Binding:  Publisher's green cloth, covers framed in blind, front cover with decorative gilt-stamped title, spine with gilt-stamped title.

•  Barile 39–40; Bitting 388 (for early editions); Cagle & Stafford 627 (second ed. on). Not in Brown, Culinary Americana.   Binding as above, light rubbing overall, more pronounced to joints and extremities. Front free endpaper with later inked ownership inscription (“E. Endicott”). Pages very clean and crisp: a desirable copy.  (28633)

•  Binding as above, spine gilt dimmed, edges and extremities lightly worn. Lower page margins waterstained, with foxing throughout. (10712)

For BOOKS IN FRENCH,  click here.

Binding:  Publisher's dark green cloth, front cover and spine with flowering branches stamped in black, spine with gilt-stamped title.

•  BAL 16902 (not matching either described binding); Wright, III, 4619.   Bound as above, extremities rubbed not too roughly; front cover with small areas of faint discoloration. Front free endpaper with inked ownership inscription (S.M. Woodburn) dated [18]81 and tear with a bit of loss from upper margin. Generally clean and nice with occasional light spots; ads at the back giving extra pleasure and interest.  (28406)

•  Very good; insignificant scratches to gilt on front cover, spine gilt very slightly dimmed, corners and spine extremities showing minor wear. Front free endpaper with gift inscription dated 1884. (1907)

Binding:  Publisher's dark blue cloth, front cover with author and title stamped in cream, and blind-stamped Art Nouveau-inspired foliate design signed “HEF” (overlapping monogram; designer unidentified).

•  Binding as above, corners and spine extremities lightly rubbed, back cover with small scuffs. Back pastedown with Seattle bookseller's small ticket. Pages clean.  (29123)

illustrated with eight steel-engraved plates

Written by a New Hampshire-born poet and educator and published by subscription, this work was originally printed in 1883 as Our Home; Or the Key to a Nobler Life; it appears here in significantly expanded form with contributions from several ministers and one physician. The wide-ranging volume includes the advice to always send your little child to bed happy (“give the dear child a warm good-night kiss as it goes to its pillow,” p. 67), and to spare the rod and develop the child's conscience and sense of honor instead. It also covers the necessity of education and equality of professional opportunity for girls and women, and offers recommendations to smile often in the home, permit only good reading materials, pursue music, provide guidance in maintaining correspondences and friendships, model Christian values and religious observance, encourage fresh air and exercise, avoid alcohol and tobacco, etc.

Binding: Publisher's dark green cloth, front cover with “silver”-stamped decorative frame and red- and “silver”-stamped “Our Home” heart design in center; spine with decorative red and “silver” title. All edges bright red.

•  “Silver” stamping and extremities showing slight rubbing, front cover with a few small, unobtrusive spots of staining. Front hinge (inside) tender from the weight of this hefty work, but holding. Pages clean; a few leaves with small nick to upper edge. A pleasing example of a tenderly appealing portrayal of domestic joys.  (30304)

15 albumen photographic illustrations done by the celebrated Scottish photographer Thomas Annan

Provenance:  Laid in is a slip of paper with the inscription “This little remembrance of many parts in Edinburgh was given by Sarah Bragg to Mary Dawsen in the year 1866.”

Binding:  Publisher's green pebbled cloth with beveled edges, covers gilt extra with wide thistle and rose roll surrounding armorial vignette and title, spine with gilt-stamped sword, crown, and thistle motifs; done by Westleys & Co., London (with binder's ticket). All edges gilt.

•  NSTC 2S10022.   Binding as above, light rubbing to joints and extremities; front hinge (inside) starting from top, sewing just starting to loosen, overall tender. Two pages with minor offsetting from small laid-in flower, one of those pages with pencilled “M.A.D.” inscription in lower outer corner; another laid-in flower on page with “J.E.O.,” four other pages with light offsetting from now-absent items. Endpapers foxed, with scattered light spots elsewhere, including mount leaves; mostly clean. Tissue guards present. Very pretty, very interesting, very giftable!  (28804)

•  Very good; front cover bright and unmarked, spine notably faded, corners and spine extremities gently worn. All edges gilt. Pages very clean. (1908)

Click the images for enlargements.

Binding:  Publisher's brown cloth, front cover with black-stamped hunting scene and title framed in gilt, spine with gilt-stamped title.

