Both this and the first edition are scarce. Searches of OCLC, RLIN, and NUC Pre-1956 find only seven U.S. institutional holdings of the 1677 printing.

•  Barbier, Dictionnaire des ouvrages anonymes, IV, 213; BM STC French, 1601–1700, R1083. Contemporary speckled calf, spine gilt extra; leather slightly acid-pitted, with edges and joints rubbed and unobtrusive number inked on back cover, spine with gilt a bit rubbed and paper shelving label in uppermost compartment. Front pastedown with inked ownership inscription dated 1737.

•   Sabin 58295; Medina, BHA, 1245; Peeters-Fontainas 1029; Palau 209622. Contemporary mottled sheep, spine gilt extra, with gilt-stamped leather title-label; corners, spine, and spine extremities a touch rubbed, otherwise pleasingly fresh. Front free endpaper with early inked inscription, front fly-leaf with early inked “Acto de contricion” affixed. Lacking additional engraved title-page. Final third of text block starting to pull away from spine, sewing still holding. Pages age-toned, with some instances of spotting and offsetting. All edges mottled to match binding.

Paleario was at once a creation of the Renaissance and of the Reformation: He carried on a wide correspondence with the intellectuals of his time, he studied the writings of Luther and Erasmus, and he sought to reconcile the old with the new. This edition of his works is chiefly composed of his letters, but also includes “De Immortalitate Animorum libri III,” and “Poematia.”

•  On Paleario, see: Contemporaries of Erasmus, III, 45–46. Contemporary vellum over boards; bit of abrasion and black speckling in lower area of spine. 18th-century armorial bookplate on front pastedown. Occasional light spotting in text. Notes in pencil on rear endpapers. Rear free endpaper torn with loss of paper in the lower outer area.

Preceding the Decachordum Christianum is the De Jesu Christi stigmatibus, a discussion of the wounds of Christ as found on the shroud of Turin, composed by Alfonso Paleotti (1531–1610) archbishop of Bologna. His discussion of the shroud is interspersed with a more forensic analysis of the sufferings endured by Jesus, by Daniel Mallonius, an Italian Hieronymite priest. This was first published separately in 1606.

This 1607 edition of the Historia admiranda is apparentlythe first joint publication of these works under this title, and it was followed by a 1616 edition. In this edition the De Jesu Christi stigmatibus opens with an engraved title-page and has16 full-page engravings illustrating the shroud of Turin from both front and back, as well as the wounds of Christ and the instruments of the Passion. The Decahordum christianum has10 full-page engravings showing scenes from the life of Christ, that of the Annunciation being strikingly beautiful. Though continuous in pagination, the supplementary De excellentia instrumentorum Dominicae Passionis by Vigerio has its own sectional title-page incorporating a striking engraved vignette of Christ as the man of sorrows. Both volumes are printed withwoodcut initials, head- and tailpieces, and sidenotes.

Allison & Rogers report European holdings of this, but we tracednone in the U.S.

The volume begins with a half-title, followed by an added engraved title-page that is printed from one very large plate (signed by Kilian). The main and each of the divisional title-pages has a large printer’s device of a lion with bees and the motto “De forti dulcedo” (Joannis Posuel, the Lyonnaise printer?). There are woodcut head- and tailpieces. The text is printed in double-column format.

•  DeBacker-Sommervogel, III, 1398; also VI, 130. Contemporary vellum over paste boards, round spine, raised bands; covers ruled in blind with a double-fillet to form concentric compartments; center of each cover with a large blind-stamped medallion of interwoven design. Front joint open along the bottom two spine compartments; some soiling and stains. Title-page of pars I torn and crumpled along inner area of upper margin, tear repaired from verso; area of tear with slight crumpling. Foxing. scattered throughout, sometimes very noticeable; some ink blots; also browning from interaction of printer’s ink with impurities in paper at time of manufacture.

Click the image for an enlargement.

•  Palau 216717. Removed from a nonce volume. Light waterstaining, mostly to inner corners. Trimmed closely, with shouldernotes and first or last few letters shaved in some instances. One leaf with tear from upper margin extending into text, repaired some time ago, obscuring a few words.

