

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Captain John Smith inthe New World

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•  Beautiful facsimile of the London, 1624 edition, printed by offset lithography in Italy on specially made laid paper. The work is illustrated with reproductions of contemporary portraits and maps, and accompanied by a booklet containing a historical introduction by A.L. Rowse and bibliographical notes by Robert O. Dougan.

Binding:  Publisher's vellum with cloth ties, front cover with gilt-stamped coat of arms of James I, spine with gilt-stamped title.

•  Bound as above, housed in a grey cloth–covered, felt-lined clamshell case with affixed printed paper illustration reproducing the engraved title-page; vellum very slightly sprung, case showing spots of minor discoloration and shelfwear. Very nice facsimile of this important work.  (32214)

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TheScience of Soap

(Soapmaking Scrapbook).

•  Florilegium of late 19th– and early 20th–century science pertaining to soapmaking, composed of both hand-inscribed material and clippings from various periodicals. In addition to such articles as “The Specific Heat of Glycerin Waste Lyes and Crude Glycerin,” the volume contains an advertisement for a patented soap frame, chemical analyses of various soap-related commercial products, information on running a boiler room efficiently, and statistics regarding the fat yield of a steer; also present are occasional motivational pieces entirely unrelated to soap.

•  Pebbled cloth, lightly worn. Leaves with minor cockling, some staining and offsetting. Some pages with portions excised; one leaf excised entirely.

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Inventions et Decouvertes

•  Not in Von Hunersdorff, Coffee. Publisher's embossed gilt-paper binding, moderately worn with the spine and board edges a bit darkened; still a very attractive, unusual binding. Front pastedown with small bookseller's ticket and with remnants of a school prize bookplate. Pages mostly clean, with scattered hints of light foxing. (10592)

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“A Haven of Peace in a Distracted World”

•  This edition is limited to150 copies; our caption quotation appears on p. 1. With a list of members on pp. 23–37.

•  Publisher's cloth, lettered in gilt on the front. Near fine.  (26702)

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His Lyrics

•  Woodcut title-page, head- and tailpieces in the art nouveau style; engraved portrait of Spenser as the frontispiece.

•  Very good. Green publisher's cloth, spine and front cover amply gilt in the art nouveau style. Edges and joints rubbed, small abrasion to front cover. Pages untrimmed and partially uncut. Top edge gilt. (3142)

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Omens & Charms — Signs & Dreams

•  At head of title: An astronomical diary for 1832. Vol. 2. No. 8. Whole no. 16. Title vignette. Poetry, anecdotes, “omens, charms, and divination”; also, “signs, dreams, &c.” Last page contains a stationers’ advertisement by the publishers. Click the image for an enlargement.

•  Drake 4017.   Uncut, stitched, partly unopened.  (21434)

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Period Interest & a Cool Cover (for $22.50)

•  At head of title: An astronomical diary for 1842. Vol. 4. No. 2. Whole no. 26. Title vignette is hand-colored. Pages [34-36] contain stationer’s and publisher’s advertisements by Thomas Groom & Co. Contains much poetry and many jocular stories or outright jokes. Click the image for an enlargement.

•  Drake 4251.   Stitching renewed. Some loss of paper and small amount of text on first four leaves to hungry rodent. Waterstains.  (21375)

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A Word-Book for Children — A Bright & Clean Copy

•  First edition of a juvenile reference book “specifically designed to supply the help for beginning writers which the conventional dictionary is too cumbersome to give.”

•  Publisher's green cloth, front cover and spine stamped in black and orange. A clean, crisp copy.  (23630)

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Magic Mallet

Dick Merriwell's polo team.

•  Reprint. No. 132 in the Merriwell series, this dime novel was also published with the subtitle "The rattlers of the roller rink."

•  Publisher's printed paper wrappers, edges chipped and corners lost. Being a "pulp" novel, this is on pulp paper — pages therefore age-toned, brittle, and breaking off where the corners are sharply dog-eared. (12422)

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“Have You aTamerlaine in Your Attic?”

•  First edition, second printing (stated) of this classic compilation of engaging anecdotes about book hunting, selling, collecting, binding, etc., written by the Toronto-born and Chicago-based novelist, newspaperman, Baker Street Irregular, and famed bibliophile, Vincent Starrett. Articles are well illustrated.

A difficult book to find in its dust jacket.

