•  Publisher's printed paper wrappers, apparently removed from a nonce volume, with sewing holes; paper split over spine, with edges chipped and corners creased. Pages showing light foxing.  (15359)

Click the interior image for an enlargement.

We find only two U.S. locations and a copy at the British Library.

•  Publisher’s printed paper wrappers; edges nicked, paper split and chipping along spine, text block cracked. Front pastedown with institutional bookplate. Lower margins of title-page and preface waterstained, inner margin of frontispiece waterstained; upper margin of title-page with portion torn away. Some plates lightly foxed or browned, one with waterstaining in lower margin. Pages untrimmed. One’s sense is that this was USED as a guidebook!

The outer binding is red textured cloth with the front cover stamped in black and gilt, and the interior front cover sample for the children’s version is a different red textured cloth stamped in black. The leaves for subscribers’information are unused.

•  Not in Arbour. Publisher’s cloth as described above, gently worn with corners rubbed and small scrape to front cover. Interior clean.

Click the images for enlargements.

•  Publisher's blue cloth, front cover and spine with gilt-stamped title; edges and extremities lightly worn, spine darkened, evidence of something round once set on cover, scattered small spots of light discoloration. Interior clean and nice. 

•  Brown, Culinary Americana, 1955 (for 1927 ed.).   Publisher's orange buckram-covered boards inoriginal pictorial dust jacket showing a clearly very fortunate family at table; spine very slightly sunned, front upper edge faintly dust-soiled, jacket with spine sunned and back panel moderately soiled, tear (with some resulting creasing) to upper portion of front panel and small nicks to spine extremities. Pages gently age-toned, otherwise clean.  (30179)

The front cover's multi-layer diorama features a sailing ship, a curious fish, and an unhappy sailor overboard, all behind a mesh overlay and moveable via a turning “wheel of rocks.” Inside, Alice's head bobs upwards on an extending neck, the fish footman bears a real folded paper invitation, and the Mad Hatter tips his hat; Jim's brightly colored treasure map can be unfolded and perused, the apples in his barrel can be slid aside to reveal his hiding place, and a sack of pirate booty lies in wait for the taking; Rip Van Winkle catches a fish with your aid in pulling the string, flies the American flag, and in the final cutaway diorama, drinks ale with a revolving cast of characters.

All “extras” are present (including the often-absent balloon face), and all moving parts work.

Provenance:  Front pastedown presentation page inscribed to Allen Pitts Wiegand with love from Mom.

•  Publisher's printed paper–covered box-style binding, spine with printed cloth overlay; mild shelfwear overall, edges rubbed with a few small edge chips, front cover with small tear to paper over mesh cutout and one at edge of wheel cutout, back cover with lower inside corner partially pushed in resulting in split along back joint. Pages clean; some of the removable items with light spots of foxing. Small bit of paper overlying wheel edge in final diorama partially detached (but still present). Presentation inscription as above. Despite minor issues listed above, no childish hands ever mauled or discolored this movable treasure, and overall it is in remarkable condition for a piece of this nature.A real box of wonders!  (30233)

illustrated with eight steel-engraved plates

Written by a New Hampshire-born poet and educator and published by subscription, this work was originally printed in 1883 as Our Home; Or the Key to a Nobler Life; it appears here in significantly expanded form with contributions from several ministers and one physician. The wide-ranging volume includes the advice to always send your little child to bed happy (“give the dear child a warm good-night kiss as it goes to its pillow,” p. 67), and to spare the rod and develop the child's conscience and sense of honor instead. It also covers the necessity of education and equality of professional opportunity for girls and women, and offers recommendations to smile often in the home, permit only good reading materials, pursue music, provide guidance in maintaining correspondences and friendships, model Christian values and religious observance, encourage fresh air and exercise, avoid alcohol and tobacco, etc.

Binding: Publisher's dark green cloth, front cover with “silver”-stamped decorative frame and red- and “silver”-stamped “Our Home” heart design in center; spine with decorative red and “silver” title. All edges bright red.

•  “Silver” stamping and extremities showing slight rubbing, front cover with a few small, unobtrusive spots of staining. Front hinge (inside) tender from the weight of this hefty work, but holding. Pages clean; a few leaves with small nick to upper edge. A pleasing example of a tenderly appealing portrayal of domestic joys.  (30304)

Paul Hogarth's eight full-page watercolors and over a dozen black-and-white vignettes vividly illustrate the bomb-churned landscape of no-man's land, the explosions of rifle and gunfire, and the irony of well-fed generals enjoying life behind the lines. Dennis J. Grastorf designed the book using a 12-point Baskerville font with two points leading space in between the lines. The binding is a natural-tone rough linen, stamped in black on each cover with a bugle design. David Daiches wrote the introduction.

This edition is limited to 2,000 copies and this offering includes the monthly newsletter. The colophon is signed by the artist.

•  Limited Editions Club, Bibliography of the Fine Books Published by The Limited Editions Club, 1929–1985, 519.   Binding as above; slipcase with two short scratches on back. Fine, in a fine slipcase.  (22078)

Different readers will of course have different favorites; one PRB&Mer's is the poem on Van Buren, beginning, “A panic wild has seized our glorious land!” and moving to its denoument with that president couch[ing his] lance anent / Commercial Ruin, who on the field is slain.”

