Binding:  Publisher's lavender paper–covered light boards, covers framed in purple floral roll, spine with purple roll and all edges gilt.

•  Lightly rubbed, lightly faded, paper mostly lost from spine. Front hinge (inside) cracked, sewing loosening, free endpapers lacking. Light staining to upper outer corners of first and last few leaves, only; otherwise clean. We judge that the rarity of this little book and its “siblings” is the direct result of inherent fragility!  (27192)

Provenance: The illuminated presentation leaf is neatly inscribed to Miss Anna J. Belden “by her friend F.W. Geissenhainer [Jr.?],” dated 1850; in addition to that presentation leaf, there are three other gilt-stamped and chromolithographed illustrations as well as nine additional black-and-white engraved plates.

•  BAL 16156 & 4805; not in Reese, Stamped with a National Character.   Original morocco “executed by Altemus” according to the preface, covers with recessed, blind-stamped decorative title within gilt-stamped frame, spine gilt extra; edges, joints, and extremities rubbed. Some pages foxed; plates in unusually bright good condition.  (13052)

Binding:  Publisher's red cloth, covers and spine gilt-stamped with avian and foliate designs; all edges gilt.

•  Faxon 786.   Spine and edges moderately rubbed with front hinge cracked; spots of staining to bottom part of front cover. Front free endpaper with good portion torn away, back free endpaper lacking; waterstaining in varying degrees to lower outer corners after p. 120 and some soiling. One signature extruded and others heading for that; one plate shaved very very close to image at top but image itself not quite touched! Not a fresh copy, still, an interesting one. (12944)

Provenance: The front free endpaper bears a neatly inked ownership inscription dated 1860 (J.C.W. Kempe) and an additional inked “sold to” inscription dated 1871 (Aden Mc Bowman); Bowman also signed another blank, and the presentation leaf is made out to Kempe as “P.G.J.C.W. Kempe.”

Binding:  Publisher's deep blue/black diced sheep in imitation of morocco, covers with gilt-stamped vignette of Friendship, Love, and Truth personified within an architectural frame; spine gilt extra with column motif. All edges gilt.

•  BAL 6877; Faxon 609.   Binding as above, joints and extremities rubbed, spine gilt slightly dimmed. Inscriptions and presentation leaf as above. Poetry clippings, fabric swatch, and lock of hair laid in. Scattered staining, generally light, throughout; chromo very bright and nice.  (27041)

Binding: Publisher's red morocco, covers and spine gilt extra in foliate designs with cherubim at play. All edges gilt.

•  Faxon 457a.   Binding as above, front joint just starting at top and bottom, edges and extremities showing very slight wear, gilt slightest bit rubbed in spots; overall bright and handsome. Light age-toning and spotting throughout.In remarkably good condition, unusually bright.  (20886)

Click the images for enlargements.

The volume is illustrated with an added engraved title-page and three steel-engraved plates, done by O. Pelton after designs by T.B. Read and Beaume, and by Charles Phillips after Sir Joshua Reynolds.

Signed binding: Hunter green embossed morocco, covers with cherub vignette in foliate frame; the embossed panel was designed by Francis N. Mitchell and engraved by Alex C. Morin, and the binding was done by Benjamin Bradley, with all three names stamped in panel. All edges gilt.

•  Faxon 713. On binding, see: Wolf, From Gothic Windows to Peacocks, 178; Spawn & Kinsella, American Signed Bindings, 53.   Binding as above, extremities with very minor rubbing; frontispiece lacking. Offsetting from plates, two pages with offsetting from now-absent laid-in item, scattered light spotting elsewhere. A gorgeous example of the binding, with interesting reading inside.  (26737)

The work was also published in the same year under the title The Romance of American Landscape, and bears that running title here. This copy has an intriguing early pencilled inscription: “The 1st book my Father gave me came out of his book store - C.L.”

Binding:  Publisher's brown sheep in imitation of morocco, covers with embossed grapevine and latticework border stamped in black and with decorative gilt-stamped title (“LANDSCAPE ANNUAL”); spine with same gilt-stamped title and gilt- and black-stamped decorations. All edges gilt.

•  Sabin 70958; Wright, II, 2030. Not in BAL.   Binding as above, light wear to edges and extremities. Hinges (inside) starting. Front fly-leaf with inscription as above; additional engraved title-page with vignette of Mt. Vernon, lacking. Intermittent light to moderate foxing, mostly to margins of plates. Lovely book, lovely copy.  (26679)

This has a very pretty engraved title-page, acting as frontispiece; between the arched words “Bridal Greetings,” above and below, is a bridal bouquet of emblematic flowers, signed F.E. Jones.

Binding:  Publisher's textured red cloth, covers framed in blind, front cover with gilt-stamped rose vignette, spine gilt extra. All edges gilt.

•  Not in Faxon.   Binding as above, cocked, extremities lightly rubbed, front cover with tiny dark spatter; joints each with small instance of insect damage. Front free endpaper with pencilled annotation. Moderate foxing throughout.  (30370)

Binding:  Publisher's cream-colored paper, front cover with black-stamped lyre decoration, back one with black-stamped laurel wreath; spine with black-stamped decorations (no title). All edges gilt.

•  Binding moderately rubbed, spine darkened. Two leaves with tears from margins extending into text, without loss; pages and plates clean. Inherently a bit fragile, this is standing up well to the years.  (27087)