Provenance: Early inked ownership inscriptions reading “P.N. Spofford” on the front fly-leaf and the title-page.

•  Original printed paper–covered boards, front cover detached, with paper cracked over the spine and back joint, and some light staining to the covers. A few verses with pencilled notes; pages with occasional small, light spots. The pages from 157–68 are bound in twice in this copy, with the pagination skipped from 169–80; the text headers go from “rose, bridal” to “rose-bud, red.”

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•  NSTC 2A2513.   Removed from a nonce volume. Closely trimmed with shouldernotes and signature marks variously shaved; clean.  (30249)

All 16th-century editions are scarce. Via NUC, OCLC and RLIN we locate only this copy of this edition (now deaccessioned) and that at Princeton.

Binding: Contemporary alum-tawed sheep over wooden boards with partially bevelled edges. Elaborately blind-embossed with a roll and a center panel ornament. Front cover with initials “H. S.” and date “1597” in gilt. Rear cover with gilt putti in the areas where initials and the date appear on the front.

Evidence of readership: Marginalia in the prefatory index; very scattered early underscoring.

•  VD16 A969; Goedeke, II, 8. Binding as above, lacking clasps and with old paper spine label; ex-library with bookplate and call number in old, faded, white numbering on spine. Title-page browned and tipped in; loss of paper to fore- and bottom margins of same. Some age-toning to paper and several leaves with natural paper flaws, repaired with archival tissue; three other leaves also with natural paper flaws repaired at time of binding or shortly after printing. Approximately 12 leaves with inkstains, sometimes obscuring text. One leaf (178) with a hole costing a significant loss of text. A marginally acceptable copy as regards text, in a good binding.

•  Lipperheide 1341; Abbey, Travel, 244.   Binding overall rubbed and somewhat rough, front joint (outside) starting and back hinge (inside) likewise. Offsetting from plates, instances of light foxing and occasional soiling throughout. Plates 16, 29, and 39 excised some time ago, with faint pencil marks on contents list indicating their absence. An imperfect copy, still offering an array of engaging images and elegantly bound, with its sociologically intriguing text intact.  (28807)

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The anonymously published work is signed “An Antiepiscopalian”; the title-page here bears a hand-inked attribution to Matthew Wilson.

An important entry in the literature of the “American Bishops” controversy in the lead-up to the American Revolution.

•  ESTC W13420; Evans 10947; Felcone 126; Hildeburn 2370; Sabin 11876.   Recent binding: boards appealingly covered in paper printed with 18th-century music, front cover with printed paper label. Two pages (not including title) institutionally rubber-stamped. Title-page with early inked ownership inscription and annotations, later lined through, with authorial attribution in the later hand. Lacking pp. 17/18, with final leaf tattered and text on p. 19 lined-through-by-show-through of X'es “deleting” manuscript notes on the verso (still, readable). Pages age-toned and lightly spotted, with edges untrimmed. One leaf with early inked annotation along outer margin.  (28100)

Present here is vol. I containing the original Greek text, the Latin translation having been printed in a separate volume. Incomplete at the end, it lacks the final eight leaves or the last part of the Indica (37.3–43.14), only, with Arrian's Anabasis Alexandrou (Campaigns of Alexander) appearingcomplete as Books 1–7.

Binding: Contemporary alum-tawed pigskin over bevelled boards, remnants of the metal closures. Covers elaborately blind-embossed with several rolls and devices. Front cover has in its center panel the initials “A. W.,” the date 1539, and medallions of Manfred of Saxony and Luther, while the rear cover's center panel has medallions of Melanchthon and Erasmus.

•  Graesse, I, 227; Legrand, Bibliographie hellénique, III, 388; Adams A2009.   Binding toned to a pleasing dark tan. Old bookplate on front pastedown. Front free endpaper torn with loss. Vol. I only, and lacking those final eight leaves; the Anabasis complete. (20418)

The author (1700–83), a Jesuit and a native of Granada, includes 410 pages of the “Obras” of the nun, and his thick volume includes a fine engraved portrait of her by Ortuño.

The Bibliotheca Mexicana was the private press of the great bibliographer, writer, and secular cleric Juan Jose de Eguiara y Eguren.

