The poems, stories, and Christian meditations are illustrated with a number of in-text wood engravings, including an image of Marion's Men and one of the two Native American “Children in Exile” of J.T. Fields's poem; the front cover scene of a young boy declaiming to his mother and sister was engraved by John Karst after George White.

Provenance:  Front free endpaper with ownership inscription of a Miss Brewer inked twice, once faintly as Harriet and once a little more darkly as Hattie (dated 1870); title-page same name in upper margin (very faint) and front cover with very very faint fourth signature.

•  Publisher's quarter sheep and printed paper–covered sides, spine with gilt-stamped title and embossed stars within circles, all edges marbled (now faded); spine head chipped, corners bumped, general rubbing and paper darkened. Ownership indicia as above; early hand-coloring to title, probably Hattie's. Intermittent mild to moderate foxing.  (28421)

•  Fine copy in fine dust jacket, the flaps unclipped and retaining original price and month/year printing code.

•  Publisher's red buckram, front cover and spine with gilt-stamped title, in publisher's metallic paper–covered slipcase; volume clean and fresh, slipcase showing shelfwear. An attractive copy.  (29938)

•  Palau 220783.   Contemporary quarter maroon sheep and red pebbled paper–covered sides, spine with gilt-stamped title and compartment decorations; spine attractively darkened, edges and extremities rubbed, sides with spots of discoloration. Front free endpaper with private shelf-code sticker; title-page with private collector's rubber-stamp. Pages age-toned, with some scattered small smudges or spots of light staining.  (29936)

•  Fine copy.  (30791)

•  ISTC ip00365000; Goff P365; HC 12749; Walsh 1191, 1192; Oates 2791, 2792; Pr 7608; BMC III 757.   Inner margin slightly irregular. Very nice.  (30852)

Binding: Publisher's brown cloth, covers framed in blind, front cover with gilt-stamped urn of flowers, back cover with same design in blind. All edges gilt.

•  Faxon 655.   Bound as above, corners bumped/rubbed and base of rear joint and spine a little rubbed; gilt bright. Endpapers with early pencilled inscriptions, frontispiece with adhesion of a sliver of paper from title-page along inner margin, title-page with brown spot in lower margin offset onto lower edge of frontispiece. Sewing loosening with some early and final leaves starting to separate, title-page all but separated. Pages generally clean, with a few scattered spots; one upper margin with pencilled inscription mostly erased. A read and cherished copy, still sweetly sentimental and interesting to look at.  (30368)

Publishers' advertisements at back offer other useful volumes, and tout this one as, “not by any means a clap-trap book, though it exposes many clap-traps.”

•  Publisher's black pebbled cloth, covers blind-stamped, spine with blind-stamped title; limited fading and rubbing, sewing starting to loosen. Front pastedown with inked inscription, front free endpaper with intriguing “Fraters Florere” rubber-stamp. Pages faintly age-toned, otherwise clean.  (26631)

Available AT THIS WRITING, subject to prior sale: D (man kneeling in prayer, before a radiance), I (Sts. Peter and Paul), M (woman giving alms), and S (the Savior[?] with an orb).

•  Each leaf is offered unmatted, in a museum-recommended and -approved clear Mylar sleeve that will allow it to be enjoyed without worry of soiling it with hand oils or dust.

The sections offering the house rules, by-laws, committee-lists, and so forth are expectably full of period flavor (the card room closes at midnight, no ifs, ands, or buts); but the simple listing of members and their business affiliations is suggestive as well.

The Club's published history seems to be readily available online; evocative ephemera like this, Not.

•  Original embossed ecru wrappers, light age-toning; edges lightly discolored. One member's name is checked in the roster, in ink; otherwise clean and very good.  (10346)

•  Publisher's brown cloth, stamped in black and “silver”; front and spine with decorated with a frontier scene showing Conestoga wagons in a wilderness landscape with rising sun in the background. (We can't seem to get a photograph of this that doesn't "glare out.")  Bright with a few flecks of white (paint?). Spine slightly rubbed on joints and at head and base. Pages toned. Good+. (20739)

•  Binding as above. Pristine in a mylar wrapper.  (30562)

In addition to a total of eight plates (six steel-engraved and two wood), the text isillustrated with 34 wood engravings.

Binding:  Publisher's red straight-grained cloth, both covers with gilt-stamped arabesque motifs and Queen Victoria vignette, spine gilt extra. All edges gilt.

•  Faxon 386.   Binding as above, corners and spine extremities rubbed; back free endpaper neatly excised. Someone (a would-be au courant gift-giver?), added one final “I” to the roman numeral on the title-page; pp. 33/34 of second part absent with no discernible interruption. First two and last few signatures (including one plate) with offsetting and browning, pages and plates otherwise clean. A pretty and interesting gift book in pleasing condition.  (30502)

Edmund Dulac created the book's enchanting illustrations, consisting of 10 full-page and six in-text watercolors, a two-color decorative title-page, and decorative head- and tailpieces, and initials, also in two colors. Ernest Ingham designed the book using a monotype Poliphilus font.

The binding is full Russian-red cloth with apolished brass design of a cockerel set in the front cover and a gilt-lettered title on the spine. This edition is limited to 1500 copies and this offering includes the monthly mailing notice.

•  Limited Editions Club, Bibliography of the Fine Books Published by The Limited Editions Club, 1929–1985, 205.   Binding as above. In a glassine wrapper with shallow edge tears and chips, contained within a chemise covered with Russian-red paper with gilt cockerel design with gilt-lettered spine; spine sunned and paper chipped. The whole in an unevenly sunned slipcase, with slight loss of paper to top edge at mouth and spine. A fine book, in a good+ slipcase.  (22314)