•  Publisher's green cloth, in publisher's printed paper dust wrapper; jacket slightly darkened, taped to boards, chipped at back upper edge, and nicked at corners and spine extremities; very neatly applied pen and ink call number on spine of jacket. Front (inside) hinge tender; front pastedown with institutional bookplate. Offsetting to endpapers from cover tape, otherwise clean internally.  (24656)

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WISCONSIN

•  1877–79 edition of what was generally an annual report, commenced in 1855. Topics covered include “Ancient Copper Mines of Lake Superior,” “Indian Wars of Wisconsin,” and “Early Times at Fort Winnebago”; the volume is illustrated with representations of cave designs from La Crosse Valley. Click the images for enlargements.

Provenance: Title-page with affixed presentation slip from the State Historical Society; front free endpaper with affixed envelope flap addressed to the Rev. E.A. Dalrymple of Baltimore, MD.

•  Publisher’s cloth, spine with gilt-stamped title. Binding sturdy but with portion of spine cloth missing, exposing underlying material; corners bumped, extremities very lightly rubbed. Front pastedown with institutional stamp. Pages slightly age-toned, else clean.

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Modern Fiction — Special Copy

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•  First edition: Series one, number two in the “Penmaen Fiction” series, with a wood engraving by Berta Golahny. This unconventional novella was edited by Michael Peich and designed by Michael McCurdy, the author and illustrator who ran thePenmaen Press. The copy is no. 50 of 1000 printed, the present example beingone of 300 specially bound copies signed at the colophon by the author and artist.

Provenance:  Though without indicia, from Andrew Hedden’s collection of press books and livres d'artiste.

•  Publisher's half tan cloth with tan and mauve printed paper–covered sides, spine with gilt-stamped title. Clean, tight, attractive copy.  (30602)

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Designed by Eric Gill — Etchings by Tegetmeier — Signed by Both

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•  Illustrated with etchings by Denis Tegetmeier, this Limited Editions Club production was designed by Eric Gill (with a new typeface created by him), printed by Hague & Gill of England, and bound by the latter company in tan buckram stamped in blue and red, with a gilt-stamped spine title. This is copy no. 103 of 1500 printed, and is signed by both Gill and Tegetmeier at the colophon.

•  Bibliography of the Fine Books Published by the Limited Editions Club 1929-1985, 81. Binding as above, upper edges and lower back corner lightly stained (not affecting interior), in original blue cloth-covered slipcase with printed paper label; slipcase spine and label sunned with label printing much faded. Pages clean; in fact, a good-looking copy.

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Carbonated Drinks including“Kola Champagne”

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•  “Description of the chemicals and ingredients commonly used by mineral water manufacturers, cordial makers, &c. including a collection of valuable & reliable original practical recipes” meant for tradespeople and manufacturers. This is the fifth edition, revised and enlarged, following the first of 1883; “the recipes have been for the most part re-written,” due to “the vast and important improvements we have made in the strength, aroma and quality of our Essences” (p. 3). The instructions include formulations for wines and beers.

•  Not in Bitting, not in Cagle.   Publisher's moiré plum-colored cloth, front cover with gilt-stamped title; spine and edges worn with hinges (inside) starting. Pages age-toned with occasional smudges; some corners dog-eared and one leaf with ragged edges. Recipe index with several instances of “cider” lined through in pencil and rubber-stamped “ciderette” instead. Lots and lots and lots of information and, in the format, some sense of how it was worked with.  (28522)

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The Best-KnownShort Story in English Literature?

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•  First edition: The famous “unsolved human dilemma,” as Johnson describes the classic title story, and eleven other short stories from one of the most popular writers of the 19th century. In addition to “The Lady, or the Tiger?,” the volume contains “The Transferred Ghost,” “The Spectral Mortgage,” “Our Archery Club,” “That Same Old 'Coon,” “His Wife's Deceased Sister,” “Our Story,” “Mr. Tolman,” “On the Training of Parents,” “Our Fire-Screen,” “A Piece of Red Calico,” and “Every Man His Own Letter-Writer.” BAL notes that only 1500 copies were printed.

Binding:  Publisher's quarter “tiger-striped” orange-brown cloth with gray cloth sides, front cover with gilt-stamped title and black-stamped door, spine with gilt-stamped title.

•  BAL 18880; Johnson, High Spots of American Literature, 69; Wright, III, 5242.   Binding as above; minor rubbing, spine gilt dimmed. Front hinge (inside) tender. Ex–social club library: call number in 19th-century hand on front free endpaper, rubber-stamp on half-title and title-page, no other markings. A very clean, nice copy.  (26250)

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“What are the Correct Questions, I Kept Asking . . .”