•  Palau 26854; Medina, Mexico, 4454; DeBacker-Sommervogel, I, 1220.   Contemporary limp vellum with remnants of ties. A copy that has seen more than its share of water: waterstaining variously throughout (though often light); first half of volume cockled; title-leaf repaired and now mounted, with four other leaves repaired along margins. Far from the ideal copy, but a decent and usable one priced for its shortcomings; portrait engraving, lovely.  (29736)

Provenance: 17th-century spine label with initials “S.F.” and a tree design between them. Ownership signature of Gordon Duff; Yale University (bookplate) — deaccessioned.

•  Edition: Moreau, II, 930; Shaaber, British Authors Printed Abroad, P57; not in Darlow & Moule. Binding: Fogelmark, Flemish and Related Panel-Stamped Bindings, plate XXXII R.46 & pp. 48–49.  Volume rebacked and much of old spine reapplied; lacks title-leaf and last leaf torn across corner with loss replaced of old, colophon partly supplied in manuscript.  Highlights to initials as above; occasional early underlining or another mark and a later pencilled note on last leaf. Missing leaf and torn second one notwithstanding (though they do lower the price), this isa very nice copy in a notable early binding.

The Latin text here is printed in roman and italic with occasional Hebrew and sparse sidenotes, and decorated with woodcut ornaments and large initials in the prefatory matter and smaller woodcut initials throughout the text. The title-page features thelarge printer's device of Eustache Vignon (fl. 1571–89), son-in-law and successor of Jean Crespin who first published the book at the same shop in Geneva in 1559.

•  Adams C-306; IA 130.185.   19th-century half calf over handsome marbled paper boards, gilt title to red morocco lettering piece, blue speckled edges; front joint starting, back joint cracked, extremities rubbed with some loss to leather at corners and top of spine. Ex-library: bookplate on front pastedown, old-fashioned sticker with shelfmark at base of spine, old pencilling. Waterstained with pinhole worming in text, especially title-page, first 40 and last ten leaves, with minor foxing worsening at end; two small corners torn away and one hole from a natural paper flaw; last leaf mounted. Sparse underlining and two marginal annotations in early ink, and canceled ownership inscription on title-page. Despite its imperfections, desirable for being one of Calvin's rarer works.  (30396)

•  Binding as above with leather abraded at edges and joints open and fragile; slipcase lacking. A compromised copy, but a handsome and interesting production not necessarily easy to find on the market.

Arndt lists three states for this edition, of which this appears to be C, based on the absence of a two-leaf addendum giving a short history of Bible translation—that a buyer could choose to have bound in or not.

•  Rumball-Petre, Rare Bibles, 159; Darlow & Moule 4240; O’Callaghan 22; Wright, Early Bibles of America, 24–44; Evans 5127–28; Sabin 5191; Arndt, The First Century of German Language Printing in the United States of America, 47C; Hildeburn, The Issues of the Press in Pennsylvania, 1685-1784, 804. Contemporary calf over bevelled boards. Binding scratched and abraded with tears to spine leather. Hinges (inside only) open. A printed poem has been affixed to the front pastedown, over a strip of cloth. Ownership inscriptions in German (in gothic cursive) and English on endpapers. Pp. 1–2 with loss of part of margins, some text, and part of headpiece, repaired with paper. Lightly age-toned with darker brown-spotting, some waterstaining, occasional dog ears, and some holing or chipping in the margins—some of the latter repaired with paper. First two leaves, i.e., main title-page and preface supplied in facsimile; the New Testament title-page is present.

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The volume opens with a woodcut portrait of Martin Luther which according to Hamilton (cited in Reilly [see below]) “might have been made by Justu Fox who was working in Philadelphia at this time.”

•  Evans 11714; Hildeburn, Pennsylvania, 2561; ESTC W21005; Warrington, History and Practice of Psalmody in the United States, p. 39; Reilly, Dictionary of American Printers' Ornaments & Illustrations, 1577.   Contemporary sheep, rebacked some time ago, spine with gilt-stamped leather title-, place, “Chris. Saur,” and date labels; rubbed in the ordinary degree and with remnants of clasps. Back free endpaper lacking; pastedowns and blanks with old inked and pencilled signatures and writing practice(?) — which we do not make out much of, beyond “Johann(es).” Three leaves each with closed tear from outer margin extending into text; three index leaves with tattered outer edges, one with loss of lower outer portion; small section of pages with odd little dent to outer edge; last leaf present (and that leaf only) with a couple of pin-type wormholes; final leaf lacking. Pages age-toned, with moderate spotting and staining. Priced according to its described “issues,” not according to its considerable charm on shelf and in hand.  (25105)

The text generally follows the Challoner–Rheims revision, although the notes are collected from various sources. The volume isillustrated with two frontispieces and17 plates engraved by J. Bottomley, Symns and Mitchell, and others after paintings by Westall, Raphael, Reynolds, et al. Issued in parts in a small print run, this Bible is now uncommon.

