
FABLES
Erpenius, Thomas. Arabicae lingvae tyrocinium. Id est, Thomae Erpenii Grammatica arabica; cum varia praxios materia.... Lugduni Batavorum: Typis & impensis Ioannis Maire, 1656. 4to (18 cm, 6.625"). *4 **2 A–X4 Y2 2A–2Y4 Z2 Aa–Mm4 Nn2; [12], 172, 282 (i.e., 284) pp.
$1500.00
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Thomas Erpenius (1584–1624) was a noted orientalist, life-long friend of Casaubon, Arabic scholar, and professor at Leyden. His Arabic grammar was first published in 1613, and frequently reprinted thereafter. Included among the readings are
Arabic
fables and parables and selections from the Koran. The title-page of this edition is printed in red and black with a large vignette engraved by C.V. Dalen exhibiting the motto “Fac et spera.”
Provenance: Inked ownership inscription of Michael Gundelsheimer (d. 1715), at base of title-page, partially cut off by binder’s trimming. Gundelsheimer was Archdeacon of Feuchtwangen in the Margravate of Nuremberg, and was noted for his travels in the Middle East.
Full 17th-century calf, covers ruled in blind and spine neatly gilt with green leather label in one compartment, impress from another label (now lacking) in a second compartment, and an elegant “flower encircled” device in others compartments. Cover leather lightly waterstained in two places and shallowly abraded with some small black stains; spine leather cracking with some tears and chipping at extremities, faint white markings in bottom compartment, and cracking along joints. Title-page with ownership inscription touched by trimming as above, and traces of shelf location once pencilled on. A few leaves shallowly extruded. Scattered light foxing and browning, occasional traces of soiling, and a little cockling. Slip from bookseller’s catalogue on front pastedown. Marbled endpapers. All edges red.
Harris,
Joel Chandler. Uncle Remus his songs and his sayings[.]
The folk-lore of the old plantation. New York: D. Appleton & Co., 1881 (c.
1880). 12mo (19.5 cm, 7.74"). 231, [1 (blank)], [8 (adv.)] pp.; 8 plts., illus.
$900.00


First edition, third state of these iconic, yet controversial, fables (edition and state as described by BAL; p. 9 gives “presumptuous” in the last line, and p. [233] gives reviews of Uncle Remus). Harris’s introduction emphasizes his own sense of the stories as ethnological and folkloric gold mines, as well as the most genuine reproductions he could muster of legitimate dialect, rather than “the intolerable misrepresentations of the minstrel stage” (p. 4). The illustrations (eight engraved plates and a number of in-text cuts) were done by Frederick S. Church and James H. Moser.
Binding: Publisher’s green cloth, front cover stamped in black with gilt-stamped vignette of Brer Rabbit reclining elegantly at his ease; spine with decorative gilt-stamped title featuring a banjo.
BAL 7100; Grolier, 100 Influential American Books, 83; Blank, Peter Parley to Penrod, 56. Binding lightly worn with some rubbing to extremities, spine a bit darkened. Title-page with inked inscription dated 1881 in upper margin, front pastedown with similar inscription. Very mild foxing to some pages.

One of Only 20 Sets — Splendidly Bound
La Fontaine, Jean
Louis. Oeuvres complettes de J. La Fontaine.... A Paris: de l'imprimerie de Crapelet, Chez Lefèvre, libraire, 1814. 8vo. 6 vols.
$6750.00

The special edition containing the plates in two states: a preliminary state ("à l'eau-forte") and another just before the lettering was added. Limited to 20 sets (this set #9). Produced for Antoine August Renouard, the great bibliographer and bibliophile of the late 18th and early 19th century, with 24 etched plates engraved by de Ghende after designs by Jean-Michel Moreau ("le jeune"). Ray notes, in his general remarks on Moreau's work of this period, that "bibliophiles of the time vied for the books which he illustrated, and . . . they went to the expense of having them bound by Simier and Thouvenin." (88).
This set carries the bookplate of French collector Louis Mercier.



Binding: Full crimson morocco, round spines with five raised bands (unsigned, and of a later date than the text). Spine gilt extra, two spine compartments reserved for gilt-lettered author, volume number, and contents (i.e., "Fables," "Contes"). Covers with gilt fillet
borders; wide gilt inner dentelles; marbled endpapers. All edges very brightly gilt.
Luscious.



Brunet, III, 748; Gordon N. Ray, The Art of the French Illustrated Book 17001914. Bound as above, in excellent condition, and with wide margins, some foxing.
A fine set of a scarce and beautiful edition.
Phaedrus, & Syrus Publilius. Phædri fabulæ, et Publii Syri sententiæ. Paris: Ex typographia regia, 1729. 16mo (9.5 cm, 3.75"). Frontis., [4], 86 pp.
$250.00
Edited by Tannegui Lefebvre, these fables and aphorisms were printed as a specimen of the Imprimerie Royale’s small-sized type. In an era of type scalable at the touch of a button, it is easy to forget what extraordinary skill and labor were involved in setting such tiny, tiny type as this, letter by letter — remembered, it is perhaps all the more awesome.
We've made no picture that shows this minute setting unless the image were huge, you couldn't read the text anyway!

The engraved frontispiece, at left, was done by Ph. Simonneau.
Schweiger, II, 736. 19th-century stamped paper–covered limp boards, spine with later inked label affixed by tape; small scuff to front cover. Pages gently age-toned, with a few small spots of foxing.
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