•  Publisher's blue cloth with all edges rose; gilt-stamped title on front cover and spine, blind-stamped American eagle on front cover; spine very slightly darkened, extremities a bit rubbed, back cover with spots of light discoloration. A solid, clean copy, better-looking than above description might imply.  (26694)

Binding: Contemporary half red morocco with rose cloth–covered sides, spine with gilt-stamped title, raised bands with dotted gilt rules, spine compartments framed in triple gilt fillets with gilt dots in each corner. Top edge gilt; silk ribbon place marker.

•  Binding as above, front cover with one small spot of discoloration, leather showing minor scuffing. Front pastedown with private collector’s armorial bookplate. Pages clean.

Click the images for enlargements.

•  Wright, II, 2174; Sabin 78641.   Publisher's brown cloth, covers blind-stamped with star-shaped design, spine with gilt-stamped title and blind-stamped decoration; binding cocked and rubbed, spine extremities chipped. Ex–social club library: 19th-century bookplate and call number on pastedown and fly-leaf, front free endpaper lacking, title-page pressure-stamped. No other markings. Pages faintly age-toned, otherwise clean.  (26565)

•  Publisher's green cloth, front cover with moose vignette stamped in brown, spine with brown- and black-stamped title and additional moose; rubbed, spots of soiling, spine sunned and with inked shelving number. Front pastedown with institutional bookplate (no other library markings); back pastedown with bookseller's small ticket. Pages clean. Still fun and you can still learn stuff.  (27088)

•  Richmond, Shaker Literature, I, 1279; MacLean, Shaker Literature, 441; McKinstry, Andrews Shaker Collection, 397.   Publisher's printed paper wrappers, unevenly age-toned; front wrapper with minor offsetting of printed text. Pages clean and crisp.  (27503)

For more BOOKS IN GERMAN,  click here.
For more POST-1820 AMERICANA,  click here.
For more RELIGION,  click here.
For more TRANSLATIONS,  click here.
For CONSTITUTIONS & CONSTITUTIONAL
ISSUES,  click here.
This appears in the GENERAL
            MISCELLANY — click here.

A glossary at the end here defines select vocabulary.

Binding: Full moss green pebbled morocco, spine with raised bands and gilt extra; covers bordered with gilt double fillets and an interesting rod, vine, and flower frame gilt within that; gilt board edges and turn-ins. All edges gilt.

Provenance:  Robert George Arbuthnot (?) to Francis Edward Dumford, December 1857 (ink inscription, front fly-leaf verso).

•  Lowndes 2266; Keynes, Pickering, p. 88; Colbeck, A Bookman's Catalogue: The Norman Colbeck Collection (University of British Columbia Press, 1987), Vol. II, p. 976, no. 15.   Bound as above, rubbed at extremities; spine darkened to deeper green. Mild offsetting to yellow endpapers from turn-ins, very light foxing on some leaves mostly at the rear. Bookmark cut from an old envelope (“Official Business”) postmarked Washington, D.C., May 3, 1917. A sound, clean, lovely example of a beautiful little production.  (30119)

•  ESTC T34530. Removed from a nonce volume, now in a Mylar folder. Lacking the plate. Edges shaved, in some cases with loss of letters or final lines. First few leaves with waterstaining along lower inner margins and light foxing.

To view a catalogue devoted to
            THEATER/THEATRE,  click here.
. . . or  HERE.

George Him both illustrated and designed the book, and also signed the colophon. The book is heavily illustrated with a considerable number of black-and-white line-and-wash drawings and 14 full-page color illustrations which were hand-colored by the pochoir process at the studio of Walter Fischer. These drawings are both beautiful and witty. In one color plate, for example, we see a line of picketing Egyptian soldiers carrying placards reading, “Egypt for the Egyptians,” and “Caesar Go Home,” the latter appearing in “Egyptian Hieroglyphs”; in another plate, we are treated to a breathtaking scene of the library at Alexandria being consumed by fire; in yet another drawing, we see an amusing little rendering of Belzanor's description of a seven-armed wife-eating Roman soldier!

Him chose a monotype Plantin font for the text which was printed in Bloomfield, Connecticut, at the Sign of the Stone Book. The binding is full bright red “vellum book-cloth” stamped on the front with a double-eagle (one American, one Roman) design in gold, and stamped on the spine in black and gold leaf with a design of a Roman legionary standard bearing the title and the author's initials. The endpapers are “nugget-gold” Tweedweave.

This offering does not include the monthly newsletter or the mailing notice.

•  Limited Editions Club, Bibliography of the Fine Books Published by The Limited Editions Club, 1929–1985, 381.   A fine copy with the slipcase, which is covered in “nugget-gold” paper and stamped in black and gold. Slipcase showing traces of rubbing at top and bottom. A great treat for a Shaw-lover!   (21756)

Click the images for enlargements.

Binding:  Publisher's brown cloth, front cover with black-stamped hunting scene and title framed in gilt, spine with gilt-stamped title.

•  Binding as above, corners and spine head lightly rubbed. Ex–social club library: call number on endpaper, rubber-stamp on title-page, no other markings. Pages clean.  (27113)