•  Darlow & Moule 1034. Contemporary acid-stained calf rebacked with mottled calf, spine with gilt-stamped leather title-label, gilt-ruled raised bands, and blind-tooled compartment decorations; sides rubbed/scraped with leather worn over corners/edges, this not disfiguring. Hinges (inside) reinforced with cloth tape, and this large volume now strong. Lacking title-page. Plate from Genesis I:4 removed, and laid back in with margins cut away. First few leaves with edges ragged. Pages with offsetting around plates; occasional light spots of staining, mostly confined to outer margins. (11727)

Arndt and Eck cite Bender, who says “This first American Mennonite Hymnbook isnot to be confused with one of similar title printed by Saur at Germantown in 1753, called erroneously by Seidensticker and Flory a Mennonite hymnbook.” Each portion of this item has a separate title-page, with the second section's title-page reading Sammlung altre und neuer Geistreichen Gesänge. The woodcut frontispiece depicts David playing his harp.

•  Arndt & Eck 2419; Shoemaker 2239.   Contemporary calf rebacked some time ago, spine with gilt-stamped leather title and publication labels; rubbed, original clasps now lacking. Front fly-leaves with early inked and pencilled inscriptions. Final leaf (pp. 21/22 of the 22-page appendix of brief hymn texts, not of the main portion of the work) lacking. Edge nicks, chips, and tears, some extending into text; three leaves torn in half from outer margin, without loss of text; two leaves (one index) with lower outer corner torn away, with loss of a few words; last two leaves with outer edges ragged. Some upper corners bumped. Pages browned, with waterstaining to lower inner portions of about a third of the volume.  (25569)

Provenance:  The family register leaves record that one Peter Paul Shank, presumably the Bible's original owner, outlived three wives (born in 1833, he married in 1857, 1896, and 1903, and died in 1913 in Mineral Springs, NY). The birthdates of Shank and his wives are all listed, but no offspring are recorded.

Binding:  Publisher's deluxe embossed brown roan in imitation of morocco, covers with central medallions surrounded by ivy motifs, spine with gilt-stamped title and blind-tooled knotwork and floral decorations.

•  Hills 1796. Not in Wolf, From Gothic Windows to Peacocks.   Binding as above, minor rubbing to joints, edges, and extremities. 64 pp. of appended material (index, concordance, metrical Psalms) lacking, with Biblical text and index complete; four plates (of six) lacking, with no indication of their ever having been present. Sewing loosening; first few leaves partially separated. Pages age-toned with some foxing. Front free endpaper torn from outer edge; one leaf with tear from outer margin, extending into text without loss.  (24453)

Text in small roman type with side- and shouldernotes in roman and italic. Title-page with du Puys' xylographic printer's device.

•  Graesse, I, 460; Tchermezine, I, 235; Index Aurel. 120.824. This edition not in Adams.   Deep walnut full calf old style: Round spine with raised bands accented with gilt beading, blind-tooled center devices in compartments; old deep red leather spine labels from previous binding reused; fillets extending onto covers from each band to terminate in trefoils and covers framed in blind double fillets. Small brown stain in upper margins of pp. 800–1050, not into text; a few pages with light pencil underlining. Bodin's text complete, but volume without the “Apologie de Renê Herpin” that should appear after the index; priced accordingly. All edges carmine. Really, a rather nice copy of an important Renaissance text.  (27688)

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Vol. I is illustrated with one wood-engraved plate depicting a Saxon almanac, and seven in-text engravings depicting Odin, Frigga, Thor, and the other deities with days named in their honor.

Provenance: Signature on title-pages of George Buckton, vol. I dated 1812 and vol. II dated 1813.

