
(Diamond Necklace Affair). The Affair of the Diamond Necklace was a sensational, elaborate confidence game involving the Comtesse de la Motte, her husband, Cardinal Rohan, the Parisian jewelry firm of Böhmer and Bassenge, possibly Marie Antoinette, and a diamond necklace valued at 1,600,000 livres. The conspirators' scheme to secure the necklace under the guise of Marie Antoinette's acquiring it through intermediaries began in the summer of
1784, and came to fruition in January of the next year; the ever-complicating drama involved a sham queen, a sham cardinal, and sham royal servants—false assumptions, false signatures, false marriages, and false promises of fabulous wealth—everything was bogus but the diamonds. Arrests were made and an absolutely electrifying trial held in which the cardinal was acquitted, the countess was "condemned to be whipped, branded and shut up in the Salpetrière," and her husband, who had fled to England with the necklace, "was condemned . . . to the galleys for life" (Encyclopædia Britannica).
The first-person, passionate mémoires/pleadings/depositions in this case were snapped up hot off the press, to be eagerly read by the public and criticized as if literature or theater (Funck-Brentano, ch. 3). The case was theater, and in the hands of Dumas père it became literature; it was in turn a movie TWICE!

(Dissertation, 1736).
Boehmer, Justus Henning, praeses. ...De inivstitia vocationis
factae ad clamorem popvli.... Halae Magdeburgicae: Litterisoan. Christ. Grunerti,
1736. Small 4to. 42 pp.
Sometime bound in a nonce volume (removed).
Early editions of this work are all uncommon; only 10 U.S. holdings of this edition were found in searches of OCLC, RLIN, and NUC Pre-1956. The frontispiece portrait of “Petrvs Pvteanvs” is unsigned.
Brunet, II, 902. Contemporary vellum, spine with stamped, gilt-framed
title; spine showing very faint traces of a now-absent label. Front pastedown
with bookplate of a 19th-century collector; frontispiece shaved close (just
into impression) by binder. Title-page browned; some intermittent moderate
foxing.
An
attractive and interesting little book.
Erasmus, Desiderius. ...Lingua, sive, de linguæ usu atque abusu liber utilissimus. Lugduni Batavorum: ex officina Ioannis Maire, 1641. 12mo. A–S12, 410 pp., [11] ff. [bound with his] Principis Christiani institvtio per aphorismos digesta. Lugduni Batavorum: ex officina Ioannis Maire, 1641. 12mo. A–I12 K6; 228 pp. [bound with his] Querela pacis vndique gentium ejectæ, profligatæque. Lugduni Batavorum: ex officina Ioannis Maire, 1641. 12mo. A–D12 E2; 76 pp. [bound with his] Encomium moriæ, sive declamatio in laudem stultitiæ. Lugduni Batavorum: ex officina Ioannis Maire, 1641. 12mo. A–K12; 229, [2 (blank)] pp.
The book begins with Lingua ("On Language"), wherein Erasmus complains that humans abuse their gift of language and twist it to make a mockery of God's world and word. This is followed by the Principis Christiani Institvtio ("The Christian Education of a Prince"), directed primarily at the young Emperor Charles V Hapsburg, instructing him in, among other things, the benefits of passivism. This is considered to be one of the greatest contributions to the genre of the education of a Christian prince. The Querela Pacis ("Complaint of Peace"), next, was written in 1517 when the "Congress of Kings" met, hoping to preserve peace throughout Europe during a period of religious and social strife. Here Erasmus pleads for toleration, in some ways (but definitely not others) foreshadowing modern concepts of multiculturalism and diversity.
The volume's final work is the famous "Praise of Folly," which Erasmus claims he wrote on a journey from Italy to England while thinking about his friend Thomas More (hence the pun More -> moriæ). Here Folly, personified as a woman (of course), speaks in her own defence, pointing out the merits of the un-Christian practices of the day. That is followed by two of Erasmus's letters: "De Ratione Studii," intended for Petrus Viterius, and "De Instituendi," intended for Erasmus's students.
All works are given in the original Latin, annotated, and followed by full indices.
The resulting thick little volume is a pleasing one—Maire printed it nicely—and this copy is an exceptionally crisp and clean exemplar.
On Erasmus, see: Hutchinson Encyclopedia of the Renaissance, 145–47. Full vellum with yapp edges. Round spine with author and title handwritten at top in sepia ink; yellow head- and tailbands well preserved. Tiny initials ink on front fly-leaf. Very little foxing. Overall, excellent.
One fold.

Not in Goldsmiths’-Kress. Contemporary mottled calf, spine gilt extra with gilt-stamped title-label; leather rubbed over corners, joints, and spine extremities, with some scuffing to back cover and leather showing minor cracking over spine. Front fly-leaf with early inked annotations; title-page with owner’s name in lower margin inked out. Pages lightly spotted; one leaf with tear from outer margin, with small loss of paper not touching text.

Not in Palau; not in Medina, BHA. Removed from a nonce volume. Title-page with shadow of pencilled numeral in upper margin; one leaf with institutional pressure stamp. Most leaves with old damage to outer margins, repaired of old in most instances, with loss of some words or letters from a number of shouldernotes; a few instances of early inked bracketing.
A search of RLIN, OCLC, NSTC, and NUC Pre-1956 shows only four U.S. holdings of this pamphlet.
NSTC 2N1853. Recent moiré cloth–covered boards. Title-page with small inked numerals in upper outer corner. One leaf with short edge tear just touching text.
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