•  Brunet, V, 115; De Backer-Sommervogel, VII, 532; Englisch, Der erotischen literatur, 145; Palau 294482. Contemporary alum-tawed pigskin, tooled in blind, spine with inked title; binding darkened and scuffed, with clasps now lacking and with leather torn over head and foot of spine (lacking at foot, with underlying vellum showing). Title-page with inked ownership inscriptions dated 1715, later institutional stamp in lower margin, and faint shadows of pencilled notations; front pastedown and one text page also with institutional stamps. Small spots of worming to lower margins of a number of leaves. Pages age-toned, with some instances of marginalia and underlining in early inked hands and occasionally in pencil (a handful of leaves in part III extensively annotated within text); a few spots of foxing, and one leaf with paper flaws partially obscuring a few letters. A big, solid volume.

•  Quarter morocco over gilt-marbled paper-covered sides, spine with gilt-stamped titles and black-stamped decorative designs; corners and joints moderately rubbed. All edges gilt. (12625)

Not all content is sexual exposé — the anti-Catholic/clerical impulse is as real as the pornographic one — but substantial sections cover pretty much “toutes les questions matrimoniales,” while others speak of masturbators, the violation of virgins, and incest. The workings of female anatomy are of interest simply as such; the volume therefore has considerable medical interest, with a long section (for example) on “l'opération césarienne.

•  Contemporary quarter brown morocco. Ex-library: call number tag on spine, bookplate on front pastedown, pressure-stamp on title-page. (21084)

eroticism

Valentina Wasson’s upbringing in mushroom-loving Russia inspired this work, although directly Russian-related material is scant compared to the masses of international lore compiled here. Befitting a labor of love, the volume was handsomely printed by the prestigious Stamperia Valdonega (following Hans Mardersteig’s design) on heavy paper with deckle edges. Its pochoir plates reproduce beautiful life-sized watercolor paintings of mushrooms done by naturalist Jean-Henri Fabre, and other numerous plates depict other works of interest such as Gainsborough’s “Mushroom Girl.”

Provenance: From the library of chef and culinary collector Louis I. Szathmary, with the laid in, retained carbon of a letter from him to Ralph Geoffrey Newman (the late, noted, Chicago bookseller); this thanks Newman for “the interesting information on the Mushroom book.” A duplicate copy of Newman’s purchase invoice, with Szathmary’s cheque photocopied onto it, is also present.

This is copy number 412 of a limited edition of 512.

•  Green publisher’s cloth, spines with gilt-stamped labels, housed in the original neat buckram-covered slipcase. Corners and spine extremities show slight traces of wear with bindings otherwise crisp and clean; slipcase likewise shows only the faintest of wear. (In our rather bad photograph, the slipcase looks a tad bowed; in real life, it is NOT.) Glassine wrappers present (somewhat yellowed, a bit short as issued, and one with a bit missing at top of that spine). Top edges gilt. Pages and plates clean. A lovely association copy of this significant and uncommon mycological text.

The advertisement leaves are devoted specifically to books of phallic subject matter.

•  NSTC 0803266; Allibone, Critical Dictionary, 1505. Publisher’s green cloth, front cover with gilt-stamped medallion, spine with gilt-stamped title; cloth rubbed at corners and pulled at spine extremities, board edges lightly discolored. Pencilled owner’s name in upper margin of title-page. Title-page and two others pressure-stamped; preface with inked annotation and stamped numeral. Pages slightly age-toned, else clean.