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•  Drake 707; Shaw & Shoemaker 13185.   Removed from a nonce volume and resewn.  (9489)

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Binding:  Publisher's vellum, spine gilt extra with gilt-stamped red leather title-label. Endpapers with gilt and black Renaissance design; all page edges stained red.

•  Binding as above, somewhat sprung; spine slightly darkened with label a bit rubbed. Front pastedown with ticket of a Rome bookseller. One signature unopened; pages very clean. Delightful.  (28960)

Michael Davidson (b. 1944) was the first curator of the Mandeville Special Collections Library at the University of California, San Diego, where he has taught American Literature since 1988.

•  Stitched in orange paper wrappers with matching orange paper jacket, title and author printed in light brown surrounded by black ornamental frame on front cover. Fine, in a mylar slipcase.  (30796)

•  Publisher's plain paper wrappers. Clean and fresh.  (29721)

•  Publisher's tan cloth with terra-cotta printed medieval pattern, dust wrapper lacking; spine sunned, corners with minor soiling. Title-page with minor offsetting from frontispiece. Showing some external wear, but still a clean, solid, engaging copy of an entertaining work — in fact, a joy.  (26068)

•  Very good condition with a good+ dust jacket (small tears, price clipped from front flap).

•  Publisher's red cloth, covers blind-stamped, spine with gilt-stamped decorative title; cloth gently faded, extremities and spine gilt slightly rubbed. Eight plates lacking (of 16). Frontispiece recto with private collector's rubber-stamp, back free endpaper with same owner's small bookplate pasted in upside-down. Pages lightly age-toned with light offsetting opposite some plates, first few leaves with faint waterstaining in upper portions. A few corners dog-eared. Although not all called-for plates are present, there are no obvious excisions or absences.  (30003)

Binding:  Publisher's green cloth, front cover pictorially stamped in white, red, and gilt; spine with gilt-stamped title.

•  Binding as above; dust jacket lacking, minor rubbing to extremities, back cover with crease in cloth (not board). Front pastedown with private collector's bookplate dated [19]15. A nice copy!  (28612)

The very large party was successful both as fund-raiser and as a festive and joyful Democratic Party occasion, but examination of the program’s detail reflects the fact that Kennedy’s nomination was highly contested, showing continuing regional and other fractures that went back at least to the Dixiecrat walkout of 1948. The names of well-known, longtime, key Kennedy loyalists may be found in the lists of those attending this event a few months after the inauguration, along with the names of those who came on board only after the inauguration; comparison of this roster with the lists of those who attended the inaugural ball (and who was on each dais, for example) would be instructive. It’s also thought-provoking tosee who DIDN’T attend the birthday fiesta: We observe that notably missing from this guest list are the top three members of Congress from Virginia at that time, Senators Harry Byrd, Sr., and A. Willis Robertson, and Howard W. Smith, who became notorious as the segregationist Chair of the House Rules Committee.

The program notes that Morton Downey (senior, of course) sang the national anthem; “Gentlemen head table guests [were] escorted from their places to visit with dinner guests for 15 minutes” during a “7th-inning stretch”; Jerry Lewis provided the main entertainment; and apart from the president's own address, remarks were made by half a dozen Democratic luminaries including Harry Truman, Sam Rayburn, and Lyndon Johnson.  Door prizes included items so various as two Sarkes Tarzian radios (contributed by Indiana), an American broadtail jacket with mink collar (from a citizen of the District of Columbia), a $50 gift certificate towards purchase of American Indian jewelry (from Sen. Stewart Udall of Arizona), an aluminum and plastic lounge chair and ottoman and a walnut card table (from two gentlemen of Arkansas), a Rose Marie Reed bathing costume (from a lady of California), and six canned hams (from the State of Iowa).

Provenance: The family of one of the attendees listed.

•  Program very good, with its stiff covers a little dust-soiled and sunned; “Continuation” soiled across top inch; admission tickets pristine.  (31352)

Binding:  Contemporary green calf framed in gilt single fillet, spine with gilt-stamped leather title and author labels, gilt-ruled raised bands, and gilt-stamped compartment decorations, board edges with gilt rolls at corners. All edges marbled. Red silk bookmark present and intact.

•  Binding as above, corners bumped, spine sunned (not unattractively), joints and spine extremities slightly rubbed. Pages clean. An appealinglittle collection of highlights from a once-adored salonnière.  (29943)

The translator, W. Kenneth Thompson, selected thirteen episodes from Bassi's text, and illustrations includingone double-page plate and twelve miniatures, reproduced from photographs of the manuscript in five-color facsimiles printed by offset lithography at The Meriden Gravure Company in Meriden, CT. Giovanni Mardersteig designed the text in his own Monotype Dante on Manunzia paper, and oversaw production with his son Martino at the Stamperia Valdonega in Verona, Italy. The edition was limited to 1950 copies, of which this is no. 164, as written in ink below the colophon.

•  Bound as above, spine very lightly sunned with light pencil smudge; case with one side a little soiled and a limited patch of staining. Text very fresh and clean.  (30549)

•  Plain robin's-egg blue wrappers printed in black, a little darkened. Excellent condition. (28507)

Binding:  Dark green publisher's cloth, cover edges bevelled and title gilt-stamped in a cartouche on front one, this within a blind-stamped vaguely “gothic” frame. Glossy brown endpapers and all edges red.

•  Bound as above, somewhat scuffed and with loss of cloth at head and foot of spine; hinges (inside) open. Ticket of a music publishing concern and “musical merchandise” establishment in Worcester, MA, inside front cover; endpapers chipped. Text age-toned, generally clean; a few pencillings.  (3192)

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•  Publisher's cloth, front cover and spine decoratively gilt-stamped; spine, lower edges, and corners a touch rubbed. Top edge gilt. A few leaves and plates with waterstaining to lower outer corners, scattered spots of light foxing. (18409)

•  Publisher's brown-orange cloth. Very good. (5734)

•  Fine.  (19234)

Binding:  Publisher's sage-green cloth, front cover stamped in black, terra-cotta, and gilt with swirl design surrounding chrysanthemums and a pegasus medallion; spine similarly stamped, with double flute player vignette. All edges gilt. Not a signed binding, but, as noted on verso of title-page, a production of “Trow's Printing and Bookbinding Company, New York.”

•  Binding as above, corners and spine extremities a bit rubbed, spine gilt a bit dimmed. Front fly-leaf with inked ownership inscription dated 1884. Pages and plates clean. Overall a very attractive copy.  (26902)

This edition was limited to 750 copies privately printed atthe Stinehour Press in December 1965 for the friends of Philip and Fanny Duschnes, using Rogers' Centaur types in black with a few red accents. An inserted facsimile of a Stowaways club “invitation” of the 1920's lists B.R. as “Typster,” his self-styled moniker; the text concludes with a facsimile of B.R.'s personal envelope, “with his own bust and profile the same purple color and size and style as the George Washington oval stamp on the self-stamped envelope.”

Provenance:  “Bequeathed to the Library of Purdue University by the late Bruce Rogers” (bookplate, inside front cover,designed by Rogers himself for his alma mater).

•  Work of Bruce Rogers, 467 (bookplate).   Brown paper wrappers, title printed in black within a russet and brown ornamental border (designed by Rogers?). Pristine, in a mylar wrapper, and good reading.  (30534)