
EMBLEM BOOKS
A
Charming
DUTCH
Emblem Book
Cats, J[acob]. Nuttelyck huys-boeck. Behelsende eene bespiegeliing des 's mensche; waer in het leeven bestaet; waer door de doot onderworpen is geworden.... Leyden: Hendrik van der Deyster, 1769. 12mo. [12], 321, [11] pp.; illus.
$850.00
Verses and essays by Cats, the Dutch poet and moralist, on widely assorted topics — those of culinary interest including fish, greens, and fruit. Also discussed are tobacco (accompanied by an illustration of a feathered, bow-equipped Indian reclining and puffing away on his pipe) and alcoholic beverages. 
Each short piece is accompanied by one of 23 marvelous in-text copperplates; in addition, the engraved half-title has two opposed vignettes, showing first Adam bonding with various animals (including an ostrich somewhat taller than the neighboring elephant), then a group of three mounted gentlemen, two prodders armed with spears, and five dogs running a stag to water and surrounding it. The title-page is printed in red and black.

Mottled sheep, round spine gilt extra. Small crack in top spine panel; gilt author/title label gone from one compartment, identifications now showing "in blind." Modest gilt tooling on covers. All edges carmine. Very good copy.

Ginther, Antonius. Speculum amoris et doloris in sacratissimo ac divinissimo corde Jesu incarnati, eucharistici, et crucifixi, orbi christiano propositum....editio IV. Augustæ Vindelicorum: Joannis Jacobi Lotteri, 1743. 4to (21.1 cm, 8.4"). [38], 408, [16 (index)] pp. (lacking engraved title, pp. 49/50); illus.
$875.00

Very uncommon fourth edition of this emblem book, following the first of 1706. Ginther also published a book of sermons, Currus Israel, et auriga ejus, along with a Marian emblem book, Mater amoris et doloris; the present item was printed in Augsburg, Germany, with the text in Latin and illustrated with 50 engraved emblems. The emblems are unattributed, but the frontispiece (not present in this copy) was done by Johann Caspar Gütwein.
Rare in the U.S.: We trace only the Getty copy of this edition, and earlier editions are no less rare.
Landwehr, German Emblem Books, 317. Boards covered in music-printed paper from an 18th-century antiphonal, spine with gilt-stamped leather title and author labels. Engraved title and pp. 49/50 (emblem VII) lacking. Title-page and next leaf with long-ago repaired holes, one on the latter affecting an initial on the verso; title-page with old inked device(?) and 19th-century institutional stamp on verso, showing through in part to recto; a small hole in a third leaf, taking perhaps a letter or two. Final blank leaf and two other leaves also stamped. One leaf torn from margins into text, repaired with Japanese tissue. Pages slightly age-toned, some with mild foxing or the odd spot. Faults noted, this is yet a worthwhile and studyable/enjoyable volume.
Pure
& Impure
HEARTS Ten Quaint
Emblematic
Plates
[Gossner, Johannes?]. The heart of man either a temple of God or a habitation of Satan. Represented in ten emblematical figures...translated from the fifth German Augsburg edition. Reading (PA): Henry B. Sage, 1822. 12mo (17.7 cm, 7"). 48 pp.; 10 plts.
$500.00

First U.S. printing
in
English of this popular emblem book, originally printed
in German as Herz des Menschen. The preface commences by stating
that the work was “published in the year 1732”; but Gossner,
the influential German evangelical cited by OCLC as this item’s
author, was not born until 1773.
Of the ten engraved plates, eight depict various states of grace or lack
thereof (the hearts of sinners are inhabited by loathsome beasts, while those
of repentant sinners contain symbols of the Holy Ghost and of the crucified
Christ); the remaining plates contrast the deathbed scenes of sinful and
righteous individuals.
Shoemaker 8988. 19th-century
quarter goat with paper-covered sides, limp and showing some water damage
with much wear and abrading. Hinges (inside) cracked; covers not coming
off, though one signature is separated. Pages age-toned and foxed with
signs of exposure to water. Used!

