•  Publisher's tan cloth, front cover with title and Art Nouveau decorative design (unsigned) stamped in brown and dark blue; spine and front cover with a trio of tiny spots and edges significantly darkened, the discoloration just touching outer edges of title stamping. Pages still clean; children's pictures still adorable.  (29815)

•  Publisher’s cloth, spine with printed paper label; spine and back cover scuffed, spine label darkened and chipped. Front pastedown with institutional stamp. Many signatures unopened. Pages slightly age-toned, else clean; paper embrittled, with a few short edge tears.

Click the image for an enlargement.

•  Brown, Culinary Americana, 2819g (for 1922 first ed.).   Publisher's printed paper wrappers; spine and edges mildly sunned, otherwise clean and all but unworn. Light offsetting to four pages from laid-in recipe clippings. Nice.  (29158)

This is a states' edition, promulgated by José Gómez de la Cortina, Governor of the Federal District.

•  Streeter, Texas, 880.   Very good condition. Lacking the integral blank leaf.  (24618)

According to Miller's bibliographers, the 1945 printing uses the same plates as the 1938 edition, explaining why the copyright reads “Reprinted October 1938,” confusing this with the second Obelisk printing. “The actual date of publication is 1945 and is documented in a letter Miller wrote to Ben Abramson in August of that year” (Shifreen & Jackson). Like the copy seen by Shifreen and Jackson, the present copy's leaves vary in size, so that many are shorter than others.

Jack Kahane founded the Obelisk Press at Paris in 1929 to publish illicit English-language books like this free from legal censure.

•  Shifreen & Jackson A12e.   Publisher's steel gray wrappers with white boxes lettered in black; faded and shelf-worn, paper on the lower spine cracked to reveal quires beneath. Age-toning resulting from poor paper quality, as usual for this edition; sewing brittle. Far from pristine; definitely showing evidence of its readership.  (30196)

“I start tomorrow on the Paris book: first person, uncensored, formless — fuck everything!” So wrote Miller to Emil Schnellock in 1931. Three years later, after some financial difficulty, Jack Kahane published Tropic of Cancer at Obelisk in Paris with money Anaïs Nin borrowed from a psychoanalyst. It is the story of Miller's first year in Paris, living hand-to-mouth as a struggling writer.

This edition is the same as the fourth edition in all but wrappers (and the same as the third in pagination, except for necessary variations on the copyright page: “Fifth printing” and “Reprinted January 1939"); our copy'sbinding is blue and white, lettered in black, not the light green wrappers lettered in darker green called for by Shifreen & Jackson.

Jack Kahane founded the Obelisk Press at Paris in 1929 to publish illicit English-language books like this free from legal censure.

•  Shifreen & Jackson A9h.   Binding as above; wrappers faded and creased along the spine, upper joints cracking. A copy that clearly was read more than a few times.  (30191)

•  Shoemaker 9489. Not in Hill.   Removed from a nonce volume. Light age-toning. “No.7” in ink (early 19th-century hand) at top of title-page.  (27260)

•  Publisher's purple cloth, spine faded to brown; bottom of spine pulled with small loss of cloth; top of spine with brown paper tape repair. Ex-library: call number on spine; bookplates; five-digit number stamped in two blank areas; blind pressure-stamp on title-page; charge pocket removed from rear pastedown. Foxing of the sort to be expected, no other soiling.  (21276)

Although whatever title-page may have been present is now lost and the first piece's beginning likewise, what is present here is a fascinating labor of love and lively-mindedness.

•  Hand-inked covers as above; edges darkened, one bright orange tie surviving and one lost. Leaves separating, first leaf lacking.  (30247)

Although a scholar in Greek and Latin at Washington University, Waterhouse according to the DAB had "interests [that] carried him far from the classical subjects he enthusiastically expounded in the classroom." He is noted as a "firm believer in the future of the Middle West [and] an ardent advocate of improving the Mississippi River."

•  On Waterhouse, see: Dictionary of American Biography, XIX, 533. Original flexible fabrikoid, splitting along spine.

Signed binding: Publisher's brick-colored cloth, front cover and spine with decorative gilt-stamped title and twining vine and flower motifs, front cover with “AR” monogram of designer Amy Richards (fl. 1896–1918).

•  Binding as above, slightly cocked and with corners a little bumped, spine very gently darkened and back cover with small spots, front cover with a few pinprick-type holes not detracting overly from overall appearance of design. Top edges gilt. A few page margins with faint smudges, otherwise clean.  (29769)

250 recipes making use of slow cooking

•  Bitting 326 (for 1909 & 1911 eds.); Brown, Culinary Americana, 2637 (first ed. only). Not in Cagle & Stafford.   Publisher's dark green cloth, front cover and spine stamped in black with title and images of fireless cookers; mild rubbing to extremities, very faint scratches to back cover. Front hinge (inside) with small area of insect damage near head. A clean, solid copy.  (30292)

•  Publisher's cloth, front cover black- and gilt-stamped, spine simply gilt-stamped, binding gently worn with minor spotting to spine and lower edge of front cover. Ownership inscription to front free endpaper. A nice copy.  (2901)

Click the image for enlargement.

