•  Publisher's dark blue cloth, front cover and spine stamped in silver; corners and spine extremities slightly rubbed. Front hinge (inside) cracked and back hinge tender; endpapers partially adhered to pastedowns.  (22222)

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Binding:  Publisher's tan cloth, front cover pictorially stamped in black and white; designed by Thomas Watson Ball and with his “B” cipher. The cover depicts a richly dressed man at a tickertape machine. Top edge gilt.

•  Bound as above; black stamping showing light wear: a solid, clean copy.  (22208)

•  Publisher’s cloth, spine with printed paper label; spine and back cover scuffed, spine label darkened and chipped. Front pastedown with institutional stamp. Many signatures unopened. Pages slightly age-toned, else clean; paper embrittled, with a few short edge tears.

•  Bibliography of the Fine Books Published by the Limited Editions Club 260.   Publisher's quarter leather over printed paper-covered sides; spine extremities slightly rubbed, in slipcase showing a bit of scraping and refurbished at top fore-edge. Very nice.  (13276)

•  Contemporary vellum, spines with gilt-stamped leather title and volume labels and gilt-stamped decorative bands; bindings lightly soiled, with spine labels chipped and rubbed, spines with shelving numbers in white. All page edges stained gold. Front pastedowns with institutional bookplates, title-pages with shadows of pencilled numerals. Vol. III lacking half-title. Intermittent light foxing, most pages clean. (14112)

Binding:  Contemporary black or very dark navy morocco, covers framed and panelled in gilt triple fillets with floral and fan-shaped corner decorations, surrounding a (blank) cartouche; spine with gilt-stamped title and arabesque decorations, board edges with gilt roll, gilt inner dentelles. All edges gilt.

•  Binding as above with a few small scuffs, back cover with areas of faint discoloration and light scrapes. Pages clean. Very giftable.  (29151)

The illustrations consist of six full-page watercolors by Edmund Dulac. The LEC bibliography says they were “printed in process offset,” but this is in error: The mailing notice (not present with this offering) asserts they were “reproduced in six printings by the Sun Engraving Company,” and a member of the family that owned that enterprise observes to us that it did not in fact have offset presses — while it was noted for its color letterpress productions, including the original (1940) Szyk Haggadah. The design is by John Dreyfus, who chose a monotype Bembo font printed by the University of Cambridge Press; the engraving of the music was done by G.T. Friend.

The binding is quarter gold-stamped vellum with marbled paper sides; top edges are gilt.

•  Limited Editions Club, Bibliography of the Fine Books Published by The Limited Editions Club, 1929–1985, 250.   Binding with a light, small stain on back cover. Clean inside; bookseller's small label on rear pastedown. Original slipcase, with light scuff marks and minor paper loss at head and foot of mouth. A fine book, in a very good slipcase.  (23002)

Signed binding: Publisher's brick-colored cloth, front cover and spine with decorative gilt-stamped title and twining vine and flower motifs, front cover with “AR” monogram of designer Amy Richards (fl. 1896–1918).

•  Binding as above, slightly cocked and with corners a little bumped, spine very gently darkened and back cover with small spots, front cover with a few pinprick-type holes not detracting overly from overall appearance of design. Top edges gilt. A few page margins with faint smudges, otherwise clean.  (29769)

•  Publisher's cloth, front cover black- and gilt-stamped, spine simply gilt-stamped, binding gently worn with minor spotting to spine and lower edge of front cover. Ownership inscription to front free endpaper. A nice copy.  (2901)

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•  Recent quarter calf, round spine; raised bands accented with gilt beading, gilt center devices in spine compartments, and two green spine labels. Combed-pattern marbled paper sides. Lacks the half-title, only; occasional light foxing. A very good copy of an interesting and now uncommon book.  (22228)

Provenance:  Ex-German Society of Pennsylvania Library, a German-American social organization.

•  Publisher's green cloth stamped in blind on covers and in gilt on spine (with a knight, bishop, and castle in addition to author and title); a little cocked and bottom edges worn. Front free endpaper separated and rear one chipped. Ex–social club library: call number on endpaper, rubber-stamp on title- and two other pages, no other markings. Clearly a book that was often read and consulted with some soiling and staining resultant; text not chipped though printed on inexpensive paper.  (26923)

•  Original quarter cloth with decoratively printed paper sides, paper chipped over edges. One instance of pencil marking; otherwise clean and unused. (4954)

•  Publisher's printed paper wrappers; spine and edges gently sunned, edges with minor shelfwear. Half-title with pencilled (relevant) annotations; pages crisp and clean.  (29718)

•  Full library blue cloth, gilt-stamped on the spine, covers pressure-stamped with the name of a now-defunct library, spine with shelving label. Small tear to head of spine. Binding lightly soiled. Bookplate and library pocket present. Possible authorial inscription on front fly-leaf. Remnants of paper adhered to top edge of title-page. Pages clean. Very good. (7372)

•  Publisher's quarter cream parchment paper and blue paper sides, front cover and spine with gilt-stamped leather title-labels, in original blue-gray paper dust jacket with black-stamped title and edition information; binding in beautiful condition, jacket with small edge chips and spine head splitting. Pages clean. A nice copy.  (29707)

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Binding: Contemporary straight-grain black morocco, covers framed and panelled in gilt and blind, spine with gilt-stamped title and gilt-framed compartments, spine compartments blind-tooled in foliate designs, turn-ins with gilt double fillets. All edges gilt.

•  NCBEL, III, 264.   Bound as above, edges and extremities with minor rubbing, bottom spine compartment with small crack, leather (only) starting at front joint (joint itself strong). Front pastedown with early inked ownership inscription. Moderate foxing, more pronounced to first and last few leaves; two pages with offsetting from dried plant matter laid in. A lovely volume.  (24906)

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•  NSTC 2E4287.   Removed from a nonce volume. Title-page with small inked numeral in upper outer corner.  (17041)

•  Wright, III, 3879. Publisher’s green cloth, spine with gilt-stamped title; cloth showing minor wear overall. Frontispiece with outer edge waterstained; four leaves with some offsetting from laid-in scrap of cloth. Pages with a few scattered small spots, mostly clean.

•  Publisher's red cloth, spine with paper label, in excellent condition save for slight discolorations to spine label. With laid-in prospectus. Pages mildly cockled; scattered, pinpoint spots of something(?) that got into the slurry during the paper-making. A handsome, clean copy.

Binding:  Publisher's brown cloth, front cover with black-stamped title and gilt-stamped vignette of an 18th-century mob-capped lady tasting from a steaming cauldron.

•  Bitting 337 (for first ed.); Brown, Culinary Americana, 2452 (likewise). Not in Cagle & Stafford.   Binding as above, minimal rubbing to extremities. Back pastedown with 19th-century Brentano ticket. Pages faintly age-toned, otherwise clean. A very nice copy.  (30093)

•  New. Publisher's illustrated boards.  (27539)