The oversized, folding maps of France and the world featurehand-colored provincial and continental borders; two additional oversized, steel-engraved plates depict the gods atop Mt. Olympus and the seven wonders of the world.

Early editions of this work are uncommon.

•  Quérard, La France littéraire, 341.   Contemporary marbled paper–covered boards, spines with gilt-stamped leather title-labels; bindings faded and with some soiling/rubbing (most notably to spines). rubbed. Half-title of vol. I, pp. vii/viii of preface, and printed volume labels all bound in at back of vol. II; some signatures of vol. I unopened. Title-pages with traces of mostly effaced inscriptions; first and last few leaves of both volumes very lightly waterstained. One plate with two short tears from lower edge, not touching image. Solid and interesting.  (27048)

•  Brunet, V, 861; Sandys, II, 457; Schweiger, I, 332. Contemporary paper-covered boards, spine with inked paper label; binding scuffed and rubbed, spine with paper shelving label (inked through), title-label darkened. Front pastedown with 19th-century collector's bookplate, title-page verso with same collector's inked inscription. Light foxing. Final leaf with upper outer corner torn away, with loss of a few letters.

Binding:  Done by Mansell's: Quarter orange morocco and brown buckram–covered sides, front cover with gilt-stamped vignette, spine with gilt-stamped title. Top edge gilt.

Provenance:  Front pastedown with bookplate of Norman J. Sondheim, collector of press books.

•  Cock-a-Hoop 203.   Binding as above; slipcase lacking, outer corners gently rubbed, spine moderately darkened with upper portion showing light waterstain extending slightly onto front cover. Front pastedown with bookplate as above. Internally clean and crisp, and still a handsome volume despite noted binding issue.  (30600)

Like the first, this second edition of Vettori’s criticism of Cicero is in Latin with quotations and examples in Greek. It is self-described on the title-page as “quae corrupta, mutila, & praeposterè sita admiserat prima editio, haec 2. sedulò castigauit, suóque loco restituit.” The volume begins with the printer’s device on the title-page bearing the motto “Et fugit interea fugit irreparabile tempus,” and prints the text in a clear roman type accented with historiated and portrait woodcut initials and woodcut head-pieces. A handsome production.

Provenance: 17th-century near-calligraphic ownership inscriptions on title-page of the Jesuit College at Tudela, Spain; and of G.M. Desmarsall.

•  Adams V687. Recent deep walnut full calf old style, by Grace Bindings (signed in blind at inner area of rear cover, lower turn-in): Round spine with raised bands accented in gilt and with blind-tooled devices in compartments; oxblood leather label, gilt-lettered; fillets extending onto covers from each band to terminate in trefoils and covers framed in blind double fillets. Lacks one internal blank leaf (only). All edges marbled. A very good copy. (14594)

This first edition has a title-page in black and red with the printer’s device of the Amsterdam Elzevirs, “Ne Extra Oleas”—showing Minerva with owl and shield next to an olive tree—and it is printed in two columns in roman, italic, Greek, and Hebrew, ornamented with woodcut initials.

•  Willems, Les Elzevier, 1295. On the Vossius, father and son, see: Sandys, History of Classical Scholarship, 307–309 and 322–23. Contemporary English calf ruled in blind, bumped and abraded with a little loss on corners and edges; joints fully open at base and some chipping at head and foot of spine. Paper, ink-lettered spine label; inked call number and date on title-page. Pastedowns entirely gone and remnants of a manuscript used as binder’s waste visible at gutters, inside covers; due to the pastedowns’ removal, much of the binder’s construction can readily be examined here. A little light waterstaining and browning to first and last leaves (only). All edges red.

The text is in Latin printed in roman and italic, decorated with a few woodcut ornaments and one initial at the beginning of the dedication. The engraved title shows Widl holding a lamp and an open a book with the words “Poesis sacra et profana” written across the opening, as he floats above our book's title which appears in an abstract cartouche flanked by four figures standing in an architectural frame supported by portraits of Pindar, Horace Flaccus, Sarbiewski, and Balde.

WorldCat locates only two copies in the U.S.

Provenance:  Albertus Henricus Krussi(?) (his ownership signature in ink, front flyleaf and engraved title).

Evidence of readership: Heavy underlining, occasional annotations, and scribbles on the rear flyleaf verso in early ink.

•  DeBacker-Sommervogel, VIII, 1107; W. Kühlmann, “Neo-Latin Literature in Early Modern Germany,” in Camden House History of German Literature, p. 297.   Period-style calf, boards with single-ruled border; round spine with gilt-stamped red morocco label and blind-stamped devices in “compartments” defined by a gilt roll of a chain pattern; red speckled edges. Trimmed close and bound tightly, often affecting but not taking a few letters at the gutter, with light water- or dampstaining in upper outer corner extending into the middle of many pages; intermittent inkstains from the annotator's pen; one corner tip torn away and other corners creased, visible from the edges. Miniscule wormholes barely visible in upper and outer margins extending from preliminaries to mid-text. A substantial little book in several senses.  (29853)

WorldCat, Copac, STCN, and NUC Pre-1956 do not find any locations of this Jansson-Waesberg edition; Palau does not list it.

Provenance:  Front free endpapers each with early inked inscription mostly inked over, title-page verso with inked inscription “de los libros . . . D. Emanuel Lopez Forrecilla y dela Fuente.”

•  Not in STCN. See Palau 377674–377683 for other eds.   Contemporary vellum over paste boards, spines with early hand-inked title; minor staining and back outer (yapp) edge of vol. I chipped, ties on both volumes still partially present. Pages age-toned with intermittent spotting; vol. I with light waterstaining to margins of some leaves and a few early inked corrections and marks of emphasis. Vol. II: Text block pulling away from spine, first few leaves separating, some leaves with worming in inner margins touching text without obscuring sense, one leaf with tear from outer margin extending into text without loss. All edges stained red, and both volumes with inscriptions as above.  (29082)

•  BAL 20798; Grolier, American 100, 82; Russo & Sullivan, Bibliographical Studies of Seven Authors of Crawfordsville,Indiana, 315–17; Wright, III, 5720.   Publisher's textured brown cloth with bevelled edges, spine with gilt-stamped title; binding slightly shaken, edges and extremities rubbed, sides with spots of discoloration. Hinges (inside) tender. Ex–social club library: 19th-century bookplate on front pastedown, title-page pressure-stamped, dedication page with inked numeral, back free endpaper with slip. Front free endpaper with faint early inscription, front fly-leaf with inked ownership inscription. Pages age-toned; a few leaves with light staining, most clean.  (26381)