•  Allibone 237 (listing 1813 & 1814 eds. only); NSTC B4120.   Contemporary treed calf, rebacked preserving original spines with gilt-stamped titles, gilt-ruled and -dotted compartment bands, and gilt-stamped compartment decorations; original spine leather chipped, cracked, and darkened as by fire. Covers with corners and edges unobtrusively rubbed; portions nearest spines showing evidence of heat exposure; hinges (inside) reinforced. Front pastedowns each with institutional bookplate, vol. I front pastedown with bookseller's ticket and affixed early cataloguing slip, vol. I back pastedown and vol. II front pastedown with inked library inscription. Title-pages with inked ownership inscriptions as above. Offsetting from plate and to endpapers from binding, pages otherwise clean though with all edges (i.e., of closed book) darkened. A particularly handsome exemplar of popular scholarship of the day.  (25436)

•  Sabin 14312; Shaw & Shoemaker 326; Howes C573.   Period-style quarter tan cloth and light blue paper–covered sides, spine with printed paper label; spine cloth and edges of covers much darkened by smoke, endpapers and pastedowns discolored also. Title-page and last leaf waterstained from an earlier accident and the former tattered, with paper repairs not touching text and small early inked numeral partially cut off at outer edge; marginal smoke invasions and other light spotting at points throughout. One small early inked correction. Sad faults noted, a copy sound for reading and working with, soundly priced.  (26239)

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John Marshall also issued this work in the same year as the present example with a slightly different title-page, reading “Wherein several great and weighty things . . . ,” this being a copy of the issue with a cancel title-page.The text is illustrated with one woodcut scene.  A few copies are described as having a frontispiece, which would not be integral to the collation; presumably it was added later and so not original.

Provenance: John Kinsman, jun., 1760; Edwin P. Farnham, 1903.

•  ESTC T58485.   Recent speckled paper wrappers. Free endpapers and first and last leaves with worm damage to edges; final blank leaf lacking. Front free endpaper and dedication page with rubber-stamped numerals (no other markings). Lower outer corners waterstained in first portion of volume; some darker stains from laid-in plant matter, with several leaves having words obscured or lost due to botanical adhesions — in the worst case, one leaf with hole affecting about 30 words from having adhered to plant matter, subsequent leaf with about 15 words obscured. Some headers just shaved but no catchwords touched. Title-page verso and back free endpaper with inked ownership inscriptions as above.  (20618)

•  NSTC 2B60417.   Period-style quarter light grey cloth and light blue paper–covered sides, spine with printed paper label; engraved portrait of Hale lacking. Ex–social club library with rubber-stamp on half-titles and main title-page but not on the pretty engraved title-page introducing Rochester's life; no other markings. A few leaves with upper outer corners bumped. Nice printing of two much-read and long-respected memoirs.(30337)

a popularizing work which brought the writings of Burney and Hawkins in simplified form within the reach of many without access to the originals

•  NSTC 2B62088. On Busby, see: Oxford Dictionary of National Biography online.   Contemporary speckled sheep, spines with gilt-stamped leather title-label; moderately rubbed overall and moreso at spines; one leaf, pp. 69/70 (in section on music in war) missing in vol I. Ex–social club library: each volume with paper shelving label on spine, 19th-century bookplate, pressure-stamp on title-page, no other markings. Pages creased with occasional light spots. Scattered early pencilled annotations and corrections, including (in a few cases) to music.  (28341)

Vol. I opens with a steel-engraved portrait of the author.

•  Howgego, II, C2.   Period-style quarter tan cloth and light blue paper–covered sides, spines with printed paper labels. Five plates and one map lacking (frontispiece present); two leaves each with tear along inner margin, not touching text; foxed throughout but without embrittlement.  (24387)

We foundjust one similar example, at Yale; this has 40 plates. (The 1857 Philadelphia edition had 41.)

Binding:  Publisher's black leather, covers with blind-embossed rococo frame and central cartouche; smooth spine, marbled endpapers. Alternate, less expensive cloth binding sample for the same title, featuring asplendid gilt-stamped vignette of a native American in battle dress on horseback, on front pastedown.

Evidence of readership: Old pencil scribbles and a few instances of handwriting practice to a leaf or so of text and to the backs (never the fronts) of a number of plates.

