Save just one instance of Latin, the “Impressi” printed in roman on the title-page, the entire volume is in Greek elegantly printed in black with some red, including on one leaf several capitals floating in the margin just outside the justified text. A few large floriated initials — two red, introducing the Olympia and the Pythia — and a handful of interesting small ornaments decorate the headings of major sections. The copious scholia, also printed in Greek, engulf the text, typically filling at least seventy-five percent of each page with notes on the subject, syntax, and even scansion of Pindar's poetry.

Chigi's good friend the Pope granted the right to print this work exclusively to Kallierges for five years.

Provenance:  Willm. Markham (his bookplate, front pastedown, covering another); Ed. Jameson (inscription above title).

Marks of readership: A partially legible early ink scrawl in Italian below the title and a one-line note faded to illegibility on another leaf; one missigned leaf corrected in manuscript; sparse underlining and annotations in brown and red ink; and, on eight leaves ruled for notes bound in at end, entries (one or several) in an early hand to most columns.

•  Adams P1221; Brunet, IV, 658; Dibdin, II, 286 (“scarcer and dearer than the preceding [edition]”); Graesse, V, 293–94; Sandys, II, 80 & [107]; Schweiger, I, 234; S. Fogelmark, “The 1515 Kallierges Pindar: A First Report” in [Greek title]. Studies in Honour of Jan Fredrik Kindstrand. Acta Universitatis Upsaliensis. Studia Graeca Upsaliensia 21, VIII, pp. 37–48, and his forthcoming monograph.   18th-century brown calf, covers bordered with gilt triple fillets and an interior roll alternating a flower and a dotted arch; marbled endpapers and all edges red. Board extremities bumped/scuffed and volume rebacked with gilt morocco spine labels (original leather discolored where laid over the new material); hinges (inside) subtly repaired with similar marbled paper. Intermittent foxing and generally light old waterstaining, the latter chiefly to lower margins or across corners but occasionally ranging upwards or across text; fore-edges of ff. 231 affected, with final leaf significantly stained and extensively repaired/reinforced without loss to text or to printer's device on the verso. A masterpiece of Renaissance printing, on thick paper.  (29671)

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The third volume includes two plates and one oversized, folding plate reproducing two inscriptions and a frieze, engraved by E. Malpas.

Uncommon outside of Great Britain.

•  ESTC T113913; Brunet, I, 26; Lowndes, I, 5. Contemporary treed calf, spines gilt extra, with gilt-stamped leather title and volume labels; leather worn at edges and moderately rubbed with joints cracking. Front pastedowns with private bookplates and signs that a plate was removed on front free endpaper (one vol. endpaper holed); impressions of old pencilled shelf numbers on title-pages (and one lightly inked old date). First two leaves of vol. III with upper margins stained and final leaf browned; some pages with a few spots of faint foxing, most clean and crisp.

•  ESTC T88657; Dibdin, I, 232; Schweiger, I, 2. Contemporary vellum-covered boards, covers framed and panelled in blind with central blind-stamped strapwork medallions, spines with gilt-stamped leather title and volume labels; front joints repaired and now strong, vellum soiled. Front free endpapers with early inked owner's name as above; shadow of shelf number once pencilled on title-page, erased. Spotting of various sorts and minor smudging in upper margins of some pages; leaves otherwise clean.

Provenance:  Owner's gilt-stamped initials (E.C.K.) on upper cover.

•  ESTC T84696; Gaskell 14.   Original speckled calf with covers double-ruled in gilt, gilt-stamped “E.C.K.” as above, and gilt board edges; spine with raised bands and red morocco spine label; red edges faded to a dusty pink, and a green silk marker. Joints (outside) a little weak, starting; extremities bumped and worn, at points exposing boards; small scar from repair to rear board leather. Light offsetting from binding onto endpapers and from some of the plates to leaves opposite; mild foxing and a little staining; one marginal annotation in ink.A nice copy, overall, of a book interesting for multiple reasons.  (30066)

classical analogies

WorldCat and Lindsay & Neu combine to locate eight copies in the U.S.