Despite this strongly worded treatise against persecution (which argues that all men should be able to make a free and open choice of faith and worship), the statutes remained in place for many years to come.

•  Wing (rev.) P1298A; ESTC R12742. Recent marbled paper–covered boards. Title-page with tiny, unobtrusive numeral inked in upper outer corner, first text page with numeral stamped in lower margin (no other markings). Title-page and first text page with moderate foxing, others clean.

Click the images for enlargements.

•  ESTC R234420; Wing (rev.) P1362A; Smith, Friends’ books, 2.673.   Modern plain paper–covered boards; back cover and spine a little dust-soiled. Lacking blank leaf at end of preliminaries and pp. 9–16 (the B signature — this opens in medias res, as to Penn's “cruelties”); title-page’s inner and outer margins each with one small repaired tear, not touching text; title-page and last page dust-soiled, with other pages age-toned. Small, small repair to inner margin of last leaf of preliminaries. Still shocking.  (22907)

Extremely uncommon. Searches of OCLC, RLIN, and NUC Pre-1956 locate just three institutional holdings, only one in the U.S.

•  18th-century quarter sheep with speckled paper–covered sides, rubbed and abraded; front joint open and back joint starting, leather cracking and gilt lettering to spine all but lost. Front pastedown with pencilled notations and institutional bookplate, front fly-leaf and title-page rubber-stamped, front fly-leaf with inked ownership inscription dated [18]45. Pages untrimmed. Moderate foxing; some leaves with red staining along inner margin, not approaching text. Two leaves with small portion of lower margin excised; separate title-page for second work with small portion of outer margin excised and replaced some time ago with a scrap of paper bearing an early inked annotation.

The reference to “multis epistolis auctum ex vetusto codice bibliotecae I. Chalasii I. C.” refers to the 65 letters found in the library of Johannes Chalasius, of Nîmes, andpublished here for the first time.

The volume is in roman type and has the Crispinus printer's device on the title-page, woodcut initials, and headpieces. This is one of several issues of an edition differing only in the imprint and in slight variations of paging.

•  Horti 364–5; Catalogue of the Petrarch Collection in the Cornell University Library 34; Graesse, V, 236 (“C'est l'édition la plus complète des Epitres de Petrarca.; il y a 65 lettres de plus que dans la prem. édition”).   18th-century half “white” calf, gilt spine, raised bands; boards covered with red and white combed paper. Edges rubbed; two spine compartments lighter than others. Old institutional bookplate (no other markings); 19th-century pencilling and pen notes on front free endpaper. A clean and nice copy.  (24431)

The main text is composed of “In Pindaricam exegesin prolegomena” (pt. 1: fol. 1–5 recto); “Prolegomina de Olympiis” (pt. 1: fol. 5 verso – 12, p. 13–45); “De eidei, strophe, antisrophei [sic], epodoi, kolois, pedibus, & carminibus lyricis” (pt. 1: p. 46–51); “Pindarou Olympionikai” (pt. 1: p. 53–331; caption title p. 53); “Pindari Pythionicae” (pt. 2: p. [1–8], 1–395; half title p. [1]); “Pindari Nemeonicae” (pt. 3: p. [1-8], 1–267; half title p. [1]); “Pindari Isthmionicae” (pt. 4: p. [1–8], 1-–53; half title p. [1]); “ Catalogus victorum, qvibus eide haec scripta sunt” (pt. 4: p. 155–56); “Leipsana seu residua fragmenta scriptorum Pindari, incuria superiorum seculorum amissorum, ex diversis autoribus collecta ab E[rasmo S[chmidtio]” (pt. 4: p. 157–68); “De dithyrambis. Qvaestio in promotione XXXII. Philosophiae candidatorum d. 23. Martii Anno 1607. à M. Joachimo Jaschio proposita” (pt. 4: p. 247–55); and two indices.