•  Binding as above, corners and spine head lightly rubbed. Ex–social club library: call number on endpaper, rubber-stamp on title-page, no other markings. Pages clean.  (27113)

For a bit more FISHIN' &
HUNTIN',  click here.

Binding:  Publisher's light brown near-herringbone cloth, covers elegantly stamped in border-and-medallion style in blind, with spine quite interestingly embossed in blind in “compartments” and lettered in gilt.

•  Bound as above, spines sunned and upper corners bumped; tops of spines slightly discolored and each with slight tearing in same area. A few gatherings carelessly opened, in one case with upper outer corners torn across yet no actual loss. Ex–social club library, and each volume has: 19th-century bookplate, call number on endpaper, no other markings. A nice set.  (28758)

•  BAL 18229, state A, binding A; Wright, III, 5016. Publisher's red cloth, front cover stamped in black, green, and gilt; spine sunned, with binding otherwise clean and attractive, lacking dust jacket. Top edges gilt. Front pastedown with early inked owner's name, back pastedown with small Connecticut bookseller's ticket. One plate with short edge tear, not touching image. (16717)

•  BAL 18242. Publisher's cloth, front cover and spine stamped in white and gilt; stamping and extremities showing just a touch of rubbing, with a small bump to one edge, otherwise clean and fresh. Front free endpaper with ownership stamp. (13676)

Click the images for enlargements.

Binding: Publisher's ribbon-embossed green geometric-patterned cloth of Krupp's style Gt2; original printed paper labels.Do please click to enhance the image of this handsome American binding cloth— it's hard to show, but worth trying to see!

•  American Imprints 49627. On the binding, see: Krupp, Bookcloth in England & America, 1823–1850, Gt2.   Bindings as above, cocked; edges, extremities, labels rubbed, chipped, spotted — far from fresh, but also far from devastated. Ex–social club library: bookplate on each front pastedown, call numbers in a 19th-century hand (lined through) on pastedown and front free endpaper, title-pages and a few others rubber-stamped. No other institutional markings. Front hinge (inside) of vol. I starting, text block pulling away from spine, first few leaves starting to separate. Front fly-leaf with pencilled numeral and pencilled doodle/sketch of a chubby child; occasional faint pencilled annotations. A few scattered spots of staining, pages mostly clean.  (26294)

•  Not in Von Hunersdorff, Coffee. Publisher's embossed gilt-paper binding, moderately worn with the spine and board edges a bit darkened; still a very attractive, unusual binding. Front pastedown with small bookseller's ticket and with remnants of a school prize bookplate. Pages mostly clean, with scattered hints of light foxing. (10592)

•  Publisher's green cloth, front cover and spine stamped in black and orange. A clean, crisp copy.  (23630)

Binding:  Publisher's quarter “tiger-striped” orange-brown cloth with gray cloth sides, front cover with gilt-stamped title and black-stamped door, spine with gilt-stamped title.

•  BAL 18880; Johnson, High Spots of American Literature, 69; Wright, III, 5242.   Binding as above; minor rubbing, spine gilt dimmed. Front hinge (inside) tender. Ex–social club library: call number in 19th-century hand on front free endpaper, rubber-stamp on half-title and title-page, no other markings. A very clean, nice copy.  (26250)

The second volume contains “The Sands of the Green River” (Neith Boyce), “The Unsullied Brow of the Viceroy” (Edwin Lefévre), “The Saving of Jim Moseby” (Anthony Leland), “The Escape” (Dabney Marshall), “Dick” (Maria Louise Pool), “The Primrose Dame” (John Regnault Ellyson), “When His Majesty Nicholas Came to England” (Clinton Ross), “At 'The Temple of Unending Peace'” (Alfred Dwight Sheffield), “The Tumbrils” (Nathaniel Stephenson), “Gil Horne's Bergonzi” (Maurice Thompson), “Her Last Love” (Clarence Wellford), “A Little Boy of Dreams” (Beatrice Witte), and “The Wolf in Sheep's Clothing” (Edith Franklin Wyatt).

Bindings:  Both volumes in publisher's pinkish-tan cloth, all edges gilt. Vol. I's spine in dark blue, each cover with A.E. Borie's Art Nouveau design of a woman walking down the street while reading, stamped in black, green, yellow, and blue. Vol. II's spine in red, covers each with striking black and red reproduction of Claude Bragdon's Chap-Book poster of the “Sandwich Man”: a vignette of a bowler-hatted man in triplicate, wearing Chap-Book sandwich boards.