French Emblems, 1790
Hugo, Herman. L’Ame amante de son Dieu, représentée dans les emblemes de Hermannus Hugo, et dans ceux d’Othon Vaenius sur l’amour divin. Avec des figures nouvelles, accompagnées de vers qui en font l’application aux dispositions les plus essentielles de la vie intérieure
par Madame J.M.B. de la Mothe-Guyon. Paris: Chez les Libraires Associés, 1790. 8vo (19.5 cm; 7.625"). Frontis., 16, 188 pp. 39 leaves of plates.
[SOLD]
Click the images for enlargements.
Late French edition of the Pia desideria, here in a “Nouvelle édition, considérablement
augmentée.” There is an engraved half-title and each of the leaves of engraved plates has four images.
Also includes a French translation of Otto van Veen's Amorum emblemata.
Landwehr, French, Italian, Spanish and Portuguese, 409. Mid-19th-century full calf, plain style; marbled endpapers and all edges marbled. Ex-library with bookplate, call number on spine (paper label) and in pencil on verso of title-page. NO rubber-stamps. English, 1835 gift inscription on front fly-leaf. A very nice copy. (19373)
Larwood, Jacob, & John Camden Hotten. The history of signboards, from the earliest times to the present day... sixth edition. London: John Camden Hotten, 1867. 8vo (18.8 cm, 7.4"). Col. frontis., x, 536 pp.; 19 plts.
$375.00
Click the interior images for enlargement.
Sixth edition (following its initial appearance in the previous
year) of this engaging account, full of anecdotes, historical digressions, and
literary quotations, as well as attempted analysis of
emblems
and their meanings (though this is not, of course, the classic “emblem
book”). “One hundred illustrations in fac-simile” are
attributed to Larwood on the title-page; the work features 19 plates, each depicting
an assortment of house- and pub-signs, as well as a hand-colored frontispiece
“Drawn by Experience . . . Engraved by Sorrow,” in which a cheerful
gin-drinking lady rides her woebegone, care-laden husband.
Provenance:
Title-page stamped by a private collector: “Thomas Witherell
Palmer, Log Cabin Park” (Detroit).
Contemporary half calf with marbled paper–covered sides,
spine with gilt-stamped leather title-label and ornate gilt-stamped decorations
within compartments; binding with light to moderate rubbing overall, with
spine leather starting to show some cracking. All edges stained red.
Delightful
reading and looking, and a delightful copy.
Murray, Hannah Lindley & Mary. The
toilet. Washington, DC: William Ballantine [Ballantyne], 1867. 8vo (21 cm, 8.25"). [4] pp.; 20 col. plts.
$750.00
Click the interior images for enlargements.
First issue of the Ballantyne printing, with the publisher’s name given as “Ballantine” on the chromolithographic title-page. This variant of The Young Lady’s Toilet (or The American Toilet) was inspired by the original handmade books constructed by Hannah and Mary Murray of New York, two young ladies who cut pictures out of periodicals and pasted them onto blank leaves, adding their own captions. The publisher of the present edition proudly proclaims that the Murrays’ version realized one thousand dollars in sales, all of which was given to the Foreign Missionary Society, and adds that the work “now appears in a somewhat altered garb.” The chromolithographed pictures display their maxims behind moveable flaps, a concept that the Murrays may have adapted from Grimaldi’s earlier, London-published Toilet.Provenance: Inscription to Ellie Bond Robinson (from her cousin Elizabeth); elegant small booklabel, “Gardner.”
Publisher’s textured cloth, framed in blind, front cover with gilt-stamped title; covers and corners showing very slight traces of wear. Front free endpaper with small booklabel and with inked gift inscription dated 1887. One flap (“Circumspection”) lacking, with all other flaps present and working.
An attractive copy of an uncommon item.
Schreger, Odilo. Studiosus jovialis, seu auxilia ad jocosè, & honestè discurrendum, in gratiam & usum studiosorum juvenum, aliorúmque litteratorum virorum, honestae recreationis amantium ... editio quinta. Pedeponti: Joannis Gastl, 1757. 8vo (16.4 cm, 6.5"). [4] ff., 744, [4 (index)] pp.
$275.00
Early edition, following the scarce first of 1749, of an entertaining and educational miscellany including collections of proverbs, riddles, and comic anecdotes, as well as a section on symbols and emblems. The title-page is printed
in red and black, and the text in black-letter type for the German portions and roman for the Latin.
Uncommon. Searches of OCLC, RLIN, and NUC Pre-1956 locate only three copies in U.S. libraries.
Goedeke, Grundriss zur Geschichte der deutschen Dichtung (for first ed.). 19th-century quarter morocco (refurbished) over paper-covered sides, spine with gilt-stamped title; edges of paper sides rubbed. Front pastedown with bookseller’s ticket from B. Westermann & Co. of New York, private collector’s 19th-century bookplate, and institutional stamp (no other markings). Small repaired hole to title-page, with four letters unobtrusively replaced. Foxed, with a few corners crumpled or dog-eared. One engraved plate from another work laid in.
A pleasant, we would say “atmospheric” little volume.
Zoller, Josephus. Conceptvs chronographicvs de concepta sacra deipara. Septingentis sacræ scripturæ, Ss. Patrum, ac rationum, nec non historiarum, symbolorum, antiquitatum, et anagrammatum suffragiis roboratus.... Augustæ: Joannis Michaelis Labhart, 1712. Folio (32.5 cm, 12.75"). Frontis., [28], 353, [19 (index)] pp. (pp. 171/72 bound in after 173/74); illus.
$2750.00
Click any image above for an enlargement.
First edition of Zoller’s unusual emblem book, a treatise on the art and symbolism of the Immaculate Conception. Zoller, a Benedictine monk who had previously published another Marian emblematical work (Mariae Hochst-Wunderbarliche und Ohne alle Suenden-Mackl Gnaden-reich beschehene Empfaengnuss), created a curious textual construct to accompany the numerous emblems here: In addition to some anagrammatical sections, the letters representing Roman numerals are capitalized in a fashion that presumably provides another level of cryptographic or numerological interpretation, although the work seems not to have been thoroughly analyzed to date.
The engraved frontispiece was done by Philipp Jacob Leidenhoffer after a design by Johann Asem; one of the engraved in-text emblems attributes its design to “I.C. Banaivir,” about whom no information could be found, while the others are unsigned.
The title-page bears an inked inscription reading “SanCto MarCo / In aVgIa DIVIte,” dated 1714; a few small scraps of paper with notes in an early inked hand are laid in.
Landwehr, German, 660; Praz 543. Contemporary mottled sheep, covers framed in blind triple fillets, spine thickly blind-stamped with arabesque motifs; binding rubbed and abraded with leather cracked over joints and spine, spine stamping dimmed, and shelving number inked on spine. A few spots of pinhole worming to front cover, front free endpaper, and first few leaves; front pastedown with old bookseller’s ticket. Some pages with light foxing; one leaf with an old repair to the upper corner and one with a short tear from the lower margin. An interesting rarity, and one worthy of study.
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