
ENGRAVED BOOKS —
ENTIRELY ENGRAVED!
THE
WHOLE BIBLE IN
Over 800 BEAUTIFUL Pictures
Bible. German. Selections. 1787. Biblia ectypa. Bildnussen auss Heilige Schrifft dess Alt-und
Neuen Testaments...von Christoph Weigel. Augsburg, 1787. Folio. Unpaginated,
unfolioed: title-page, 100 ff.; sectional title-page, 78 ff.; sectional title-page,
37 ff.
$4850.00

CHRISTOPH WEIGEL
was the artist who executed this monumental work, being an entirely engraved
pictorial Bible illustrating hundreds of famous stories
(the creation of Heaven and Earth, the temptation of Eve, Jacob's ladder, and
so on), with other suitable images luxuriously added as well (Mark with his
lion, Paul composing his letter to the Ephesians, etc). Above
each image is its chapter source and a short descriptive Latin caption (e.g.,
"Scala coeletis a dormiente Iacovo visa"); engraved below it is a longer quotation
from the German Bible. In total, Weigel's volume contains three engraved title-pages
and 839 engraved illustrations: 11 are full-page, 12 are one-third-page, 816
are one-quarter-page, all are extremely well done.
This
is not what one typically thinks of, as an "illustrated Bible"; that is,
it is not "embellished text" it is, rather, the whole Bible IN pictures.
The book first appeared in the late 17th century, and while it may well
have been reprinted more than once, neither NUC nor RLIN shows any
edition other than one of 1695. Moreover, apparently the 1695 copy that appears
in
both those bibliographical sources is the same incomplete one.
This
magnificent collection of engravings is clearly rare.


Contemporary boards, covered in a stone-pattern paper in
tones of brown and black; one joint repaired. Boards bumped and abraded,
especially
along edges and with loss of paper at corners. Internally a good copy with
relatively light foxing and only occasional stains, virtually all in margins:
Weigel's images are remarkably clean.
A
joy and a wonder.
To see additional PICTURES, you can click
here.

Shorthand Made Easy
Lane, Samuel. The art of short writing made lineal and legible as the common long hand. London: Pr. for the Author, [1715]. 12mo (6", 15.2 cm). [4], 25, [1] pp.
$400.00
Click the interior images for enlargements.
First edition of a complete course for a system of shorthand, designed by Samuel Lane. The text is printed from engraved plates throughout, including the title-page.
Full text examples include the Lord's Prayer, The Creed, and First, Second, Third, and 15th Psalms.
Lane argues for the “great Benefit that ye Knowledge of this Art might be to the Clergy & all others” on the basis of speed (“as much may be written in one hour as by the Common Long Hand in six or more”) and easy acquisition (“[the rules are] laid down in such a plain and easie manner that any Person may learn it without a Teacher”).
Scarce: A search of ESTC locates seven copies, of which only two are in U.S. libraries. Not traced via OCLC and NUC-1956.
A nice example of a book not printed from moveable type; entirely printed from engraved plates.
ESTC T82591. Sewn in original marbled-paper wrappers. Paper of spine chipped away, taking some paper at inner edge; small chips and nicks at edges of wrappers. Small bite out of outer margin of final leaf of text and final blank leaf; shallow chipping at lower outer corners and bottom margin of one page. Faint waterstaining.
A good copy of a fragile little production. (23729)
Vergilius Maro, Publius. ... Bucolica et Georgica, ex antiquis monimentis illustrata cura, studio, et sumptibus Henrici Justice. [Hague, 1757]. 8vo (22 cm, 8.6"). Engr. main title, [16], 14, 138 pp.; 9 plts.
[SOLD]
Single-click any image where the hand appears on
mouse-over, for an enlargement.
Preliminary issue of the first volume of Henry Justice’s edition of Virgil’s works, with a letterpress title-page but the text otherwise completely engraved. Published in imitation of Pine’s illustrated Horace, the volume is decorated throughout with metal-engraved head- and tailpieces, in-text vignettes, and plates done by Giovanni Marco Pitteri after designs by Fidance and Charles François de la Traverse. The life of Virgil was written by Charles Le Beau.
Justice was in 1752 convicted and transported for having stolen numerous books from the Trinity College library, despite his defenders’ claim that as a Fellow Commoner of the college he had a legitimate right to borrow books; Virgil’s Opera were among the works listed as having been stolen by Justice, who went on to publish his own rendition and one other work (Bibliothèque universelle, choisie, ancienne et moderne) in his subsequent career on the Continent.
Binding: Signed binding stamped J.P. Wilcox (John Wilcox, London bookseller?) at foot of spine: Contemporary calf, covers framed in blind rolls with blind-stamped corner fleurons, panelled in gilt single fillet, spine gilt extra, with gilt-stamped leather title-label.
Brunet, V, 1293. Binding as above, board edges darkened, joints and edges rubbed, leather showing some small cracks on spine. Front pastedown with private collector’s bookplate, front free endpaper with institutional rubber stamp (no other markings). Sewing loosening. Some faint spotting, pages and plates mostly clean.
Elegant.
Weston, James. Stenography compleated, or the art of short-hand brought to perfection; being the most easy, exact, speedy, and legible method extant. London: Pr. for the author, 1743. 8vo (20.5 cm, 8.1"). Frontis., engr. t.-p., [4] ff., 40, [28], frontis., engr. t.-p., [18] ff., frontis., engr. t.-p., [42] ff., frontis., engr. t.-p., 22 pp.
$625.00
Click
the interior images for enlargements.
Prior to the invention of practical methods of capturing sound, the desire to record the spoken word both accurately and quickly led to the creation of several methods of stenography. Because such methods invariably employed artificial symbols, the printing of such manuals necessitated printing from engraved or etched plates. This manual was no exception; only the 8 pages of introductory matter following general title-page and the 16 pages of “Observations” in pt. [4] are printed from type. The plates were engraved by J. Cole.Weston’s claim for his systems was that “By this new method any, who can but tolerably write their names in round-hand, may with ease (by this book alone without any teacher) take down from ye speaker’s mouth, any sermon, speech, trial, play, &c., word by word, though they know nothing of Latin, and may likewise read one another’s writing distinctly, be it ever so long after it is written; to perform these by any other short-hand method extant is utterly impossible, as is evident from ye books themselves.” He also addresses the question of speed, assuring the would-be stenographer that in his method “ . . . can be joined in every sentence, at least two, three, four, five, six, seven, or more words together in one without taking off ye pen, in ye twinkling of an eye, and that by the signs of the English moods, tenses, persons, particles, &c., never before invented . . . [,]” the whole of a conversation can be captured.
Included in the treatise are “Directions for writing shorthand,” “A dictionary, or An alphabetical table, containing almost all the words in the English tongue, with the short-hand over against each word,” and a final section of “Observations, and explications.” The work was evidently well received for it was reprinted more than a dozen times between the first edition of 1727 and the last 18th-century edition in 1780. ESTC T202325. Recent marbled paper–covered boards, spine with gilt-stamped leather title-label. Title-page and several others rubber-stamped by a now-defunct institution — being a “mercantile” library, interesting provenance for a book of this sort. First and last few leaves showing faint waterstaining; pages and plates otherwise generally clean.

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