•  Vol. I: Binding as above, minimal shelfwear, faint smudging to sides. Pages with a few instances of pencilled marks of emphasis, mostly but not entirely confined to the first essay, pages otherwise clean. Vol. II: Binding as above, very slightly cocked, sides with faint spots of discoloration, light wear to extremities. Two stories with faded inked marks of emphasis, and one with a few pencilled marks; a very few small spots of staining, pages otherwise clean.  (29013)

Binding:  Publisher's ribbon-embossed brown cloth with flower and acanthus leaf design (Krupp's style ft1), spine with gilt-stamped title.

Click the images for enlargements.

•  American Imprints 53164; Adams, Manual of Historical Literature, 168. On the binding, see: Krupp, Bookcloth in England & America, 1823–1850, ft1.   Binding as above; corners rubbed and small rubbed spot on front cover, spine extremities chipped, spine head with small lightly discolored area from now-absent label. Ex–social club library: bookplate and early inked call number on front pastedown, title-page pressure- and (faintly) rubber-stamped. No other markings. Front hinge (inside) partially reinforced with paper some time ago. Scattered light staining. A nice book.  (26289)

illustrated with six halftone plates by Edmund Marion Ashe

Signed binding: Publisher's maroon textured cloth, front cover with blind-stamped lion rampant outlined in black, gilt-stamped title, and outlined heart and roundel decorations. Signed by American illustrator and book designer Thomas Maitland Cleland (front cover blind-stamped “C”).

•  Binding as above, mild rubbing at extremities and joints, front cover clean and beautiful. Scattered small smudges, pages predominantly clean. A nice copy.  (28579)

•  Publisher's pebbled cloth, front cover black- and gilt-stamped with vignette and decorative title, spine with gilt-stamped title; binding showing minor wear over extremities. All page eges gilt. Front fly-leaf with gift inscription dated 1885; pages with light spots of foxing, otherwise clean. (5780)

Binding: Publisher's olive cloth, covers blind-stamped in strapwork pattern; front cover with gilt-stamped center medallion presenting a casket of wisdom in vignette with other high-minded emblems. Spine with gilt-stamped title and decorative motifs; all edges gilt.

•  Spine lightly sunned, edges and extremities mildly rubbed (spine extremities more so). Front pastedown with Albany bookseller's ticket of Joseph Lord. Moderate foxing as expectable. A pretty book, and a pretty copy.  (27330)

Upchurch's account of his life and accomplishments includes descriptions of the founding of various lodges and the establishment of their rules, his observations on visiting chapters in California and a number of other states, and (in passing) the poor living conditions in San Francisco's Chinatown; it is illustrated with portraits of the author, depictions of lodge charters and regalia, and other memorabilia. Poems and eulogies were added by Samuel Booth, the editor, who also did his best to shape the plain-spoken Upchurch's thoughts into publishable form while not making any attempt at literary polish.

Binding:  Publisher's roan, front cover with decorative gilt-stamped frame and gilt-stamped facsimile of Upchurch's signature ("Fraternally yours"), back cover stamped in blind. All edges gilt.

This is the original first edition, not a modern reprint. Actual holdings (as opposed to microform or online files) are uncommon in U.S. institutions.

•  Bound as above; rubbed overall most notably at edges and joints, front joint cracked but holding, spine with paper shelving label. Front pastedown with institutional presentation bookplate, lines unused. Pages faintly age-toned, otherwise clean; one leaf with small edge chip.  (29694)

Provenance:  Front free endpaper with inked inscription reading “A Thanksgiving Appreciation to Miss Alta Anderson from the Parents and Pupils of the Emerson St. Presbyterian S.S. Nov. 28, 1917.”

Signed binding: Publisher's deep violet-blue cloth, front cover with wide gilt border of floral and vine design, spine with gilt-stamped title and fleurons. Signed “EE,” with the second E reversed: Edward B. Edwards, who also designed the interior frames.

•  Binding as above, spine slightly dimmed. Pages and plates clean. A lovely copy.  (28954)

The volume opens with a wood-engraved frontispiece and title-page, the latter done by Augustus Kinnersley; vignettes by Phinneas F. Annin, E.J. Whitney, and others are sprinkled throughout, many featuring children with birds or animals. First published in 1842.