•  Alden & Landis 616/94; Sabin 62917; Jantz, German Baroque, 193; Schweiger, I, 235; Dibdin, Greek & Latin Classics, II, 288.   Contemporary vellum. Browned copy; ex-library with bookplate and attractive rubber -stamp in margin of one preliminary leaf; old notes in an elegant hand on front and rear free endpapers. In fact a very good copy. (21201)

This book bears an ornate, emblematic engraved title-page, with portraits of St. Brendan and Boyl and more, and no fewer than 18 leaf-filling plates by Wolfgang Kilian. These plates, which mixfancy and realism in entirely engaging ways, include a portrait of Columbus, a scene of St. Brendan celebrating mass on the back of a whale, botanical images of the marvelous Peruvian potato, and numerous views of the missionaries’interaction with the natives, some friendly, and some not—the unfriendliest being notably violent and gory. Also, on p. 35–36 is given an example of purportednative American music, with both words and notation. This copy is one (probably the first) of two states of this sole edition (with only three leaves in the preliminaries), without the additional foldout plate found in some copies.

•  Alden & Landis, European Americana, 621/100; Sabin 63367; Palau 224762. Binding as above and shown at left (distortion noted), chipped on corners and at head and foot of spine. Small wormholes visible on inside of covers, running into margins of pages and plates, and a few closed tears, neither affecting print or plates. Engraved title remounted. Small stains, light spots of waterstaining, and light soiling. A very covetable illustrated Americanum of the early 17th century, in an enjoyable copy.

"Porta's system . . . leads him constantly to conclusions of analogies between plants, animals and men. Similar humours are found in various apparently unrelated organisms. Plants and animals that correspond in shape are interrelated. A leaf formed like a stag horn shares the character of the deer. The horse is a noble animal, therefore it is a sign of nobility to walk erect with the head held high. Men who resemble a donkey are like that animal: timid, stupid, nervous. He who looks like an ostrich is akin to it in character: he is timid, elegant, vicious, stolid. A man who reminds us of a swine is a swine, eating greedily and having all the other characteristics, such as rudeness, irascibility, lack of discipline, sordidness, lack of intelligence [and] modesty. In a similar way, men who look like ravens are impudent; those who resemble oxen are stubborn, lazy, irascible; men who have lips shaped like those of a lion are hearty, magnanimous, courageous; others who make us think of a ram are timid, malicious and humble. When practising medicine, Porta had many occasions to observe his patients, and to study their character and complexion; the results of this studious inquiry are laid down in his book." (Seligmann)

This work was written in Latin and first published in 1586 under the title De humana physiognomia. It saw 19 editions before 1701, and has been translated into Italian (1598; translation by Salvatore Scarano), German (1651), French (1655), and English (1817). This tenth Italian edition is replete with a large number of intriguing (and humorous) woodcuts. The first is a portrait of Porta, and, while some of the rest show anatomical figures, the vast majority contrast the shapes of faces and bodies of animals and men. The title-page vignette is of Aesculapius, the Greco-Roman god of healing.

Appended to Della fisionomia humana are the Fisionomia naturale of Giovanni Ingegneri († 1600), the Physionomia of Polemon (ca. a.d. 88 – a.d. 145) in an Italian translation, Porta’s Della celeste fisionomia (a repudiation of astrology), and two short related treatises by Livius Agrippa and Luigi Settala (1552–1633). Della celeste fisionomia has a number of interesting woodcuts showing pagan gods and constellations.

•  Seligmann, The History of Magic, 319. On physiognomy, see: Thorndike, History of Magic and Experimental Science, VII, 448 & following. On Porta, see: Webster’s New Biographical Dictionary 811. Vellum over paste boards, soiled and cockled with a little chipping and front joint opening. Ex-library: paper labels on spine and rubber-stamps, including one on title-page. Pages cockled with traces of soiling on top edges; a few edges bumped. Plates in very clear, strong impressions.

This is the fifth edition with some additions to the observations and annotations. Each title-page has the printer’s device (a crownedsalamander  surrounded by flames). The text is printed in double-column format in roman and italic type with occasional woodcut initials and head- and tailpieces. The work also includes bibliographical references and indexes.

•  19th-century half-leather with textured paper sides; old library shelf-mark in white ink, to spine. Binding a little abraded. Some underscoring in text; some waterstaining in lower area of pages at end of vol. II. A good copy.

Rare: No copies traced via NUC Pre-1956, OCLC or RLIN.

Single-click the image where the hand appears on
mouse-over, for an enlargement.

•  Not in Palau. In recent wrappers. Light foxing, a few light waterstains, and a few shallow tears, the latter not touching text.