An engraved frontispiece of Ptolemy done by Menzel opens the volume; the main title-page is printed in red and black, with an engraved allegorical vignette.

Provenance:  Title-page verso with intaglio-printed armorial ex libris, printed directly on the leaf (not a bookplate that was glued on): “Ex Bibliotheca Friederici Roth-Scholtzii.” Friedrich Roth-Scholtz (1687–1736) was a prominent Nuremberg printer and publisher, as well as the author of Icones bibliopolarum et typographorum de republica litteraria and the Bibliotheca chemica; there are several reported examples of such bookplates in his books.

•  Recent quarter calf and speckled paper–covered sides, spine with gilt-stamped author, title, place, date and gilt-ruled raised bands. Volume a little cocked. Endpapers soiled; some pages with mild offsetting, and text otherwise clean.  (25490)

•  Contemporary gilt-stamped green cloth with a bit of light wear to the head and foot of the spine, otherwise bright and lovely. Some page edges uncut. (10569)

•  Original front wrapper present, but not rear one. Some chipping and definite wear, especially along spine. Old ink notations. A good copy. (9383)

Although the university was founded in 1551 and began offering classes in 1553, its rules and practices were not published until 1668: Various manuscript compilations of the rules had been gathered during the first hundred years of the institution, but it fell to Bishop Palafox to undertake the definitive compilation and to initiate the publication of the results, which did not see light of day until after his death. It is his omnium gatherum that the body of this volume offers.

•  Medina, Mexico, 5836; Palau 6067; not in Harper, Americana Iberica; not in Maggs, Bibl. Amer. 20th-century quarter calf with marbled paper sides and endpapers. All edges carmine. Paper clean and crisp. A lovely copy.

•  Original quarter cloth with decoratively printed paper sides, paper chipped over edges. One instance of pencil marking; otherwise clean and unused. (4954)

Click the image for an enlargement.

•  NSTC 2E4287.   Removed from a nonce volume. Title-page with small inked numeral in upper outer corner.  (17041)

The Search is in verse and Joseph in prose. The frontispiece is an engraving by B. Tanner after Stothard's original. Tanner was one of America's premier early engravers upon steel and copper. A student of Peter Maverick's, he settled in Philadelphia in 1805 and continued in the Quaker City until 1845. In addition to engravings for book illustration, he produced line and stipple portraits, scenes, and views. Here his offering is printed on a lighter weight stock than the rest of the volume and, as in all copies we have seen, is browned.

•  Rosenbach, Early American Children's Books, 442; Shaw & Shoemaker 23434. On Tanner, see: Stauffer, American Engravers upon Copper and Steel, I: 243–45. Beyond the scope of Welch. Publisher's salmon paper over paste boards. Clean with no tears. Frontispiece browned as noted, with two lighter spots. A very good copy.

Binding:  Publisher's blue-green paper–covered boards, front cover and spine with printed paper labels; charming wallpaper endpapers. Top edge saffron.

•  Spine lightly rubbed and stained; light waterstaining to lower gutter leaf corners of first half of volume, in only a few instances reaching text and not marring plates; scattered stains elsewhere especially to one section, affecting margins of two plates, and one plate and one signature separated. Much more attractive and indeed simply sounder than this description might suggest; a lovable little book.  (27190)

Rare.  No copies traced via NUC Pre-1956, OCLC or RLIN.

•  On Muretus, see: Sandys, History of Classical Scholarship, II, 148–52. Contemporary half vellum over stencilled paper, spine with inked title; stained and paper torn with much chipping, especially on edges of covers. Ex-library with white-lettered call number on spines and, on title-pages, two different Catholic institutions’ rubber-stamps, plus the old inked ownership inscription of a Jesuit novitiate (Maryland). Ink scratches to frontispiece portrait (intentional?), and some inkstains in margins elsewhere. Lightly foxed. All edges speckled red.

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