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•  Lindsay & Neu 3238 (note collation variation).   Recent paper–covered boards, front cover with printed paper label. A few pages institutionally pressure-stamped; inked numeral in upper outer corner of p. 2. Light foxing; pinhole worming in lower margins, not touching text. Two leaves with inner margins reinforced. A nice copy of an uncommon item.  (27773)

Present here is vol. I containing the original Greek text, the Latin translation having been printed in a separate volume.  Incomplete at the end, it lacks the final eight leaves or the last part of the Indica (37.3–43.14), only, with Arrian's Anabasis Alexandrou (Campaigns of Alexander) appearingcomplete as Books 1–7.

Binding: Contemporary alum-tawed pigskin over bevelled boards, remnants of the metal closures. Covers elaborately blind-embossed with several rolls and devices. Front cover has in its center panel the initials “A. W.,” the date 1539, and medallions of Manfred of Saxony and Luther, while the rear cover's center panel has medallions of Melanchthon and Erasmus.

•  Graesse, I, 227; Legrand, Bibliographie hellénique, III, 388; Adams A2009.   Binding toned to a pleasing dark tan. Old bookplate on front pastedown. Front free endpaper torn with loss. Vol. I only, and lacking those final eight leaves; the Anabasis complete. (20418)

The volume was published at the request of Cardinal Ascanius Columnas in an edition ofonly 750 copies, and was printed at Antwerp at the press of Moretus’ widow and sons with the famous Plantin device appearing in two versions (engraved, to the title, and woodcut, to the final recto).

A full-page engraved funeral portrait of Rubens engraved by Cornelius Galleafter Peter Paul Rubens signals the beginning of the third section, in which Jan Brant records the life of his son-in-law’s brother and transcribes his epitaph. Even Balthasar Moretus contributes an epigram in honor of the deceased.

In the fourth section, Rubens’ own orations and selected letters appear, i.a. his funeral oration to Philip II of Spain. Josse DeRycke contributed the final funerary tribute.

Done up in fully elegant Plantin–Moretus style, the volume has in addition to its careful typography and full-page plate and devices been lavished throughout with two-line block initials and four-line historiated woodcut initials; also, it offers several intricate woodcut tailpieces.

Searches of NUC Pre-1956 and WorldCat locate only eight copies in U.S. institutions, one of which has been deaccessioned; most arenot in obvious places.

•  Graesse, I, 241; Corpus Rubenianum, XXI (1977), 152.   Period-style full brown calf, covers framed in blind double fillets, spine with gilt-stamped red leather title-label, raised bands with blind tooling extending onto covers. With a few odd spots to the text only, this is aremarkably fine, crisp copy. All edges green.  (28878)

•  Sabin 2736. Publisher's textured cloth, front with gilt-stamped title, greatly faded with extremities rubbed and worn, spine with paper shelving label and some loss of cloth. Title-page and some others lightly stamped by a now-defunct institution. Two short edge tears, some corners slightly crumpled; the occasional spot, stain, or foxing — a good copy.

•  Shaw & Shoemaker 5809. Recently rebound in period-style tan cloth over light blue paper sides, spines with paper labels. Contemporary ownership inscription to front fly-leaf in each volume. Map with light offsetting and short tear just starting along one fold. First 20 leaves of vol. II waterstained and last 10 foxed; scattered incidences of spotting in all volumes, pages generally clean. A nice-looking set, and still — as it always was! — a work offering a pleasant way to absorb ancient history.

This work is the first listed in all bibliographies under Louis Elzevir’s press at Amsterdam. In fact both the Elzevir edition of 1638 and this have the same colophon: “Lugduni-Batavorum: Typis Georgii Abrahami vander Marse, MDCXXXVIII.” And both collate the same, the only difference being the printer’s device and imprint information on the title-page.

Uncommon: Searches of OCLC, RLIN, & NUC locate fewer than ten copies in U.S. libraries.

Provenance: The Rev. Edward A. Dalrymple (Baltimore collector, mid–19th century); his collection given to the Maryland Diocesan Library; that library sold in 2006.

