•  Publisher's tan cloth, corners bumped, in handsome illustrated dust-jacket, a bit sunned. A very nice book!  (22344)

•  Publisher's brown marbled, textured paper–covered boards, front cover with gilt-stamped title. Clean and unworn. Not a commonplace copy!  (26833)

•  Shaw & Shoemaker 51192; Welch, American Children’s Books, 453.5.   Crudely sewn, lacking wrappers. Pages darkened and spotted, with inkstain obscuring small part of title-page and frontispiece image; corners bumped and worn. Early inked annotations on frontispiece recto and elsewhere. Clearly, a successful inspiration for at least a few small hands to take up pen and ink! (29173)

•  Publisher's blue-grey cloth, front cover with gilt-stamped title and LEC compass device, spine with gilt-stamped title. Slipcase lacking. Clean and fresh.  (30010)

•  Publisher's color-printed paper wrappers, spine chewed and overall with soiling; back cover with tear from upper edge into text without impairment to reading. Paper age-toned; some text pages ragged at edges, again, without harm to reading.  (26935)

•  Publisher's color-printed paper wrappers; spine and edges chewed with overall light soiling. Paper age-toned and actually rather good/strong, of its sort.  (26936)

Signed binding: Publisher's quarter blue cloth and light blue paper–covered sides, front cover with black-stamped title and larkspur decoration, spine with gilt-stamped title and larkspur. The design is signed “C.S.” (unidentified, but not the square letters of C.H. Simonds).

•  Binding as above, paper split at corners; spine extremities slightly rubbed. Pages faintly age-toned with occasional tiny spots of light foxing, mostly quite clean.  (28589)

Binding:  Publisher's olive-brown vermiform cloth of Krupp's style Mis1, spine with gilt-stamped series and individual title.

•  Sabin 32058. On binding: Krupp, Bookcloth in England and America, 1823--50, Mis1.   Binding as above, head of spine chipped, front joint with small spot of insect damage. Ex–social club library: 19th-century bookplate and small call-number ticket on front pastedown, title-page pressure-stamped, no other markings. First map creased, outer edge slightly tattered. Pages age-toned. A nice copy.  (26418)

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•  Garrison & Morton 1612 (London ed.).   Original textured olive cloth, covers framed in blind, front cover with gilt-stamped title; binding faded with areas of moderate discoloration, most notably at head of spine and adjacently on front cover. Ex–social club library: hand-inked paper shelving label on spine, call numbers on endpapers, rubber-stamp on title-page and two others, no other markings. Pages clean.  (27884)

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•  Publisher's printed paper wrappers, front wrapper with affixed color-printed illustration; corners and edges rubbed, wrappers sunned and lightly soiled, front wrapper with small area of discoloration from now-absent label. Ex–social club library with its attractive bookplate, back inside wrapper with charge-slip, inked numeral in lower margin of preface, no other markings. Pages clean; a few corners bumped.  (27469)

This volume for connoisseurs offers two distinct parts: first, the text printed and all the illustrations present as fully colored, delicately washed in shades of pink, blue, purple, grey, white, and earth tones; and second, a set of the illustrations in proofs uncolored and without text. Most of the illustrations in both suites areinitialed by Caruchet.

Jean Emmanuel Charles Nodier (1780–1844) was a French author and librarian, appointed to the Bibliothèque de l'Arsenal in 1824. His literary stylemuch influenced the Romantics, including Victor Hugo and Alfred de Musset. This legend, first published in La Revue de Paris (1838), is representative of his fantastical oeuvre. It was later adapted into a French opera (Béatrice, 1914) and a film (1923).

Signed Binding: Crushed half milk chocolate morocco over marbled paper boards signed “V. Champs,” gilt author, title, and date to spine; patterned marbled endpapers (different from the covers). Original gilt and hand-colored stiff cream wrappers bound in, showing Béatrix full-figure on the front, her hands extended outward beneath the gilt title.

Provenance:  An initialed ink inscription beneath the Justification du tirage states this copy was “Offert à Madame Conquet” — who must have been related toM.L. Conquet, “the great Paris publisher of works of the romantic school,” whose publications were famous for being very limited editions and for the “high artistic quality of their illustrations” (“Books and Authors,” The New York Times, 26 March 1898).

•  Carteret, V, 141; Vicaire, VI, 179.   Binding as above. One small nick on the front leather near the spine, and board extremities (paper and leather) lightly rubbed. The publisher's authentication embossed stamp below the limitation statement. Text clean, unblemished. Simply, excellent.  (30135)

•  Charming and charmingly illustrated Victorian tales, poems, and songs for children, many featuring animals — plus a series of lessons on astronomy. Almost every page incorporates a steel- or wood-engraved image; variously sized, many of these are full-page. (The final illustration, of a young miss playing piano with her little lapdog “singing” along, is especially appealing.) Music is included for “The Old Year and the New,” “Chipperee, Chip,” “Song of the Cat,” and many other tunes.

•  Contemporary half roan and marbled paper–covered sides, spine with gilt-stamped title and date; binding scuffed. Two leaves with chips in lower margins, with loss of about four letters; two pages with spots of staining, pages otherwise clean. This copy evidently was never abused by childish hands, although the magazine certainly deserved to be pored over — really, this is a wonderful little book.  (29570)

•  Publisher's cloth. Near fine copy, with a near fine dust jacket.