•  Very good condition. Written in a small but clear hand.  (24650)

Provenance:  Ex-German Society of Pennsylvania Library, a German-American social organization.

•  Publisher's green cloth stamped in blind on covers and in gilt on spine (with a knight, bishop, and castle in addition to author and title); a little cocked and bottom edges worn. Front free endpaper separated and rear one chipped. Ex–social club library: call number on endpaper, rubber-stamp on title- and two other pages, no other markings. Clearly a book that was often read and consulted with some soiling and staining resultant; text not chipped though printed on inexpensive paper.  (26923)

•  Publisher's quarter cream parchment paper and blue paper sides, front cover and spine with gilt-stamped leather title-labels, in original blue-gray paper dust jacket with black-stamped title and edition information; binding in beautiful condition, jacket with small edge chips and spine head splitting. Pages clean. A nice copy.  (29707)

The volume opens with awood-engraved illustration of the saloon, done by Philadelphia artist Charles H. Reed. Author James was a medical officer in the Union army and also published Two Years in the Service, or, the Personal Recollections of a Medical Officer and A Complete History of the Great Rebellion; or, the Civil War in the United States.

Binding:  Publisher's textured green cloth, front cover with gilt-stamped vignette of the shop and a very large American flag, taken from the frontispiece; back cover with same vignette in blind. Spine with a bit of gilt embellishment at top and bottom, gilt-stamped title.

Provenance:  Front free endpaper with inked inscription: “Compliments of Mrs. A. Horner Phila. July 4th 1876"; also with rubber-stamp of Samuel Hoffman, a Philadelphia collector and dealer of presidential and political material; and finally with inked inscription: “To the LIbrarian U. of Chattanooga Sept. 13, 1957 from John C. Daub,” a Pittsburgh rare book dealer.

•  Sabin 50402.   Bound as above, corners and spine extremities rubbed. Front free endpaper with inscriptions and stamp as above. A clean, solid copy.  (29560)

Signed binding: Publisher's striped cloth, predominantly seen in the 1840s and never common: Brown ripple-textured cloth thinly striped in light blue, covers each with blind-stamped frame and gilt-stamped harp and shamrock vignette, spine with gilt-stamped title and strapwork; front free endpaper with pressure-stamp of the Benjamin Bradley company. All edges gilt.

•  On binding cloth: Krupp, Bookcloth in England and America, 1823–50, Rip3.   Binding as above, cocked, corners rubbed, spine extremities chipped, tiny spot of insect damage in front joint; overall more attractive than this list might suggest. Front hinge (inside) tender. Pages gently age-toned; a few leaves of preface with light staining along inner margins. A very popular work, here in an unusual and distinctive binding.  (30344)

•  American Imprints (1833) 20211; NSTC 2M35483.   Publisher's brown cloth, spine with printed paper label; cloth faded and discolored, spine label rubbed. Front free endpaper with faint pencilled ownership inscription dated 1856. Light to moderate foxing throughout. (20642)

eight plates and various page embellishments all done by artist and designer Blanche Ostertag

Binding:  Publisher's rosy beige cloth, front cover with vase of roses design stamped in cream and dark green and with gilt-stamped title and crown decoration, spine with cartouche-style title stamped in cream and dark green. Endpapers with printed mountain scenes.

•  Binding as above, virtually unworn. Two faint small smudges to title-page, pages otherwise clean. A lovely copy.  (28605)

•  Wright, III, 3879. Publisher’s green cloth, spine with gilt-stamped title; cloth showing minor wear overall. Frontispiece with outer edge waterstained; four leaves with some offsetting from laid-in scrap of cloth. Pages with a few scattered small spots, mostly clean.

•  Publisher's red cloth, spine with paper label, in excellent condition save for slight discolorations to spine label. With laid-in prospectus. Pages mildly cockled; scattered, pinpoint spots of something(?) that got into the slurry during the paper-making. A handsome, clean copy.

Binding:  Publisher's brown cloth, front cover with black-stamped title and gilt-stamped vignette of an 18th-century mob-capped lady tasting from a steaming cauldron.

•  Bitting 337 (for first ed.); Brown, Culinary Americana, 2452 (likewise). Not in Cagle & Stafford.   Binding as above, minimal rubbing to extremities. Back pastedown with 19th-century Brentano ticket. Pages faintly age-toned, otherwise clean. A very nice copy.  (30093)