•  This sample book not in Arbour. For the 1860 edition of Catlin, see: Field 261; Howes C-241; Wagner-Camp 84:20.   Binding as above, leather rubbed and faded overall. Quires and plates loose, detached completely from binding and each other; clearly lacking at least one plate, title-leaf, and pp. 7–10. Text and plates both soiled and stained though differently, the former most affected in gutters and with darker stains (and typically longer tears) than seen elsewhere; the plates are affected more towards outer edges, usually apparently more by “moisture” than “water,” with some chipped at corners, one tattered and this “stabilized” with old cello tape from rear, one with a long tear just skirting image, and others with the odd small rip at an edge. Some tissue guards present or partly so. Artwork vibrant, often stunning.  (30076)

•  Publisher's blue textured cloth, covers blind-stamped, spines with gilt-stamped title and compartment decorations; worn and scuffed with spines sunned and heads each with strip of dark cloth tape extending onto boards. Ex–social club library: Each volume with 19th-century bookplate on front pastedown, call number on endpaper, title-page pressure-stamped. Vol. IV lacking front free endpaper; vol. II with one leaf with inner margin reinforced, several leaves with outer edges chipped, pp. 3–30 lacking from two articles, and text block splitting at center — due to an old pin's having been thrust in at the gutter! Paper age-toned and slightly brittle, with occasional short edge tears.  (26396)

The recto of leaf a1 is blank, the text of the prefatory matter beginning on the verso.

Provenance: Signature of “John Webb” in a 17th-century hand twice in margin of k3r.

Uncommon beyond the Continent: ISTC and Goff locate only two copies in the U.S. and ISTC locates only two copies in the U.K. (one incomplete), but there is a third copy at the British Library.

•  ISTC ic00601000; Goff C601; HC 5274*; IGI 2910; Pr 4942; BMC, V 400; GKW 6954.   Full modern walnut calf old style: Spine with raised bands, accented with gilt and blind rules, the latter extending onto covers to terminate in trefoils with blind double fillets beyond. Gilt center devices in the spine compartments. Red leather spine label lettered in gilt, and date in gilt at base of spine. Lacking two leaves (b4–5). Upper corners of leaves in gatherings & and [con] damaged with loss of paper. Lower corner of i1 torn with loss of text of both sides of leaf. Waterstaining and old dampstaining variously, this often faint and never really worse than moderate (worst at beginning/end); some age-toning and dustsoiling. Though an imperfect copy, a rarity; indeed, with its manuscript enhancements, a “uniquum.”  (25766)

This copy includes the half-title, but has been well read and shows the signs thereof!

•  BAL 11139; Howes K184; Sabin 37991; Wright, I, 1583.   Contemporary half sheep and marbled paper–covered sides, spine with gilt-stamped title and author; leather worn/rubbed, especially at head of spine, but text firm in its binding. Front pastedown with Philadelphia bookbinder's ticket of B. Kohler (printed on blue paper). Ex–social club library: 19th-century inked call numerals on endpaper and half-title overlaid with paper labels, title-page pressure-stamped, no other markings. Pages age-toned, with intermittent stains and short edge tears; many leaves with edge repairs done some time ago, often with loss of a few letters, generally not affecting sense. Two final pages of advertisements lacking; one leaf with upper outer portion torn away, costing parts of 12 lines; two leaves with lower portions torn away, with loss of about 14 lines to each. Last leaves with waterstaining to outer portions. Clearly, as noted above, the club library that owned this had avid clientele for it; and that they were as determined to “keep it going” as the repairs show, even after it had been damaged, is interesting!  (26386)

•  Early 19th-century half tan sheep, abraded. Waterstained copy, lacking six leaves of preliminaries and with the initial four leaves; included in that count is the title-leaf, although one is present, as this (defective in margins only and mounted) was possibly supplied from a different copy. Ex-library with neat mid-19th-century bookplate. No stamps. A far from ideal copy, but certainly a good one for an impoverished scholar or collector.  (30394)

•  NSTC 2C47117. Publisher’s cloth, covers blind-stamped, spine embossed and with gilt-stamped title; front cover detached, cloth chipped at spine extremities and rubbed at edges. Front pastedown with institutional bookplate, front free endpaper and title-page rubber-stamped, front free endpaper with inked ownership inscription dated 1870. Early inked marginalia to one page.