•  Rahir 1876; Willems 961 note. Contemporary vellum over light boards; spine delicately and lightly tooled in gilt. Ex–Maryland Episcopal Diocesan Library with stamp on front pastedown. One natural paper flaw; occasional early underlining.

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•  ESTC T53381. On Bentley's response to Collins, see: Dictionary of National Biography.   Recent marbled paper–covered boards, front cover with gilt-stamped leather title-label. Faint crease lines occasionally visible, pages otherwise clean. (20751)

This edition includes the Scholia, with a separate title-page (“In Sacra Biblia Graeca ex versione LXX. interpretum Scholia; simul et interpretum cæterorum lectiones variantes”); the Old Testament is printed in double-column format, and the title-page in red and black.

•  Darlow & Moule 4692; ESTC R210989; Wing B2718; Bowes, Catalogue of Cambridge Books, 266; Rumball-Petre 254.   Contemporary speckled calf, covers framed in triple blind fillets, spine with gilt-stamped leather title-label (chipped) and blind-tooled ray decorations in head and foot compartments; sides with small scuffs and patches of mild to moderate discoloration, leather chipped at head of spine and nicked at lower front edge, spine leather showing thin cracks. Pastedowns and front free endpaper lacking, back free endpaper and fly-leaves partially excised. Pages trimmed very closely, in a few cases touching headers or first or last letters. Title-page with early inked ownership inscription, lined through. Occasional small ink spots, touching but virtually never obscuring letters; one leaf with three words corrected in an early inked hand; scattered instances of early underlining in colored pencil. Mild age-toning. A landmark of Bible printing in England.  (30034)

Provenance:  Front covers each with gilt-stamped leather label reading “Henry G. Weston.”

•  NSTC 2B26290.   Contemporary half brown morocco with marbled paper–covered sides, front covers with leather labels as above; somewhat rubbed/scuffed with joints and hinges reinforced, back joint of vol. I just starting, spine leather with small cracks and chips. Front pastedowns with traces of now-absent bookplates; first pages each with rubber-stamped numeral, inked notation along inner margin, and institutional pressure-stamp; back pastedowns with pockets. Text annotated as above, marginalia in different colors of ink depending on category (vol. II and latter portion of vol. I not interleaved, with fewer marginalia). Paper slightly embrittled, with occasional short edge tears; one leaf with short slice from outer margin, extending into text without loss. A few instances of staining; scattered faint foxing. Sound, attractive, and interesting in a variety of ways.  (26038)

Uncommon: OCLC and NUC Pre-1956 find only eight U.S. holdings.

•  Goldsmiths'-Kress 19346.100.   Publisher's rose paper wrappers, rebacked in paper wrapper edges chipped and hinges (inside) reinforced. Half-title and title-page institutionally rubber-stamped, front pastedown with institutional bookplate and early inked numeral, half-title with small inked ownership inscriptions. Signatures unopened, edges untrimmed; pages age-toned throughout, some with a little foxing; a nice copy. Now housed in a neat rose-maroon cloth clamshell case with gilt-stamped leather title-label.  (25268)

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Vol. I is illustrated with one wood-engraved plate depicting a Saxon almanac, and seven in-text engravings depicting Odin, Frigga, Thor, and the other deities with days named in their honor.

Provenance: Signature on title-pages of George Buckton, vol. I dated 1812 and vol. II dated 1813.

•  Allibone 237 (listing 1813 & 1814 eds. only); NSTC B4120.   Contemporary treed calf, rebacked preserving original spines with gilt-stamped titles, gilt-ruled and -dotted compartment bands, and gilt-stamped compartment decorations; original spine leather chipped, cracked, and darkened as by fire. Covers with corners and edges unobtrusively rubbed; portions nearest spines showing evidence of heat exposure; hinges (inside) reinforced. Front pastedowns each with institutional bookplate, vol. I front pastedown with bookseller's ticket and affixed early cataloguing slip, vol. I back pastedown and vol. II front pastedown with inked library inscription. Title-pages with inked ownership inscriptions as above. Offsetting from plate and to endpapers from binding, pages otherwise clean though with all edges (i.e., of closed book) darkened. A particularly handsome exemplar of popular scholarship of the day.  (25436)