This is the stated fifth edition, following the first of 1724; WorldCat suggests that it may be a reissue of the 1724 printing with the edition statement added. It is printed on one side of each leaf only.

Provenance:  Engraved title-page with early inked ownership inscription of A.W. Rappe in upper outer corner.

•  ESTC T78313.   Contemporary speckled sheep; abraded overall, spine label lost, covers all but detached. Engraved title-page with inscription as above. Minor to moderate offsetting throughout, pages otherwise clean. An interesting pattern-book from an author perhaps better known for such works than for his actual constructions.  (29679)

Provenance:  George Richard Mackarness M.A. (bookplate); Wallace Parham (bookplateand sticker).

•  Gewirtz, But One Use, 55; ESTC T141242; Griffiths, Bibliography of the Book of Common Prayer, 1717/2.   Binding as above; leather cracking slightly along joints and scuffed in a few places, chips at top of spine. Lacking volvelle, as is almost always the case; later manuscript note citing Walpole's “Anecdotes of Painting” laid in. Age-toning/soiling across page-bottoms and lower outer corners, with only a bit of soiling/spotting otherwise; reds remain very bright and impressions dark and crisp. Ink inscription “From my mother Jan. 1855" on front fly-leaf verso. A wondrously beautiful piece of devotional art in very nice condition.  (30126)

Montes de Oca's plates are particularly detailed and moving when they show the saint in Japan being abused and tortured, but all are strong and striking.

Uncut.

•  Palau 363045.   Late 19th-century plain sheep binding. Uncut; lacking two plates and two with minor worming as noted above; all plates well impressed, as would be expected of a work that the artist himself saw through the press! A very good copy of a scarce and important work.  (25095)

Also attracting renewed interest was The Declaration of Independence: Americans and especially several entrepreneurs rediscovered the majesty of it and its wording. But it was not the Declaration as it came from a printing press that was of interest, rather it was the version indited by Charles Thomson, the Secretary of the Continental Congress. Coincidentally, this interest in the manuscript coincided with an upswing in the general upspringing writing masters and the publication of writing books that taught clerks, storekeepers, secretaries, and the interested populace how to write clearly and elegantly.

One of those entrepreneurial writing masters was Benjamin Owen Tyler and in 1818 he publishedthe first facsimile of the Declaration in its manuscript form. In 1817 he travelled to Washington and obtained the permission of Acting Secretary of State Richard Rush (son of Signer Benjamin Rush) to have access to the original manuscript so that he could engross his facsimile. As the facsimile proclaims: “The publisher designed and executed the ornamental writing, and has been particular to copy the facsimilies exact, and has also observed the same punctuation, and copied every capital as in the original.” The engraving also contains in attestation a facsimile signed statement of Richard Rush dated 10 September 10 and the seal of the Secretary of State's Office authenticating the copy.

The Tyler Declaration is not a one-to-one reproduction of the 1776 manuscript, for it incorporates decorative lettering not found in Thomson's original. But it certainly gives a feel for the original and it was a great advertising vehicle for Tyler as a writing master.

The whole LARGE production wasengraved by Peter Maverick, one of America's master engravers, and printed on paper with a few copies on parchment and at least one on silk. Many other facsimiles would follow. . .

•  Shaw & Shoemaker 46130.; Nash 87; John Bidwell, “American History in Image and Text” in Proceedings of the American Antiquarian Society, 1988, Vol. 98, pp. 247–302.   Document backed onto linen, edged with red linen tape, well-attached to an ebonized wood molding at head and roller at foot; age-toned or possibly showing discoloration from the mounting adhesive. One small piece of blank margin expertly readhered; some creasing. Overall very good. An impressive American document evoking not one but two significant patriotic periods, and one in safe and attractive condition for display.   (In its picture, it's hanging for the time being on one of our shop walls — comfortably!)   (29408)

The signers' facsimile signatures appear below the main italic text and within the decorative border.

Bidwell and WorldCat locateonly five institutional copies, none west of Charlottesville, VA.

•  Bidwell, “American history in image and text” (Proceedings of the American Antiquarian Society, v. 98, pt. 2, 1988), 15; Printing the Mind of Man 220 (for first edition).   Printed on white-coated card stock. Very Good condition.  (28506)