Binding:  Publisher's dark terra-cotta cloth, front cover black- and gilt-stamped, spine with gilt-stamped title, back cover with blind-stamped frame. All edges gilt.

•  Bound as above; minor wear to extremities, otherwise fresh and bright. Pages gently age-toned with very few spots of light foxing. A very nice copy.  (30287)

Binding:  Publisher's brick-colored cloth, front cover decoratively stamped in black and gilt withthree affixed CHROMOLITHOGRAPHIC illustrations of children at play.

•  Binding as above, spine and extremities moderately worn, small spots of light discoloration mostly confined to spine and edges. Pages faintly age-toned with intermittent light spotting; six images with early hand-coloring as above. Really, a very pleasing copy anda covetable gift for anyone who appreciates the joys of childhood.  (30281)

Binding:  Publisher's deeply waved terra-cotta cloth of Krupp's style Wav6, front cover with gilt-stamped title and blind-stamped frame.

•  Binding: Krupp, Bookcloth in England and America, 1823--50, p. 43.   Binding as above, corners/edges slightly rubbed and spine pulled at top; interior with an upper corner bumped. A very attractive, clean copy.  (26714)

Binding:  Publisher's muted brown cloth, front cover and spine with stylized rose, leaf, and thorn design stamped in gilt, black, and red. Unsigned.

•  Binding as above, corners and spine extremities lightly rubbed, spine with two small scrapes, and gilt slightly dimmed; an eye-catching binding design and attractive overall. Frontispiece recto with early inked gift inscription. A few faint smudges, one leaf with short tear from lower margin not touching text. Quite a nice copy.  (28865)

•  Good; binding worn, spine faded. Upper margin of half-title torn away. Moderate foxing throughout, with some leaves age-toned. (1931)

Binding:  Publisher's quarter red textured cloth over gold paper–covered sides, front cover with George Wevill's (signed) chromolithographic illustration in red, green, black, brown, and blue of a “perfect” orator wearing a toga — and also, wearingmagnificent Victorian whiskers!

•  Binding as above, moderately worn overall with small spots of discoloration. Title-page with inked ownership inscription dated 1872. Pages slightly age-toned; three leaves with faint lines of waterstaining in outer margins. With endpapers, 10 pages of ads present — and interesting.  (28444)

•  BAL 22748; Sabin 104512.   Publisher's embossed cloth, spine with gilt-stamped title; binding cocked, with spine a touch worn. Endpapers with pencilled annotations; some pages mildly foxed.  (12933)

•  Publisher's brown paper–covered boards, front cover with title and author's signature stamped in black, and with affixed printed paper illustration; without dust-jacket, paper mottled, edges and extremities rubbed, front cover with two small scrapes. A few faint smudges to some pages, otherwise clean.  (29138)

This has a very pretty engraved title-page, acting as frontispiece; between the arched words “Bridal Greetings,” above and below, is a bridal bouquet of emblematic flowers, signed F.E. Jones.

Binding:  Publisher's textured red cloth, covers framed in blind, front cover with gilt-stamped rose vignette, spine gilt extra. All edges gilt.

•  Not in Faxon.   Binding as above, cocked, extremities lightly rubbed, front cover with tiny dark spatter; joints each with small instance of insect damage. Front free endpaper with pencilled annotation. Moderate foxing throughout.  (30370)

•  Publisher's green cloth stamped with a tree branch design in black on front cover, and with the title in gold. Light wear to binding. Pencilling and ink signature on front fly-leaf. A very good copy.

Binding:  Russell-Rutter Company binding of quarter dark green morocco with green linen–covered sides, front cover with embossed portrait in black.

This is numbered copy 972 of 1500 printed, signed by the illustrator at the colophon. The appropriate LEC newsletter is laid in, noting that this volume is part of the LEC's British poets series.

•  Bibliography of the Fine Books Published by the Limited Editions Club, 425.   Binding as above, in original glassine wrapper and black paper-covered slipcase with gold spine label; spine leather very slightly, almost unnoticeably sunned, book otherwise clean and fresh. Wrapper with spine darkened and torn, with loss; one side of slipcase with two faint scratches, overall showing only minimal wear. Book/slipcase as a whole in beautiful clean condition; book's pages crisp. (30088)