
Elias Hutter (1553–1609) was an orientalist and professor of Hebrew at Leipzig. The text here is drawn from his famous and sought after polyglot New Testament in 12 languages (Nuremberg, 1599), and so shares in the censure Hutter received for there translating and inserting "in some versions missing passages which he found in others" (Darlow and Moule)—but, he was open about that. The present work was apparently for devout students of Hebrew, both to further their knowledge of that language and to give them comparative
texts for study and meditation on the week’s lessons.
Polyglot lectionaries are not common, and this is the only polyglot lectionary of the epistles and gospels listed by NUC Pre-1956 before the 19th century.
Not in Darlow & Moule, but see 1430, 1431, 1432, 1433, and 1434 for Hutter’s polyglot New Testament in 12 languages, and his St. Matthew’s Gospel, St. Mark’s Gospel, polyglot Psalter, and polyglot New Testament in four languages. Sheep, spine simply gilt with a red leather title label; leather rubbed and abraded, front joint opening. Pages with some instances of light waterstaining or browning. All edges red.
Bible. German.
1710. Luther. Biblia, das ist: Die gantze heilige Schrift des Alten und
Neuen Testaments. Wie solche von Herrn Doctor Martin Luther Seel. im Jahr Christi
1522. in unsere Teutsche Mutter-Sprach zu übersetzen angefangen.... Nürnberg:
In Verlegung Johann Andreä Endters Seel, Sohn, und Erben, 1710. Folio (39
cm, 15.38"). Frontis., [32] ff., 1181, [1] pp., [11 (-1)] ff.; 1 plt., illus.

In this printing, a fine engraved title-page shows an angel delivering Luther's translation of the Old Testament to a Church still in bondage to the requirements of the old Law. A similar sectional title-page, depicting God the Father, Jesus Christ, and allegorical figures of the sacraments of Baptism and Communion, comes before the New Testament. Six special pairs of leaves, bound in at various places, each offer a first page containing an engraving of biblical figures and three following pages containing their biographies. A woodcut vignette of the unusual triple arms of the city of Nürnberg appears on the title-page; a number of chapters are adorned, at head, with one-third page woodcut illustrations set in neat borders; and the books typically open with typographically appealing two-column "headers." The text is in a handsome and relatively legible fraktur. The size, decoration, and overall composition of the volume, along with its faults (especially the manner in which which pages are worn), suggest a history as a lectern Bible in a Lutheran Church.

Binding: This copy is bound in ornately
blind-tooled and -stamped alum-tawed sheep over wooden boards, the front cover
with three of its original etched corner bosses and with its two etched clasp-catches.
(Bosses of back cover no longer present, remnants of clasps.) A martial portrait
is centered on each cover; unfortunately these are now so worn that they are
no longer identifiable. Perhaps they belong to the electors of Saxony who
safeguarded the Lutheran faith in its infancy.

Binding as above. Covers abraded and worn, some scraping to back upper board, leather peeling back from fore-edge of front cover and opening at ends of joints, most notably at bottom of front one. Front free endpaper with inked inscription, in German, dated Philadelphia, 1852. Frontispiece with a fore-edge chip (not into image) and tears in from bottom margin and at gutter, with small loss to plate area at bottom inner corner. A number of pages with tears extending into text, a few places with chips to bottom outer corners with loss of words but not of sense. Scattered foxing, with occasional darker small stains. Last leaf (of Confession, NOT Bible) lacking. Despite faults, a grand volume both usable and inspiring.
Bible. German. Selections. 1787. Biblia ectypa. Bildnussen auss Heilige Schrifft dess Alt- und Neuen Testaments...von Christoph Weigel. Augsburg, 1787. Folio. Unpaginated, unfolioed: title-page, 100 ff.; sectional title-page, 78 ff.; sectional title-page, 37 ff.

The book first appeared in the late 17th century, and while it may well have been reprinted more than once, neither NUC nor RLIN shows any edition other than one of 1695. Moreover, apparently the 1695 copy that appears in both those bibliographical sources is the same incomplete one.
This magnificent collection of engravings is clearly rare.



Arndt and Eck cite Bender, who says “This first American Mennonite Hymnbook is
not to be confused with one of similar title printed by Saur at Germantown in 1753, called erroneously by Seidensticker and Flory a Mennonite hymnbook.” Each portion of this item has a separate title-page, with the second section's title-page reading Sammlung altre und neuer Geistreichen Gesänge....
Arndt & Eck 1812; Shaw & Shoemaker 23165. Contemporary mottled calf with original, functional clasps, spine with later but not recent gilt-stamped leather title and publication labels; leather cracked along joints and spine, edges and extremities rubbed. Pages browned as usual and waterstained as often. Two leaves with outer margins torn, resulting in loss of a few letters; one leaf torn from outer margin,tear touching text without loss. Some corners dog-eared. (20648)
Bible. German. 1850. Allioli. Die Heilige Schrift uebersetzt aus dem Lateinischen Urtext. Mit der Genehmigung des Rt. Revd Dr. Hughes Bischof von New York. [New York: D & J. Sadlier, 1850]. Folio ( 27.6 cm, 10.875"). Frontis., engr. t.-p., 891, [1 (blank)] pp., [2 (blank)], [2 (Familien Register)] ff., 268 pp., [1], [1 (blank)] ff.; 13 plts.
The frontispiece shows the judgement of Solomon, and the engraved title-page has an engraving of John the Baptist, a popular saint among German Catholics. The remaining plates are very attractively done, especially that of the crucifixion, which stands before the sectional title of the New Testament.
Provenance: Late 20th-century booklabel of Michael Zinman on the front pastedown, over the inscription "Nathan Zwayer his Bible, 1852."
Not in Darlow & Moule; not in O’Callahan; Wright, Early Bibles of America, 164–65. On Allioli, see: New Catholic Encyclopedia, I, 325–26. Textured roan, elaborately blind stamped; abraded and cracked. Pages and plates foxed with occasional waterstaining and small tears in the margins. Still imposing.