Provenance:  Contemporary ownership signature at top of title-page: “J. Store's [book].”

•  Not in Evans. Bristol 4313; Shipton & Mooney 43119; Trumbull, Connecticut, 1214; Johnson, New London, 1047; Adams, American Independence, 222r; Grolier, American One Hundred, 14 (for first edition). This edition not in Sabin or Howes.   Uncut and stitched as issued. Title-page age-toned, lightly soiled and lightly abraded. Lower margin of pp. 29–30 torn with loss of three words on 29 and four on 30; supplied for reading sense. Housed in quarter red morocco clamshell case, spine nicely gilt, with an inner paper chemise protecting the pamphlet.  (29365)

With the leaf of advertisements for “new publications for sale by John Fellows.”

Provenance: Signature of “Geo. Wilson jr,” dated 1880, inked to title-page.

•  Evans 30944; ESTC W20110 & T5824.   Uncut copy, without the half-title, stitched in modern plain wrappers; dust-soiled and age-toned with old dampstains. Ownership signature as above on title; pencilled note on verso (not in the same hand), “bad effect on bank of connection with gov't.” A good copy.  (29899)

Provenance:  Title-page with early inked ownership inscription, “Boquhan” (Stirling, Scotland).

•  Adams, American Controversy, 83-69a; ESTC T5851; Howes P26; Sabin 58229.   Gilt-stamped leather spine laid down on 20th-century dusty rose-colored paper-covered boards; front cover slightly faded, spine extremities chipped. Ownership inscription as above. Pages clean.  (29323)

The first three volumes were printed in Amsterdam in 1734, and each opens with an engraved frontispiece; the fourth volume was printed in Cologne in 1739. All four volumes have title-pages printed in red and black, with the fourth specifying that Nicole's notes were translated by Mademoiselle de Joncourt.

Provenance:  All four title-pages with small early inked ownership inscription in upper outer corner of “A. Thorpe, York.”

•  Period-style quarter mottled calf and marbled paper–covered sides, spines with gilt-stamped leather title and volume labels and gilt-stamped compartment decorations. Vols. I and II with frontispiece rectos institutionally rubber-stamped, with bleed-through into images; ownership inscriptions as above. Pages clean.  (27243)

•  ESTC N34872; Part IV: ESTC T93310. Recent marbled paper–covered boards, spine with printed paper label. Title-page with traces of now-absent early ownership inscription and with an early inked annotation identifying Pearce, then the Bishop of Bangor, as the author; one page with inked and pencilled annotations. Pages mildly age-toned.

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This is a handsome production from the Hogal press, which is considered one of the finest operating in Mexico in the 18th century. It sports a full-page woodcut of the coat of arms of José de Castorena y Urzúa, the bishop of the Yucatan, and a notably strong, lovely one of St. Joseph and the Infant Christ; neither is signed.

Provenance: Marca de fuego of the main Mercedarian convent in Mexico City, in upper and lower edges of the book.

WorldCat and NUC Pre-1956 combine to locate only five copies of this in the U.S., one of which is incomplete.

•  Medina, Mexico, 3086; Palau 218002; DeBacker-Sommervogel, VI, 480.   Contemporary limp vellum with ties. An occasional spot or stain; two short, slim, delicate wormtracks to (in each case) perhaps six leaves, across text but not affecting reading, and a third even shorter, slimmer, entirely marginal.foray in a number of other leaves. A very nice copy.  (29581)

The marginal notes here are printed in French!

•  Palau 221179; Peeters-Fontainas 1056; Gallardo 3449; Oxford Companion to Spanish Literature 457. 19th-century calf, old style. Scuffed and abraded. Front free endpapers starting to loosen and with a few tears in margins. Text clean and tight.

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This book also appears in the HISPANIC
                      MISCELLANY — click here.

•  Brunet, IV, 575; Dibdin, II, 276–77; Schweiger, II, 725. 19th-century quarter sheep in imitation of morocco, with marbled paper–covered sides, spines with gilt-stamped titles; spines, edges, and extremities rubbed, vol. I with spot of discoloration to spine. Main title-page with shadows of pencilled numerals. Pages clean.

•  Evans 36546; ESTC W26008. Period-style quarter calf over marbled paper–covered sides, spine with gilt-stamped title. First two leaves with a bit of light spotting in margins, otherwise clean.

This second edition was printed in the same year as the first; although the title-page mentions "an engraving by an eminent artist," no illustration is present in this copy.

•  ESTC T7920; NCBEL, II, 695. Recently rebound in marbled paper–covered boards, spine with gilt-stamped title label. Lacking engraving. A half-title (possibly not that belonging to this piece) has, at some point in the past, been cut in thirds and used to back/repair the title-page (to good effect, actually), leaf 45–46, and leaf 47–48 (text on p. 48, a list of "Pindar's" productions partially obscured by repair; the work itself, fine). One page (not the title) has been stamped by a now-defunct library; several leaves with tears, some repaired.