•  Carol Z. Rothkopf selected the essays and edited them; Stephen Weissman provides the preface. Must reading for all bibliophiles. By one of the towering figures of the library/book world of the last 50 years.

•  New.

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Avant-Garde Short Stories — Cutting-Edge Criticism

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•  First editions of the first and second series of selected pieces from an important late 19th-century literary periodical: one volume of essays and one of short stories. Each title-page is printed in red and black, with a gaily colored publisher's vignette. The first volume includes Boyesen writing on Ibsen's new play (“Little Eyolf”), John Burroughs on writing and criticism in general, Alice Morse Earle on three different topics including the merits (or lack thereof) of professional writing revision services, Maurice Thompson on the relative oldness of “The New Woman” and on “The Return of the Girl,” and many other interesting essays on the state of contemporary life and literature.

The second volume contains “The Sands of the Green River” (Neith Boyce), “The Unsullied Brow of the Viceroy” (Edwin Lefévre), “The Saving of Jim Moseby” (Anthony Leland), “The Escape” (Dabney Marshall), “Dick” (Maria Louise Pool), “The Primrose Dame” (John Regnault Ellyson), “When His Majesty Nicholas Came to England” (Clinton Ross), “At 'The Temple of Unending Peace'” (Alfred Dwight Sheffield), “The Tumbrils” (Nathaniel Stephenson), “Gil Horne's Bergonzi” (Maurice Thompson), “Her Last Love” (Clarence Wellford), “A Little Boy of Dreams” (Beatrice Witte), and “The Wolf in Sheep's Clothing” (Edith Franklin Wyatt).

Bindings:  Both volumes in publisher's pinkish-tan cloth, all edges gilt. Vol. I's spine in dark blue, each cover with A.E. Borie's Art Nouveau design of a woman walking down the street while reading, stamped in black, green, yellow, and blue. Vol. II's spine in red, covers each with striking black and red reproduction of Claude Bragdon's Chap-Book poster of the “Sandwich Man”: a vignette of a bowler-hatted man in triplicate, wearing Chap-Book sandwich boards.

•  Vol. I: Binding as above, minimal shelfwear, faint smudging to sides. Pages with a few instances of pencilled marks of emphasis, mostly but not entirely confined to the first essay, pages otherwise clean. Vol. II: Binding as above, very slightly cocked, sides with faint spots of discoloration, light wear to extremities. Two stories with faded inked marks of emphasis, and one with a few pencilled marks; a very few small spots of staining, pages otherwise clean.  (29013)

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The LadyNever Having Been There “SEES!” NYC & Other Places

•  Second edition, with additions; first edition published the same year, the letter describing a blind young woman who had demonstrated clairvoyant powers while in a trance-like state. Brackett, whose sight and speech had been lost from a near fatal blow to the head by an iron weight, was able to speak normally and discern certain objects and light from darkness following treatment by Dr. George Capron of Providence, Rhode Island, using animal magnetism. She also describes the scenery along walks in places she has never visited, and paintings in homes she has never entered . . . Click the images for enlargements.

The second edition's “Postscript” promises “additional facts connected with this interesting subject, equally wonderful,” or even “more so.”

William Leete Stone (1792–1844) was a journalist, editor of the “Commercial Advertiser,” advocate of slave emancipation and Greek independence, historian of colonial New York and New England, and first superintendent of public schools in New York City.

Very scarce.

•  NSTC 2S41964; Sabin 92135. See: Dicitonary of American Biography for much on Stone.   Removed from a nonce volume; mildest foxing to first and final leaves with crescent of lost paper to foremargin (only) of one leaf not nearing text. A very good copy.  (11023)

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Presentation Copy — Sole Edition — A Philadelphianum
[Olney's Not Too Far From Here]

•  Sole edition; this is a presentation copy, warmly inscribed with Christmas greetings from the poet, dated from Olney, Philadelphia, 1909. Also laid in is a newspaper offprint from the Boston transcript of one of Struthers's poems, signed by the poet

•  Clean, crisp copy in publisher's red cloth, slightly darkened, gilt-stamping on front cover still bright. Front free endpaper with number stamped in upper right corner, also with author's gift inscription as described above; pages clean. (4898)

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Poetry by an American Journalist

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•  First edition: Collection of verse from one of the founders of the New Yorker, including two Native American-themed pieces. “Contain[ing] several poems of historical interest,” according to Sabin, this bears on its added engraved title-page a lovely vignette in romantic melancholy style signed, “J.N. Gimbrede.” The general title given above this, interestingly, is not “Ianthe” as on the printed title but “Greenwood” — that being one of the “other poems” in Stuart's volume.

