•  Not in Shaw & Shoemaker. Removed from a nonce volume; stapled and respined with archival tissue. Six-digit number stamped on title-page.

This is numbered copy 1051 of 1500 printed; it wassigned at the colophon by the artist.

•  Bibliography of the Fine Books Published by the Limited Editions Club, 32.   Publisher's brown and orange cloth as above, spines with gilt-stamped titles; slipcase and wrappers lacking, bindings showing moderate shelf wear most pronounced at spine extremities. Clean.  (30404)

•  In a Mylar folder. Pages darkened, with small discolorations and edges somewhat tattered. A pleasing gift for anyone exploring culinary, or almost certainly women’s, history. (2557)

•  Publisher's white vellum, front cover with gilt-stamped title and spine with gilt-stamped author's name; white vellum only a touch short of pristine with interior perfectly fresh. In publisher's black cloth slipcase with lower edge very slightly rubbed, otherwise unworn. An attractive, in fact lovely copy.  (29939)

•  NSTC 2R11677; Lowndes 2099; Hugo, The Bewick Collector, 434.   Contemporary half dark green morocco with red marbled paper sides, spine with gilt-stamped title; some rubbing and with a bit of green discoloration to paper of front cover. Minor offsetting to frontispiece and title-page; mild to moderate foxing in first third of volume and to last few pages.  (21934)

The contents of these two volumes appear to be based almost entirely on John Roach's Beauties of the Poets of Great Britain, although Roach is not cited as the editor, the pieces are in a different order than originally presented, and there are a few minor changes: “The Negro Boy” is not included here, while several “runic odes” by Mathias and Penrose have been added. The expected highlights of Pope, Gray, Cowper, Burns, Chatterton, Goldsmith, etc. are present, as well as lesser-known pieces such as Mrs. Carter's “Address to Meditation,” Mary Darby Robinson's “Trumpeter,” and Helen Maria Williams's “Sonnet to Twilight” and “Sonnet to Hope” (the latter memorized by Wordsworth, whose first published poem was “Sonnet, on seeing Miss Helen Maria Williams Weep at a Tale of Distress”).

The volumes are illustrated with 18 wood-engraved plates signed by Sears, Willis, and others — not the 1793 originals.

Provenance:  Ownership note of “Adams Jewett, M.D.” to top of title-page.

•  This ed. not in NSTC, Lowndes, or Allibone. Not in British Library OPAC, not in NUC Pre-1956, not in OCLC, not in COPAC.   Recent marbled paper–covered boards, spines with printed paper labels. Each title-page with early inked ownership inscription in upper margin as above. Some pages with offsetting; spots of light to moderate staining; one page with pencilled annotation.  (25339)

•  Binding as above, spine gilt dimmed, edges and extremities lightly worn. Lower page margins waterstained, with foxing throughout. (10712)

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•  Shoemaker 40547. Not in Rosenbach, Early American Children's Books.   Publisher's printed yellow paper wrappers, front wrapper lacking, back wrapper stained with edges nicked, spine overstitched at a later date. Moderate spotting and staining to pages; corners bumped. Slightly tattered: first few leaves with short tear from outer margin, not touching text; title-page and subsequent two leaves with short tear from inner margin, extending into text without loss.  (24545)

Binding:  Publisher's dark green cloth, front cover and spine with flowering branches stamped in black, spine with gilt-stamped title.

•  BAL 16902 (not matching either described binding); Wright, III, 4619.   Bound as above, extremities rubbed not too roughly; front cover with small areas of faint discoloration. Front free endpaper with inked ownership inscription (S.M. Woodburn) dated [18]81 and tear with a bit of loss from upper margin. Generally clean and nice with occasional light spots; ads at the back giving extra pleasure and interest.  (28406)

The volume was designed by Joseph Blumenthal and printed at the Spiral Press; this is numbered copy 347 of 805 printed (400 copies for the Typophile contributors and subscribers, 55 for the members of the Carteret Book Club, and 350 for general sale).

•  Publisher's deep blue buckram, spine with decorative title stamped in black and gilt; minimal traces of wear to outer corners, slipcase lacking. A fresh, clean, lovely book.  (32213)

This edition was designed by the great American typographer (or “typster,” as he labeled himself) Bruce Rogers, and he left his mark on its final page; it was limited to 425 copies printed at the Riverside Press in Cambridge, MA. Bound in maroon paper–covered boards with a white paper spine label printed in black, this is copy 405 and is in its original dust wrapper and with its box, beingrare thus.  The spare label is tipped in at the back.

•  Work of Bruce Rogers, 101.   Bound and in its box as above; dust jacket and box label sunned, box edges rubbed. The pristine text is, which can be read with enjoyment by peeping, is unopened and uncut.  (30539)

•  Dust jacket and binding as new. (5948)

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•  Two Decades of Hamady & the Perishable Press, 90.   Publisher's paper wrappers, front wrapper with title printed in off-white. Crisp and clean.  (30903)

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This is a later edition, following the first of 1728, with this particular printing being uncommon: ESTC locates only four institutional holdings (two in the U.K. and two in the U.S.), while COPAC does not find any additional U.K locations. WorldCat adds two more U.S. locations, for a total of only four.

Binding:  Contemporary treed sheep, spine gilt extra with gilt-stamped red leather title-label, board edges with gilt roll; tooling very attractive along lines that “feel” just a touch “provincial.”

Provenance:  Front free endpaper with inked inscription: “Mrs. Hinckley 1809.”

•  ESTC N3296; this edition not in NCBEL, but see II:565 for earlier editions and translations into French and German.   Binding with edges rubbed, spine leather showing small cracks, joints carefully repaired with tissue, caps rebuilt, corners reinforced, leather consolidated. Occasional minor staining; inscription as above. A very readable copy in an attractive period binding.  (28806)

This edition includes the engraved frontispiece, a kitchen and larder scene, along with nine other plates (as called for) showing carving and trussing diagrams.

•  Bitting 410–11; Cagle 971 (for first ed.). On Rundell, see: DNB, XLIX, 403.   Contemporary speckled calf, spine with gilt-stamped leather title-label, board edges with gilt roll; binding lightly scuffed/rubbed overall and with some pitting thanks to the “speckling.” One front fly-leaf excised. Front free endpaper with bold inked ownership inscription dated 1813 and with two small pencilled “decorations”; title-page with decorative but sadly illegible private collection rubber-stamp. One recipe with early inked annotation. Scattered light foxing and staining, pages mostly clean. A classic, in a very nice copy of a less-common edition.  (26674)

•  NSTC 2A17980 (for all years 1855–61).   Removed from a nonce volume. Title-page with small inked numeral in upper outer corner, otherwise clean.  (17033)

•  Sewn; wrappers chipped, front separating near spine; author's name pencilled on front. Ex-historical society copy with stamp on title-page. Some page edges irregular and with short tears.  (650)

This is the second edition, following the (scarce) first of 1852; the front cover differs from the title-page in giving the publication information as Chicago.

Provenance:  Front pastedown with several early pencilled inscriptions, including one reading “To Vestilla from W.B. Lear, July 13th 1857.” A folded section from a smaller hymnal is laid in.

•  Publisher's quarter sheep and printed paper–covered boards; binding darkened and rubbed, front joint starting from head, front cover creased. Front free endpaper partially excised and back free endpaper lacking; front pastedown with inscriptions as above, back pastedown with early inked annotations and numerals. First three leaves with central tear affecting several words. Laid-in hymnal pages with upper edges chewed. Moderate foxing and intermittent waterstaining; some corners dog-eared.Interesting for its graphically appealing cover and the array of its “juvenile” repertoire choices.  (30255)