•  Modern quarter tan cloth over light blue paper-covered boards in the style of the early 19th-century, spine with printed paper label; uncut copy. Tear and chips at top margin of title-page, repaired some time ago. Title-page and several early leaves lightly age-toned and with some traces of soiling. Old ink ownership signature on title-page and p. 22, and just a bit of ink smudging at top margin of p. 23.  (24445)

•  Brunet, V, 861; Sandys, II, 457; Schweiger, I, 332. Contemporary paper-covered boards, spine with inked paper label; binding scuffed and rubbed, spine with paper shelving label (inked through), title-label darkened. Front pastedown with 19th-century collector's bookplate, title-page verso with same collector's inked inscription. Light foxing. Final leaf with upper outer corner torn away, with loss of a few letters.

Like the first, this second edition of Vettori’s criticism of Cicero is in Latin with quotations and examples in Greek. It is self-described on the title-page as “quae corrupta, mutila, & praeposterè sita admiserat prima editio, haec 2. sedulò castigauit, suóque loco restituit.” The volume begins with the printer’s device on the title-page bearing the motto “Et fugit interea fugit irreparabile tempus,” and prints the text in a clear roman type accented with historiated and portrait woodcut initials and woodcut head-pieces. A handsome production.

Provenance: 17th-century near-calligraphic ownership inscriptions on title-page of the Jesuit College at Tudela, Spain; and of G.M. Desmarsall.

•  Adams V687. Recent deep walnut full calf old style, by Grace Bindings (signed in blind at inner area of rear cover, lower turn-in): Round spine with raised bands accented in gilt and with blind-tooled devices in compartments; oxblood leather label, gilt-lettered; fillets extending onto covers from each band to terminate in trefoils and covers framed in blind double fillets. Lacks one internal blank leaf (only). All edges marbled. A very good copy.

Though an "odd vol," this is a pleasing book, done up in a typical German style of the era. Paper marbled in browns, black, and greens is used over boards, with slivers of leather at corners; a round spine bears gilt ruling and a cream-colored label with author, title, translator, and volume number. All edges are green and the whole is exceptionally well preserved.

•  Schweiger, Handbuch der classischen Bibliographie, II: 1206. Bound as above. Vol. 3 of 4. Some little foxing but almost no scuffing.

This first edition has a title-page in black and red with the printer’s device of the Amsterdam Elzevirs, “Ne Extra Oleas”—showing Minerva with owl and shield next to an olive tree—and it is printed in two columns in roman, italic, Greek, and Hebrew, ornamented with woodcut initials.

•  Willems, Les Elzevier, 1295. On the Vossius, father and son, see: Sandys, History of Classical Scholarship, 307–309 and 322–23. Contemporary English calf ruled in blind, bumped and abraded with a little loss on corners and edges; joints fully open at base and some chipping at head and foot of spine. Paper, ink-lettered spine label; inked call number and date on title-page. Pastedowns entirely gone and remnants of a manuscript used as binder’s waste visible at gutters, inside covers; due to the pastedowns’ removal, much of the binder’s construction can readily be examined here. A little light waterstaining and browning to first and last leaves (only). All edges red.

This volume nicely shows both Welser's wealth (access to the Aldine press) and his antiquarian scholarship (on the history and Roman antiquities of Augsburg, Germany). A good example of the late Aldine press's contract work, it employs the usual mix of roman and italic type and on some leaves demonstrates the art of printing sideways; it does not bear the anchor and dolphin device, but is attributed to Aldus in Renouard, which makes a great deal of sense given the relationship between Welser and Manuzio. It is uncommon in today's market and is little held in U.S. libraries.

Contents include: Antiqua quae Augustae Vindelicorum extant monumenta (pp. 199–244); Antiqua agri Augustani monumenta (pp. 245–258); Antiqua monumenta peregrina (pp. 259–74). Signature D is letterpress and an engraved double page map (upside down); signature Ii is letterpress and an engraved double page folding plate.

Provenance: Signature of Hermanus Conringius, dated 1662.

•  Renouard, Alde, 252. Vellum over paste boards, lacking ties; old inked title and paper shelving label on spine (minor wear, mild soiling and discolorations). Ex–theological seminary with bookplate on front pastedown and rubber-stamp on title-page engraving; title-page mounted. Early inked writing on front fly-leaf and rear free endpaper; a few instances of inked underlining and marginal notation. First few leaves with evidence of worming in bottom right corners and top right corners of first six repaired; light waterstains at top margins of some later leaves. Edges sprinkled red. Overall, a clean, crisp copy.