Provenance: “Miss Carrie G. Skinner, Fort Ann Village, NY.”

•  American Imprints 43-4820; Sabin 93131.   Publisher's violet cloth, covers blind-stamped with central gilt-stamped urn vignettes, spine with gilt-stamped title and decorations; cloth sunned especially at edges and spine, corners bumped, front joint with small spots of old insect damage. Front free endpaper with early pencilled ownership inscription, as above. Foxed; a few poems with early pencilled annotations (brief) — one is, simply, “Splendid.”  (27650)

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Introduction to theStudy of Modern History

•  First edition of this broad survey of world history, a sequel to the author's Historical Sketches, which had been published in 1833 as the first part of a contemplated general history; Sullivan died before completing the planned third part (cf. Mass. Hist. Soc. Proceedings, 1835–55). The New York Review bestowed rather extravagant praise on the present volume, calling it “the best digest of history . . . extant in our language,” and noting that it was “written in the same simple and beautiful style which has marked all [Sullivan's] works” (vol. III, pp. 229–30).

Binding:  Publisher's ribbon-embossed brown cloth with flower and acanthus leaf design (Krupp's style ft1), spine with gilt-stamped title.

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•  American Imprints 53164; Adams, Manual of Historical Literature, 168. On the binding, see: Krupp, Bookcloth in England & America, 1823–1850, ft1.   Binding as above; corners rubbed and small rubbed spot on front cover, spine extremities chipped, spine head with small lightly discolored area from now-absent label. Ex–social club library: bookplate and early inked call number on front pastedown, title-page pressure- and (faintly) rubber-stamped. No other markings. Front hinge (inside) partially reinforced with paper some time ago. Scattered light staining. A nice book.  (26289)

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An Enduring Figure ofEnglish Comic Literature

Surtees, Robert Smith.

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•  Largely unopened copy, from a subscription edition: A rollicking entry in a much-loved series, in which the Cockney grocer Mr. Jorrock becomes master of the “hounds” of the Handley Cross hunt, with chaotic results. Surtees, a sporting writer and novelist, is remembered for keen-eyed chronicles of the golden age offoxhunting such as this one; they were thought to carry a whiff of the vulgar in their day, Allibone not deigning even to mention them, though Surtees is fairly appreciated for his “mordant observations on men, women, and manners; his entertaining array of eccentrics, rakes, and rogues; his skill in the construction of lively dialogue (a matter over which he took great pains); his happy genius for unforgettable and quotable phrases . . .” (DNB).

First published in 1843 and first printed with illustrations in 17 monthly parts 1853–54, the misadventures of the enthusiastic Mr. Jorrocks appear here “printed for subscribers from the plates of the Original Edition issued by Bradbury, Agnew & Co.” The volume is illustrated with 16 hand-colored, steel-engraved plates and 31 wood-engraved plates by famed caricaturist John Leech. The colored scenes, many involving horses or hounds or both, are carefully and artistically tinted; the social scenes are more delicately shaded than the vivid hunting scenes. In addition to the color and black-and-white plates, numerous in-text wood-engravings decorate the text.

Binding:  Publisher's crimson cloth, front cover with horse and hound vignettes stamped in black and gilt, spine with black and gilt portrait of Jorrocks himself.

•  NCBEL, III, 967. On Surtees, see: Oxford Dictionary of National Biography online.   Binding as above, spine much sunned but covers bright and fresh. Signatures almost entirely unopened; contents pages and a few other early signatures awkwardly opened with resulting edge tears, including to upper margins (only) of five uncolored plates. One colored plate with tiny scuff in image. Despite described faults, still a solid, bright, beautifully illustrated copy with a great deal of charm.  (30448)

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Dürer — Rembrandt

•  In Sweetser's series, Artist-biographies. The biographies were issued separately in 15 volumes, then gathered in 5 volumes with three biographies per volume. This is vol. 4 in the gathered series. It must be noted that none of the volumes in the either series indicates it is part of a "set." That is, each volume truly is (and looks like) a stand-alone.

•  Publisher's deep blue cloth stamped in black and gold. Slight fraying to top and bottom of spine. A very good copy.

TO Part XXIV . . .

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