The text is printed in roman and italic, with side- and shouldernotes; it is decorated with elegant woodcut initials against a floriated background, one factotum, a handful of head- and tailpieces, and a couple of small vignettes. The woodcut printer's device on the title-page has the monogram “AT” beneath a dolphin & anchor combination with the motto festina tarde, reminiscent of the Aldine device.

This edition is not in NUC Pre-1956, and WorldCat locates just one copy in the U.S. (with a variant imprint, “A Cologny”).

Evidence of readership: A short biography of Lipsius in French has been written on the fly-leaves in early ink.

•  Early vellum over flexible boards, somewhat stained and rubbed; evidence of four ties, and ink title to spine. Cropped close with very minor loss to a couple of running headlines and side- or shouldernotes; a few corner-tips torn away and a few stains only; instances variously of slightest perceptible worming and outer margin of pp. 585–98 holed by an insect affecting the sidenotes on those leaves, with lesser evidence of the same gnawing to rear pastedown and back cover.  (29885)

Binding: Contemporary treed calf, spine gilt extra with badge of a thistle in compartments; red leather labels. Marbled endpapers. All edges red.

Provenance: Small booklabel of William Salloch on rear pastedown.

•  Schweiger, Handbuch der classischen Bibliographie, II, 568. Cohen & DeRicci, Livres à gravure du XVIII siècle, 662. Not in Ray, The Art of the French Illustrated Book 1700–1914. Binding as above, gilt somewhat dimmed; some chipping of leather to corners and spine tips, and endpapers rubbed. Internally generally clean, with some browning from turn-ins and a few spots of soiling. Bookplate on front pastedowns.

Binding: Contemporary treed calf, spines gilt extra with red labels and covers gilt-framed; gilt edges and gilt inner dentelles. Marbled endpapers in a French shell pattern. All edges gilt.

Provenance: Small booklabel of William Salloch on rear pastedown.

•  Schweiger, Handbuch der classischen Bibliographie, II, 568. Cohen & DeRicci, Livres à gravure du XVIII siècle, 662. Not in Ray, The Art of the French Illustrated Book 1700–1914. Leather on spines and edges of covers dry and chipped; joints open, but sewing holding. Some closed tears to endpapers and front free endpaper of vol. I partially detached; paper generally clean with occasional spots of light browning or foxing. Bookplate on front pastedowns. Plates clean and charming.

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Binding:  Splendid18th-century embroidered binding of gold wire and silver and colored threads over white silk, each cover featuring one pink flower with a long green stem and leaves at its center. Raised wide swirls of silver with touches of gold surround this in relief, the whole cartouche being set on a background of densely laid-on metallic (silver?) threads semé in gold; a thin gold border edges the covers, with spine sewn in a relatively simple pattern of leaves and crossbars. Boards cut flush with text block, text of calendar section interleaved with blanks for memoranda. All edges gilt.

Contained in this little book, surrounded on each page by a simple woodcut border, are the birthdays of European royals, including newborns; woodcut illustrations of moon cycles and numismata; tables of international currency values, tariffs, and taxes; names of government officials in Liege; a town calendar of events, meetings, and saints' days; and anadvertisement for the publisher, who sold the present almanac in various bindings and other such “cute New Year's Gifts,” including Paris almanacs, at his local shop.This was the fanciest binding style offered chez Dessain, according to his ad!

Provenance:  Ex musaeo Hans Furstenberg (gilt-stamped russet leather bookplate, front pastedown), the famous collector of 18th-century French books.

WorldCat finds similar little almanacs from the same period, butnot this.

•  Binding as above; worn at edges, longest stitches across spine loosening, silver thread tarnished as virtually always and colored threads fading. Minor offsetting from bookplate onto title-page, else in good condition.  Housed in a 19th-century marbled paper–covered slipcase.  (30397)